The best Bob Dylan books

I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)

I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!

Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.

My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.

Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.

Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.

I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life. 

At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.

Popular music in all its shapes and forms has permeated my life since my pre-teen years and has remained both an intimate and professional preoccupation of mine throughout my life, even when I was doing other things professionally. Books dealing with all aspects of music, from artist biographies to its cultural and social examinations have been and remain that essential element that both fuel and satisfy that interest and give it that expanded feature it needs. As somebody who has a degree in journalism and had careers as a journalist, diplomat, and a translator, and now as a freelance writer, music and books on music remain that thread that connects them all.

I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.

I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.

I’m a singer/songwriter and I grew up in a rock’n’roll household. My family has always traded great books about music between us, memoirs, biographies, scientific studies, deep dives into subcultures, industry exposes – I love them all and find a good music book impossible to resist. I always get excited when I find books written by other obsessive music-loving kindred spirits––if I can feel the love I’m right in there with them. I especially love the behind-the-scenes stories and insights into the work and fascinations that helped forge an artist’s career.

I’m the author of five books on subjects ranging from comedy and music to sports and pants (specifically, blue jeans). I’m a longtime Boston Globe contributor, a former San Francisco Chronicle staff critic, and a onetime editor for Rolling Stone. I help develop podcasts and other programming for Sirius and Pandora. I teach in the Journalism department at Emerson College, and I am the Program Director for the Newburyport Documentary Film Festival and the co-founder of Lit Crawl Boston.

Growing up, my mother refused to acknowledge that my stepfather sexually abused me for many years. I was forced to call him “Dad” and I was told to “forgive and forget.” It took me decades to understand that while I could teach my mind to deny my pain and grief, trauma stayed embedded within my heart and shaped my life, relationships, internal beliefs, and decisions. After a triggering event, it ultimately morphed into depression, which I’m now battling in my forties. Having written two memoirs on the impact of trauma, I am only now finding the wisdom and courage to distance myself from my mother and stepfather. The books I’ve recommended have brought me comfort and a sense of relief. 

At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.

At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.

For more than 30 years I have been immersed in creative public relations and marketing from campaign development and activation to effectively engaging the primary consumer audiences. Me and my teams developed campaigns around such major sports and entertainment properties as the Olympic Games, Super Bowl, and The Rolling Stones. No matter your industry, inspiration for creativity, transformation, and innovation can come from many sources including the compelling storytelling featured in the books that I recommend.  

Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.

I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)

Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.