The most recommended femme fatale books

High Life is pitch black Hollywood noir. It’s one of those rare books that starts out dark and just keeps getting darker and more disturbing. Stokoe outdoes himself on nearly every page. This book was shocking and eye-opening, even for me. I’ve read a lot of extreme horror and I think this might outdo nearly all of them. Stokoe manages to fully flesh out the characters, rendering them terrifying, absurd, and profoundly sad, and does so with a style that is compulsively readable.

I love this entire series, but the first one is where Poppy meets Consuela (her Chihuahua with attitude). One of my favorite micro-genres, the funny-cozy-romantic-spy mystery, Poppy Fields is a poor little rich girl. But what redeems her for me, is her drive to do something important in the world. I found it impossible not to fall for her and her bossy Chihuahua. And the communication connection between Poppy and Consuela is one we all hope to have with our dogs. Consuela yaps and Poppy understands her. Not to mention, Poppy couldn’t ask for a better partner in solving crime. 

Why are female criminals "ugly"? Italian criminologist Professor Caesar Lombroso discusses crime causation, justice systems, penology, and the female offender. Lombroso rallied for humane treatment of inmates, advocating programs to reform the penal system, and believed both generated a better society. He argued that criminal behavior is inherited and categorizing offenders as: crimes of passion, aka "lunatics", occasional offenders, and born criminals. He also tried to identify them by physical attributes: the skull, features, and tattooing. 

Lombroso's atavistic theories initially seem outdated - and even laughable - but are still practiced today. "(S)he looks like a criminal" is something you commonly hear. Or, people instantly judge someone's tattoos. Lombroso's approach is still utilized in true crime media. The case becomes more interesting when perpetrators are attractive. Even the monikers for female criminals are modified: femme fatale, black widow, she-devil. Readers will enjoy the contrast/comparison to 1900s criminology. The Female Offender… show more.

I seem to be addicted to long-running series with British detectives, though not all written by British authors, and A Clubbable Woman is the first book in this twenty-one-book series by Reginald Hill.

When I began to write fiction and worked on creating Corelli and Parker, Hill was one of the authors I looked to for inspiration. Although his Yorkshire detectives, the abrupt and rude Detective Superintendent Andrew "Andy" Dalziel and the educated, calm, and well-mannered Detective Sergeant Peter Pascoe, did not fit my vision for my own characters, I enjoyed their antics and read the entire series. The books are fun and challenging and this is a great beginning.

Megan Abbott writes traditional, contemporary crime fiction, but also occasionally takes a deep and dark dive into the pulpy past. Of the latter, this is where I come in.

This book uses noirish tropes and writing traditions–whip-smart dialogue, 1940s American slang and settings, femmes fatale, gangsters, speakeasies, heists, double-crosses, all soaked through with hard liquor–but puts a twist on the old formula by having women as the central characters. 

In this, a young, unnamed ingenue is taken under the wing of Gloria Denton, a mob boss. The young woman wants to be somebody, and boy, Gloria Denton, is the somebody everyone wants to be: sexy, hard-as-nails, chic, smart, and feared. Everything goes swimmingly until a homme-fatale enters the scene, and well, things go downhill from there. 

I think The Hot Spot is perhaps the best of several noir novels by Charles Williams, a writer who deserves to be better known. 

Originally published as Hell Hath No Fury, The Hot Spot, well filmed under that title in 1990, chillingly illustrates the claimed truth of the proverb about a woman scorned. As readers, we cannot help but like Harry Madox, a clever but semi-sleazy used-car salesman who robs a bank in a small Texas town and sleeps with his boss’s boozy wife before falling in love with a younger, more innocent woman.

Then Harry learns to his dismay that the boss’s wife is determined to keep him from having the things he now realizes he really wants. Re-reading this novel, I always root for Harry to escape from the deep pit he has dug for himself, and I keep turning the pages, hoping he will.

Okay, so this main character is Private Investigator, but I loved this book. A good flawed, dubious, tough-guy main character, a sexy femme fatale, dangerous mobsters, and lots of keep-you-guessing plot twists and turns. This page-turner, with great, witty, wise-guy banter, fulfills all that this Neo-Noir Crime Novel fan craves for.  

In an age of constant digital deception, it was utterly fascinating to read the story of someone who manipulates people through the simple use of a phone call.

The plot follows two filmmakers, Carrie and Meadow, the latter of whom makes a documentary about “Nicole”, a woman who seduced an array of Hollywood heavy hitters armed with nothing more than a telephone. The novel unfolds through multiple perspectives and timeframes that begin as disparate but are slowly woven together by Spiotta’s expert hand.

The plot itself is fascinating, but Spiotta’s stylistic and thematic mastery are a wonder to behold. Sidenote: Nicole is loosely based on the true story of Whitney Walton, on whom Jen Silverman also did a brilliant take in her audiobook The Miranda Obsession (performed by Rachel Brosnahan).

I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.

I love the entire Midnight Breed series. The lore is unlike what I've ever seen in most vampire books. The vampire race was born from alien fathers and human mothers with special talents. These vamps can see their reflections, are not allergic to holy water, and are very much alive. So sexily alive. I spent a solid hour trying to choose one favorite book from this series. They’re all so bloody good! However, Taken by Midnight has some of my fave tropes: badass heroine, protective but gentle hero, interracial relationship, and all the spice. If you like vampires with a unique twist, you’ll love this series.