The best books about Athens

Davidson demonstrates that sexual relationships with courtesans and youths in ancient Athens paralleled the markets in other luxuries such as fish and wine rather more than resembling the modern ideal of romantic love. In a society where marriages were mainly business arrangements made between families to ensure the production of legitimate heirs to their estates, such formal relationships were frequently loveless. This led the male partners and those as yet unmarried to resort to employing mistresses, courtesans, and youths as luxurious distractions from the mundane matter of marital maintenance of the bloodline.

Dictionaries are not usually meant to be fun but this fact-packed book is so well-written that it is a joy to read. Wonder who on earth was Cicero? What the Punic wars were all about? How the Greeks defeated the Persians at the Battle of Salamis? What was so special about Greek theatre? And why  Rome conquered Britain? You will find all the answers here. Besides military and political events, it covers literature, philosophy, art, religion, sport, and society, all the way from 776BC and the first Olympic Games to the end of the Roman Empire in the west in AD476.

Having not one but three books as my second choice may look like cheating, but the novels which comprise Manning’s unforgettable Balkan Trilogy – The Great Fortune and The Spoilt City, set in Bucharest, Romania; and Friends and Heroes, set in Athens – are now usually published under one cover.

The first two volumes paint the story of Guy and Harriet Pringle, newly married English expats in the Romanian capital on the eve of the Second World War, who then escape to Athens as the Germans advance across the Balkans.

I use the verb “paint” deliberately. Manning was a painter in her youth, and few writers can paint the word-picture of a foreigner in a strange city as well as she does.

I fell in love with Bucharest after reading it, and I travelled there for the first time in the immediate aftermath of the Revolution in 1989, while there… show more.

Daniel, the unforgettable protagonist of this mystery, is resilient, resourceful, and realistic. Clear-eyed about the world and how it views him, Daniel—who has a debilitating, degenerative condition called spinal muscular atrophy—witnesses an abduction from his wheelchair. The amateur sleuth enters into a risky game of cat and mouse to draw out the kidnapper and save the victim. What I love most about this book is Daniel’s belief that “the world is a place that can welcome everyone.” Driven by his personal philosophy, and with some help from his goofy best friend, Travis, and his outstanding health aide, Marjani, he risks his life to prove it. 

I could have chosen any of the three in Manning’s Balkan Trilogy, about a young couple who rush to get married on the eve of war and find themselves living first in Romania, then Athens (the setting for this book), and finally Cairo. I love the portrait of Athens in the period before the German invasion: the beauty of Greece in springtime, the shortages of food, the strange collection of people making up the expatriate community, and how the marriage of two young, probably mismatched people, is tried by the constant presences of war and death. The characters who drift along with the Pringles are beautifully drawn studies in their own right.  

It’s impossible to enter the mindset of the ancient Greeks without understanding that democracy runs deeply in their cultural bloodstream. There are numerous books on the subject – I did a course called Athenian Democracy: An Experiment for the Ages for The Great Courses – but Cartledge’s book, as the title suggests, offers a biography from its beginnings down to the present day. It also provides a nuanced exploration of the connection between Greek politics and society. Democracy: A Life depicts democracy not as a theoretical model but at work, and, in the challenges it faces today, a work in progress. Get A Life!

This book has the best illustrations of the two main cities of antiquity that l have ever seen. Besides superb photographs (all in colour) of the ruins today, they include Peter Connolly’s brilliant reconstructions of buildings of all sorts: houses, palaces, baths, temples, forums, hippodromes, theatres, amphitheaters, insulae (blocks of flats), bars and aqueducts, plus styles in furniture, clothing, and hair. All are shown in colourful detail, many with cutaway illustrations that recreate city life of 2000 years ago with wonderful vividness. They are complemented by Dr. Hazel Dodge’s lucid, informative text. The first part covers Athens at its democratic peak under Pericles around 434BC, the second Rome at its imperial zenith some 500 years later, when it was the greatest city on earth.

Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves. 

Roberts’ groundbreaking, game-changing story of the Peloponnesian War (really, wars) is richly detailed and comprehensive, a modernizing “leveling up” from Donald Kagan’s 2004 standard text. By centering her narrative in the impact of the war, rather than strategy and politics, Roberts brings home the terrible human cost of the conflict, and the book serves as a critical examination of what wholesale violence means to a society, from the high to the low. Roberts writes with incredible empathy, and her voice makes the book more than enlightening, it’s a deeply moving mediation on the depths of self-inflicted suffering as only human beings can engender. 

Ok, it’s an old thriller set in the pre-Internet, pre-mobile phone, pre-EU world of the 1960s. It’s a piece of twentieth-century clockwork, but it delivers suspense! The amoral protagonist can’t summon help by phone or Google his adversaries to gain an advantage. He must work to gain leniency from the Turkish authorities by acting as a double agent, delivering weapons to a gang of potential terrorists so that he might spy on them. The writing has a sharp precision and crisp wit.

Not a book about Thucydides, but a selection of the speeches – one of the most striking aspects of his approach to history is the way he includes set-piece debates, not so much as accurate transcripts of what was actually said as a means of exploring issues of war, peace, democratic deliberation and so forth. If you already own a copy of Thucydides, this may not be of much interest (unless you’re obsessive enough to compare Hanink’s translations with others), but if you’re new to the topic this may be a good place to start: the speeches are more accessible than the lengthy battle narratives, they’re the main basis for Thucydides’ reputation as a thinker about political issues, as well as the source of some memorable lines, and Hanink’s introduction does a good job of explaining all of this.

I read this book as a college student while on a spur-of-the-moment trip to Athens, Greece. As I sat reading while intermittently gazing at the view of the Acropolis from my hotel balcony, a frappe at my side, the book captivated me.

Written by a world-renowned historian in response to his son’s question, “What is history?”, this book opened vistas of reflection about our connections with past cultures and why we do history.

In a present where we are often being pushed to look forward, to innovate, and move on, The Historian’s Craft helped me to better articulate the value of understanding history. Surrounded by the rich cultural heritage of ancient Greece, this book just made perfect sense.

Athens is where I lived as a student in the 1970s, and I’ve loved the place ever since! People who visit Greece often miss out on the capital or find the modern city ugly and noisy. But this book explains the magic effect that Athens has exercised on natives and visitors for at least two thousand years – all the way from the legendary wisdom of Solon the lawgiver to the gritty problems of a decade of enforced austerity (only recently overcome), and of a new multi-culturalism that comes with mass migration across Europe’s front line into Greece.

Most of us who took action on our ache to “get back to the land” gave ourselves over to a rustic bucolia we’d created in our minds. And, yes, as it turned out, it was all of that, the harmony of seasons, the deep peace, the night sky, the quail, and deer. It was other things, too, things we hadn’t reckoned on—isolation, endless labor, and the hourly rate of the well man. Readable and entertaining, Get Your Pitchfork On! eases the urban to rural transition with hard-won practical advice. It will infuse your dream, whatever its scale, with a healthy dose of preparedness to assure its best chance of success. 

Simon Goldhill powerfully demonstrates why we remain indebted to the ancient world in so many ways. It is not just that classical columns often decorate our buildings or that classical legends inspire our films and books, our whole life still bears the cultural and psychological imprint of ancient Greece and Rome. Our current obsession with gyms, for example, stems from the Greek passion for exercising in public (and they did so naked). Gymnasium is in origin a Greek word. While Greeks and Romans took different views from us on numerous things, from romantic love to slavery, the issues they first confronted and debated still matter. Unsurprisingly for the ancient world, far from being peopled with dead white marble statues gathering dust in museums, throbbed with impassioned life. The echoes of their tumultuous lives haunt us still.

This book is pure poetry to me. It follows the lives of three sisters on the precipice of adulthood during 1930s Greece.

I love that when it was published in the 1940s here in Greece, it was seen as a scandalous piece of literature. I can see why - Liberaki writes fervently and openly about the trials and tribulations of female teenhood, detailing gossip, romance, and even the loss of virginity with such poise and vim that it is still relevant and relatable to women today.

It was the kind of book that my own Greek Yiayia (grandmother) was absolutely not allowed to get her hands on. This book, for me, has it all. It’s bucolic, romantic, and oozes beautiful imagery of the hot, dry summers in Athens and the surrounding countryside. A perfect character study.

This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).

Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.

You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.

Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.  

As an author of mystery-thrillers, including the Sherlock Holmes Pastiche, “Elementary, My Dear Spock” as well as a longtime fan of Agatha Christie, I was drawn to the appeal of an ancient Greek “detective”, Heracles Pontor investigating murders in Plato’s Athens. And, Somoza does not disappoint, inviting us to share Pontor’s journey down a rabbit hole that grows ever more intriguing and dangerous page by page. Somoza welcomes us with a beautifully translated murder mystery that soon envelopes us in a fascinating exploration of Plato, reality, and, as reflected in the original Spanish title, the Cave of Ideas. 

I have collaborated with Bettany over many years—in her scholarly documentary filmmaking, including programmes on Socrates of Athens (469-399). Socrates never wrote or published in written form a word of his philosophy, yet through his immediate and succeeding disciples (above all Plato and Aristotle) has been hugely influential. But was he a democrat, as his fellow Athenians understood that term? In 399 a jury of 501 of his peers, chosen randomly by lot, delivered their resounding—negative—verdict, and condemned him to death by hemlock poison for being undemocratically irreligious and for teaching his pupils undemocratic values. Plato violently disagreed, and the debate over Socrates has continued ever since. Since it can be made to appear that he was convicted by an illiberal jury on grounds of his use of (democratic) freedom of speech, his condemnation has often been used as a stick to beat the ‘tyranny of… show more.

Despite a somewhat daunting front cover, this is a most engaging book.

It can be misleading to divorce an understanding of Greek comedy from that of tragedy. Both were performed on specific occasions and engaged their audiences through complementary approaches to dramatic performance.

Kenneth Dover, knighted in 1977 for ‘services to scholarship’, was a most inspiring of teachers and a writer on all aspects of the ancient world, never more so than this book on Aristophanes.

Here he confronts all aspects of Old Comedy from a playwright who, through a mixture of farce and fantasy, created an unparalleled portrait of daily life in ancient Athens, but whose works remained fully untranslated and unperformed in English right up to the later years of the 20th Century.

Dover shirks neither political impetus, nor the ribaldry, blatant sexism, and often wildly obscene behaviour of the characters.