I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
When I tell you I gasped at the end of this book, I am not exaggerating. I am not one to be surprised by books, but this one kept me guessing the entire time.
I was surprised multiple times throughout the book, and the complicated relationship between Anna and her aunt is fascinating from the very first page. I also really loved the worldbuilding and magic system as it is expertly woven into the story.
I find that many fantasy books have a magic system that is just there, but this one drives the plot.
The International Bestseller
Within the boroughs of London, nestled among its streets, hides another city, filled with magic.
'Magic and love. Love and magic. They destroy everything in the end ...'
Anna's Aunt has always warned her of the dangers of magic. Its twists. Its knots. Its deadly consequences.
Now Anna counts down the days to the ceremony that will bind her magic forever.
Until she meets Effie and Attis.
They open her eyes to a London she never knew existed. A shop that sells memories. A secret library where the librarian feeds off words. A club where revellers lose…
While Dune, Star Wars, Battlestar Galactica (1980s), and other SF staples laid the foundation for my love of SFF, I was also reading about the universe from a young age. Along came Star Trek: The Next Generation in the ‘90s and the stage was set. Completing Bachelor’s Degrees in Ancient History & Archaeology; Religions & Theology; and a PhD in Near and Middle Eastern Studies copper-fastened my passion for the ancient world and the history of religion, and along with reading historical fiction and fantasy, everything merged into the almost allegorical universe you’ll find in Kiranis. Lovers of all the above will find something here.
You want epic—you got epic! Belgarath becomes the disciple of the god, Aldur, and struggles to learn not only magic, but humility. Belgarath the Sorcerer is a late book in Eddings’ epic series, and if I recall correctly, it should be read after The Belgariad and The Mallorean (both of which are 5-book sequences). I’m pretty sure that reading about these hugely powerful gods and their disciples seeped into the developing inspiration for Kiranis, with its gods and prophets and grand schemes. There’s something deeply welcoming about this book, which is in 1st person as Belgarath tells his tale, especially following everything that happened in the preceding 10-book cycle. This is my favourite Eddings character, and he is more alive than those you might think were the central ones. From this book, I learned that true character development is an evolutionary process, and you just have to be patient…
The life story of Belgararth the Sorcerer: his own account of the great struggle that went before the Belgariad and the Malloreon, when gods stills walked the land.
Here is the full epic story of Belgarath, the great sorcerer learned in the Will and the Word on whom the fate of the world depends. Only Belgarath can tell of those near-forgotten times when Gods still walked the land: he is the Ancient One, the Old Wolf, his God Aldur's first and most-favoured disciple. Using powers learned over the centuries Belgarath himself records the story of conflict between two mortally opposed…
When I fall in love with a fantasy world, I want to consume as much of that world as possible. That’s why I’m drawn to illustration that is so dense with worldbuilding elements. In my own work, I started indulging this obsession by creating tiny one-by-three-inch books that contained fully-illustrated alien worlds before eventually moving on to bigger books like A is for Another Rabbit, a book crammed so full of hidden jokes, Easter eggs, and thousand-rabbit-wide crowd scenes that my hand hurt by the end of it. Extreme detail is a way of prolonging the delight and discovery inherent in reading picture books, and I intend to keep pushing it to the limit!
Another first book in a consistently-lovely series, Dinotopia delivers on exactly what its title promises: a lush utopia full of immaculately rendered dinosaurs (and their costumed human companions!) It’s no surprise that the breathtaking scenery of Dinotopiafeels so real and immersive; author-illustrator James Gurney previously illustrated reconstructions of ancient civilizations for National Geographic. His illustrations pack so much worldbuilding into such a small space; from the actually-translatable dinosaur footprint language on all the signage to the consideration of the minutiae of Dinotopian life (where and how do sentient dinosaurs poop?), it’s no wonder this travelogue-style book has swept away both adults and children alike.
When James Gurney's Dinotopia: A Land Apart from Time first appeared in 1992, it was immediately hailed as a fully imagined world of the caliber of J. R. R. Tolkien's. Gurney's premise — of an undiscovered island where a race of mystical humans co-exists in harmony with intelligent dinosaurs — has been since reiterated over and over in numerous films and by scores of other writers. Now, Calla Editions brings Gurney's spectacular artistry to a new generation in this 20th anniversary edition. Digitally re-rendered from the original transparencies, Gurney's dramatic panoramas of Dinotopia and close-up character studies of its inhabitants…
I am a psychiatrist and public health doctor, non-fiction writer, and lay and medical editor. For over 12 years, I have taught non-fiction writing for a general audience at Columbia medical and public health schools to physicians, neuroscientists, epidemiologists, psychologists, and other professionals. I have published 14 books and over 500 written articles and videos. I love to write and help others write...well.
Yes, the same Stephen King: Carrie, The Shining, Misery, and dozens more. Fiction? Yes–his memoir is among the best books for writing nonfiction, not the best of nonfiction books.
Writers of every genre suffer the same troubles, like doubt, rejections, not enough days when the work “flows”, procrastination, alcohol, and drug abuse, having to bow and beg (until your success reverses the tables), and so on. In On Writing, Mr. King gives us his story: "the good, the bad, and the ugly", of writing.
Start with chapter 25 of “CV”, right to the meat of King’s memoir. Be sure you read his “Tool Box” for writing. From the “fundamentals” (e.g., read and write a lot, vocabulary, sentences, paragraphs) to the “craft” (e.g., subject, story-telling; clarity {again !}; people, personalities, and characters).
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the…
I grew up in the sixties and loved all things science fiction when it was at its peak. Being a voracious reader, I spent many days in the local library. I wanted to learn how to be good enough to get my books there. I was encouraged by friends and began studying writing at workshops and conventions. There, I met many of my favorite authors, including Anne McCaffery, Orson Scott Card, Lois McMaster Bujold, and A. C. Crispin. I also met scientists and actors. Critique groups honed my craft and expanded my appreciation of books. I learned to read and write outside my comfort zone.
I fell in love with the people of Pern and their struggles to survive. They adapted and overcame the dangers. They battled against the thread and made a home on Pern.
I was amazed that this was a science fiction book, not a fantasy. It had dragons. I was well past my young adult years when this book hooked me like a fish.
In this world, I saw infinite possibilities for more stories. It touched my heart and made me realize that I could overcome any obstacle in my life. It also taught me that, like Pern, my future held infinite possibilities.
Volume I of The Dragonriders of Pern®, the groundbreaking series by master storyteller Anne McCaffrey
On a beautiful world called Pern, an ancient way of life is about to come under attack from a myth that is all too real. Lessa is an outcast survivor—her parents murdered, her birthright stolen—a strong young woman who has never stopped dreaming of revenge. But when an ancient threat to Pern reemerges, Lessa will rise—upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly . . . and…
I’ve always loved science fiction. My father was an Asimov junkie, and our house was packed with science fiction novels and stories from Azimov to Heinlein to Wyndham and Wilhelm. I began writing science fiction in high school, yet only recently published my first 4 novels (one of which won a Bookfest award). I hold a bachelor’s degree in computer science (bioinformatics), and I stay on top of science to inform my writing. It’s through this background that I select novels, seeking out new tropes and ideas in technological advancement. Each of these novels I mention exceeded my expectations and then some. Pick one up today—you won’t be disappointed!
When I received Ninefox Gambit for Christmas, I have to say that I was blown away. What I loved the most about it wasn’t just that Yoon Ha Lee dropped me in the middle of a war and hit the ground running (from lazer blasts!) The tactician Shuos Jedao leads Cheris into an inner battle that turns out to be even more consequential than the war itself. And when finally the question arises of “who is right” in the conflict, something that the good soldier Cheris has never asked herself before, the answer depends on who’s answering. Cheris, like all of us, must decide for herself whether the secrets of Jedao’s past are true, or whether she’s having her strings pulled.
New York Times Best-Selling Author - Nominated for the 2019 Hugo Award for Best Series - Winner of the 2016 Locus Award - Nominated for the Hugo, Nebula and Arthur C. Clarke Awards
When Captain Kel Cheris of the hexarchate is disgraced for her unconventional tactics, Kel Command gives her a chance to redeem herself, by retaking the Fortress of Scattered Needles from the heretics. Cheris's career isn't the only thing at stake: if the fortress falls, the hexarchate itself might be next.
Cheris's best hope is to ally with the undead tactician Shuos Jedao. The good news is that…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
A science fiction tale couched in the language of a novel study of academia, Anathem by Neal Stephenson describes a world in which monk-like academicians ensconce themselves away in “maths” which shut their doors to the world for a day, a year, a decade, a century, or a millennium.
A marvelous vision on what it means to study something, to understand it, and, thus to see the world from a different perspective.
Since childhood, Raz has lived behind the walls of a 3,400-year-old monastery, a sanctuary for scientists, philosophers, and mathematicians. There, he and his cohorts are sealed off from the illiterate, irrational, unpredictable "saecular" world, an endless landscape of casinos and megastores that is plagued by recurring cycles of booms and busts, dark ages and renaissances, world wars and climate change. Until the day that a higher power, driven by fear, decides it is only these cloistered scholars who have the abilities to avert an impending catastrophe. And, one by one, Raz and his friends, mentors, and teachers are summoned forth…
I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today.
Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.
Our world decayed and a new world arose from the ashes of the old. The remains of the human race cling to life decades after a decimating global plague. The infected hunt the living as the dead roam abandoned streets craving the taste of flesh. Mia and Rowan hoped to carve out a life for themselves in an apocalyptic wasteland, but fate had other plans. They're forced to leave behind the relative safety of their home after a chance encounter challenges everything they've ever known. Evolution always finds a way...
Ever since I was young, books have fascinated me. They contain entire worlds, just waiting to be explored. I believe creativity is an important part of life, and there’s nothing more creative than writing your own world! World building is one of the most vital aspects of any fictional series. It’s why I got into writing; I wanted to bring to life the visions of the fantastical creatures and places I had in my head.
When it comes to building a world the readers can get involved in, you have to be careful not to reveal too much in the beginning. You want to captivate your readers, have them invest more and more time into exploring the world, allowing it to open up. The Ropemaker shows how well a fantasy story can be written this way. The distant and frightful empire is shrouded in mystery as Tilja and the others begin their adventure, but said mystery is slowly dismantled as they progress through their journey, coming to understand their enemy by living amongst them, all while seeking out a way to protect their home from invasion.
Tilja has grown up in the peaceful Valley, which is protected from the fearsome Empire by an enchanted forest. But the forest’s power has begun to fade and the Valley is in danger. Tilja is the youngest of four brave souls who venture into the Empire together to find the mysterious magician who can save the Valley. And much to her amazement, Tilja gradually learns that only she, an ordinary girl with no magical powers, has the ability to protect her group and their quest from the Empire’s sorcerers.
I loved every gripping minute of this action-filled female-focused science fiction fantasy story. I was blown away by the unique worldbuilding of the militaristic knights versus dark magic tale.
The story focuses on Larissa’s training to become a knight and her battle not to be drawn in and corrupted by the very magic she must fight. I loved the juxtaposition of destiny versus desire.
This story kept me thinking long after I finished reading. Is destiny a choice or a drive? Do our choices create our destiny or does destiny drive our choices… is it really a choice we are making of our own free will, or are we making it because destiny is forcing us in that direction? Ooooo delicious.
There are so many betrayals and monster battles in this tale. It’s everything I enjoy, and I couldn’t put the book down. It’s an epic story that is very…
Larissa's inability to kill is a disgrace to her absent mother, Sword Matriarch of the Fair Lady's order, a sisterhood whose purpose is to hunt down sorcerers corrupted by the Evercry and slay them. But Larissa hides an even more sinful secret: she is drawn toward magic, and it grows stronger in her every day.
Larissa keeps a stranglehold on her gift until the day of her graduation test, when her misuse of magic leads her to failure. Prepared to be cast out of the sisterhood, she is instead brought into the…
