The best earth books

It is a healing gesture to honor Indigenous Americans and others during the month-long celebrations intended to remedy the omission of groups, whose origins are not European. We need more! Let's create inclusivity! In an inclusive society, who are the "them" and who are the "us?" We all need to be recognized as citizens of our country instead of occasional entertainment for "drive-by" tourists of diversity. Inclusivity also means caring for all who share our planet:  all other animals; waters; terrains; plants, etc. My award-winning books have usually been about Native peoples of North America, particularly the United States, and how we have always been here and still exist. 

I’ve been fascinated with high fantasy since the moment my grandmother first presented me with Eragon by Christopher Paolini. Then, add in a Nora Roberts book when I turned sixteen, and voila, my love for all things fantasy romance was born. I crave tension, romance, sizzle, and some epic fight-to-love scenes that make my blood run hot. When I started writing, I knew the exact genre I wanted to focus on–romance. All. Things. Romance. Fantasy, paranormal, contemporary–I enjoy writing them all but in every single one of my stories there lies a thread of fight–of sizzle–because what’s a happily ever after if you don’t have to work for it?

While every single attempt at socialism in human history has failed, usually leading to the murder of millions of people, it is being revived by those who think they can “do it right this time.” I’ve been writing about American principles and American values for newspapers and magazines for years. The threat to the exceptional American experiment that has led so many people of all backgrounds to success and happiness, led me to write this novel. I hope that it is fun enough and interesting enough that many readers will enjoy it, and more importantly learn from it. And take action to preserve the values and principles of America that have uplifted and inspired so many for over two centuries.

I grew up a fan of all things sci-fi, Star Wars, Star Trek, Battlestar Galactica, and so on. But the older I got, the pickier I got, wanting more depth in character, creative stories and fun, but believable action. I read classic sci-fi like iRobot, Starship Troopers, and Enders Game, to name a few. I did find some contemporary authors I liked like Marco Kloos, Detmare Wehr, and Rebecca Branch, but they were needles in a haystack. So, instead of complaining that there were not enough good books out there, I started writing my own. A decade later I have 8 published titles and more on the way.  

You know that poem that instructs us to "see a world in a grain of sand?" I've done that, friend. It turns out that the world you see in a closely-examined grain of sand is largely covered with sand, each grain of which contains another world. For reasons that I can't explain (well, the Autism Spectrum Disorder might have something to do with it), I'm compelled to write novels that explore and exploit, obliquely or otherwise, the sub-worlds lurking within the grains of sand that are scattered across the American High Plains. 

I grew up reading and re-reading Tolkien’s The Hobbit and The Lord of the Rings trilogy. But it always bothered me that there weren’t many girls or women in those books—and most of those that did appear were pretty, perfect, and—well—kind of boring. In college, I studied literature, myths, and fairytales and found that most of the female characters in those stories didn’t reflect women I wanted to be or know, either. So, I wrote my own high fantasy novel and continue to seek out great fantasy, sci-fi, and fairytale-inspired literature featuring strong female characters that are dragons on the inside—and sometimes on the outside, too. 

I am an American author and have been an avid reader of science fiction for nearly forty years. I studied science fiction in college, along with biology and other subjects. My undergraduate honors thesis was a discussion of postwar Japanese science fiction that included a translation from the original. I have a Ph.D. in Cognitive Psychology and have published papers on learning in machines, humans, and humpback whales. I have taught and studied in Japan and Singapore, and critiqued fiction for several years with critters.org. I have published many science fiction stories from various perspectives. The Hugo finalist, "Asymmetrical Warfare" tells the story of an alien invasion of Earth from the invader’s perspective.

For me, books have always been an incredible way to escape, most especially when life is overwhelming. I read books as an escape when I was young, and now as an author, I write books to escape as well. My favorite books to escape into always include heart pounding adventure, fantastical magic, and characters I wish I could know in real life. These are the sorts of books I write; ones that give readers the chance to exist as someone else in another place, perhaps go on a wild adventure. My hope as an author is that my books allow readers to leave their own world and their own worries behind.

I’ve always had a soft spot for pirates. The romanticized version, of course. They epitomize everything I want in a story: adventure, romance, humor, drama, and danger.  As for my life story, I’ve traveled around the world (22 countries in 3 months), am married (got it right the second time), find something to laugh at every day (myself, usually), have a five-year-old (plenty of drama), and the most danger I’ve ever been in was climbing into the bed of a pick-up truck to avoid a grizzly bear and her cub at 3:00 A.M. in Alaska.  

As a writer of dozens of books for children, I always learn much more that can go into each effort. A “wow” moment gets me started. It could be a giant cactus that grows so slowly, frogs that don’t ribbet, maybe a moment with a sea turtle, or thoughts on geology and natural wonders. Each book comes into a hazy focus after tons of research but much gets left out. What goes in? The best “wow” details get woven into an incredible story full of surprise, joy, and admiration for this world of constant change and those struggling to survive.

For me a story with richly developed non-humanoid aliens is mind-stretching. Much of modern Western culture starts with the ingrained concept that humans are at the top, whether by divine right or as the peak of evolution or whatever. Well-developed non-humanoid aliens—especially if they’re not super advanced or charmingly primitive—challenge this assertion. When that assertion topples, so do a lot of other preconceived notions. An abiding fascination in my work is for the “other,” from the wolves and Wise Beasts of my Firekeeper Saga (first book, Through Wolf’s Eyes) to expanding and exploring treecat culture with David Weber in the Star Kingdom book, and a lot in between. 

I’m an Irish writer who is completely hooked on anything sci-fi related. I used to race home from school to do my homework as fast as possible so I could watch Star Trek: The Next Generation. The first character I ever wrote about began his life in my head as part of the Star Trek: TNG world before deciding he was too big and created his own. It’s still an area I am passionate about. Shows like Firefly, Dark Matter, Picard, etc are on my favourites list. I just love the endless possibilities with the genre. Endless exploration, hi or low tech, and incredible ships. What’s not to love?

After being rejected in school, because I had to move with my family again and again, I never had really friends and knew how being left alone and rejected felt. So I put my nose into books and developed a love for writing. Since I didn’t know what to do with them, I left them alone when I married. After being diagnosed with cancer later in my life, I couldn’t go back to work, I remembered my love to write and read so I started to write short stories again. I want to help young people going through similar rejections and bullying, to lift them up, and take the negativity out of their minds. 

I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.

Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform. 

I usually enjoy painting pictures for storybooks about nature I know, so it was a treat to depict an imaginary place that I’ve never actually seen! I was so inspired to illustrate Mary’s story about the moon, as I could focus on creating an other-worldly atmosphere, adding to the drama that could have happened anywhere. The story focuses on Molly and her family moving to the moon and includes scientific facts about how gravity would impact their everyday life. I used Mary’s knowledge as reference to underpin the imaginative side of my process. Painting the inside of a moon module enabled me to use textures, colours, and lighting in such a fun, expressive way!

I am the author of more than sixty published novels, most of which are military science fiction, or near-future alternative history fiction, so I have an abiding interest in the subgenre, and the authors who helped to shape it.

Okay, so you’ve read Dune, you’ve read Starship Troopers, you’ve read 2001: A Space Odyssey, and maybe you’ve even read From Earth to the Moon and The First Men in the Moon. Seen the movies, too (or maybe you cheat and say you’ve read the books when you’ve only seen the flicks). Bet you think that makes you an expert on science fiction about space, right? Not even close! If you want to read more than just the well-known classics everyone else has, find these books. Some have become obscure and are now out of print, but they’re not hard to find; try ABE, eBay, and local second-hand bookstores. They’re worth searching for, and then you’ll really have something to talk about.

Since childhood, I’ve been a consumer of fiction entertainment. I’m a fan of comic books, anime, television series, fiction books, movies, video games, etc. Influenced by all of these forms of storytelling, I seek to entertain people with my science fiction books and help take their minds off their troubles. At a young age, I also realized fiction can be a gateway into exploring and bringing awareness to crucial issues. With an MFA from Howard University, I’m naturally a creative person, and if I’m not creating, I’m not living. I hope readers will check out my latest book, and best so far, Republic Falling: Advent of a New Dawn.

When I first crossed the American West nearly 4 decades ago in my ’67 Chevy, it changed my life. I had never imagined mountains built of contorted rock shoved miles into the sky, faults slashing like fresh scars across the landscape, and starkly beautiful deserts where people seemed an afterthought. After many happy years of researching and exploring the West with my geology students, I knew I wanted to tell the story to a larger audience. The result has been three books: Hard Road West, Rough-Hewn Land, and Surf, Sand, and Stone.