I can’t lay claim to expertise in the fantasy genre, but I am passionate about it! My best friend introduced me to fantasy a few years ago, and my life has never been the same. As a nerdy kid, I read high-brow books like Wuthering Heights and War & Peace, but it wasn’t until I started reading, writing, and watching fantasy stories like LOTR that my imagination really ignited. I’m a woman with picky tastes, so finding a good story that I can relate to is an ongoing and satisfying quest. Most importantly, if I can make even one person’s day brighter with my own writing, it’s all worth it.
Returning was a short and sweet read that I happened on by chance. It’s a prequel novella about a siren who’s searching for her very own ‘The One’. With a romance story at its heart and an edgy tone, it’s a fast-paced urban fantasy that I ate up in a couple of days.
I liked the worldbuilding, the crisp dialogue, and the intriguing premise. The book is a little old-fashioned in theme, but oh-so-satisfying in a nostalgic way as you hustle to survive and fall in love right alongside Mira, the main character of Returning.
I’m giving it bonus points because it’s set, in part, in Canada, which is where I’m from. Any time I see even a smidge of my beautiful home country in fiction, it makes my heart smile.
It’s time to leave the ocean. Mira Belshaw has been at sea for… well, she doesn’t know how many years. It’s hard to keep track of time when you live in the ocean. But after enough time, the salt water triggers the desire to procreate, and her time is up.
For weeks, she’s been swimming north. Finding a mate is the most important thing to her right now, and to do that, she has to return to the place where she was last human - the coastal city of Saltford.
I grew up in a small community surrounded by mountains and vast public land. I learned to ride a horse before riding a bike, and my dad taught me about recreating in remote areas. I didn’t think of those lessons as survival training, but in my novels, the skills I learned as a kid often save the characters’ lives. All the books on this list feature ordinary people doing extraordinary things to survive and, in some cases, protecting those they love. I hope you enjoy the books on this list as much as I have!
I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.
The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.
As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.
A fallen regime. A missing child. A chance at freedom.
Ten years ago, Sonya was the face of an oppressive regime. Then it was toppled by rebels and she was thrown into prison - where she has been locked up ever since.
When an old enemy comes to her with a deal, it seems too good to be true: find a missing girl who was stolen from her parents, and earn her freedom.
But as Sonya hunts for the child, she is forced to dig deeper into the past - and her family's dark secrets - than she ever bargained…
Escapism is my drug of choice. As a child, I was angry that my existence was confined to this reality, and I did everything I could to find a way out. Stories made it bearable. Whether it was Thor’s Bifrost, the wardrobe of Narnia, or the mirror in Stephen R. Donaldson’s Mordant’s Need duology, I was hooked. Now, I tell my own stories of escape. I create and invite others to find solace, adventure, love, and passion in fantasy realms, outer space, and reinvented parallel realities. This door is always open.
No matter how long since I entered the world of Magiere and Leesil, I find my mind wandering back occasionally. Perhaps I connected with Magiere’s awareness of her difference to all those around her. Her desire to walk away from life as a mercenary vampire slayer intrigued me because, though she had a hard exterior, the book offered a smattering of opportunities to see beneath her rough surface into the human part of her heart.
Magiere’s emotional dichotomy resonates with me in an unexpected, life-altering manner. In fact, the story might have been a catalytic element in the crucible where the main character for my novel was born. Snarky humor permeates in places that bring levity to long periods of darkness, and a diverse and interesting cast of characters brings depth to the worldbuilding that Hendee crafts through their storytelling.
Magiere has earned a reputation as the most formidable vampire slayer in the land. Villagers far and wide welcome her with both awe and disdain—grateful to her for ridding their towns of the undead menace, but finding themselves made poorer for their salvation. Magiere knows she’s dealing with simple folk, who only wish to have their superstitions silenced, and sees nothing wrong with exploiting them for profit.
Now, tired of the game, Magiere and her partner, the half-elf Leesil, are…
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
Alan Campbell set the mixed steampunk science-fantasy genre for me, with his high fantasy worlds where machines and magic go hand in hand, to prison cities surrounded by poisonous waters that can turn you into permanent sea-dwellers, and telepathic abilities worth killing for.
This is a world where a trip to the beach might kill you if the telepaths don’t find you first.
Leaving the behind the imaginings of Deepgate, Alan Campbell introduces a new world, a new cast of characters in a novel that reads like a cross between Stephen Deas and Joe Abercrombie.
With non-stop action, beautiful characterization and Alan's usual flair for imagination and lyrical writing, welcome to a world of water - where dragons are used as weapons and countries are separated by power, greed and fear...
Thrown out of the Graveyard corps by a corrupt and weak emperor, Granger has to turn to running his own prison. It's not a lucrative business but if he keeps his head…
During my childhood summers, my dad bought thrift-store paperbacks by the bagful, and fantastical stories filled my shady hammock days. Now as an author, writing and reading go hand in hand. There’s no better way to improve my prose and hone my personal style than to read books I love. My trusty highlighter immortalizes the lyrical passages that I swoon over, those luscious words that slip from the tongue, make music in my ears, and paint scenes behind my eyes. I’m swept away by gorgeous language despite the genre, though fantasy books usher in summer memories and a lovely time of idleness when there was nothing to do but read.
The Crown of Stone series is an undiscovered gem in grim-dark fantasy, and Magic-Price is the book that kicked it off. Grim-dark fantasy isn’t often associated with lyrical writing, which made this book a rare find. It’s violent, contains profanity and a few scenes of erotica, and has a great anti-hero, but it’s also beautifully written with rich imagery, vivid descriptions, and a wrenching emotional fullness that stuck with me for days after closing the last page. I loved the flow and how all this luscious writing contrasted with the brutality of the characters and story. All that and a fabulous ending to the series too.
Born of a fallen race, forced into combat at an early age, Ian Troy knew little but the brutality of war. A hope for more was born when, on the brink of defeat, an instrument of victory fell into his hands. Unaware of its true nature, Ian wielded the Crown of Stones, an ancient relic of untold power. He cast, wanting only an end to the conflict tearing the lands apart. Fate had other plans.
A decade later, Ian is still haunted by that tragic day. Running from the blood in his veins and on his hands, he struggles to…
I'm a long-time role-player/gamemaster and reader of SFF, and I've read, created, and played (and written!) a lot of stories.Good stories come from good characters. We all know that. But part of what makes characters good is that they're believable, and to me their believability is inextricable from the worlds they come from. A world-build—setting, weather, technology, magic, science, cultures, and languages—should BE as much of a character as the protagonist(s). While I admit a fond nostalgia for ye olde semi-Euro-medieval setting, I lovea world-build that challenges or surprises me, and I love the characters and stories that come out of those worlds. I hope you do too.
I am a sucker for an unusual world-build, but I also love a good morally grey hero.
Harmon delivers both. Most of civilization exists underground with a frozen wasteland above, with populations gathered into politically discrete city-states.
The magic is half chemistry, half alchemy, and unique. Our protagonist, Ig, is an elemental bound to the service of one of those city rulers, forced by that binding to kill (or whatever else he's told). He wants to be free. And that's about where you can stop imagining you know how this story will go.
The tale is dark, violent, intricate, and grimly delightful, but there's a bright sliver of hope: just enough, anyway, to show you how dark the shadows are.
Among boiling volcanoes under Mira's frozen lands, people like Ig are forced to undergo life-threatening trials that bind chemical elements to the human body. One of Mira's most powerful elementals, Ig serves as an enforcer for Magnate Sorrelo Adriann, but is cursed with flesh binding magic that will kill him at the first sign of disobedience.
When Sorrelo is overthrown, Ig quickly learns he can do far worse than what has been asked of him so far. If he can't escape the flesh binding in time, he will have to…
Since childhood, I’ve been a consumer of fiction entertainment. I’m a fan of comic books, anime, television series, fiction books, movies, video games, etc. Influenced by all of these forms of storytelling, I seek to entertain people with my science fiction books and help take their minds off their troubles. At a young age, I also realized fiction can be a gateway into exploring and bringing awareness to crucial issues. With an MFA from Howard University, I’m naturally a creative person, and if I’m not creating, I’m not living. I hope readers will check out my latest book, and best so far, Republic Falling: Advent of a New Dawn.
I love giant robots, being a fan of the Battle Tech and Gundam franchises, and Hard Reboot is a book involving giant-robot arena fights, so that alone inspired me to check it out. Good worldbuilding is important for any fiction book. And with this book being a novella, I was impressed with how much worldbuilding was done within 150 pages or so. The world within Hard Reboothas its own unique terms, technology, and environments, which made me want to learn more about this world as I read through each page. I also found the two main characters intriguing, two young women from different backgrounds. The evolution of their relationship from frenemies to significant others was totally fun to read. If you like giant-robot battles, pick this book up.
Django Wexler's Hard Reboot features giant mech arena battles and intergalactic diplomacy. When did academia get to be so complicated?
Kas is a junior researcher on a fact-finding mission to old Earth. But when a con-artist tricks her into wagering a large sum of money belonging to her university on the outcome of a manned robot arena battle she becomes drawn into the seedy underworld of old Earth politics and state-sponsored battle-droid prizefights.
Is it time to get back to the books, yet?
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
I’m of Indian ethnicity and Japanese nationality, so it felt natural to write a book that drew inspiration from both cultures without being adjacent to either one. Like me, my book is a mixed bag. It features an original mythology with a unique religion and mythical beasts that you’ve (hopefully) never seen before. It’s also pretty heavy on themes and tries to provide some context to questions that baffled me as a kid: Why do bad things happen to good people? Why do war and violence exist? I can’t say that I’ve answered those questions, but I hope I’ve provided a multifaceted perspective into the conversation around them.
My favorite aspect of this book was the concept of a crime coefficient: a numerical measure of how likely a person is to commit a crime. Punishments are meted out preemptively based on this. I found it a fascinating concept, especially in the context of karma, which also explores the idea of violence at a thought level (it does not delve into karma, but it is a personal interest of mine).
Overall, this had some solid and unique themes around ethics and justice—as well as really interesting worldbuilding, centered around this idea of a non-human (and thus ‘unbiased’) system judging humanity for their sins. I should note that this manga came after the anime—so the anime is the original work.
I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
When I tell you I gasped at the end of this book, I am not exaggerating. I am not one to be surprised by books, but this one kept me guessing the entire time.
I was surprised multiple times throughout the book, and the complicated relationship between Anna and her aunt is fascinating from the very first page. I also really loved the worldbuilding and magic system as it is expertly woven into the story.
I find that many fantasy books have a magic system that is just there, but this one drives the plot.
The International Bestseller
Within the boroughs of London, nestled among its streets, hides another city, filled with magic.
'Magic and love. Love and magic. They destroy everything in the end ...'
Anna's Aunt has always warned her of the dangers of magic. Its twists. Its knots. Its deadly consequences.
Now Anna counts down the days to the ceremony that will bind her magic forever.
Until she meets Effie and Attis.
They open her eyes to a London she never knew existed. A shop that sells memories. A secret library where the librarian feeds off words. A club where revellers lose…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.
Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.
