Fans pick 36 books like Hangman

The Harry Bosch series has been long and often predictable.

Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.

What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.

It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.

For me, there’s something extra compelling about a crime novel set in Los Angeles. I can’t remember why I picked up this first book in the Elouise (Lou) Norton series, but I’m glad I did.

In the first few pages, Lou is called out to the scene of an apparent suicide that may have connections to her own sister’s long-ago disappearance, which instantly intrigued me. I loved getting to follow fierce, tough Lou around the city as she investigated her current case, broke in her newbie partner, and also tried to figure out, once and for all, what really happened to her sister.

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.

Between 1960 and the 1990s, the budget, size, and power of LAPD dramatically grew in spite of attempts to use regulatory powers of the government to control the police. “Racial targeting was central to the LAPD’s expansion despite twenty years of liberal leadership of the city. The problem in LA, similar to most urban centers, was a reliance on the police to manage social problems that were “rooted in Los Angeles’ history of segregation, inequality, and poverty.” But such an approach “led to disciplinary practices of surveillance, harassment, and arrest that criminalized and excluded black and Latino/a residents.”

Black Los Angeles citizens were seen by the police as threats to public safety and not deemed worthy of the protection of the law. In its battle against crime, social movements, and drug gangs, the Los Angeles Police Department was able to legitimate their authority to use coercive power to control the… show more.

For me, reading a Harry Bosch novel is like inviting an old friend to dinner and catching up over beers. The Black Ice is the 2nd installment in Michael Connelly's Bosch series, published back in 1993, but recently re-released as a paperback.

Whether it's an old book or a new one, I can't get enough of Harry Bosch. There’re still a few stories I haven't read yet, but the television series has filled in a lot of the blanks. I think I've seen each episode at least five times now.

The Black Ice is a good story, about a Robbery/Homicide case that should have been assigned to Bosch, but he inserts himself into it anyway. The plot moves well and kept me interested throughout. And, if you're a really sharp detective, you might pick up on a couple of clues as to the major twist at the end.

As a high school senior planning a career in law enforcement, I was mesmerized by Joseph Wambaugh’s account of the kidnapping of two Los Angeles police officers in 1963, and the murder of one of them.  Wambaugh unsympathetically details the stories of the two men convicted in the case, while at the same time humanizing the officer who survived and suffered from humiliation and guilt again and again throughout seven years of court proceedings against the men who kidnapped him and murdered his partner. The courtroom dialogue is verbatim, and to me, that leads to a feeling that the reader is actually there watching the proceedings. Wambaugh is a superb writer, and I consider this book is another must-read.

In the ninth book featuring Connelly’s iconic character, (now retired) LAPD detective Harry Bosch, the quintessential modern knight errant is working a case that’s haunted him for years – the murder of Angella Benton.

Her death might be linked to a bold and bloody robbery of 2 million dollars from a movie set where she worked as a production assistant, but neither crime was ever solved. Now Harry is intent on finding Angella’s killer.

The story is set against the backdrop of the movie industry and the celebrity-obsessed culture of Hollywood. Unimpressed by the trappings of power, Harry follows his instincts, led only by his guiding principle, “Everybody counts or nobody counts.”

But this time, he’s on his own without a badge or backup, and when his investigation hits very close to home, Harry finds himself facing brutal enemies determined to strike him down. 

This is the first Alex Delaware book that I read, and I became immediately hooked. Delaware is a psychologist-detective based in Los Angeles, who works very closely with his good friend, Milo Sturgis, a detective with the Los Angeles Police Department. This story has them both looking back in time to a murder that Milo failed to solve. Between them they scour the “City of the Angels” and get to grips with this old case that never quite went away.

I liked this novel because I was in Vietnam, have friends forever changed by contact with the mad god Mars, and could easily relate to the main character.

After his time in the military, Vietnam war tunnel rat Harry Bosch has to fight his own PTSD as well as very real present dangers in his job with the Los Angeles police force. Since I have studied the L.A. police for some of my novels, Connelly’s writing rings very true to me.

The first in Locke’s Highway 59 series, featuring African American Texas ranger Darren Matthews involving two bodies one black, one white that wash up in a small East Texas town.

The story combines procedural, western, and Southern gothic to give an entertaining, human, yet unflinching look at race both past and present. This book enlightened me on how much African Americans contribute to what we call Texas culture.