The most recommended books on race relations

The History of White People tracks the creation of race as a fact, rather than an idea or social construct, and of Anglo-Saxon whiteness, for the free male, as a promise of power and supremacy.

Nell Irvin Painter, a Princeton professor of American history, emerita, begins with Greek historians and Roman conquerors BCE, who thought not of race but of place, the highlands and lowlands shaping appearance and temperament.

Along the way, Rome’s scrubbed-up copies of Greek statuary become the ideal for beauty, and skin colors and skull measurements become a way to rank superiority. Painter traces the United States’ enslavement of Africans, slaughter of Native Americans, eugenics, endorsement of male brutality (Ralph Waldo Emerson! Teddy Roosevelt!), and race-oriented immigration control: all play a role in whiteness.

I want to know how things really work; don’t you?

The opening of this book knocked me out, and I was hooked.

I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.

I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.  

Often forgotten in the study of the U.S. civil rights movement is the even longer, and less successful, effort by Native Americans to regain the sovereignty that they once enjoyed in North America. In 1976 when I was transferred by the Associated Press from Connecticut to South Dakota as a correspondent, I found the state bleeding from its history. The year before, two FBI agents had been murdered on the Pine Ridge Reservation, remnant violence of the 1973 occupation of Wounded Knee. Drive-by shootings were common, discrimination and poverty were rampant, and I felt as if I had walked into an earlier century.

As I came to learn, from this book and its author, Indian tribes were beginning to challenge America’s betrayal of treaties signed in the 1800s – and winning back rights guaranteed in writing. Wilkinson, a friend, attorney, and emeritus history professor at the University of Colorado, helped… show more.

I love this book because Fleming offers necessary socio-historical correctives and demystifies many myths that people believe about race, racism, and stereotypes.

The writing is punchy, pithy and humorous. As such, it is entertainingly educational and scholarly while presenting facts in a way that is accessible to general readers.

I also love this book because it is incredibly useful both to those who are “stupid about race,” so to speak, and those who aren’t. For the former, I think this is a great book to start with on one’s journey toward becoming more race-conscious and more educated about race.

This is a sweeping epic of a book and should be required reading for any student of film history.

Told in a manner that is at once intimate and authoritative, it reads like both a textbook and a biography, detailing the lives of a series of historical figures as a means of relating the history of the Black image in film.

In doing so, Haygood contextualizes the cinematic developments of the past by placing them alongside the social and political developments of the time, showing that you can never truly separate fact from fiction. 

Richard Grant a British journalist and adventure writer traveled the world before moving from New York City with his Brookland girlfriend to transform a dilapidated antebellum mansion in Mississippi into a new home and a new life.

In the process he discovers the real Mississippi—good and bad—as “the most American place on earth.” This book makes the reader laugh, cry, but most important think deeply about jazz, sex, politics, food, America’s class system, racism, democracy, and what it means to be American which is in constant change.

Grant’s writing is addictive and an elixir—you can’t put it down. 

One of nine Black students to integrate the high school in Little Rock, Arkansas in 1957, Beals faces threats to her life as well as constant cruelty not only from white people but also from members of her own community, who disapprove of her decision. Her book gives us an unflinching account of what it feels like to be inside the maelstrom. Education seems almost beside the point when she needs protection from the National Guard. Most resonant to me, Beals admits that being a warrior for social change is exhausting. “Sometimes,” she writes in her diary, “I just need to be a girl.”

This is only a biography in the loosest sense, one of Afro-Cubans from the year slavery was abolished until an ugly racial massacre that claimed thousands of innocent victims. In 1892, José Martí famously declared that “There is no racial hatred because there are no races.” The following year he wrongly predicted that “In Cuba, there will never be a racial war.” Cuba’s independence myth was founded on the idea that there would be no white or black Cubans, only Cubans. Yet in 1912, two Afro-Cuban politicians, Pedro Ivonet and Evaristo Estenoz, both veterans of Cuba’s independence struggle, some of their followers, and thousands of Afro-Cubans in the wrong place at the wrong time, were massacred in a frenzy of racial hatred.

This book is excellent in providing quantitative data to demonstrate how well-meaning people often make negative racial associations based upon media content – this book really helps readers question to what degree we are influenced by or are impervious to media images.

While they do not focus on movies exclusively, they do thoroughly explain subtle racial patterns within mainstream media. 

As one of the first scholarly attempts to investigate the Black experience on a continental scale (as opposed to in individual European nations), this edited volume presents a good introduction to the multifaceted questions and approaches that emerge when studying this topic. Offering insights from various scholarly disciplines and 20th and 21st-century case studies from individual countries such as France, Germany, Italy, Britain, and the Netherlands, it provides thoughtful essays that explore the meanings of ‘Blackness’ and belonging in Europe, and the roles the local, national, global, and metaphysical play within (imaginary) diasporic discourse and identity. As such, it invites critical thinking about the strengths and limitations of the usability of ‘Black Europe’ as a concept and unit of analysis.