100 books like Hollywood

The OG Metaverse novel is still as smart, hilarious, rollicking, and inspirational as it was 30 years ago.

I’m amazed at how many technologists talking about the concept have not read it and realized how influential and prophetic it actually is, envisioning scenes of virtual life that have since become commonplace for millions of Internet denizens.

Often pigeonholed as a standard dystopian sci-fi tale, Snow Crash is too sly, satirical, and kinetic to fit that category. And reading it will clarify why so many people in tech have yearned to build something like the Metaverse for decades, even referencing it during development discussions—including me! 

Dashiell Hammett, more than any other author, created the hardboiled anti-hero. He’s also a damn fine prose writer. I re-read one of his books every year because of this, hoping perhaps to absorb his spare, elegant style. Each sentence is brutally trimmed of any excess and yet resonates with layered meaning. 

Dashiell Hammett himself was a broken hero. He fought in two World Wars for his country and yet was sent to jail by the committee for un-American activities for refusing to name names. He was a communist, who yet, as a young man, worked for the fascist, union-busting Pinkertons.

A complex, troubled individual who created dark and cynical worlds, and none more cynical than that of The Maltese Falcon. Here, we have a femme fatale, a hardboiled detective, gangsters, and conmen, all vying for the titular prize. It is a mean-streets masterpiece. 

This book is Cormac McCarthy’s most accessible novel. It reads like a screenplay and hits all of the high spots with low blows and grit. It is political, involving drug deals gone wrong that involve Mexican cartels while also being absolutely lonely and isolated. This is noir in the bright desert daylight, mixed with some high-tech of modern criminals. Dark, terrible, and entertaining.

There are a dozen reasons to read anything by Ken Bruen, but the best is this: His books are fun.

Unlike so many self-serious writers, Bruen never forgets that he’s writing for readers. And Bruen’s most compelling creation is Jack Taylor, a washed-up private investigator who always has a sharp comment, even when stuck in a scary situation. I read Bruen and find myself cackling just as often as I gasp.

Granted unlimited access to the film production of Tom Wolfe’s best-selling The Bonfire of the Vanities, Salamon serves up a fascinating portrait of one of Hollywood’s most notorious flops. Miscast (Tom Hanks as an arrogant Wall Street heel?) and tone-deaf, the resulting film ran roughshod over Wolfe’s satire and Salamon was there to record every juicy and head-scratching nugget explaining just how the disaster unfolded. Detailing the head-on collision between ego, money, and power in smooth, vivid prose, Salamon will keep any reader interested in Hollywood turning pages long into the night.

It’s a little bit of a cliche to list St. Joan as your favorite LA writer, but believe me when I tell you she has more than earned her reputation. While she’s better known for her essays, this novel might be my favorite thing she wrote. I think of this book every time I have to make the terrible multi-lane change entering downtown on the 101 freeway, every time I meet an aspiring actor with something seedy in his past, or drink Coca-Cola from a glass bottle. It’s such a dark, twisted space for exploration, and Didion isn’t afraid to get weird. The best book for SoCal cynics, disillusioned dreamers who haven’t made it big, and anyone else who is falling for this city’s seductive charm.

As perfectly tragic as one of his Jazz Age characters, Fitzgerald drank himself to death before finishing this novel which in my opinion, could have been his best. Like Gatsby, Monroe Stahr is an eloquent, rich, and isolated character, pining for a mysterious woman. He is a hugely successful movie mogul in the golden age of Hollywood, and Fitzgerald’s contempt for the studio system’s treatment of writers is here on full satirical display. The sparse prose sparkles with diamond-like harshness and clarity as the doomed love affair plays out. I’m sure it's his least known novel since it is technically “unfinished,” but most editions publish Fitzgerald’s unfinished future chapters, his pass at the ending as well as his notes and outlines, making this a master class in novel writing.

Gabler offers a detailed and persuasive history of Hollywood’s first producers, all immigrant Jewish Americans seeking to achieve the American dream.

This handful of men started in New York as peddlers or small business owners and then moved west to build their own film empires. No one saw motion pictures as more than a superficial pastime, but it seemed a good business opportunity. Unfortunately, Thomas Edison owned the rights and patents that kept Jewish entrepreneurs from accessing New York, so the immigrants went west.

MGM, Warner Brothers, Paramount, 20th Century Fox, and Universal: these were their kingdoms and are still the names we know today as the major Hollywood studios. Meet the remarkable (and sometimes horrible) men who built this world and learn about their lives and ambitions in Gabler’s engaging book.

It must be said out loud and straightaway that much of this classic, influential book is, as the kids say, bullshit. But it is iconic bullshit, hair-raising bullshit, bullshit that you simply cannot ignore or pretend away. Anger, an avant-garde filmmaker whose work teems with sexual and occult content, published this book in 1965 when many of the stars of classic Hollywood whose hidden proclivities he discusses were still either alive or part of a revered pantheon: Marilyn Monroe, Errol Flynn, Lana Turner, Judy Garland, Charlie Chaplin, and so on. And his claims about their sex lives, criminal activities, and their, shall we say, 'flexible' morals were groundbreaking. It doesn't matter that much of it isn't true: the urban legends it inspired still walk the earth. And the lurid photographs of death scenes and stars at their most vulnerable, though often nightmarish, have also become iconic. As a journalist, I… show more.

Only a small fraction of the millions of Americans in uniform during World War II were engaged in combat operations. Harris’s well-researched account zeroes in on the service of five Hollywood directors, who, like many other professionals, were asked to adapt their civilian skills to wartime needs.

Tacking back and forth between Washington and other stateside locales and posts far afield—from Midway and the Aleutian Islands to North Africa and Italy—the book’s carefully drawn action conveys the far-flung exploits of filmmakers during the war as well as how those experiences impacted their craft.