I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
Mehta’s propulsive, strangely entertaining nonfiction book takes us into subterranean Bombay—into the underworld gangs, the bar dancers, the pavement dwellers. Despite its oft-times grim subject matter, the book exudes an energy and excitement that is reflective of the maximum city itself. As someone who grew up in a genteel, middle-class household in Bombay and was not familiar with the world described by Mehta, this eye-opening book served as a guide to places I have never been and roads I have never traveled.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.
As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty…
Coaching is a wonderful technology that can help people be a force for change… and is often wrapped up in mystic and woo-woo and privilege that makes it inaccessible and/or unattractive to too many. I want being more coach-like—by which I mean staying curious a little longer, and rushing to action and advice-giving—to be an everyday way of being with one another. Driven by this, I’ve written the best-selling book on coaching this century (The Coaching Habit) and have created training that’s been used around the world by more than a quarter of a million people. I’m on a mission to unweird coaching.
Moon realizes that certain words are particularly helpful and powerful in making conversations better (all conversations, not just coaching ones). It’s one short word per letter (“Difference”, “Might”, and “Yet” are three of my favourites), and this feels like a collection of twenty-six precise tools that can help any type of discussion more elegant, more curious, more filled with potential and more useful.
Language is a powerful tool that can unite, engage, and move people to action. It's all in what you choose to say, and how you say it.
In this practical, accessible guide to having more powerful conversations, leading evidence-based coaching expert Haesun Moon offers a set of powerful words or phrases-one for every letter of the alphabet-to help you move others toward greater purpose and accomplishment. Based on her extensive research with the University of Toronto and Harvard Medical School, Moon shows you how to apply each of these concepts to transform the way…
I’m a Canadian writer who started writing fiction after a career as a journalist at newspapers across the country. I’ve always marvelled at the diversity of Canada, and I try to portray that diversity in my own stories set in Toronto, one of the world’s most multicultural cities. And I revel in stories by fellow Canadian crime writers, tales filled with First Nations characters, and characters with Ukrainian, Russian, Asian, African, and British backgrounds, stories set in various parts of our far-flung country. The five novels I have focused on here are just a few of my favorites.
The Water Rat of Wanchai is the first book in the Ava Lee crime thriller series. Tough, fearless Ava is a forensic accountant who travels to exotic locales (all well-known to author Ian Hamilton) chasing bad debts. The settings aren’t Canadian, but Ava is: she immigrated to Canada from Hong Kong as a child, and grew up in Richmond Hill, outside Toronto. Her current home is in Toronto’s trendy Yorkville neighborhood, but she has strong business ties to Asia. In many ways, she’s a typical Canadian—raised and educated in Canada, with ties to another part of the world, and fluent in a language other than Canada’s two official languages, English and French. All 15 Ava Lee books deliver on two fronts: they are crime thrillers and delightful armchair travel.
Meet Ava Lee — the smartest, most stylish heroine in crime fiction since Stieg Larsson’s Lisbeth Salandar — in the first installment of the wildly popular Ava Lee novels.
Ava Lee is a young Chinese-Canadian forensic accountant, who specializes in recovering massive debts and works for an elderly Hong Kong–based “Uncle,” who may or may not have ties to the triads. At 115 lbs., she hardly seems a threat. But her razor-sharp intelligence and unorthodox rules of engagements allow her to succeed where traditional methods have failed.
In The Water Rat of Wanchai Ava is persuaded to help an old…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime.
As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's…
As a kid, I hated the outdoors, hated change, hated discomfort. Imagine my surprise when, in 2004, without an iota of expertise, I decided to hike Spain’s Camino de Santiago de Compostela. It was life-changing and world-opening on so many levels. Since then, I’ve written five best-selling journey memoirs, two of which have been nominated for awards. I read just about anything but I am particularly drawn to stories about those who leave the comfort of their homes to go and live another life. We all think of doing it; few of us actually do.
Your marriage is over and your child is heading off to university. What to do? Why, you get in your car and drive nearly 6,000 km from Toronto to the Yukon. This lyrical, enchanting memoir of a mid-life journey tugs at the soul. What strikes me the most about it is the courage of its author to go it alone.
Jill Frayne’s long-term relationship was ending and her daughter was about to graduate and leave home. She decided to pack up her life and head for the Yukon.
Driving alone across the country from her home just north of Toronto, describing the land as it changes from Precambrian Shield to open prairie, Jill finds that solitude in the wilds is not what she expected. She is actively engaged by nature, her moods reflected in the changing landscape and weather. Camping in her tent as she travels, she begins to let go of the world she’s leaving and to enter the…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
You could really choose any graphic novel by Patrick Kyle—they’re all excellent. I personally like this collection of his short stories. The art is abstract, cartoony, expressive, drawn with a stylistic boldness not often seen in graphic novels.
The art could stand on its own, and often I find myself skimming this novel just to look at the art. But the narratives themselves are the real key here—completely original, contemporary thinking that discusses things like the end of cell phones and purifying skin creams. These narratives will change the way you think about narrative.
A keen observer of the absurd, Patrick Kyle's stories defamiliarize the machinations of life, work, and art with droll dialogue and his angular, humanely geometric drawing and sci-fi settings that recall set design more than satellite images. Kyle's figures may be foreign and his settings strange, but his stories resonate deeply.
Patrick Kyle lives and works in Toronto, ON. He is the author of the graphic novels Black Mass (2012), Distance Mover (2014), and Don't Come In Here (2016). At the 2016 Doug Wright Awards, he won the Pigskin Peters Award for New Comics #6 and #7.
I didn’t know anything at all about meteorites (or, really, space in general) until I took a cosmochemistry class during my first semester of a PhD program in geology. As soon as I learned that meteorites captured information about the start of the Solar System – the material we started with, hints about how planets evolve, and how meteorites changed the course of Earth – I was hooked. At the end of that class in 2007, I switched the main topic of my PhD research to studying meteorites and what they can tell us about the past, and I have been doing it ever since.
I don’t really consider myself a history buff, but I do love hearing a funny story where someone screws something up, and, apparently, I really love a funny story where someone screws something up that has immense historical consequences.
And, boy howdy, there is apparently no shortage of screw-ups causing major inflection points in history. I certainly laughed out loud multiple times while reading this book, and one time in particular I was so animated that my dog was concerned enough to come check on me.
AN EXHILARATING JOURNEY THROUGH THE MOST CREATIVE AND CATASTROPHIC F*CK-UPS OF HUMAN HISTORY
Modern humans have come a long way in the seventy thousand years they’ve walked the earth. Art, science, culture, trade—on the evolutionary food chain, we’re true winners. But it hasn’t always been smooth sailing, and sometimes—just occasionally—we’ve managed to truly f*ck things up.
Weaving together history, science, politics and pop culture, Humans offers a panoramic exploration of humankind in all its glory, or lack thereof. From Lucy, our first…
Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
I read the Canadian printing of this book, but hopefully the publishers won’t be changing too much for the American printing.
Like the heroine in The Wizard of Oz (and I’m assuming the title is a nod to that classic line, “There’s no place like home.”), Lan is whisked away by a mysterious wind, but I really like the fact that she discovers she has called for the wind herself. I also love that the wind takes her into the novel she’s reading (I’m sure you can see a theme here with one of my other picks!) and that she can then change the story’s outcome.
Sweeping in scope and timeless in tone, No Place like Home is a middle-grade portal fantasy unlike any other
Lan, a teenager who recently came to Canada from Vietnam, spends every day searching for a sense of belonging. Books are the only things that make her feel at ease. But it comes as a shock when a mysterious wind whisks her right into the pages of her latest fantasy read. More shocking still is the fact that she herself summoned this wind!
Plunged into the magical world of Silva, Lan realizes she has much to offer protagonists Annabelle and Marlow.…
For a number of years, I was a historical interpreter at two of Toronto’s oldest and finest houses. While looking at the furniture, paintings, and below-stairs bells and open-hearth cooking in these upper-class mansions, I became immersed in the lives of the people who once lived in these places. I have always been interested in history, and I have a post-graduate degree in Canadian literature, but my schooling in history seemed confined to the Tudor period and Greek and Roman times. Working in Toronto’s fine homes led me to a deep understanding of the fascinating history we have right here on our doorstep!
I found this book at a sale about 20 years ago, and it opened my eyes to the fascinating early history about my city, Toronto. It’s filled with information about the scandals, tragedies, and courtroom clashes of the prominent families of the times, the problems faced by early immigrants, and the attempts of a government elite to control the town’s inhabitants. Some of it seems very relevant for today!
The Toronto novelist Martha Baillie has written about her family before –
in the guise of fiction, that is.
Now, in a memoir, she strips away the
fictional covering and lays her family bare: her artistic, sometimes remote
mother; her tender-hearted, professorial father; and her brilliantly gifted
sister, Christina, who battled mental illness for decades before taking her own
life in the family home in 2019.
Baillie faces up to her own partial
responsibility for her sister’s death. But she does so in graceful, chiseled
prose, as elegant as it is unflinching.
There Is No Blue shows that
elegies, even when written from deep pain, can be profoundly life-affirming.
Martha Baillie's richly layered response to her mother's passing, her father's life, and her sister's suicide is an exploration of how the body, the rooms we inhabit, and our languages offer the psyche a home, if only for a time.
Three essays, three deaths. The first is the death of the author's mother, a protracted disappearance, leaving space for thoughtfulness and ritual: the washing of her body, the making of a death mask. The second considers the author's father, his remoteness, his charm, a lacuna at the centre of the…
I was inspired by teachers and books starting at a very early age, and even before I was ten, I knew that I wanted to become a teacher and writer. In pursuing these two passions, I set out to become the best that I could be. I read countless books on the art and craft of writing (many of them by acclaimed authors). I chose these five exceptional books in the order that I read them over years of researching/writing La Brigantessa, which ultimately won an international Gold IPPY award for Historical Fiction, and was a finalist in two national literary awards. Hope you, too, are inspired by my picks!
Barbara Kyle covers all the areas fiction writers want and need to know about the craft of writing and how to elevate your craft into art. Her book is an essential guide to creating a novel with strong and compelling characters, setting, plot, dialogue, and more.
Her insightful suggestions and advice, initially through a manuscript evaluation of my book, and later with a thorough reading of this book, was an essential part of my writing journey towards creating a “page-turner” that led to the acceptance and publication of my novel.
"Brings alive almost every tough issue a writer of fiction must confront . . . friendly and fun to read." — Albert Zuckerman, founder of Writers House literary agency
“Kyle knows her stuff. She breaks down both the art and the craft of writing in a way that is entertaining and easy to understand.” — #1 New York Times bestselling author Kelley Armstrong
ABOUT THE BOOK
What makes a page-turner? What mysterious literary essence holds a reader so hard they feel they must keep reading? And then tell friends, "I couldn't put it down!"
