As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
This book is based on Hubert (Bert) Dreyfus’s famous undergraduate philosophy course at U. C. Berkeley, affectionately called “From Gods to God and Back.” Like me, Sean was Bert’s teaching assistant for the course. We all loved this course because it draws out of our Western literary traditions a form of spirituality that we believe is essential for good lives today.
The book begins by looking at the relationship between Athena and Odysseus in Homer’s Odyssey. It’s a friendly mentoring relationship without any suffocating philosophical-theological pretensions such as omnipotence or omniscience. Later, we join St. Augustine as he tries to undermine (though unsuccessfully) the theological pretensions. The book ends with Melville’s polytheism in Moby Dick.
The book inspires us to look for “attainable felicities”: simple divine experiences without pretensions.
A sense of certainty and unhesitating confidence is rare in the contemporary world. An unrelenting flow of choices confronts us at nearly every moment of our lives, and if we are honest about it then most of us will admit that we waver in the face of them.
Dreyfus and Kelly examine some of the greatest books in the Western Canon to explain that the burden of choice is essentially a modern problem to which there is an age old solution. Dreyfus and Kelly explain the huge jump from Homer's polytheistic world to the monotheistic one in which Dante wrote…
I am a historical fiction writer living in a landlocked village in the Chilterns, UK. I became obsessed with long sea voyages while researching my debut novel, On Wilder Seas, which is inspired by the true story of Maria, the only woman aboard the Golden Hind during Francis Drake’s circumnavigation voyage in 1577-1580. I immersed myself in the literature of the sea, in early modern sailors’ accounts of their terrifying voyages, in their wills and diaries, in maps and sea-logs. A ship is the perfect setting for a novel: the confined space, the impossibility of escape, the ever-present danger – and the hostile, unforgiving sea is the ultimate antagonist.
Not a novel, but it reads like one, as Nicolson tells the story of how the greatest sea voyage tale of all time – The Odyssey, and its sister epic The Iliad – came to be, with a cast of characters including the Greek heroes, gods and goddesses crossing the land and seascapes of Ancient Greece.
Nicolson argues that these poems emerged not in the 8th century BC, when they were first written down, but a thousand years earlier in the oral tradition. In them, he sees the origin myths of the people who became the Greeks – the fusion of the native people of the Eastern Mediterranean and invaders from the northern steppes.
But it is Nicolson’s personal investment in his subject that is so beguiling. A sailor himself, he brings his deep knowledge of the sea, of sailing, navigation, the capriciousness of wind, the knife-edge between…
"Complex, personal, and profound ... a brash and brave piece of writing ... filled with the swords and spears that inflict the carnage of the Iliad." -The Wall Street Journal
Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the Iliad and the Odyssey and their metaphors of life and trouble. Homer's poems-transmitted orally across the generations, shaped and reshaped in a living, self-renewing tradition-occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor…
Although I was part of a large family, I frequently felt alone growing up. While my siblings were busy playing sports or running around with their friends, I sat by myself in the basement, reading fantasy stories. Eventually, I began creating my own worlds and published the Riddle in Stone series and Sword of Betrayal. I suppose I’m still trying to find a place where I fit in.
For forty years, Lord Gambin has ruled his lands with an iron fist, crushing all that get in his way. Now he is dying and chaos rages through his realm. What will happen when he is no more? The Sword of Winter is a before-its-time epic that addresses issues caused by societal changes and technological advancements. Many of the topics it discusses are still relevant today.
RANDALL, Marta: The Sword of Winter. New York, Timescape, 1983. BOOK CLUB EDITION. Hardcover with dust jacket, 241 pp. Subject: Novel / Fantasy. Book and jacket condition: Very Good. A bit of foxing to the top-side of the book. Very faint traces of wear to jacket's extremities. All interior pages clean and unmarked. Stirring heroic fantasy by a modern master of the genre.
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Sea of Grass is a short novel, standard in length for the time in which it was published (1936), close in time to other short classics such asThe Grapes of Wrath and The Postman Always Rings Twice. It is written in first person, and in some respects, it suggests the influence ofThe Great Gatsby, another short masterpiece some ten years earlier, with an observer narrator, an elegiac tone, an evocative prose style, and interesting figurative language. This novel, like many, draws upon the range war (nesters versus the cattle empire) for its premise, but it becomes a very interesting exploration of human nature and the inevitable passing of time.
Published in 1936, this novel presents in epic scope the conflicts in the settling of the American Southwest. Set in New Mexico in the late 19th century, The Sea of Grass concerns the often violent clashes between the pioneering ranchers, whose cattle range freely through the vast sea of grass, and the farmers, or "nesters," who build fences and turn the sod. Against this background is set the triangle of rancher Colonel Jim Brewton, his unstable Eastern wife Lutie, and the ambitious Brice Chamberlain. Richter casts the story in Homeric terms, with the children caught up in the conflicts of…
I’ve always loved books where something in the past of the main storyline surges into its present, demanding that an old wrong be righted or an old mystery solved. It’s why my first degree was in Social and Political Sciences (Psychology major) instead of English Literature or Creative Writing: I knew that learning how to writewould be useless if I didn’t understand the things I wanted to write about. The role of the past in shaping our present – our behaviours, sense of self, relationships – is endlessly fascinating, and stories that unpick this are often the ones that surprise me the most with their insight into the human condition.
The ‘crime’ in Animal Dreams is a legal technicality, and this is a literary contemporary novel rather than a crime one, but its narrative drive comes from the same need to untangle the past to set the characters free (or as free as they can be) in the present.
The writing is glorious – rich, deep, surprising, layered – reaching levels of technical mastery that few other writers even glimpse. There are several point-of-view characters and, unlike most books with this structure, Kingsolver wrings every last drop of drama and interest from the nuances this offers.
Instead of longing to get back to a preferred perspective, the reader revels in how vivid, how real, each character feels in turn. If you love LP Hartley’s The Go-Between, you’ll probably adore this.
Set in the southwestern mining town of Grace, Arizona, this novel revolves around Codi, her sister Hallie and their severe and distant father, Doc Homer. The author has previously written "The Bean Trees" and "Homeland", the latter a collection of short stories.
I like books to grab and hold my attention. That’s what I like about music, too, which is why I co-host a heavy metal podcast when I’m not teaching Latin or writing books and articles. Having taught Latin and Classics for over thirty years from middle school through undergrad, I know what people enjoy about the Greco-Roman world and what they often missed out on in school. I love reading this stuff, too, whether prepping for class, doing research for my next publication, or while listening to head-banging greats of the ‘70s and ‘80s, so dig in and get ready to rock with the Romans and groove with the Greeks!
I get it. People read Homer’s Odysseybecause of the adventures and gods and monsters, but for me, his best was his first epic poem, The Iliad. The opening word of the story is “rage,” and the action never stops until the last line. From clashing swords to souls sent down to the house of death, this could have been a heavy metal opera if only Homer had played an electric guitar instead of a lyre. I chose the Lombardo translation because it captures best the action and heroism and pulse-pounding excitement that keeps me reading this one over and over.
"Gripping. . . . Lombardo's achievement is all the more striking when you consider the difficulties of his task. . . . [He] manages to be respectful of Homer's dire spirit while providing on nearly every page some wonderfully fresh refashioning of his Greek. The result is a vivid and disarmingly hardbitten reworking of a great classic." -Daniel Mendelsohn, The New York Times Book Review
As a writer, I'm fascinated by the experiences that affect people's identity. I want my characters to have this multiplicity and depth too, and since I was born and grew up in Lebanon, an obvious place for me to start was by looking at the impact that war had on people's everyday lives. The characters I write about simply want to get on with the business of living, but can't do this without taking into account the bigger events that are happening around them.
An interpretation of part of The Iliad where King Priam journeys to Achilles' camp to beg for the return of his son Hector's body. Malouf gives us access to Priam's thoughts and feelings as he dresses as a carter and drives straight into the enemy camp, wondering at all the things that, as a king, he has never noticed before. Once in the camp, he must face the man who has been dragging his son's body behind his chariot day after day, only to wake up each morning and find it magically restored. This is a story about those who are left behind, told in heart-stoppingly beautiful writing.
In his first novel in more than a decade, award-winning author David Malouf reimagines the pivotal narrative of Homer’s Iliad—one of the most famous passages in all of literature.
This is the story of the relationship between two grieving men at war: fierce Achilles, who has lost his beloved Patroclus in the siege of Troy; and woeful Priam, whose son Hector killed Patroclus and was in turn savaged by Achilles. A moving tale of suffering, sorrow, and redemption, Ransom is incandescent in its delicate and powerful lyricism and its unstated imperative that we imagine our lives in the glow of…
Who would have thought that the teenage Robert Zimmerman, later known as Bob Dylan, belonged to his high school Latin club? Richard Thomas, who found the evidence, was
not so surprised.
A Professor of Ancient Greek and Roman poetry at Harvard and a long-standing fan, he has traced Dylan’s increasing use of classical
allusions. The singing Nobel prizewinner’s favorite is Ovid, whose phrases he
has used over 30 times in his lyrics. “Ancient footsteps are everywhere,” to
quote his song “When I Paint My Masterpiece.”
Thomas’s book is personal and easy
to read, casting new light on the enigmatic 82-year-old. As a committed fan
myself, I can safely say it is the best Dylan book yet, leaving out the ones he
authored himself.
A GUARDIAN AND INDEPENDENT BEST MUSIC BOOK OF THE YEAR
'At last an expert classicist gets to grips with Bob Dylan' Mary Beard
'Thomas's elegant, charming book offers something for everyone - not just the super-fans' Independent
When the Nobel Prize for Literature was awarded to Bob Dylan, the literary world was up in arms. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter in his Seventies, who wouldn't even deign to make an acceptance speech?
In Why Dylan Matters, Harvard Professor Richard F. Thomas answers that question with magisterial erudition. A world expert…
In a world torn by wars, Jonathan Shay offers a stunning cross-fertilization of the Homeric universe of the Iliad with the experiences of today’s soldiers on the battlefield.
Shay, a psychiatrist with a long experience of treating Vietnam veterans and a profound knowledge of Homer, achieves a remarkable double feat; he shows how the Iliad’s accounts of the battlefield provide unique insights into the experiences of today’s warriors and also how these experiences offer a profound understanding of the metamorphosis of Achilles from noble and generous hero into a demented killing machine.
He identifies the betrayal of "What is Right" and the failure to grieve for the loss of a battlefield friend as crucial elements in a soldier’s rage (what he calls "berserkness") and its subsequent cause of insuperable psychopathologies.
An original and groundbreaking book that examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder.
In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder.
A classic of war literature that has as much relevance as ever in the wake of the wars in Iraq and Afghanistan, it is a “transcendent literary adventure” (The New York Times) and “clearly one of the most original and most important scholarly works…
My idyllic childhood while following my father, a US Air Force JAG officer, around the country and around the world did not prepare me to understand and recognize an abusive relationship. I had never seen or experienced abuse until I married. After twenty years of emotional abuse, which eventually led to domestic violence, I was able to leave it behind. It is only with therapy that I came to understand the early warning signs, why I had ignored them and why I stayed so long. While preparing to write A Sparrow Falls, I read many personal accounts of domestic violence and child abuse and conducted an interview with a survivor of child sexual abuse.
I cheated a little here; this one isn’t a novel, it is instead, a short story (or perhaps a novella). I couldn’t put it down and stayed up into the wee hours reading it in a single sitting. Granted, it is a short story, but this is still an unusual feat for me.
What an unforgettable ending.
If you haven’t experienced classic Southern Gothic, this is a wonderful introduction to the genre...follow it with Flannery O’Connor’s “Wise Blood” and you will be hooked. If your high school English teacher did not introduce you to William Faulkner, A Rose For Emily is a great place to start – or “As I Lay Dying.”
Faulkner’s characters are among some of the most memorable in American literature.
The short tale A Rose for Emily was first published on April 30, 1930, by American author William Faulkner. This narrative is set in Faulkner's fictional city of Jefferson, Mississippi, in his fictional county of Yoknapatawpha County. It was the first time Faulkner's short tale had been published in a national magazine. Emily Grierson, an eccentric spinster, is the subject of A Rose for Emily. The peculiar circumstances of Emily's existence are described by a nameless narrator, as are her strange interactions with her father and her lover, Yankee road worker Homer Barron.
