The most recommended books on Hollywood

Since I work in talent representation, I’m always curious how my colleagues and competitors conduct business. CAA is, and has been, the top agency in Hollywood since I first started in this industry. I was anxious to read about the history of the company and how it has managed to not only survive, but thrive, throughout the decades. Filled with tantalizing stories of insider secrets, this is an eye opening account of one of Hollywood’s most powerful companies and the uber successful men and women who have worked there.

Carrie Fischer became an icon after playing Princess Leia in the original Star Wars trilogy, but there’s a whole subpopulation of women who idolize Carrie and still mourn her death for an entirely different reason. We love her writing, and also who she was – honest, vulnerable, subversive, and hilarious. In my 20s, I read three Carrie Fischer novels in a row. Sometimes you have that youthful moment when you connect with the voice of a writer so strongly, that you become forever devoted to them. For me, this author was Carrie Fischer. The novel is about an actress who goes to rehab, so, like the others mentioned here, there’s an autobiographical thread running through it. I love Carrie’s honest writing, her wicked insights into the human condition, and her heroic sense of humor in the face of being a woman in Hollywood and on the planet. 

A sci-fi space opera that’s told like a documentary film.

This was the first book (but certainly not the last) that ever made me jealous I didn’t write, and inspired countless hours of me trying to duplicate.

Set in an alternate 1986 where silent films still reign and using various forms (reality tv, movie, celebrity rags, audio transcripts) this is a genre-bending collective gorgeously told and seriously underread. 

This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.

There’s something compelling about a novel written from the perspective of an animal, yet it’s terribly difficult to pull it off without making it a book—however wonderful—more suitable for children than for adults (Watership Down was an exception).

This book threads this needle. Its prose verges on poetry as it opens the reader to the world of a lonely, thoughtful cougar living outside Los Angeles. Especially terrific and unique in my reading experience is how we get a new view of our own species through the eyes of this struggling, sometimes perplexed, but always compelling great cat.

I loved how it immersed me in a time and place.

Apart from being a wonderfully talented actor, Richard E. Grant is a fantastic writer.

This 1996 book is a raw and honest account of his early acting career from landing his springboard role in the cult classic With Nails to working with some of the giants in Hollywood from Steve Martin and Bruce Willis to Francis Ford Coppola and Martin Scorsese.

Each chapter is a film role, and Grant seems to float through the various hiccoughs and hilarity with a self-effacing charm. His perspective of being the observer, seeing everything from the sidelines; of someone who perhaps shouldn’t really be there, is the essence of his writing.

Richard E. Grant captures the crazy of Hollywood film culture in the narrative and snippets of conversation, nuance of character, situation, and place.

As someone who adores all things Pickford (and has written about Mary’s sister-in-law, Olive Thomas), there’s no way I couldn’t include this book, which covers the association between silent star Mary Pickford and her scenarist Frances Marion. 

I love the dynamic between these two powerful women, and Benjamin does a good job of establishing their relationship. There is a lot to love about this book: the writing, the dialog, and the detail. I love this book!

My only quibble is the picture they used for the front cover. I’d have picked it up long before I did if they’d actually used a picture of Mary and Frances because I would have recognized instantly who it was about.  

Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Blooms rouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.   

I'm a huge Tarantino fan but I think OUATIH is his worst film by a country mile. The plot (?) meanders around in circles going nowhere for two hours and then there's 15 minutes of cool, violent, vintage QT.

My worst fear was that this was going to be a straight novelisation of the movie, but it's so much more and SO much better. We get more backstory on Cliff - I would gladly watch a whole movie about him now! - and unlike the movie, Rick's character actually has an arc and is different at the end. Without spoilers, the ending is different too. The movie's ending is mentioned about a quarter of the way through the book and is described in 2-3 lines and that's all he says about it. The book's ending is much more low key, but makes more sense to the story.

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