I was a military spouse for 26 years. My husband was stationed at MCAS Cherry Point NC and MCB Camp Lejeune NC, both for two years. We (he and I and our four children) lived on the base. He also served two tours in Vietnam, just like Doreen’s husband, and also at Headquarters, Marine Corps later. The fictional Marine base and town where this takes place is modeled after Camp Lejeune and the adjacent town. I did see the same sign welcoming us to Klan country, on Easter Sunday morning 1972 and have never forgotten it. I also knew Queenie’s counterpart. This novel is in no way autobiographical—I was never as brave as Doreen.
Mudbound is about post-WWII in the Jim Crow south. It tells the stories of two returning soldiers in a muddy farm setting. I was raised on a dairy farm with plenty of mud, so I easily identified with the setting. The situation of the two men, one White, one Black, and their families' struggles, physically with the constant mud, and emotionally with the politics of both the era and the place, were graphic. It was a book that was difficult to put down and also difficult to read. In ways I was reminded of 12 Years A Slave.
NOW A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN, GARRETT HEDLUND & MARY J. BLIGE
When Henry McAllan moves his city-bred wife, Laura, to a cotton farm in the Mississippi Delta in 1946, she finds herself in a place both foreign and frightening. Henry's love of rural life is not shared by Laura, who struggles to raise their two young children in an isolated shotgun shack under the eye of her hateful, racist father-in-law. When it rains, the waters rise up and swallow the bridge to town, stranding the family in a sea of mud.
I am a lawyer, law professor, and author of legal history books. Mostly, though, I have much to learn. Importantly, then, I believe in the possibilities of learning. But how? Teaching, in the transitive sense of cramming something into another person's head, is impossible; yet learning is infinitely possible. Ideas are what excite us to learn. In widely varied ways, I have found engaging ideas in—and have learned importantly from—each of these books.
A brilliant, and to my mind greatly persuasive, critique of the entire world as it has been since roughly the 16th century. With a great grasp of the traditional branches of contractarian philosophy (think, emblematically, Locke on one hand and Rawls on the other), Mills describes a different social contract among white people that fixes all others as sub-persons. He argues that, while certainly not all white people are signatories to that implicit contract, white people all are beneficiaries of it to some extent. The book's sophistication is enhanced, never diminished, by the confident accessibility and humanity of the writing.
The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.
I fell in love with reading in fourth grade but felt like real girls weren't reflected in young adult books. The characters had friend problems and boy problems, but books about really big problems like sexual assault were rare because most people thought subjects like addiction and abuse weren't appropriate for young readers. It's one of those weird dichotomies: we know kids deal with big problems, but we're afraid to broach the subject. I used books to help me understand stuff I didn't feel comfortable talking about so I appreciate books that show people how to claw themselves out of a bad place and be their own hero.
I Hadn't Meant to Tell You Thisis one of my favorite novels for its subtlety. It's almost like sleight of hand because you aren't sure where to look. The story kind of unfolds all around you. One of the hardest things after a sexual assault is opening up to someone about it, so I am a fan of books that give people a blueprint of how to go about it. There is no single right way to tell someone about abuse and assault, but it helps to have examples.
In this Coretta Scott King Honor Book, 12 year old Marie is African American. She befriends Lena, a white girl, because both have lost their mothers. Lena has a terrifying secret, and Marie must decide if she can help Lena more by keeping her secret--or..
I am a professor in philosophy, political science, and gender and women’s studies at the University of Illinois at Urbana-Champaign (USA), where I live with my wife. I have a PhD in philosophy from the University of Toronto (Canada), an MA in philosophy from the University of Tromsø (Norway), a MSc in Industrial Relations and Personnel Management from the London School of Economics and Political Science (UK), and a BA(Hons) in Business Management from the University of Newcastle Upon Tyne (UK). One of the most important lessons from my first two degrees was that I love theory (about theories) and, so, those two degrees enabled me to find my way to philosophy, which I have been in love with since.
I only recently discovered the work of Anna J. Cooper, but I find myself reading and thinking about and with her a lot. She’s not an obvious philosophical love for me in that she never writes about LGBTQIA life and does write about men and women from a relatively conservative, Christian, cis, and straight point of view. However, Cooper gives voice to and insight into the struggles of Black women, and her work helps me, as someone who is both racialized as white and an immigrant to the US, perceive and feel important dimensions of the reality in which I now live.
Thus, in her writings about the things she knows about, I find a friend and a colleague as I’m trying to think about intersectional issues that go beyond the life I know first-personally.
The first book by Anna J. Cooper, A Voice From the South, presents strong ideals supporting racial and gender equality as well as economic progress. It's a forward-thinking narrative that highlights many disparities hindering the African American community.
Anna J. Cooper was an accomplished educator who used her influence to encourage and elevate African Americans. With A Voice From the South, she delivers a poignant analysis of the country's affairs as they relate to Black people, specifically Black women. She stresses the importance of education, which she sees as a great equalizer. Cooper considers it a necessary investment in not…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
I’ve read this book twice and probably will read it a few more times before I die. It’s that good.
The story of a young Black man (named Not Sidney Poitier) traversing the U.S.A. is a picaresque, hilarious, heart-breaking tale about trying to find yourself.
Eighteen-year-old Not Sidney is surrounded by people who only see his race or his wealth, or conversely by geniuses who have succeeded despite themselves and, although they see Not Sidney without the cultural labels, are of little help in his quest to find his mission in life.
The first time I read this book, I was spitting coffee laughing. The second time, my heart broke. I am curious what my next read will evoke.
Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth.
As a bestselling and award-winning KidLit author of more than 100 books, I’ve been blessed to specialize in writing for kids about the amazing and inspiring legacy of African Americans. From an alphabet book for even the youngest readers to biographies with hands-on activities for middle graders and up, both nonfiction and fiction as well, these stories are my passion because many of these individuals are my personal heroes as well. I want kids to love and honor these men and women who have made a difference in our world as much as I do!
I’m a big fan of the art of E. B. Lewis, especially his award-winning picture books. (He illustrated my book.) This book is one of my favorites that he’s illustrated. It’s a story about growing up. And friendship. And how kids know what’s right and wrong even if we as adults get it muddled at times.
Jacqueline Woodson is the 2018-2019 National Ambassador for Young People's Literature
Clover's mom says it isn't safe to cross the fence that segregates their African-American side of town from the white side where Anna lives. But the two girls strike up a friendship, and get around the grown-ups' rules by sitting on top of the fence together.
With the addition of a brand-new author's note, this special edition celebrates the tenth anniversary of this classic book. As always, Woodson moves readers with her lyrical narrative, and E. B. Lewis's amazing talent shines in his gorgeous watercolor illustrations.
I have spent 10 years building Scopio, which stands for “Scope It Out” to build an accessible platform for anyone, anywhere to tell their story and share their images. I have used technology to change stereotypes and archive historical moments to our everyday imagery. I like to consume information easily and actionably and these are my recommendations! We did that in writing The Year Time Stopped so people can enjoy and get value out of 200 images and stories for the next century.
Why We Can't Wait is an easy way to get into the psychology of MLK. It is a 1964 book by Martin Luther King Jr.about the nonviolent movement against racial segregation in the United States, and specifically the 1963 Birmingham campaign. The way it is written makes it understandable from a 1:1 perspective. I am connected to this because it helps a person be actionable in their own way about causes they care about. No frills, just action!
This is the momentous story of the Civil Rights movement, told by one of its most powerful and eloquent voices. Here Martin Luther King, Jr. recounts the pivotal events in the city of Birmingham, Alabama in 1963 that propelled his non-violent campaign for racial justice from a movement of lunch counter sit-ins and prayer meetings to a phenomenon that 'rocked the richest, most powerful nation to its foundations'.
As inspiring and resonant as it was upon publication, Why We Can't Wait is both a unique…
I think of myself as a listener and life in progress. As a poet and author, I’m always listening to the words that move through my heart. I’m also a spiritual seeker, always looking for the Divine in the world around me and almost always surprised by the ways it shows up when I’m paying attention. Yet, there’s another part of me that is a Jersey girl through and through, looking for humor or irreverence in the face of life’s challenges. All these aspects come together in an unusual harmony, creating an openness to being changed by the things that come into my life. Hence, a list of life-changing books.
This book was released at a time of great personal reflection for me. I was involved with an organization called Coming To the Table, through which I was learning more about the legacy of enslavement in the United States. Dr. McGowan’s book provides an opportunity for deep listening to the experiences of a Black woman in America. The words and experiences were challenging to sit with because of the depth of the pain, but that is what deep listening is about, being able to be still with what I am hearing and do my best to be with it.
The poems in this collection allowed me to take a glimpse into Dr. McGowan’s life for a short time and feel the darkness she is surrounded by in our country simply because of the color of her skin. It was not an easy or comfortable experience to read i am the…
I am the Rage is not just a poetry book. It is a call-to-action. This evocative collection of thirty poems puts readers in the position of feeling, reflecting, and empathizing with what it means to be Black in America today. Dr. Martina McGowan, a doctor and grandmother who has been a victim of and an advocate against social, racial, and sexual injustices, uses powerful free verse poetry to express the range of emotions, thoughts, and grief she had following the deaths of Breonna Taylor and George Floyd, the subsequent Black Lives Matter protests, and the ongoing attacks against the Black…
I'm a historian. But I’ve never been interested in Parliamentary debates, or important politicians. I’m much more interested in things like gender and entertainment. I always say that a lot more people have sex than become prime minister, so it makes more sense to study marriage than high politics! I like to learn about ordinary people, living their lives and loving their families, working and surviving, and trying to have a little fun along the way. I also love history of more fun and glamorous things—celebrities and scandals and spectacles and causes célèbres, hit plays, and best-selling novels. I have history degrees from Harvard and Yale and I’ve been publishing on nineteenth-century British history since 2000.
As some reactions to the first season of the television show Bridgerton have made clear, many people need to believe that Black people first arrived in Britain after World War II, and that Britain + the past = whites only. But it wasn’t so!
Black people have been British, and part of British history, for hundreds of years. I’m embarrassed how little I learned about Black Britons in studying British history in college and graduate school; this book has been a fantastic way to learn more.
Expanding upon the 2017 Radio 4 series 'Britain's Black Past', this
book presents those stories and analyses through the lens of a recovered past. Even
those who may be familiar with some of the materials will find much that they
had not previously known, and will be introduced to people, places, and stories
brought to light by new research. In a time of international racial unrest and
migration, it is important not to lose sight of similar situations that took
place in an earlier time. In chapters written by scholars, artists, and
independent researchers, readers will learn of an early…
I grew up in the American South during the Civil Rights Movement. The movement was nearly constant conversation, approached with cautious optimism, in my household. Years later, I met my wife, whose family lived in Birmingham, Alabama, and participated in various ways in the movement in that city. Soon after I began to study and write about the Civil Rights Movement, especially the Birmingham movement. I’ve published two books of fiction that reflect on the Movement and I’ve taught college courses and given many lectures in the States and abroad about literature and film set during the Civil Rights Movement.
Walker’s poems channel the voices of Myrlie Evers, widow of Civil Rights activist Medgar Evers, and of Byron De La Beckwith, Medgar’s assassin. The poems create warm, sometimes groovy narratives that evoke the music and voices of my childhood, thus humanizing the historical figures while still making palpable their fear, hatred, and defiance.
Around the void left by the murder of Medgar Evers in 1963, the poems in this collection speak, unleashing the strong emotions both before and after the moment of assassination. Poems take on the voices of Evers's widow, Myrlie; his brother, Charles; his assassin, Byron De La Beckwith; and each of De La Beckwith's two wives. Except for the book's title, ""Turn me loose,"" which were his final words, Evers remains in this collection silent. Yet the poems accumulate facets of the love and hate with which others saw this man, unghosting him in a way that only imagination makes…
