Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.
"One of the Best Books of 2016" - Open Letters Monthly; Finalist, 2016 Novel of the Year - Underground Book Reviews; Semi-Finalist - 2017 M.M. Bennetts Award
All Jane Seymour wants is a husband; but when she catches the eye of a volatile king, she is pulled deep into the Tudor court's realm of plot and intrigue....
England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise…
I
found this book by accident, scrolling around TikTok with my new account
(joestillmanauthor) while attempting to get the word out about my own novel.
The author was highly recommended, so I chose this particular book by chance,
and instantly got caught up in a crime novel set in Cromwell’s England, circa
the 1650s. The world was so vivid and reel, I became a civilian reader, carried
along from one amazing scene to the next.
This simply had to be written by someone who was there at the time. The danger
and stakes were fraught, the mystery engaging, and the long length of the novel
only made me glad there was so much of this book to enjoy.
When a friend's niece is charged with murder and threatened with torture for her refusal to speak, 1540 lawyer Matthew Sharklake is granted an unexpected two-week reprieve to investigate the case if he will also accept a dangerous assignment to find a legendary weapon of mass destruction. By the author of Dissolution. 25,000 first printing.
I grew up in Zambia, a small, landlocked country where travel was prohibitively expensive, but through books, I could travel to any place and across time without ever leaving my bedroom. Now, I’m fortunate that I get to travel for work and leisure and have been to over thirty countries and counting. Before I go to a new country, I try to read historical fiction as a fun way to educate myself and better understand that country’s history, culture, food, and family life. I hope you also enjoy traveling worldwide and across time through this selection.
I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!
I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
I’m a British academic historian of the Roman Empire. I became interested in Rome before I could read, but since no school I attended offered Classics, I had to pick the subject up by myself. I first read historical fiction, and it was not until I was about fourteen that a close friend recommended Grant’s translation of Tacitus’ Annals. Thanks to a paper round, I could afford five shillings to buy the copy I still use, which swept me away. A great strength of Roman history is that it gives the opportunity to attempt a dispassionate—in Tacitus’ words, ‘without strong emotion or partiality’— understanding of a familiar but very different society.
Because I was not a Classicist when I went to university, I spent the first two years of my three-year BA course reading Medieval and Modern, not Ancient, History when I went to university. One part of the syllabus was Tudor England, and a key personality was Thomas Cromwell, chief minister of Henry VIII.
Elton’s book was the main recommended modern study. I was wholly convinced by his revisionist interpretation of Cromwell: not a villain but the honest servant of a tyrannical monarch. The book made me see that to be interesting pre-modern history depends very much on a readiness to be imaginative in the interpretation of the usually scanty sources.
In this respect, significantly, Elton’s book became the (not always appreciated) basis of Hilary Mantel’s Wolf Hall trilogy.
This book is a study of change in the methods and principles of English government in the sixteenth century, from the 'household' methods of the Middle Ages to the bureaucratic organization of a national monarchy. The most important decade, 1530-40, is given most concentrated attention, but the earlier and later phases are also touched upon. The study deals with the organs of central government: the financial machinery and the new courts; seals and secretariats and the rise of the secretary of state; the council and the making of the privy council; the royal household and its retirement from national government.…
I love Hilary Mantel’s trilogy about the Tudor Age, this book being the third. I love the way she sheds light on the Tudor Age by focusing on one person, Thomas Cromwell. This third novel draws his story to a tragic conclusion in prose that I found exquisite.
In my opinion, Hilary Mantel’s trilogy is the finest fiction of our times. As a lover of both fine writing and Tudor history, I found this third book, like the previous two, impossible to put down. It not only tells a compelling story; it also sets the gold standard for anyone who wants to produce fine writing in the future.
Her recent death is a terrible loss to the literary world.
The Sunday Times bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy.
Shortlisted for the Women's Prize for Fiction 2020
Longlisted for the Booker Prize 2020
'Mantel has taken us to the dark heart of history...and what a show' The Times
'If you cannot speak truth at a beheading, when can you speak it?'
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.
Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.
Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.
Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.
The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light
An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
'Our most brilliant English writer' Guardian
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
Another lesser-known figure, Elizabeth is the wife of Thomas Cromwell. She has very little mention in the historical record but the author draws on what we do know of her husband, Thomas. Elizabeth Cromwell’s character is convincing and likable. I particularly enjoyed glimpsing another side of Thomas Cromwell, a more human side and I loved the descriptions of their imagined daily life together. The author doesn’t over describe but the sights, sounds, and smells of the city are touched on just enough to provide a sense of place. It was also refreshing to see a woman involved in business in her own right, the cloth trade is described with enough detail to engage the reader but never becomes tedious.
"One of my favourite Tudor set books . . . A wonderfully vivid read." Nicola Cornick
Young widow Elizabeth Williams is determined to make a success of the business she inherited from her merchant father. But an independent woman draws the wrong kind of attention, and Elizabeth soon realises she has enemies - enemies who know the dark truth about her dead husband.
Happiness arrives when Elizabeth meets rapidly rising lawyer, Thomas Cromwell. Their marriage begins in mutual love and respect - but it isn't easy being the wife of an ambitious courtier in Henry VIII's London. The city is…
