The most recommended William Shakespeare books

This laugh-out-loud crime mystery has a special place for me because I read it not long after migrating to Australia and, through the lead character, Murray Whelan (a political staffer who spends his time digging himself in and out of holes), I was not only introduced to Australian humour but also to a new way of viewing Melbourne, its politics, establishments, and suburbs. In Stiff, as with Shane Maloney's other books in this series, the city landscape is as much a character as Murray Whelan himself, and this sense of place adds a richness to the story that would be missing if it were merely treated as a backdrop.

I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.

O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.

Jeremy had a career as a crime reporter that had recently turned from exciting to dangerous. He flew to Paris with little money and nowhere to go. Serendipity led him to Shakespeare and Company, a bookstore along the Seine with a perfect view of Notre Dame. 

The owner, George, allowed authors to reside for free at the store, resulting in a continuous rotation of vagabonds searching for purpose, inspiration, or just a bed among the bookshelves. 

I loved meeting this cast of eccentric writers from around the world, finding camaraderie at this literary haven. It reminded me how quickly travelers can bond over a shared experience, and how sometimes a place can be the most interesting and vivid character of them all.

I can’t seem to recommend one book without recommending two but a teacher once told me, Shakespeare never said one thing when he could say two, and never two things when he could say three. I admit I’m a Shakespeare ‘pusher’ because I believe the works instill wisdom, humanity, and critical thinking skills—attributes that are disappearing as much as some of the natural world mentioned above. Having these tools are essential to saving ourselves and the world around us. We seem to forget how to be human in the same way exercise instructors tell us: Don’t forget to breathe. Newstok serves up a rich menu to digest the delicious process of thinking, so that ‘smarting up’ is as easy as breathing. But I also loved How to Teach Your Children Shakespeare, by Ken Ludwig for similar reasons (and it works well for adults too!).

Not all archival work entails Indian Jones-style quests for hidden treasures; Steggle’s book—written at a crucial point when digital databases such as Early English Books Online and Google Books were accessible but rarely utilised to their maximum capabilities—proved how much crucial knowledge is hiding in plain sight. Steggle used a variety of search strategies to solve cruxes and mysteries that have plagued theatre historians for centuries, recovering the subject matter of lost plays that scholars routinely ignored on account of their opaque titles and scant evidence.

First, an admission. It took me two attempts to read this book; the first failed because it was so unlike any of the other Cornwell books I have read; the second worked because I got over my preconceptions!

Set in Elizabethan London and focused totally on the world of the actors who make up Shakespeare's theatre, it moves from personal angst to the intrigue and double-dealing around the theft of the manuscript of Shakespeare's latest play.

As always with Cornwell, you get a sense of the world in which it is set through brief, gritty descriptions that let you get into the plot without pages of exposition.

The hero, Richard Shakespeare, is a fallible but likable character who provides a human lens through which we learn about Elizabethan theater and the complex politics of the era.     

Widge is an orphan in Elizabethan England, where orphans are sadly too common. But Widge is unusual. He has a unique talent which he learned from his first master: he knows a secret kind of shorthand. Sold to a dastardly villain who wants to use that talent to steal Shakespeare’s newest play, Widge finds himself in London apprenticing with the theatre company. Will he steal the play or risk his life to be loyal to the only “family” he’s ever known? Inspired by Shakespeare’s Lord Chamberlain's Men – and a very real problem of plays being stolen – there’s plenty of action, including swashbuckling swordplay. From the first page, I found myself rooting for Widge, hoping he would make the right choice and live to become an actor in the company.

If Young’s focus on just one play seemed hyper-specific, this book takes it a step further by looking at the afterlife of a single character from Hamlet. Deanne Williams and Kaara L. Peterson have brought together chapters looking at Ophelia in painting, photography, film, stage design, and even on social media. The international group of authors looks at Ophelia from different perspectives and demonstrates her connections with the history of women’s physical and mental health. The striking photograph on the cover – Gregory Crewdson’s Untitled (Ophelia) – is a key example of the collection’s scope: it restages a famous nineteenth-century painting of the drowning Ophelia, but sets it in a modern living room. 

An electrician and his wife rescue an orphaned baby house sparrow and raise him into adulthood and beyond. This beautifully and at times hilariously told story is full of precious revelations about the rich personality of a bird routinely overlooked by us.

Gorgeously illustrated and elegantly written, Lena Orlin’s new study of William Shakespeare shows her great skill at doing research to give us new ways to understand the playwright. She puts the evidence of his life within the context of other Elizabethan documents. Orlin proves that we can know more about Shakespeare by examining the lives of the people in his circles. As she tells us, this is neither a literary biography nor a full biography, but it is a book that follows the evidence to tell us much more about Shakespeare the man. Shakespeare cared deeply about his father and his marriage to Anne was much less contentious and a more pleasant partnership. Though there have been so many books about Shakespeare, Orlin helps us understand him beyond the myths. Her brilliant and thorough reading of documents presents a wonderful read.