The best William Shakespeare books

Nearly any of Christopher Moore’s other books would have better fit this list generically, but I am relying (heavily) on the presence of fantastical creatures and magic spells to maintain the necessary toe in the fantasy pool for my non-sequitur selection of Fool. Based skeletally on Shakespeare’s King Lear, Fool credits Lear’s court jester, Pocket—along with MacBeth’s trio of witches, a “bloody ghost,” and other foils—for engendering the war that followed the king’s tragic decision to disinherit his kindest daughter in favor of his other conniving offspring. Linguistic and bawdy humor are packaged in Moore’s cockeyed and delightfully Will-esque prose, rendering half the fun—at least for readers fond of the Bard—the detection of Shakespearean elements amidst olde-timey twists on today’s ruder colloquialisms.

A middle-grade novel about an artistic beetle? Sign me up. This delightful story of a talented beetle named Marvin, his human friend James, who work together to help the Metropolitan Museum of Art recover a stolen artwork is delightful, thrilling, and heartwarming. It’s not always easy to have (or not have) artistic talent!

Sylvia Path (1932-1963) was only thirty when she committed suicide in London.

An American girl, alumna of Smith College, gifted and tortured from the start, she became most famous, after her death, for her novel The Bell Jar and Ariel, her posthumous book of lyrics that contains the much anthologized poems “Daddy” and “Lady Lazarus.”

She married the British poet Ted Hughes and bore two children. She and Hughes divorced. Much of her lived life is the material for her wrenching poems.

She was sanctified by the women’s movement, but she was no saint. Her legacy is her work.

And Heather Clark’s massive biography is a marvel of research, energy, sympathy, and literary analysis.

Gorgeously illustrated and elegantly written, Lena Orlin’s new study of William Shakespeare shows her great skill at doing research to give us new ways to understand the playwright. She puts the evidence of his life within the context of other Elizabethan documents. Orlin proves that we can know more about Shakespeare by examining the lives of the people in his circles. As she tells us, this is neither a literary biography nor a full biography, but it is a book that follows the evidence to tell us much more about Shakespeare the man. Shakespeare cared deeply about his father and his marriage to Anne was much less contentious and a more pleasant partnership. Though there have been so many books about Shakespeare, Orlin helps us understand him beyond the myths. Her brilliant and thorough reading of documents presents a wonderful read.

Dawn Powell is one of the most overlooked literary figures in America from this time. Her acid wit (and gender) immediately begs comparison to Dorothy Parker. A New Yorker transplanted from Ohio, she wrote many plays and novels from the 30s to the 60s. Wicked Pavilion was published in 1954 and is a delicious satire of a group of artists who frequent a small bistro near Washington Square Park – hard-drinking writers, poets, and painters. It features a hilarious subplot of a painter who stages his own death so the value of his paintings will increase. The antidote to Henry James, Dawn Powell writes like Edith Wharton on laughing gas.

This laugh-out-loud crime mystery has a special place for me because I read it not long after migrating to Australia and, through the lead character, Murray Whelan (a political staffer who spends his time digging himself in and out of holes), I was not only introduced to Australian humour but also to a new way of viewing Melbourne, its politics, establishments, and suburbs. In Stiff, as with Shane Maloney's other books in this series, the city landscape is as much a character as Murray Whelan himself, and this sense of place adds a richness to the story that would be missing if it were merely treated as a backdrop.

This is the book that inaugurated a whole field of Shakespeare studies—repertory studies—that focuses on the commercial concerns of the London playing companies, treating plays as commodities used by companies to make money, and examining the strategies used by companies to remain competitive in the theatrical marketplace. Knutson’s work de-emphasises the significance of playwrights and focuses instead on playing companies.

Kermode is a literary critic and this book is a study of apocalyptic narrative throughout the ages. But as Lowith shows, all Western historical thought is apocalyptic. Kermode takes this point further by looking not just at the Bible, but also Roman philosophy, modern English poetry, and more. It might sound like a bit of a detour, only it doesn’t feel that way when he brings it all to a head in an early diagnosis of the postmodern condition. Because we now know the power of stories, he argues, they can only continue to do their work by ‘defying our sense of reality.' Talk about the ultimate cliffhanger!

When people think about software engineering they mostly think about programming, but that’s not where a project starts. It starts with requirements.

(Really it sometimes starts with company politics, bickering, excuses, and backstabbing, but requirements gathering is often the official start.)

A good set of requirements keeps developers pulling in the same direction; a bad one can make the team inefficient, cause endless arguments, set developers against each other, and make the project feel like Lord of the Flies. I’ve seen projects scrapped and restarted from scratch or even canceled due to poor documentation.

Every software developer should know at least a little about writing so they can produce clear requirements and documentation.

This book isn’t specifically about writing documentation (which is something of an art in itself), but it can help you learn how to make your business writing more effective. This book won’t turn you into Shakespeare,… show more.

In this deeply disturbing novel, an elderly and despotic farmer named Larry Cook decides to give joint ownership of his 1000-acre farm in Iowa to his three daughters, although the youngest, Caroline, objects to this arrangement and is soon disinherited.

In the emotional wake of this family conflict, long-hidden revelations about how Cook sexually abused his two eldest daughters – Ginny and Rose – come to light. As the old tyrant’s mind and body deteriorate, Ginny and Rose run the farm as best they can and share their painful memories with each other.

Will they be able to make peace with a past that continually threatens their emotional well-being? And dare they continue running an enterprise that reminds them every day of their brutal father and damaged childhoods?  

Antiquarian Charlie Lovett’s The Bookman’s Tale is informed by his expertise. TBT is a paean to books, their production, archival, transmission, forgery. This book should appeal to readers who love books. The story of Peter, a present-day apprentice rare books dealer, alternates with that of Bartholomew Harbottle, a crooked Elizabethan book dealer, a friend of William Shakespeare. 

The book follows a Shakespearean document as it passes from hand to hand over time. At first, the document appears real. Then forged. Then partially forged. Then perhaps real. Then a perfect copy shows up. Which one is real? Which one is fake? Are both fake? Therein lies a tale.

Silverian Stables isn’t technically a ranch, as it is in a fantasy story and the stable is more a place where the horses of the knights, travelers, and other high-born’s horses are kept, but in only a few pages I was sold and ready to start the long trek up Mount Saddle. The stables become a focal point in book two where the Stable Master is one of the main characters. We get a loving peek into her life and the lives of those caring for the horses. The horses that fill the stables feel like ones I have known all my life and am dying to ride. Even though it is fantasy romance, it reads like any great small-town story, just with an added hint of magic.

Crowley is the author of the timeless classic Little, Big, of course (which is also essential reading), but his novel, The Solitudes, began a tetralogy that explores history, alternate history, and the grand Hermetic framework which contains it all.

Centering around a historian working to connect an alternate imagined world, Ægypt, with the real one today, Crowley’s readers take a deep dive into the Renaissance world of Giordano Bruno, Doctor Dee, Shakespeare, and others, while simultaneously exploring the arcane world of the present.

It feels strangely akin to something Umberto Eco might come up with if he ever wanted to write fantasy.

As with any Crowley novel, the prose is absolutely gorgeous—a masterclass of beautiful, thoughtful writing. This series has been unjustly overlooked. Give it a try.

“Friends, Romans, countrymen, lend me your ear.” This is a must-have for any library. I wish I had begun reading William Shakespeare much earlier than high school! This 48-page volume provides a wonderful introduction for young and older readers with an assortment of Bard’s poems and speeches. Each entry is beautifully illustrated and explained by an expert. Definitions of hard-to-understand words are thoughtfully included at the bottom of each page.

This book contains an incredible amount of detail and diagrams about the enigmatic “Dr Robert Fludd” who I regard as just another alias of the Bard.

Fludd, like Sir Francis Bacon was a proto scientist - way ahead of his time - with a background matching closely my own beliefs about the true origin of the polymath. It offers a whole new perspective on what the Bard actually knew in addition to writing poems and plays

This is the screenplay of the movie that caught all our hearts. Until this film was made, most people imagined William Shakespeare as a balding, portly man who wrote plays that no one could understand then or now.

But in this film, Shakespeare is a (handsome) man, questing for love as well as a writer whose words speak to everyone’s heart. Plus there’s mistaken identities, subplots, intrigue, and Queen Elizabeth. What’s not to love?

Golden Age mystery aficionados know Phoebe Atwood Taylor’s humorous Cape Cod mysteries, but they may not be familiar with the even more hilarious—in my opinion, anyway—mysteries she wrote as Alice Tilton.

A friend lent me Tillton’s The Left Leg. As soon as I’d read its last page, I was on the hunt for the rest of them.

Beginning with a Bash is the first in Tilton’s series starring Leonidas Witherall, a boys’ school headmaster, radio detective story writer, and dead ringer for William Shakespeare.

These mysteries read more like capers, with Witherall ricocheting around Boston as he stumbles over corpses, eludes gangsters, dons disguises, and deals with impudent children and persistent dogs. Guaranteed to make you laugh out loud.

I read this during a period of temping when I was at university, and it was like an enchanted escape capsule from my job.

It was written in the late nineteenth century, but it doesn’t have the kind of starchy, pious formality of a lot of writing from that time. It feels very free and very modern, rooted in the details of everyday life that probably stay quite constant throughout history – like cheeky kids, the failure of all forms of waterproofing, and how annoying our friends are when we’re confined with them for any length of time.

It’s based on Jerome’s honeymoon trip up the Thames, but with his wife diplomatically replaced by two imaginary friends and a dog.

I love offbeat stories that surprise me! We meet Jo as she arrives at a cabin out in the woods for a scientific bird study, and of course, she arrives with a lot of emotional baggage. She soon meets a little girl who comes out of the woods like she’s homeless. Jo gets a neighbor involved, although not through her choosing. The neighbor doesn’t seem to like people or want to be bothered, but soon they both find themselves responsible for this lost little girl. This story has mystery and intrigue, and a slowly developing romance and family dynamic that I love. The setup is new and fresh, and the writing is amazing. It’s hard to tell you how much I loved this story! 

I typically don’t read YA, but I’d just finished writing a book about searching for an ancient shipwreck, so I thought, why not see what someone else did with this idea? And I’m so glad I did. Otherwise I would have missed out on this compelling inner journey of a teenager who tries on adult responsibility and explores who she wants to be: someone who flees, breaks down, acts out, steps up, reaches for meaningful connection, or (and) loves.