Fans pick 100 books like Innocents and Others

I love a clever sociopath. I felt myself strangely rooting for the main character, hoping that he would continue to evade the law and get away with his crimes. I liked the way the author built up this person, showing how smart, adaptive to changing circumstances, and manipulative he could be. I liked the backstory of social deprivation breathing life into his mysterious persona.

Ripley’s constant need for a new identity, desperate to escape from his past and humble origins, as well as grappling with his sexual identity, sustained my interest throughout the novel. It made me wonder what percent of the population would do anything to become someone else.

In a world of aggregate and pre-release reviews, it’s easy to forget that one of the most important measures of a book's success is how much it stays with you in the years after you read it.

Look At Me has haunted me in the years since I read it. No other book has had a greater impact on the way I think about our perception of ourselves vs. the way the world perceives us, and how that can be manipulated and exploited.

Like many great books, knowing too much about the plot before you pick it up is going to lessen your experience, so I’m just going to say that it’s about people who have constructed new identities and covers themes of deception, and reinvention and let you discover it for yourself (and thank me later).

I’ve always been confused by the longstanding misconception that thrillers can’t be thematically complex and literary novels can’t be briskly plotted page turners. Birnam Wood is one of many excellent examples of a book that accomplishes both.

Catton’s novel covers activism, climate change, class struggle, idealism vs pragmatism, and a range of other related themes all while moving at a cracking pace and unleashing a thrilling, pulse-pounding plot. Some characters are lying by omission, others for the sake of preservation, others for the sake of self-interest. The result is a deliciously deceptive story where you aren’t sure who to trust or who the villains and heroes are until well into the second act.

Birnam Wood will have you alternating between thoughtfully stroking your chin, gasping in shock, and screaming in horror.

We all have secrets. If you read that sentence and thought “not me!” then that’s likely because you’ve repressed something so dark and dangerous that your psyche let you unleash it from the depths of your unconscious into your working memory.

This book looks at the myriad ways that holding onto secrets can affect our relationships and day-to-day lives through an engaging blend of personal, creative, and scientific perspectives.

Peppered with both fun tidbits of information (the average person has thirteen secrets), as well as complex, deeper insights into the science of secrets, I found this fascinating both as a general reader and more specifically as someone who writes characters who are burdened with secrets and have to construct a false reality around them.

Newbie novelist Jacqueline Susann created an iconic all-time bestseller with her tale of three young glamazons who vault to the show business heights, only to tumble into a pit of addictions, poor choices in men, and delightfully overripe dialogue. Susann made her sweeping, sexy soap opera shenanigans even more irresistible by patterning her characters on such 20th-century headline-makers as Marilyn Monroe, Judy Garland, Grace Kelly, Ethel Merman, and the Kennedys. Said publicity-savvy Susann, “They can keep calling it that ‘roman à clef'. It’ll only make my books sell.” They did. It did. Although the sanitized and critically bashed 1967 movie version toned down the à clef elements, it became a box-office smash that has gone on to become enshrined as a kitsch classic.

In 1988, a book on film history became an unexpected cultural classic. This book tells how a handful of Jewish immigrants from a very small area of central Europe became Hollywood moguls, effectively creating the screen imagery depicting the American dream.

The moguls’ identity as migrants and marginalized people was crucial to their success. As Gabler writes, precisely because of their striving and desire to belong, a former peddler, cobbler, junk seller, and other impoverished transplants concocted the gilded fantasies of Hollywood’s Golden Age. As a group biography and industrial history of Hollywood illusion, An Empire of Their Own is not usually considered in the same vein as The Power Broker’s bricks-and-mortar history.

Yet, in today’s screen-driven world, the legacy of these early media titans is more obvious than ever. The movie moguls’ quintessentially American story of immigration, success, and reinvention is also a prescient, more fully inclusive history of… show more.

We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.

This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.

I’ve read this book a few times, and I honestly can’t tell if it’s a praise or a damning critique of Los Angeles. I think that West–like myself and so many others–is addicted to Los Angeles and is still a bit critical of it.

Tod Hackett is a trained artist who comes to Hollywood to work in set and costume design. Like most outsiders, he sees the city as a projection of all his dreams and nightmares. Set in the 1930s, this book is a moving carnival of outsized stereotypes and winning caricatures. The entire thing feels like a carnival. Read this if you love the Golden Age of Hollywood.

Bukowski didn't thieve, solve crimes, or use high-tech. In fact, he worked hard and was poor and isolated most of his life. But he lived in the fringe of the noir world, and beat on his machines—manual typewriters, then an IBM Selectric, and finally, with some fame and money, a computer. He was South of his No North, real and genuine for so long that when Hollywood knocked, he was ready for them. This book is his first-hand account of the dumb ego and stupid money that goes into making a movie. Hilarious and dark at the same time. A poet's novel.

I read this book for the first time when I was in high school, and it made me realize that main characters aren’t always good people. Maria Wyeth is a selfish, broken actress who stumbles through a series of bad decisions. She cares about nothing, not even herself, but the language is so beautiful and evocative of a 1960s Los Angeles that you can’t help wondering what happens.

If nothing else, pick it up for the laissez-faire attitude of the extremely wealthy and beautiful before the age of social media.