I’m a writer, journalist, satirist, and novelist. I’ve written humor and satire for McSweeney’s, The New Yorker’s Daily Shouts, The Belladonna, and other publications, often about subjects that make me angry, sad, or both. Sometimes I write as a way to process, to vent, and to make fun of myself. I wrote a humor piece called "Turn Your Princess Toddler Into a Feminist in 8 Easy Steps." The New York Times published it, and it went viral. There was so much interest in the piece it prompted me to start researching the topic of princess obsessed girls. That research became my nonfiction book – The Feminist’s Guide to Raising a Little Princess.
No living writer rivals Hillary Mantel in terms of sheer accomplishment and talent, so it might be annoying for us mortals to learn that on top of it all, she is also very, very funny. Fludd was a wonderful surprise for me after reading her previous works. A mysterious curate joins the parish of a small, bleak British and Catholic town whose priest has lost his faith and whose parishioners are wallowing in superstition. What could possibly go wrong? Mantel elegantly satirizes the eccentricities and harsh judgments of the religious townsfolk, while giving us a thoroughly pleasurable read about faith and love.
A novel featuring Fludd who investigates what happened to Lazarus, after he was raised from the dead. To follow up his search he impersonates a Roman Catholic priest. It is not immediately apparent that he is an impostor and he receives a curiously hostile reception.
This
book was everything I love in fantasy fiction – gorgeous prose, memorable
characters, hard choices, and a world that feels heartbreakingly real.
In
a world on the brink of revolution, four women – a soldier, a scholar, a poet, and
a socialite – are caught on opposing sides and have to navigate their ties of
loyalty, family, love, and ambition. Each voice is utterly compelling, and each
moves the story in ways you can’t anticipate.
It’s
not a long book, but it’s a feast of thoughtful storytelling written with
beauty and power.
Four women, soldier, scholar, poet, and socialite are caught up on different sides of a violent rebellion. As war erupts and their families are torn apart, they fear they may disappear into the unwritten pages of history. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history. Praise for The Winged Histories: "Like an alchemist, Sofia Samatar spins golden landscapes and dazzling sentences...a fantasy novel for those who take their sentences with the same slow, unfolding beauty as a cup of jasmine tea, and for adventurers like Tav, who…
My first job after college was at The Wall Street Journal, working evenings as a copyreader. It was thrilling to enter a big-league newsroom, but torture to be confined to putting tiny headlines on even tinier stories. Then at age 23, after a whirlwind staff shuffle, I started writing the paper’s premier stock-market column, “Heard on the Street.” Daylight had arrived. For the next 11 years, I covered finance. I met billionaires and people en route to prison. It wasn’t always easy to tell them apart! My writing career has widened since then but sizing up markets – and the people who rule them – remains an endless fascination.
I’d known – from some of my early Wall Street Journal work – that Soros was a philosophy student in London before he embarked on the Wall Street pursuits that made him a billionaire. This operates on a higher mental plane than 99% of what’s written about Wall Street. It’s packed with philosophical riffs that are not easy to crack. And yet, it’s a sincere effort by Soros to explain his vast, enduring hedge-fund success. You have to be in the right mood to accept his challenge. If so, I found it made for an excellent series of evening quests as I worked through the text, slowly turning bewilderment into insights.
New chapter by Soros on the secrets to his success along with a new Preface and Introduction. New Foreword by renowned economist Paul Volcker "An extraordinary ...inside look into the decision-making process of the most successful money manager of our time. Fantastic." -The Wall Street Journal George Soros is unquestionably one of the most powerful and profitable investors in the world today. Dubbed by BusinessWeek as "the Man who Moves Markets," Soros made a fortune competing with the British pound and remains active today in the global financial community. Now, in this special edition of the classic investment book, The…
In today’s world we have unprecedented access to knowledge and science. We are increasingly unsatisfied with seemingly impossible things that have no plausible explanation. Speculative fiction is known for asking one simple question “What If?” Science fiction leans toward scenarios that might be possible, whereas fantasy dwells in the world of the impossible. In early fantasy writing we would read about impossible things, and the author would wave it away with a simple “It’s just magic – don’t think about it.” Modern audiences want more. Hard fantasy (where magic systems have a logical and rules-based premise) dares not only to ask “what if” but also suggests “here’s how.”
Master of the Five Magics delivers exactly what the title suggests. Hardy creates not only one, but five distinct and well-thought-out systems of magic. Each discipline is different from the next in practice, application, and style. The mechanics of how each of the systems functions is logical, precise, and adheres to a well-planned set of rules. The reader explores the world of magics through immersive storytelling and the reader can enjoy the journey without the perception of having attended a university course on the subject material.
The trilogy is seen as ahead of its time and is often credited as having influenced later authors as they explored the subject of magic in fantasy in their own writings.
Vendora, the crafty queen under siege in a castle that had never fallen.
Alodar, the mere journeyman, learning the least of the five crafts of magic.
He had no right to aspire for her hand --- but aspire he did!
Wizards, sorcerers, dragons, castles, and more!
Alodar's quest takes him from one magical craft to another—each with its own distinct powers and pitfalls. Aided by a mysterious eye from deep within the earth, at a college for magicians, he discovers the secret lying behind the hypnotic flicker of common flame.
I completed a Masters in Theology where I studied early Church theology (Patristics) and Jungian analysis. Next, I wanted to pursue a PhD in Patristics to discover how and why the Catholic Church had banished true spirituality for stifling dogma and randy sexual abuse, but I was the mother of four children and had to go to work. I became an acquisitions editor for a Catholic publishing house, which enabled me to continue my research on the building deviation from real spirit in Catholicism. I wrote the Revelations Trilogy instead of doing a thesis in graduate school. This trilogy is very hot and controversial because nobody could control me.
Carl Jung’s discoveries in psychoanalysis and alchemy caused a revolution in 20TH Century psychotherapy, and the breakthroughs he made have had a huge influence on contemporary spirituality.
My book is deeply based on Jung’s research in general, and then this is his greatest book.
Ancient alchemists were supposedly trying to turn lead into gold, yet now we know they were activating many dimensions in their consciousness to attain the gold—personal transformation, even transfiguration of their souls—Jung’s fundamental discovery.
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This book may seem an aberration, but it makes my list because it touches on my own research life, my own literary journey, and my heart: it connects Appalachia and Ireland. This is a book of poetry—simple, lovely pieces written in both places—accompanied by gorgeous photographs of nature and landmarks. As one who travels to Ireland whenever I can, and pines for it when I can’t, this book transports me from my mountain home to those shores across the Atlantic. I am a visual writer, in that I see my stories play out, and especially the stories I imagine for my Irish immigrant ancestors. So a picture book of poems that connects my two homelands strikes the right note with me, lets my mind relax and create.
Journey from Appalachia to Ireland with Laura Treacy Bentley in Looking For Ireland: An Irish-Appalachian Pilgrimage (Mountain State Press). Both chapbook and a work of art, her book creates a seamless alchemy of elegant poems and stunning photographs. Laura is a poet, novelist, point-and-shoot photographer, and West Virginia native whose work has been widely published in the United States and Ireland. She is the author of a poetry collection, Lake Effect (2006), a novel, The Silver Tattoo (2013), and a short story prequel, Night Terrors.
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
One of my favorite poets writing about one of my favorite artists. Cornell’s mysterious, alluring dreamscapes in his delicately crafted boxes meet their soulmate in the prose poems of Simic. In this work of only seventy-seven pages of short meditations on Cornell’s life, inspiration, and method, Simic creates the poetic equivalent of Cornell’s visual art. Simic recognizes, as did Cornell, that “The commonplace is miraculous if rightly seen, if recognized.”
In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
A bracing slap to the face, this book. Or maybe a punch to the gut. The conceit is the series of portraits of hoarders based on the reality show of the same name, and the recipe is to combine their testimonials—“I save old soda cans and turn the tin snips into flowers,” say, or “I want desperately to change”—with lists of objects, described as though in a slow camera pan across a filthy room. But the alchemy is the way Durbin mashes the two together, not quite at random but not correctlyeither. It’s a harrowing litany of fragments, so specific that the unspoken point is all too clear: what’s broken is much bigger than any of these individual people or things.
A Lit Hub Most Anticipated Book of 2021 An NPR Best Book of 2021 An Electric Literature Best Poetry Book of 2021 A Dennis Cooper Best Book of 2021
In Hoarders, Durbin deftly traces the associations between hoarding and collective US traumas rooted in consumerism and the environment. Each poem is a prismatic portrait of a person and the beloved objects they hoard, from Barbies to snow globes to vintage Las Vegas memorabilia to rotting fruit to plants. Using reality television as a medium, Durbin conjures an uncanny space of attachments that reflects a cultural moment back to the reader…
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
• Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers
• Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders,…
I embarked on my very first healing journey at the age of 4, after I lost my mother. Through the years, I wanted nothing more than to live a happy life. It wasn’t until the age of 21 that I understood the reason for my pain and discomfort –the lack of love that I had for myself. I started writing about my emotions and sharing these pieces on an online blog. Within a few months, my page grew tremendously. I realised then that we’re all on various healing journeys, and most of us struggle with self-love, even if we look like we’ve got it ‘figured out’ – we still struggle.
This book was such a great read. One of the main goals of this book is for readers to understand what, and how much, they deserve and how this contributes to an increase in self-love. Just like Vex, Dani emphasises the importance of the Law of Attraction and manifestation. She uses examples from her experiences to shed light on the various tools she adopted over the years to build her confidence and create the life she deserves. I love a good self-help book filled with personal examples and what worked/didn’t work in the author’s life, and Watson does that really well. Maybe, I’m nosey, or maybe it's because that’s the way I write my own books and I enjoy diving into other people’s experiences to see how similar we can all be in our healing.
This book is for anyone spiritual, or readers who believe in the law of attraction,…
Self Love and Spiritual Alchemy takes you on a journey to transform your mindset and master The Law of Attraction so that you can create a life that sets your soul on fire.
Dani Watson, a Self Love and Law of Attraction coach, walks you through a process that will help you get clear on what you really want, ditch the limiting beliefs and negative thoughts that are holding your back and teach you how to raise your vibration so that you can to be, do and have anything you desire.
