The most recommended femme fatale books

Jade is a being of mysterious power who has traits of shifter, witch, fae, and others. She serves the police force in Winston, in a world in which supernatural beings are everywhere, but are discriminated against. She must solve a mystery and fight to protect herself and her friends. I enjoyed this story. I think you will enjoy it if you like fantasy.

The best sci-fi has a lived-in feel – think of the polluted, grimy futurism of Blade Runner or Alien.

This is something that it has in common with noir fiction. Compare, say, the cyberpunk of  William Gibson with the gritty, hard-boiled detective fiction of Raymond Chandler or Dashiell Hammett – take out the sci-fi elements, and they could be writing about the same world.

In Titanium Noir, Nick Harkaway imagines just that. It is a razor-sharp pastiche, combining the best tropes of the gum-shoe genre – the femme fatale, the world-weary PI, corrupt cops, and menacing crime bosses – with an intriguing sci-fi premise: What if someone invented a drug that made youth eternal? What influence and power would such people wield? And what would happen if one of them mysteriously died?

Okay, so this main character is Private Investigator, but I loved this book. A good flawed, dubious, tough-guy main character, a sexy femme fatale, dangerous mobsters, and lots of keep-you-guessing plot twists and turns. This page-turner, with great, witty, wise-guy banter, fulfills all that this Neo-Noir Crime Novel fan craves for.  

High Life is pitch black Hollywood noir. It’s one of those rare books that starts out dark and just keeps getting darker and more disturbing. Stokoe outdoes himself on nearly every page. This book was shocking and eye-opening, even for me. I’ve read a lot of extreme horror and I think this might outdo nearly all of them. Stokoe manages to fully flesh out the characters, rendering them terrifying, absurd, and profoundly sad, and does so with a style that is compulsively readable.

The juxtaposition of Eve Babitz’s unabashed hedonism and her incisive ability to nail a situation are not what you normally expect.

This book ranges all over southern California of the 1960s and 1970s, always coming back to the place Eve loved best, Los Angeles, a place of “vast sprawls, smog, and luke nights: L.A. It is where I work best, where I can live, oblivious to physical reality.”

When I moved to Los Angeles, I was disposed to love it, but it was hard to find any confirmation in books! I am delighted with Eve Babitz, who, with extravagant and precise language, celebrates the place.

This series of books by Elrod was one of my first introductions into not just vampire fiction but also this style of dryly-humorous narration. Up until my mid-to-late teens, I’d read a lot of high/epic fantasy, which is typically third person and more pragmatically written, but here I met a first-person narrator who was snarky as heck. I loved it. Not only that, but it’s a vampire P.I. story that plays in the land of noir in gangland Chicago during Prohibition. It was so engaging and fun that I devoured the series as fast as I could, and when anyone asks for my inspirations, it’s at the top of my list. Like it is here.

In an age of constant digital deception, it was utterly fascinating to read the story of someone who manipulates people through the simple use of a phone call.

The plot follows two filmmakers, Carrie and Meadow, the latter of whom makes a documentary about “Nicole”, a woman who seduced an array of Hollywood heavy hitters armed with nothing more than a telephone. The novel unfolds through multiple perspectives and timeframes that begin as disparate but are slowly woven together by Spiotta’s expert hand.

The plot itself is fascinating, but Spiotta’s stylistic and thematic mastery are a wonder to behold. Sidenote: Nicole is loosely based on the true story of Whitney Walton, on whom Jen Silverman also did a brilliant take in her audiobook The Miranda Obsession (performed by Rachel Brosnahan).

Don’t let this quirky cover fool you. The pages of this book are smoking hot at times. This is book 1 in a novella series dedicated to hooking up paranormals. It kicks off a dating series with an opposites attract trope, featuring two paranormal beings who couldn’t be more different—a witch and a vampire. This is a light-hearted romance that leaves you thirsty for book 2 and wanting to know what otherworldly beings will be featured.

One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).

This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch. 

I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.