The most recommended books about Ancient Greece

Totally loved that this Dark Romantasy is set in Dublin. There's a fair amount of set up for the 'premise' of the hidden magical world of the Fae, but it's all fascinating, and the second half of the novel is action packed.

Rubbing my hands with glee that this is a long series.

Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.

When this book first came out, I was just beginning work on my Ph.D. dissertation and it had a big influence on me. Stephanie Dalley writes in a wonderfully accessible style for general readers about the people of the 18th century BCE cities of Mari and Tell al Rimah, and throughout the book she quotes from the personal letters found there. She overcomes a common perception that the ancient world can seem removed and remote, by letting the ancient people speak directly to the reader. All the while, she also makes fascinating observations about what the documents reveal, and also includes discussions of archaeological evidence (such as culinary molds that were used to make fish-shaped bread, in the section on food preparation!).

Probably the most traditional book on this list, I am starting with The Elvenbane because it is my measuring stick for other fantasy. I read it first as a preteen, and I have revisited it many years since, always to be delighted by the world Norton and Lackey created. The detailed illusions, varied settings, the disparate magics, and the mischievous dragons all kept me guessing and in a haze of delight. There was so much that was familiar but with fresh twists that made it new again. It might not be as novel as the other books on my list, but a fantasy has hit the spot if it brings me back to the wonder I felt reading The Elvenbane.

Anyone with any degree of acquaintance with ancient history knows that the Greeks were often at war with one another. This book explores the rules that governed their interactions. Was there any kind of international law? If so, was any of it actually written down, or did it exist at the level of “unwritten law” – a live issue even today? How was it enforced, and by whom? There was no United Nations in those days. Did it succeed in reducing belligerence among the Greeks? Or was the only principle that might is right, so that stronger cities had the right to subdue their weaker neighbours? These are all critically important questions for understanding the Greeks and the course of their history. Overall, the book argues that the Greeks were more moral and restrained in their dealings with one another than one might have guessed.

If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future. 

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.

Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.  

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.

Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.