I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
This entertaining book is aimed at children but could really be enjoyed by everybody as a light-hearted introduction to the Tudors.
I think the whole Horrible Histories series shows that history can be fun and is a great place for children to start to look into the past. I enjoy looking at history from another perspective: how horrible can it be?
Discover all the foul facts about the Terrifying Tudors with history's most horrible headlines. All the foul facts about the Terrifying Tudors are ready to uncover, including:
who invited Queen Lizzie to visit his brand new toilet
and what you get when you sew the front of a chicken to the back of a pig
Fully illustrated throughout and packed with horrible stories - with all the horribly hilarious bits included
with a fresh take on the classic Horrible Histories style, perfect for fans old and new
the perfect series for anyone looking for a fun and informative read
Most people have not heard of a female playwright before Aphra Behn so I’ve been passionate about restoring the work of Shakespeare’s ‘sisters’, or female contemporaries, to the stage and to public awareness. Early play scripts by women are often dismissed as ‘closet drama’: unperformed, not written for performance, and unperformable. To challenge such assumptions, I staged productions of female-authored plays, most recently Wroth’sLove’s Victory. A good deal of writing about women’s drama now exists, including my book Playing Spaces.I have made this selection to encourage you to discover the plays for yourselves. I hope you enjoy reading, and perhaps watching or acting, them.
I found this historical novel about the life of Mary Sidney Hebert, the Countess of Pembroke really enjoyable because it offers me the fantasy of filling in the gaps in the historical record about one of the early women writers.
I find it impressive because it draws on years of research on Mary Sidney Herbert by the author who is a renowned literary critic. Miller tells Mary Sidney Herbert’s story ingeniously by paralleling it with the life of a fictional character, Rose, who serves as her waiting woman.
Although I know the historical facts, the twists and turns in the narrative successfully cast new light on how I read Mary Sidney Herbert’s poetry and her play Antonius, though, for me, the co-authorship that the novel imagines remains entirely fictional.
A remarkable life lost to history is brought into sharp focus
England, 1575. Young Mary Sidney is bearing a devastating loss while her father plans her alliance to Henry Herbert, Earl of Pembroke. But Mary is determined to make her mark on the world as a writer and scientist.
As Mary Sidney Herbert steps into her new life with the earl at his home, Wilton House, an unusual friendship is forged between her and servant Rose Commin, a country girl with a surprising artistic gift, that will change their lives for ever.
Defying the conventions of their time, mistress and…
I am a writer on the lives of women during the Plantagenet and Tudor periods. I have been fascinated by history since childhood, when the death of my mother when I was six years old encouraged a need in me as I grew up to look backward, for memories and glimpses of the past. When I came across queen Elizabeth Woodville she piqued my interest, and her life story has remained with me ever since. This passion for her life and the era led to my first book on her sisters (The Queen’s Sisters) and was followed up by a second book on her daughters entitled The York Princesses.
Of all the six wives of Henry VIII, it is fair to say that Anne of Cleves is often considered the least interesting. We have Katherine – the stoical first wife; Anne Boleyn – the Mistress who lost her head; Jane Seymour – Henry probably loved her most and she died giving him his much-longed-for son; Katherine Howard – young, flighty, and careless who also lost her head; and Katherine Parr who loved another and managed to out-live Henry and her marriage to him. And then in the middle, there’s Anne of Cleves – dull (Henry thought so too), who he divorced and packed off to the country. No story there.
But in Anna of Kleves, Weir really brings her alive and gives us a living, breathing version of who she may have been. From her days before Henry, to her survival instincts both during and after her marriage, I…
The surprising and dramatic life of the least known of King Henry VIII’s wives is illuminated in the fourth volume in the Six Tudor Queens series—for fans of Philippa Gregory, Hilary Mantel, and The Crown.
Newly widowed and the father of an infant son, Henry VIII realizes he must marry again to ensure the royal succession. Forty-six, overweight, and suffering from gout, Henry is soundly rejected by some of Europe's most eligible princesses. Anna of Kleve, from a small German duchy, is twenty-four, and has a secret she is desperate to keep hidden. Henry commissions her portrait from his court…
Even in childhood, I was struck by the sheer horror and tragedy of Henry VIII’s wives, women who had a place at the heart of power and managed, some more so than others, to influence the politics of their time, yet were powerless to save themselves when the wind changed. It was a fascinating and turbulent period that saw England rise from a provincial backwater to become an important player in European politics, bringing the social and cultural changes that sewed the seeds of our modern world. Exploring the period through the prism of women’s lives is a major aim of all my six novels.
Susannah Dunn has a way of putting you right inside history with her instinctive and impeccable descriptive writing. She has fictionalised the stories of a number of Tudor women and all are excellent but I’ve chosen this as it was the first of hers I read. It tells of Henry VIII’s tragic fifth wife, a teenager pushed into the King’s bed by her ambitious family. The story unfolds through the eyes of her companion – an intimate insider’s view, typical of Dunn’s work – who witnesses everything but is powerless to help. Without giving too much away, it doesn’t end well.
When 12-year-old Katherine Howard comes to live in the Duchess of Norfolk's household, poor relation Cat Tilney is deeply suspicious. The two girls couldn't be more different: Cat, watchful and ambitious; Katherine, interested only in clothes and boys. Their companions are in thrall to Katherine, but it's Cat in whom Katherine confides and, despite herself, Cat is drawn to her. Summoned to court at 17, Katherine leaves Cat in the company of her ex-lover, Francis, and the two begin their own, much more serious, love affair.
Within months, the king has set aside his Dutch wife Anne for Katherine. The…
I was inspired by teachers and books starting at a very early age, and even before I was ten, I knew that I wanted to become a teacher and writer. In pursuing these two passions, I set out to become the best that I could be. I read countless books on the art and craft of writing (many of them by acclaimed authors). I chose these five exceptional books in the order that I read them over years of researching/writing La Brigantessa, which ultimately won an international Gold IPPY award for Historical Fiction, and was a finalist in two national literary awards. Hope you, too, are inspired by my picks!
Barbara Kyle covers all the areas fiction writers want and need to know about the craft of writing and how to elevate your craft into art. Her book is an essential guide to creating a novel with strong and compelling characters, setting, plot, dialogue, and more.
Her insightful suggestions and advice, initially through a manuscript evaluation of my book, and later with a thorough reading of this book, was an essential part of my writing journey towards creating a “page-turner” that led to the acceptance and publication of my novel.
"Brings alive almost every tough issue a writer of fiction must confront . . . friendly and fun to read." — Albert Zuckerman, founder of Writers House literary agency
“Kyle knows her stuff. She breaks down both the art and the craft of writing in a way that is entertaining and easy to understand.” — #1 New York Times bestselling author Kelley Armstrong
ABOUT THE BOOK
What makes a page-turner? What mysterious literary essence holds a reader so hard they feel they must keep reading? And then tell friends, "I couldn't put it down!"
I have a Ph.D. in British history and have taught a variety of courses on the topic for the past 40 years. Since first visiting Scotland on a study tour in 1981, I have been to Britain and Ireland both multiple times and have spent extended periods of time there. From Shakespeare to the Beatles, from the Norman Conquest to the Second World War, from Roman Britain to Brexit, I have found each period of British and Irish history endlessly fascinating and sharing my passion with students and readers has been one of the great joys of my life.
If there is any one book that has changed the way I view early modern British history, Kaufman has written that book.
Kaufman has written a series of mini-biographies here of Black residents of Britain during the sixteenth and early seventeenth centuries that predate Britain’s involvement in the slave trade and demonstrate just how wide-ranging the Black British experience was during this period. The book challenges many preconceptions, especially the association of Blacks with slavery that really only emerged in England after the Tudor period.
The stories of the individuals featured in this book have much to teach us, not only about this early period, but about the Black contribution to British history in general and the need for historians to write them back into that history.
A Book of the Year for the Evening Standard and the Observer
A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England...
They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any…
I’m an author, researcher, and historian writing about Tudor women. As a woman myself, I’m naturally interested in what life was like for those who came before me, and I’m very passionate about writing the lesser-known, forgotten women back into the historical narrative of the period. We all know about Henry VIII’s six wives, his sisters, and daughters, but there were other women at the Tudor court whose stories are no less fascinating.
What did Tudor England look, sound, or smell like?
This is an innovative work from Amy Licence, historian of women's lives. Using the five senses, she skilfully plunges readers into sixteenth-century England, letting us see, hear, smell, taste, and (almost) touch the Tudor world like we've never experienced it before.
Traditionally history is cerebral: what did they believe, what did they think, what did they know?
Woodsmoke and Sage is not a traditional book.
Using the five senses, historian Amy Licence presents a new perspective on the material culture of the past, exploring the Tudors' relationship with the fabric of their existence, from the clothes on their backs, the roofs over their heads and the food on their tables, to the wider questions of how they interpreted and presented themselves, and what they believed about life, death and beyond. Take a journey back 500 years and experience the sixteenth century…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.
Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.
Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.
Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.
The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light
An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
'Our most brilliant English writer' Guardian
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by…
I studied history at school and university, always with a leaning towards social, economic, and religious history, rather than political and military. I do appreciate well-researched biographical detail, but I prefer fiction that depicts ordinary life convincingly and gets inside the heads of ordinary people, understanding their world through their eyes, their needs, and most importantly their beliefs. I grew up in England, but I live now in West Wales, where history runs very close to the surface. My books are frequently ranked as Crime, but rather than being detective fiction, they explore the deep roots of crimes and their far-reaching consequences, through decades or even generations.
Judith Arnopp has written many excellent and well-researched books about the kings and queens of Medieval and early Tudor England, but I particularly like the ones that deal with ordinary people caught up in events, rather than the movers and shakers. This one deals with a group of nuns struggling to deal with the confusion, distress, and violence of Henry VIII’s dissolution of the monasteries and the Pilgrimage of Grace.
Arden Priory has remained unchanged for almost four hundred years when a nameless child is abandoned at the gatehouse door.
As Henry VIII’s second queen dies on the scaffold, the embittered King strikes out, and unprecedented change sweeps across the country. The bells of the great abbeys fall silent, the church and the very foundation of the realm begins to crack.
Determined to preserve their way of life, novitiate nuns Margery and Grace join a pilgrimage thirty thousand strong to lead the king back to grace.
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
I loved this swashbuckling tale of Shakespeare’s fight master because it took me back to Elizabethan England and right on to the stage at The Globe theater. There’s plenty of action and intrigue (the main character’s not only an actor and fight master but a spy!) that inspired me when I was writing the action scenes in my book. The author fills the pages with an impressive amount of historical detail while maintaining a brisk, page-turning pace.
A gripping historical adventure packed with intrigue, deception, rebellion, politics, love and war, that fans of C.J. Sansom will love.
London 1599, a city on the brink of revolution...
He is Queen Elizabeth's last, perhaps her greatest, love - Robert Deveraux, Earl of Essex. Champion jouster, dashing general...and the man that John Lawley, England's finest swordsman, most wishes to avoid. For John knows the other earl - the reckless melancholic - and has had to risk his life for him in battle one time too many.
All John wants is to be left alone to win back the heart of…
