I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
I loved this book for its humanity and the language she used to pithily emphasize characters and situations. There was not an excess word employed. She compassionately realized every character and gave them wisdom, angst, and a tragic sense of loss. I found it utterly absorbing and have reread it several times.
A New York Times Book of the Year DAILY MAIL 'BEST BOOKS OF THE YEAR TO GIFT FOR CHRISTMAS' SUNDAY EXPRESS' S MAGAZINE 'WINTER WARMERS' GOOD HOUSEKEEPING 'BEST BOOKS OF 2020' ONLINE
'One of the most emotionally truthful novels I have ever read' DAISY BUCHANAN 'Almost every line glows with even-handed wisdom - a superb novel, beautifully put together' DAILY MAIL 'An invaluably moving book' JULIET NICOLSON 'One to read first for the story and then to re-read at leisure and marvel at how real these people feel' ERIN KELLY 'Penetrating, intelligent, humane, funny too ... Smart and powerfully alive'…
Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing.
In Elizabethan England, Christmas revelries were presided over by a Lord of Misrule. During this season of legitimized misconduct, the brilliant Sir Francis Bacon requires surreptitious help in solving the murder of a fellow barrister in hopes of regaining the queen’s favor, from which he’s been ousted. It falls to his protégé, Thomas Clarady, to probe through disguises and earn the trust of a range of women, from the educated to the bawdy, in order to find the answers in time to prevent catastrophe. I love the Tudor period with all its riches, and this first entry in the Francis Bacon Mystery Series feels emotionally and historically credible.
Brilliant Francis Bacon is at a loss -- and in danger. Bacon must put down his books and investigate the murder of a fellow barrister at Gray's Inn in order to regain the queen's favor. He recruits his unwanted protégé, Thomas Clarady, to do the tiresome legwork. The son of a wealthy privateer, Tom will gladly do anything to climb the Elizabethan social ladder. The first clues point to a Catholic conspirator, but other motives for murder quickly emerge. Rival barristers contend for the victim's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
Shaw believed he was a better writer than Shakespeare, and I think he may be right in this play. His wit and language combine to inform and entertain. Cleverness and iconoclasm abound. You can't help but revel in Shaw's pin-pricking of cherished beliefs. In response, we are forced to reevaluate customs and standards. If you want intellectual fun, this play is for you.
Shaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution. As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic expose of the eternal struggle…
I have always been fascinated by statistics (I’m a statistician by profession), and anything that tells a story of actual people and events has always captured my imagination. I have a particular affection for the quirky and offbeat, something that illustrates catastrophic failure, lack of common sense, a misplaced sense of entitlement and people who repeatedly tried but always fell short. I have a passion for black humour as it helps me to realise that, no matter how dark things look in my own life, there are others who have it much worse.
I was truly astonished to read a book that celebrates the dark side of life. It is full of unsavoury facts and includes many amazing lists. I found them really appalling, but at the same time was taken in by the sheer depravity of people from history.
In fact, I found myself reading this large volume twice as it was easy to forget just how nasty some of these characters were. I have recommended it to my friends, who also found it as fascinating as I did.
Prepare to be even more revolted, flabbergasted, appalled and entertained by this incredible follow-up collection of bizarre but absolutely true trivia. Nothing is too distasteful for this astonishing compendium, including scores of eclectic lists to amuse, astonish and appal your friends.
Entries include: 10 Road-kill Recipes History's 10 Most Murderous Regimes 10 Historic Sex Toys 10 People who Married Their Nieces 10 Deaths by Sex 10 People Killed by Falling Animals 10 Ancient Remedies Containing Body Parts 10 Flatalogical Facts 8 Most Violent National Anthems 15 Premature Obituaries 10 Unusual Royal Deaths 10 Cruel and Unusual Punishments 10 Notable Executions…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
I love this book because it spotlights performance contexts and conditions–what it means to stage history during the Elizabethan period–and, through this focus, provides fresh, nuanced interpretations of the plays it considers, including some by Shakespeare and others performed by Queen Elizabeth’s Men.
It is another formative book for me, especially because it negotiates ideas and representations of ‘truth’ in historical drama. Walsh’s book offers a compelling account of the communal construction of history and the interplay between presence and absence, which has also helped me understand my own methods as a critic and historian.
The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through…
I have always been fascinated with stargazing, bird-watching, photography, and microscopy, and consequently vintage telescopes, binoculars, cameras, microscopes, and optical and scientific instruments in general. I began my career in an optics laboratory at the Royal Aircraft Establishment, Farnborough, and went on to become a Chartered Engineer. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and write fiction and non-fiction. Brass and Glass: Optical Instruments and Their Makersis my first non-fiction book. My novels include An Accident of Birth, andGalactic Alliance: Betrayal. I live in Kent, England with my wife, Margo, and our cat.
This book provides a history of the London instrument makers who worked during the period 1540 to 1610. Few precision instruments survive from this period, and Gerard L’E Turner has constructed a fascinating in-depth account of the London trade and the instrument makers of the time, as well as providing a description and history of the different kinds of instrument, and a detailed descriptive catalogue of the known surviving instruments. This is an invaluable resource about a period considered to be the dawn of the precision instrument trade in England.
Europe in the sixteenth century experienced a period of unprecedented vitality and innovation in the spheres of science and commerce. The Americas had been discovered and the colonizing nations had an urgent need for mathematical instruments for navigation and surveying. The Elizabethan age saw the establishment of the precision instrument-making trade in London, from 1540, a trade that would become world-famous in the succeeding two centuries.The first of a group of London makers was an immigrant from Flanders, Thomas Gemini, succeeded by the Englishman, Humfrey Cole.It has proved possible to find over 100 surviving mathematical instruments, signed and unsigned, made…
I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
Ian Mortimer gives us a fascinating insight into Elizabethan life, and I think this edition of his Time-Traveller’s Guide is as entertaining and informative as the others in the series.
I really enjoyed the details of everyday life, such as what would be in the kitchen or larder, although sometimes the lists were a little long. I enjoy the format of this type of book being written as a travel guide, it is educational as well as easy to read.
'A fresh and funny book that wears its learning lightly' Independent
Discover the era of William Shakespeare and Elizabeth I through the sharp, informative and hilarious eyes of Ian Mortimer.
We think of Queen Elizabeth I's reign (1558-1603) as a golden age. But what was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory…
I have loved the Malvern Hills my whole life, first living on a sheep farm at their foot and then in my great-grandparents’ old house at the very top. As a teenager I fell for a farmer’s son (now my husband) and spent all my time on his Herefordshire farm. My upbringing firmly engrained a deep love of rural life into me, so it was natural it became integral to my writing. To write with authenticity about a way of life I am so passionate about, I immerse myself in farming research and keep my hand in on a local farm when it comes to busy times such as lambing.
This book takes a fabulously rich dive into the rural lives and beliefs of a Tudor farming community in the Herefordshire village of Much Marcle, which is where my husband’s old family farm stands.
It is the story of a huge landslide, known locally as The Slip (we used to drink in a pub that still bears the name) at a time when anything that couldn’t be explained was thought to be the work of witches.
I found the historical element of this book utterly fascinating, especially as I know the area so well, but it went beyond a local interest story and I was completely compelled by the narrative and the wonderfully vibrant cast of characters.
Martha is a feisty and articulate young woman, the daughter of a wheelwright, living in a Herefordshire village in Elizabethan England. With no mother Martha's life is spent running her father's meagre household and helping out at the local school whilst longing to escape the confines and small-mindedness of a community driven by religious bigotry and poverty.
As she is able to read and is well-versed in herbal remedies she is suspected of being a witch. When a landslip occurs - opening up a huge chasm in the centre of the village…
I am a librarian and a writer with a passion for history and challenging the narrative, because sometimes, the things the history books tell us aren’t the whole story. After all, history belongs to the victor, doesn’t it? Finding and writing stories that explore historical lives beyond royals and the wealthy is what I love, and I’m always looking for more books that do this. I started reading historical fiction as a child, delving into things like the Dear America and American Girl series, that told the stories of everyday people in these grand moments of history, and reading those books inspired me to write my own.
This book, set during the Elizabethan period, tells the intrigue-filled story of Christopher (or Kit) Marlowe as he agrees to be a spy for the Queen of England in order to make the money he needs to become a playwright. I know what you’re thinking. This does involve a monarch, but it’s very much about what happens when a desperate man makes a deal with powerful people to achieve his dreams, and ends up in trouble. If you know what happened to the famous playwright who was Shakespeare’s peer before his death (or what likely happened to him), you know what I mean. This book is a thriller, but is at its heart a love story about a man in love with his art and his best friend, and his struggle to choose between them.
An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder.
England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when…
I first became interested in food when I was researching my PhD on the use of the body as an instrument of rule in British India. The British in India developed a language of food to demonstrate their power and status. I discovered that food is a rich subject for the historian as it carries a multitude of stories. I have since written five more books exploring these complex stories, always interested in connecting the broad sweep of historical processes to the more intimate level of everyday life and the connections between the food world of the past with the food world of the present.
In among the diaries and photographs, medal collections, old-fashioned games and mother of pearl counters that Hilary Spurling helped her husband clear from a great-aunt’s London house in the 1970s, she found the seventeenth-century, leather-bound manuscript cookbook of Lady Elinor Fettiplace. Lady Elinor lived with her husband in Appleton manor a few miles south-west of Oxford from 1589 until her death in 1647. The book is one of very few manuscript cookbooks to have survived from this time and from the marginal annotations noting timings and quantities, as well as extra ingredients, it is clear that Lady Elinor used it as a working cookbook. Spurling decided to do the same and followed Lady Elinor ‘round the calendar’ making her ‘Oringe Marmalad’ in January, pickling ‘cowcumbers’ in July, and preparing mutton and rosewater mince pies in December. Through Spurling’s cooking adventures we are transported into the familiar yet strange, rose-water flavoured…
Brilliantly compiled and presented by the celebrated biographer, Hilary Spurling, Elinor Fettiplace's Receipt Book has become a classic in the history of English cooking, and an extraordinarily intimate glimpse into the fabric of everyday Elizabethan life.
'Hilary Spurling has done brilliantly ... Being both a scholar and a cook seems to be a rare combination than one might have expected.' Jane Grigson
'Few cookery books are as important or as fascinating as this ... (Hilary Spurling's) scholarly and practical skills combined make the book much more than an antiquarian curiosity. It is a cookery book to use.' Victoria Glendinning, The…
