I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
Thucydides, along with Herodotus a generation earlier, created history as we know it. Herodotus added to narrative the analysis of cause: ‘why’ as well as ‘what’. Thucydides added different levels of causation: the immediate reasons for the war and the long-term causes. He studied how the dynamics of fear and power drive states into warfare. He took the gods out of history (it is hard to remember how radical that was). He studied the corruption of moral language and behaviour under the pressure of conflict. In Pericles’ Funeral Speech he set out the theory of Athenian democracy (Pericles would have denied that our own society was democratic—a challenging thought). Thucydides’ eye is not exactly cold, but it is unblinking: no historian seems so free of illusion.
Thucydides called his account of two decades of war between Athens and Sparta "a possession for all time," and indeed it is the first and still the most famous work in the Western historical tradition.
Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom.
However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war…
I wrote my first thriller at age 8 about a girl who ran away and joined the circus. For later works, I, a pediatric physician, did opt to follow my English teachers’ guidance to write about what you know, including science, medicine, psychology, journalism, and my twin home countries of America and Greece. As YS Pascal, I wrote the Zygan Emprise Trilogy, which blended ancient Greek history, mythology, and literature. As Linda Reid, I co-authored the award-winning Sammy Greene thriller series with Dr. Deborah Shlian and was eager to fly investigative reporter Sammy and her ex-cop friend Gus Pappajohn to the shores of modern Athens to solve an ancient and modern mystery.
As an author of mystery-thrillers, including the Sherlock Holmes Pastiche, “Elementary, My Dear Spock” as well as a longtime fan of Agatha Christie, I was drawn to the appeal of an ancient Greek “detective”, Heracles Pontor investigating murders in Plato’s Athens. And, Somoza does not disappoint, inviting us to share Pontor’s journey down a rabbit hole that grows ever more intriguing and dangerous page by page. Somoza welcomes us with a beautifully translated murder mystery that soon envelopes us in a fascinating exploration of Plato, reality, and, as reflected in the original Spanish title, the Cave of Ideas.
THE ATHENIAN MURDERS is a brilliant, very entertaining and absolutely original literary mystery, revolving round two intertwined riddles. In classical Athens, one of the pupils of Plato's Academy is found dead. His idealistic teacher suspects that this wasn't an accident and asks Herakles, known as the 'Decipherer of Enigmas', to investigate the death and ultimately a dark, irrational and subversive cult. The second plot unfolds in parallel through the footnotes of the translator of the text. As he proceeds with his work, he becomes increasingly convinced that the original author has hidden a second meaning, which can be brought to…
I grew up exploring the semi-decayed air-raid shelters near my grandmother’s home in London—to her horror: she said they were full of rats and drunks. The Second World War and its effect on people, especially women, off the frontline has long fascinated me. To pursue my obsession with writing stories on this subject, I have made trips to genocide memorials in former Yugoslavia, bunkers in Brittany, and remote towns in Poland. My novels concern themselves with how the violence, and sometimes heroism, of the past trickles down a family’s bloodline, affecting later generations of women.
I could have chosen any of the three in Manning’s Balkan Trilogy, about a young couple who rush to get married on the eve of war and find themselves living first in Romania, then Athens (the setting for this book), and finally Cairo. I love the portrait of Athens in the period before the German invasion: the beauty of Greece in springtime, the shortages of food, the strange collection of people making up the expatriate community, and how the marriage of two young, probably mismatched people, is tried by the constant presences of war and death. The characters who drift along with the Pringles are beautifully drawn studies in their own right.
It is 1940, and Guy and Harriet Pringle and their friends in the English colony in Bucharest find their position growing ever more precarious. The 'phoney war' is over and invasion by the Germans is an ever-present threat. Harriet finds her new husband's idealism clashing with her own more down-to-earth attitudes, his generosity to all comers frustrating her attempts to survive in a city of shortages. Their easy life among Bucharest's cafe society is gradually eroded as rumours become reality, and the Germans march in. The Spoilt City is a dramatic and colourful portrait of a city in turmoil -…
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Written around twenty-five centuries ago, this remains the seminal work of history, political science, man as he is, war, and diplomacy. The author expressly intended that it be “a work for all time,” and so it remains. Moreover, it serves still as an example of a civilization ruining itself, as Europe did in the Great War. Thus, it continues to warn.
Such was Macaulay's verdict on Thucydides (c. 460-400 BC) and his history of the Peloponnesian War, the momentous struggle between Athens and Sparta as rival powers and political systems that lasted for twenty-seven years from 431 to 404 BC, involved virtually the whole of the Greek world, and ended in the fall of Athens. Thucydides himself was a participant in the war; to his history he brings an awesome intellect, brilliant narrative, and penetrating analysis of the nature of power, as it affects both states and individuals.
I was only thirteen when I first travelled to Greece and began to learn the ancient Greek language at school. That double impression of a vibrant, living country and its people, and the extraordinary fact that there they still speak a language that was first written down more than 3000 years ago, set me upon a lifetime of studying and teaching, and inspired me to communicate my love of Greece and Greeks to others. I’ve written several books, all of them Greek-themed in one way or another. These are some of the books that have accompanied me along the way – and new ones that may inspire you too.
Athens is where I lived as a student in the 1970s, and I’ve loved the place ever since! People who visit Greece often miss out on the capital or find the modern city ugly and noisy. But this book explains the magic effect that Athens has exercised on natives and visitors for at least two thousand years – all the way from the legendary wisdom of Solon the lawgiver to the gritty problems of a decade of enforced austerity (only recently overcome), and of a new multi-culturalism that comes with mass migration across Europe’s front line into Greece.
A sweeping narrative history of Athens, telling the three-thousand-year story of the birthplace of Western civilization.
Even on the most smog-bound of days, the rocky outcrop on which the Acropolis stands is visible above the sprawling roof-scape of the Greek capital. Athens presents one of the most recognizable and symbolically potent panoramas of any of the world's cities: the pillars and pediments of the Parthenon – the temple dedicated to Athena, goddess of wisdom, that crowns the Acropolis – dominate a city whose name is synonymous for many with civilization itself.
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves.
The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired sculptors, artists, poets and writers since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures. The book showcases a series of specially taken photographs of the different sculptural elements: the pediments, metopes and Ionic frieze. It captures the vitality of the sculptures in a group, an individual sculpture or an exquisite eye-catching detail, such as the mane of a horse, a human foot, the swish of drapery or a youthful head bowed in…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
This book, the first in Rachel Cusk’s famous trilogy, was a revelation to me because it feels so radically unstructured but at the same time is fascinating in its form.
The narrator travels to Athens to teach a summer writing course but the details about her are kept so sketchy that we only really get to know her through the way she receives what others tell her. Faye is brilliantly observant, and only gradually do you begin to realise, as a reader, that the author is subtly meditating on a series of themes through these conversations, mostly about disappointments and divorces.
The first in Rachel Cusk's critically-acclaimed trilogy, shortlisted for the Folio Prize and the Goldsmith Prize and longlisted for the IMPAC Prize.
Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator…
I love reading novels that take me to another time, place, or adventure (an antithesis to my 30-year career as a professor teaching physiology & pathophysiology to medical and nursing students). I read for entertainment and variety. As an author, I write books I'd like to read! Drawn to history, I've written five historical romances—a woman of courage, intellect, and compassion at the heart of each. I've authored two contemporary espionage thrillers with a woman as the protagonist. I enjoy stepping out of the bounds of empiricism in my novels, blending genres, and stretching the imagination.
I read this years ago; it's one of the reasons I began writing historical romance novels. It's the story of Aspasia, a woman in ancient Greece. She's educated in a selective school for courtesans, beautiful, groomed for pleasure, and bought by a Persian man who comes seeking a courtesan from this famous establishment. He takes Aspasia back to Persia. Eventually, she is freed and returns to Athens, where she meets Pericles. Inspired in part by his love of Aspasia, Pericles initiated the building of the famous Acropolis in ancient Greece.
I was fortunate to visit Athens after reading Glory and the Lightning, and standing on the Acropolis, I found myself thinking of Pericles and Aspasia, real people who lived and loved over 2,000 years ago. (And yes, I may have gotten a lump in my throat and one or two tears threatened.)
New York Times Bestseller: A breathtaking saga of ancient Greece and one of history's most influential political couples, Aspasia and Pericles.
Born in the Greek city of Miletus, Aspasia was destined for a life of tragedy. Her wealthy father vowed to abandon any female child, so Aspasia was secreted away, educated independently of her family, and raised as a courtesan. She discovered at an early age how to use her powers of intellect as ingeniously as those of the flesh.
Ensconced in the Persian harems of Al Taliph, she meets the man who will change her fate: Pericles, the formidable…
I am a professor of psychology at the University of Queensland and I am fascinated by big picture questions about how we became the peculiar creatures that we are. Shortly after I was asked to compile a list of recommendations, I attended my friend Ashley Hay’s book launch of Gum. This beautiful book does not just present a bunch of facts about Australia’s iconic trees, but uses this lens to examine many broader issues from colonial history to climate change. Reading it inspired me to create the present list of books that, unlike the rote learning of dates that marked many history classes at school, take much more interesting, novel vantage points from which to understand why things turned out the way they did.
Occasionally, a novel perspective on events that changed the world can also be presented in a novel (sorry). Gore Vidal’s Creation is one example that left a deep impression on me. With the invention of writing, human philosophies could manifest in lasting new ways that profoundly shaped the world. Vidal’s historical fiction invites us to entertain the possibility that a single human living in the 5th century BC could have met the founding fathers of many of today’s moral traditions. It tells the story of the imaginary life of Cyrus, a Persian diplomat, grandson of Zoroaster, who travels the world and meets Socrates, the Buddha, Lao Tzu, Confucius among others. This may not be an easy read, and I recall it involved a lot of name-dropping, but it is worth the effort – providing a fascinating comparative perspective on religion and the human quest for meaning.
A sweeping novel of politics, war, philosophy, and adventure–in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscript–Creationoffers a captivating grand tour of the ancient world. Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens–the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates–Cyrus recounts…
My Democracybook was the summation of my views to that date (2018) on the strengths and weaknesses of democracy as a political system, in both its ancient and its modern forms. I’d been an activist and advocate of democracy since my undergraduate days (at Oxford, in the late 1960s – interesting times!). As I was writing the book the world of democracy suddenly took unexpected, and to me undesirable turns, not least in the United States and my own U.K. An entire issue of an English-language Italian political-philosophy journal was devoted to the book in 2019, and in 2021 a Companionto the reception of Athenian democracy in subsequent epochs was dedicated to me.
I have collaborated with Bettany over many years—in her scholarly documentary filmmaking, including programmes on Socrates of Athens (469-399). Socrates never wrote or published in written form a word of his philosophy, yet through his immediate and succeeding disciples (above all Plato and Aristotle) has been hugely influential. But was he a democrat, as his fellow Athenians understood that term? In 399 a jury of 501 of his peers, chosen randomly by lot, delivered their resounding—negative—verdict, and condemned him to death by hemlock poison for being undemocratically irreligious and for teaching his pupils undemocratic values. Plato violently disagreed, and the debate over Socrates has continued ever since. Since it can be made to appear that he was convicted by an illiberal jury on grounds of his use of (democratic) freedom of speech, his condemnation has often been used as a stick to beat the ‘tyranny of…
We think the way we do because Socrates thought the way he did; in his unwavering commitment to truth and in the example of his own life, he set the standard for all subsequent Western philosophy. And yet, for twenty-five centuries, he has remained an enigma: a man who left no written legacy and about whom everything we know is hearsay, gleaned from the writings of Plato, Xenophon and Aristophanes. Now Bettany Hughes gives us an unprecedented, brilliantly vivid portrait of Socrates and of his homeland, Athens in its Golden Age.
His life spanned “seventy of the busiest, most wonderful…
