Jackie Alpers is an award-winning professional food photographer and author. She is a longtime contributing recipe developer & photographer for The Food Network, Refinery29, TheKitchn, TodayFood, Real Simple, National Geographic, and Edible Baja Arizona Magazine among others. She has been featured in articles for Reader’s Digest, CNN, Good Morning America, The New York Times & NPR. She writes, cooks, and styles recipes from her sun-lit studio in Tucson, Arizona.
Josef Centeno honors the food he grew up with in San Antonio. The book is named for his great-grandmother, “Ama´” and the influence of both his family, and his life as the chef of Los Angeles’s Bar Ama permeate the book. “Reimagined” is the word Josef uses to describe his recipes, and I think it’s a perfect descriptor for his particular vision.
Chef Centeno’s taste leans towards acidic, with lots of citrus and vinegars. Words like pickled and vinaigrette appear often in recipe titles and there is no shortage of chiles and salsas. I learn something every time I make a new recipe from this book, which is something I aspire to have my own cookbooks to do for others.
Tex-Mex is a delicious, irreverent cuisine that combines the deep traditions of Texan and Mexican cooking. Think meaty stews, breakfast tacos, and tres leches cake. Home cooks will learn how to make them all-in addition to crunchy salads, slow-cooked meats, and fresh cocktails-in this collection of more than 100 recipes from San Antonio native and Los Angeles chef and restauranteur Josef Centeno. Organized into chapters by type of food-including breakfast, vegetables, main courses, desserts, and a super nacho party-this is down-home cooking and grilling at its most inspiring. Presented in a colorful package…
I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.
There isn’t a Robert Crais novel I haven’t thoroughly enjoyed, but I especially like the ones featuring PI Elvis Cole and his no-nonsense, stoic buddy Joe Pike. What is especially good about this novel is the character development of the two antagonists. Their personalities, often clashing with each other, make them more than one-dimensional killers, adding spice to the story—something I try to do in my own books.
'Just keeps getting better and better' Evening Standard As addictive as Lee Child and as explosive as Michael Connelly - THE WANTED is the new thriller from Robert Crais, and a NEW YORK TIMES BESTSELLER
Seventeen-year-old Tyson is a normal teenaged boy - he's socially awkward, obsessed with video games, and always hungry. But his mother is worried that her sweet, nerdy son has started to change... and she's just found a $40,000 Rolex watch under his bed. Suddenly very frightened that Tyson has gotten involved in something illegal, his mother gets in touch with a private investigator named Elvis…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
Benjamin Justice is a broken man—a former prize-winning journalist whose career (and life) has been shattered by the death of his lover and a scandal surrounding his best-known writing. Recruited by his former boss to assist an up-and-coming journalist, Ben finds himself investigating a murder that occurred outside a gay bar. The series is tightly written and casts a dark glamor across gay life in ’90s California.
It’s 1994, an election year when violent crime is rampant, voters want action, and politicians smell blood. When a Latino teenager confesses to the murder of a pretty-boy cokehead outside a gay bar in L.A., the cops consider the case closed. But Benjamin Justice, a disgraced former reporter for the Los Angeles Times, sees something in the jailed boy others don’t. His former editor, Harry Brofsky, now toiling at the rival Los Angeles Sun, pries Justice from his alcoholic seclusion to help neophyte reporter Alexandra Templeton dig deeper into the story. But why would a seemingly decent kid confess to…
Like my series protagonist, FBI Agent Susan Parker, I am neurodiverse and have dealt with traumatic family events. I have Asperger’s, dyslexia, ADD, and have battled depression and suicidal impulses in earlier years. As a child, I experienced many violent, traumatic events, including the traumatic death of my mother, abduction, and abuse. However, my personal story has a happy ending: I overcame all challenges to become a fully functional individual with a rich, fulfilling family life and a successful career. Not surprisingly, I became a crime thriller superfan. I gravitate toward books that don’t shy away from depicting darkness but find a way for the MC to return to the sunlight.
A hypnotic, often troubling journey into the mind of a killer and the detective hunting him down are the reasons I return to this book time and again. They are both commonly found elements in crime thrillers today. But what Dorothy Hughes did in this book appealed to me personally, perhaps because of my own personal relationship with crime and trauma, physical as well as emotional.
I’m always fascinated by how intensely Hughes manages to immerse us in both viewpoints with only a few sentences, shifting viewpoints and playing with our conscience in subtle ways. I’ve seen enough violence and trauma to know that motivations are not always as simple as we’d like them to be, and people often do the most unexpected things for the least obvious reasons.
'Puts Chandler to shame ... Hughes is the master we keep turning to'Sara Paretsky
After the war, cynical veteran Dix Steele has moved to L.A., a city terrified by a strangler preying on young women. Bumping into an old friend, now a detective working on the case, Dix is thrilled by closely following the progress of the police. And meeting his new neighbour, sultry and beautiful actress Laurel Gray, brings even more excitement into his life. But the strangler is still prowling the streets - and Laurel may be in more danger than she realises...
Peter Pan was the first book I remember being read to me when I was four. At the age of thirty-two, I discovered the real J.M. Barrie. I read everything I could of Barrie’s and even wrote a one-person play about him. This led me to discover R.L. Stevenson, Treasure Island, and the world of (fictional) pirates. On a visit my wife and I made to Robinson Crusoe Island, I came to believe (through deductive logic and vivid imagination) that this was the three-dimensional embodiment of Neverland. Barrie always envisioned himself as Hook, and though I longed to be Peter, I fear that my soul was a pirate’s soul. Hence Hook’s Tale.
Okay, this isn’t exactly about pirates, but it is about children who play at pirating and whose summer adventures with an author named Barrie inspired him to write his play Peter Pan. The children were George, Jack, Peter (and later Michael and Nico) Llewelyn-Davis, and they became the center of Barrie’s creative life. “I have no recollection of having written Peter Pan,” he later wrote. “He belongs rather to the five without whom he never would have existed and the play is streaky with them still. I suppose I made him by rubbing the five of them violently together, as savages with two sticks produce a flame. That is all he is, the spark I got from my boys.”
When I first read this book I had to put it down at the end of nearly every chapter – because I was sobbing and my tears made it impossible…
An enchanting biography of J. M. Barrie, the man who created Peter Pan and his Lost Boys
"For an insightful exploration of Barrie and the boys who inspired him, nothing rivals [this book]."-Norman Allen, Smithsonian Magazine
J. M. Barrie, Victorian novelist, playwright, and author of Peter Pan, or The Boy Who Wouldn't Grow Up, led a life almost as magical and interesting as as his famous creation. Childless in his marriage, Barrie grew close to the five young boys of the Llewelyn Davies family, ultimately becoming their guardian and devoted surrogate father when they were orphaned. Andrew Birkin draws extensively…
Lou is a ‘scorned dreamer’ chewed up and spat out from an acting career in L.A. But when he shares a drink with a stranger wearing a fedora hat; this seemingly chance encounter sets Lou on the adventure of a lifetime. Mistaken for a rogue assassin known as ‘El Flamingo’, he is swept into a dangerous world of Latin-American espionage, where he only has his wits to survive.
El Flamingo is a perfectly crafted sunset-noir novel that engages from the opening page to the satisfying conclusion. Lour Galloway is an unforgettable character full of self-deprecating wit, and the plot is the perfect blend of action, intrigue, and romance, all with an exotic Latin-American vibe.
This is the story of a dreamer reaching for the impossible, and it’s a tale infused with heart and soul.
With no role in sight and nothing to lose, actor Lou Galloway leaves Los Angeles and heads to Mexico to drown his sorrows in cheap mezcal. But, after a round too many, he soon ends up at a grandiose wedding in the mansion of internationally wanted crime lord, Diego Flores, where Lou is mistaken for a rogue assassin known simply as El Flamingo. Before he can escape, he meets Maria-Carla, an enigmatic beauty with incredible perfume, and he inconveniently falls in love at first sight. When it becomes too late to turn back, Lou is swept into the dangerous world…
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
A contemporary family saga, this book highlights the struggles of mothers and the difficult choices they face to keep their children safe.
A nature vs. nurture story that contains shocks and surprises and will bring you to tears. The structure is interesting as the reader knows more about what’s going on than the three main characters, creating suspense and tension.
What happens when two sisters who were torn apart when their young mother abandoned them-and grew up in tragically different circumstances-reunite thirty-five years later to find her? For readers who love Jodi Picoult, acclaimed author Amy Hatvany fearlessly explores complex family issues in her gripping, provocative new novel.
Natalie Clark knew never to ask her sensitive adoptive mother questions about her past. She doesn't even know her birth mother's name-only that the young woman signed parental rights over to the state when Natalie was a baby. Now Natalie's own daughter must complete a family tree project for school, and Natalie…
I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.
As a mother and a Women’s and Gender Studies educator, I was enthralled by Ayelet Waldman’s Modern Love scandal of 2005 in which she confessed to loving her husband, Pulitzer Prize-winning author Michael Chabon, more than their four children, after which she landed a spot on the Oprah Winfrey stage to defend her position. Bad Mother picks up where that controversy left off, exploring the double standard for mothers, who are expected to see and treat children as the centers of their universe. This book is irreverent and refreshing. Perfect mothers – so-called “good moms” – are for Mother’s Day portraits only. This is a book to read on any other day of the year.
'I want to be in the company of her frank intelligence forever' Nigella Lawson In our mothers' day there were good mothers, indifferent mothers, and occasionally, great mothers. Today we have only Bad Mothers: If you work, you're neglectful; if you stay home, you're smothering. If you discipline, you're buying them a spot on the shrink's couch; if you let them run wild, they will be into drugs by seventh grade. Is it any wonder so many women refer to themselves at one time or another as a "bad mother"? Writing with remarkable candor, and dispensing much hilarious and helpful…
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.
Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.
It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.
'Hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community . . . I devoured Saint X in a day.' Oyinkan Braithwaite (author of My Sister, the Serial Killer), New York Times
Claire is only seven years old when her college-age sister Alison vanishes from the luxury resort on the Caribbean island of Saint X on the last night of her family's vacation. Several days later Alison's body is found in a remote spot on a nearby cay, and two local men, employees at the resort, are arrested. But the evidence is slim, the…
I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
I am a big fan of the author’s nuanced and powerful writing style. The best-written book on my list. Collection of short stories that interweave personal details and idiosyncrasies with broader themes and omens. In “Scenic Route” (‘they have me up hard against the hood of the Cadillac Escalade, which is covered in the dust and dead insects of a thousand back roads’) and “Fairground” (‘school buses lined up like ducks at the crosswalk, waiting for the light to turn green, the faces of the secured population looking through the windows with indifference and resignation’), individuals dealing with internal tumult confront in matter-of-fact ways the stark presence of territories and people divided by check-point partitions. Sectoral partitions, segregated populations. Stark divisions in urban life normalized and routinized.
Said Sayrafiezadeh has been hailed by Philip Gourevitch as "a masterful storyteller working from deep in the American grain." His new collection of stories-some of which have appeared in The New Yorker, the Paris Review, and the Best American Short Stories-is set in a contemporary America full of the kind of emotionally bruised characters familiar to readers of Denis Johnson and George Saunders. These are people contending with internal struggles-a son's fractured relationship with his father, the death of a mother, the loss of a job, drug addiction-even as they are battered by larger, often invisible, economic, political, and racial…
