I've had a passion for all things Roman since visiting various ancient Roman sites around Britain as a child with school and with my dad. Over the last fifteen years I've been writing novels set in Ancient Rome. I now have ten published Roman historical fiction novels to my name spanning three series, as well as a short story collection and a novella. My Carbo of Rome series, set in the reign of Tiberius, follows a traumatised veteran of the legion as he tries to retire in peace in Rome, but is constantly dragged into the criminal underworld of the poorest parts of the city.
Caracalla was described by Gibbon in his Decline and Fall of the Roman Empire as the “Common Enemy of Mankind.”
But much of what is known about this third-century Emperor was written by Cassius Dio, a Senator who served under him, and hated him. Caracalla certainly committed his fair share of evil deeds, but arguably not to any greater extent than some Emperors who are lauded today such as Augustus, Marcus Aurelius, and Constantine.
Ilkka Syvanne, a Finnish history professor, attempts to rehabilitate Caracalla’s reputation, with mixed success. You may not agree with all his arguments and conclusions, but you will learn a lot about a fascinating Emperor.
My own copy is covered with notes and highlights as a vital source for my Imperial Assassin series.
Caracalla has one of the worst reputations of any Roman Emperor. Many ancient historians were very hostile and Edward Gibbon later dubbed him 'the common enemy of mankind'. Yet his reign was considered by at least one Roman author to be the apogee of the Roman Empire. Guilty of many murders and massacres (including his own brother, ex-wife and daughter) he was, however, popular with the army, improving their pay and cultivating the image of sharing their hardships. Surprisingly this is the first full-length biography of this colourful character in English. Ilkka Syvanne explains how the biased ancient sources in…
I graduated – too long ago now to recall the date comfortably – from Edinburgh University with an MA in Classics (Latin and Greek); add to this the facts that I’m a compulsive daily solver of the London ‘Times’ cryptic crossword, an unabashed conspiracy-theorist, and a huge fan of Niccolo Machiavelli and Mickey Spillane, and you more or less know all that you need to about the genesis of my Marcus Corvinus series. With these picks I am taking you down some lesser-known but, I hope, interesting side streets in Rome. Here we go...
Not a single book, but a series of (I think) eighteen. If you have a kid (or grandkid) who just might be showing an interest in all things Roman (or one you’d like to tweak in that direction), then you can’t do better than this. Set (initially, at least) in late-first-century Ostia, the books follow the adventures of sea-captain's daughter Flavia Gemina and her friends who battle nasties such as serial dog-killers and slave-traffickers – plus, eventually, running foul of Emperor Titus himself. Gripping stuff, an excellent read whether you’re child or adult, and Lawrence’s attention to historical detail is impeccable. With cameo appearances by, among others, Pliny the Elder (spoiler: he dies in the end).
The first in Caroline Lawrence's internationally bestselling Roman Mysteries series, re-issued with a fantastic new cover look.
Flavia Gemina is a natural at solving mysteries. The daughter of a ship's captain living in Ostia, the port of Rome, in AD79, she and her three friends, Jonathan, a Jewish boy (and secretly a Christian); Nubia, an African slave girl; and Lupus, a mute beggar boy, must work together to discover who is beheading the watchdogs that guard people's homes, and why. A talented storyteller, Caroline Lawrence has created a delightfully readable and accessible series that children will want to read time…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
I’m a British academic historian of the Roman Empire. I became interested in Rome before I could read, but since no school I attended offered Classics, I had to pick the subject up by myself. I first read historical fiction, and it was not until I was about fourteen that a close friend recommended Grant’s translation of Tacitus’ Annals. Thanks to a paper round, I could afford five shillings to buy the copy I still use, which swept me away. A great strength of Roman history is that it gives the opportunity to attempt a dispassionate—in Tacitus’ words, ‘without strong emotion or partiality’— understanding of a familiar but very different society.
Although I had become interested in Roman history at a very early age, this was the first full ancient text that, at about fourteen years old, I read about the Roman emperors. I was immediately taken by Tacitus’ serious tone and the immediacy of his narrative.
His near-contemporary account of (at least part of) the reigns of Tiberius, Claudius, and Nero sounded, for all that it was written almost two thousand years before, very modern. After reading it, I bought as many of the (purple) Latin and (brown) Greek Penguin translations of classical literature–history, poetry, and drama–as were available.
His last work, regarded by many as the greatest work of contemporary scholarship, Tacitus' The Annals of Imperial Rome recount with depth and insight the history of the Roman Empire during the first century A.D. This Penguin Classics edition is translated with an introduction by Michael Grant.
Tacitus' Annals of Imperial Rome recount the major historical events from the years shortly before the death of Augustus up to the death of Nero in AD 68. With clarity and vivid intensity he describes the reign of terror under the corrupt Tiberius, the great fire of Rome during the time of Nero,…
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
Evliya Çelebi's Book of Travels has remained a well-kept secret—until now. Evliya was a seventeenth-century Ottoman courtier who wandered the empire and beyond for over 40 years and recorded his adventures in what is considered to be the longest travel account in world literature. This well-chosen selection of excerpts from his entertaining and informative masterpiece brings glimpses of the many climes and cultures he explored to an English-speaking readership, while luring us irresistibly into his idiosyncratic world.
'Evliya Celebi was the widest-eyed, most intensely curious ... and prolific travel
writer the Ottoman world ever produced. A learned and perceptive gentleman-observer from courtly Istanbul at the height of its power, Evilya's work records and preserves an entire world otherwise lost to history. A proper edition of his massive work has long been overdue, and Robert Dankoff magnificently translates the highlights ... a book which is likely to change for ever our perceptions of the Ottoman Empire.' - William Dalrymple
I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.
I was always interested in how the emperor Nero was associated from antiquity onwards with the Antichrist: the world-destroying and tyrannical son of Satan who would prevail until the final victory of God. Only Judas matched him as a villain in the Christian imagination. Malik traces the Nero-Antichrist “paradigm” across centuries, exploring the ways in which Christians viewed Nero as an arch-fiend, the beast in the Book of Revelation, and a figure of evil who tested their mettle and faith. While recent scholars have softened the traditional picture of Nero, his afterlife continues to wield its menacing power, based in no small part on these Christian traditions.
It has traditionally been assumed that biblical writers considered Nero to be the Antichrist.. This book refutes that view. Beginning by challenging the assumption that literary representations of Nero as tyrant would have been easily recognisable to those in the eastern Roman empire, where most Christian populations were located, Shushma Malik then deconstructs the associations often identified by scholars between Nero and the Antichrist in the New Testament. Instead, she demonstrates that the Nero-Antichrist paradigm was a product of late antiquity. Using now firmly established traits and themes from classical historiography, late-antique Christians used Nero as a means with which…
I am a historical fiction writer, specializing in ancient history through a female perspective. My first series, The Queens of the Conquest, follows the wives of the men fighting to be King of England in 1066 for a vitally neglected take on a key year. My second, Shakespeare’s Queens, revisits three of the bard’s greatest female characters via the real historical figures who inspired them. I love the way fiction can lift facts, settings, and cultures into something hopefully more vibrant than a straightforward history lesson and aim to offer the best possible time travel for readers. I believe the books on this list do that beautifully.
If any woman goes down in British history as ‘kick-ass’ it has to be Boudica and Manda Scott’s lyrical, elegant, exciting novel about her astonishing rebellion against the Romans really captures this real-life rebel in vivid and involving detail. This novel didn’t just show me the period in which it is set, but totally dropped me into it. Scott captures the mysticism of those times in an assertive, utterly convincing way to take you on the journey through the mud and blood of this astonishing woman’s fight for all that is right. Best of all – it’s the start of a series…
In AD 60, Boudica, war leader of the Eceni, led her people in a final bloody revolt against the occupying armies of Rome. It was the culmination of nearly twenty years of resistance against an occupying force that sought to crush a vibrant, complex civilization and replace it with the laws, taxes and slavery of the Roman Empire. Gloriously imagined, Boudica: Dreaming the Eagle recreates the beginnings of a story so powerful its impact has survived through the ages, recounting the journey to adulthood of Breaca, who at twelve kills her first warrior, and her sensitive, skilful half-brother Ban, who…
I am a writer, classical historian, and journalist. While there is no shortage of Roman historians in Britain and the US, I have long felt that English-speaking historians have had a blind spot as far as Roman Germany goes. Fascinated by the Battle of Teutoburg Forest for many years, while there were numerous accounts in German, it frustrated me that there was no general account of what happened in English. So I wrote it! I wasclearly not alone in my interest in Roman Germany and have presented a number of documentaries on the battle on the History Channel and National Geographic since.
For those who like their conspiracy theories, it is hard not to be seduced by Ovid and David Wishart’s hard-boiled detective Marcus Corvinus.
Commissioned to bring back Ovid’s ashes, the author links the exile of the poet Ovid by the Emperor Augustus to the loss of the three legions under Varus. The book is notable both for the real sense that it gives how the defeat became one to be avoided in the polite society in Rome, but also for its generally sympathetic portrait of the Roman governor. Varus is corrupted and betrayed by Arminius, but he is not wholly incompetent.
In AD8, Augustus banished the poet Ovid to Tomi, on the Black Sea. In spite of repeated appeals by his friends in Rome for the sentence to be revoked, he died in exile ten years later.
No one knows why Ovid was banished. The most convincing explanation is that Ovid was involved somehow with the emperor's granddaughter Julia, who was exiled the same year for immorality. However, Julia's sexual partner was sentenced to nothing worse than social ostracism. Her husband, on the other hand, was executed shortly afterwards for treason ...Why should the witness to a crime be punished…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
There are, of course, lots of amazing non-fiction resources on Ancient Rome, but I love the way this one is written as a travel guide, as though you’re a tourist clutching a copy of Lonely Planet.
This is a fun and accessible book, easy to dip in and out of, but also great to read in one hit. There aren’t any emperors or empire-defining battles in this one, just walking tours of the city, tips on where to eat and what to see, and where to go for shopping and entertainment.
The only disappointing thing about this book is the realisation that time travel isn’t actually a thing.
I am an historian and archaeologist of the Roman world, who has lectured on the subject around the world. This summer I am moving from a position in London to one in Los Angeles. One of the attractions of Roman history is that it is a vast subject spanning three continents and more than a thousand years. There is always something new to discover and a great international community of researchers working together to do just that. It is a huge privilege to be part of that community and to try and communicate some its work to the widest audience possible.
Migration is the great theme of the twenty-first century. Our experience has set historians on a quest to see how new the mass movement of peoples really is. Isayev’s book is one of the first full-length studies of migration in Roman times.
It is enormously wide-ranging, bringing together the evidence of archaeology and of Roman comedy and history with the insights of geographers and sociologists. We see populations transplanted against their will, enslaved prisoners, hostages, and refugees, but also settlers and traders trying to make their fortune, and explorers and travelling scholars. Best of all we explore the ways that Romans thought about this, sometimes encountering chillingly familiar hostility but more often positive views of new arrivals. Romans often thought of themselves as a city of immigrants, and saw their willingness to accept newcomers as one reason for their success. Isayev does a wonderful job of opening up this new…
Migration, Mobility and Place in Ancient Italy challenges prevailing conceptions of a natural tie to the land and a demographically settled world. It argues that much human mobility in the last millennium BC was ongoing and cyclical. In particular, outside the military context 'the foreigner in our midst' was not regarded as a problem. Boundaries of status rather than of geopolitics were those difficult to cross. The book discusses the stories of individuals and migrant groups, traders, refugees, expulsions, the founding and demolition of sites, and the political processes that could both encourage and discourage the transfer of people from…
