Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Maddy is not, and never will be, a bad girl. She's just a scared girl that did some very, very bad things.
That doesn't mean I wasn't cheering her on. Maddy is the kind of heroine that I fantasized about jumping into the pages to fight for. I cussed out many a side-character in my head, just wishing they would try to talk to me like that so I could give them what they deserve.
But Maddy gets her lick back without my help - and it's a remorseless gorefest. The ending of this book is part slasher, part action film that I needed. After getting frustrated with all her hardships, I needed Maddy’s revenge to take over the book, just like her rage took over her.
* AN INSTANT NEW YORK TIMES BESTSELLER * INDIE BESTSELLER * JUNIOR LIBRARY GUILD SELECTION * KIDS' INDIE NEXT LIST PICK * NPR BEST PICK * KIRKUS BEST BOOK OF THE YEAR *
New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America's history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.
When Springville residents-at least the ones still alive-are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.
I am a lawyer, law professor, and author of legal history books. Mostly, though, I have much to learn. Importantly, then, I believe in the possibilities of learning. But how? Teaching, in the transitive sense of cramming something into another person's head, is impossible; yet learning is infinitely possible. Ideas are what excite us to learn. In widely varied ways, I have found engaging ideas in—and have learned importantly from—each of these books.
A brilliant, and to my mind greatly persuasive, critique of the entire world as it has been since roughly the 16th century. With a great grasp of the traditional branches of contractarian philosophy (think, emblematically, Locke on one hand and Rawls on the other), Mills describes a different social contract among white people that fixes all others as sub-persons. He argues that, while certainly not all white people are signatories to that implicit contract, white people all are beneficiaries of it to some extent. The book's sophistication is enhanced, never diminished, by the confident accessibility and humanity of the writing.
The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.
I think of myself as a listener and life in progress. As a poet and author, I’m always listening to the words that move through my heart. I’m also a spiritual seeker, always looking for the Divine in the world around me and almost always surprised by the ways it shows up when I’m paying attention. Yet, there’s another part of me that is a Jersey girl through and through, looking for humor or irreverence in the face of life’s challenges. All these aspects come together in an unusual harmony, creating an openness to being changed by the things that come into my life. Hence, a list of life-changing books.
This book was released at a time of great personal reflection for me. I was involved with an organization called Coming To the Table, through which I was learning more about the legacy of enslavement in the United States. Dr. McGowan’s book provides an opportunity for deep listening to the experiences of a Black woman in America. The words and experiences were challenging to sit with because of the depth of the pain, but that is what deep listening is about, being able to be still with what I am hearing and do my best to be with it.
The poems in this collection allowed me to take a glimpse into Dr. McGowan’s life for a short time and feel the darkness she is surrounded by in our country simply because of the color of her skin. It was not an easy or comfortable experience to read i am the…
I am the Rage is not just a poetry book. It is a call-to-action. This evocative collection of thirty poems puts readers in the position of feeling, reflecting, and empathizing with what it means to be Black in America today. Dr. Martina McGowan, a doctor and grandmother who has been a victim of and an advocate against social, racial, and sexual injustices, uses powerful free verse poetry to express the range of emotions, thoughts, and grief she had following the deaths of Breonna Taylor and George Floyd, the subsequent Black Lives Matter protests, and the ongoing attacks against the Black…
I have long been drawn to how people of the past think about their sexual identities, attractions, and behaviors. I conducted my PhD research at the Kinsey Institute at Indiana University, where I spent many happy hours reading letters and books voicing people’s unfiltered desires for sexual arousal, connection, and expression. I found the punched-card machines that Alfred Kinsey used to organize data from his personal interviews oddly compelling, and that interest developed into a long-term engagement with the intersection of gender and sexuality with science and technology. I share my fascination with readers through my books on Kinsey, machines used in sex research, contraception, and fertility technology.
Interest in the German sexologist Magnus Hirschfeld and his Institute for Sexual Science (active 1919–1933 in Berlin) has grown since the television program Transparent included him in its second season in 2015.
Laurie Marhoefer’s new book challenges his status as a queer history hero, highlighting how his views on sexual emancipation, cross-dressing (as drag was then known), and transgenderism were embedded in racism and colonialism. Marhoefer also tells the lesser-known history of Hirschfeld’s companion in later life, Li Shiu Tong, who after Hirschfeld’s death in May 1935 continued his own research on human sexuality.
Li’s previously unknown manuscript and notes—rescued serendipitously from a waste bin soon after his death in Vancouver in 1993—is a stark reminder of how many histories of sexuality are at risk of being (almost) similarly lost.
In 1931, a sexologist arrived in colonial Shanghai to give a public lecture about homosexuality. In the audience was a medical student. The sexologist, Magnus Hirschfeld, fell in love with the medical student, Li Shiu Tong. Li became Hirschfeld's assistant on a lecture tour around the world.
Racism and the Making of Gay Rights shows how Hirschfeld laid the groundwork for modern gay rights, and how he did so by borrowing from a disturbing set of racist, imperial, and eugenic ideas.
Following Hirschfeld and Li in their travels through the American, Dutch, and British empires, from Manila to Tel Aviv…
The Wrath to Come is a stirring and challenging book that exposes so many of the myths Americans deploy so that we can ignore the dark chapters of our nation's history, and soothe our conciseness. Churchwell wrote a thoroughly researched yet extremely readable book that uses Gone with the Wind as a vehicle to identify and catalog myths in the American understanding of our history. This book was released in 2022 but it has only become more relevant since it was released.
I discovered cannabis as good medicine in 2009, when my gynecologist recommended it for severe dysmenorrhea. When I couldn’t find a cookbook offering healthy, sophisticated cannabis-infused recipes, I decided to write one. As an amazing group of cannabis chefs taught me how to cook with cannabis and shared their recipes, I fell in love with the plant as well as the open-hearted community that supports it. I followed the Cannabis Kitchen Cookbook, published in 2015, with Pot in Pans: A History of Eating Cannabis, a textbook tracing the plant’s culinary history to ancient Persian and India, in 2019. I’ve learned how to grow my own, and I write regularly about cannabis trends and liberation.
I came of age during the “just say no” ‘80s, and I didn’t know any better until this book, published in 1985, opened my eyes to the hypocrisy, greed, and racism behind the drug war. Here, an early cannabis liberation advocate, who has a popular strain named after him, shows how valuable the plant has been throughout history as food, fiber, and medicine and explains how it came to be vilified and outlawed. He was so committed to spreading the truth that he published the entire book online.
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I remember reading Wilson’s play for the first time as a grad student, not long after I’d been a street musician in Harlem working with a brilliant, irascible old bluesman from Mississippi, and thinking “I knowthese guys.”
Wilson, the greatest American blues playwright (and one of the greatest American dramatists period), has an uncanny ear for the jibing, jiving, wisdom-declaiming back-and-forth that fills the conversational space between four southern-born musicians who find themselves in a Chicago recording studio one day in 1927, getting ready to back up their boss, Ma Rainey.
Toledo, elder and griot, the keeper of ancestral wisdom, butts heads with Levee, the hotheaded young innovator who bears, and brandishes, deep wounds inflicted by white southern violence. The play’s denouement is hurtful, shattering, unforgettable.
NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN
From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes the extraordinary Ma Rainey's Black Bottom—winner of the New York Drama Critics’ Circle Award for Best Play.
The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her Black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is…
The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry?
As a reader, these shared life experiences may prove to be the closest you will ever come to walking in someone else’s shoes. This book would have the greatest impact on historically privileged Americans if read with an open heart. Immensely enlightening: Lythcott-Haims does more than take the reader on a walk through her lived experiences. She shared the complex building blocks found in England, Africa, and America that impacted her mother’s character, along with the extraordinarily successful professional life of her father.
A fearless memoir in which beloved and bestselling How to Raise an Adult author Julie Lythcott-Haims pulls no punches in her recollections of growing up a black woman in America.
Bringing a poetic sensibility to her prose to stunning effect, Lythcott-Haims briskly and stirringly evokes her personal battle with the low self-esteem that American racism routinely inflicts on people of color. The only child of a marriage between an African-American father and a white British mother, she shows indelibly how so-called "micro" aggressions in addition to blunt force insults can puncture a person's inner life with a thousand sharp cuts.…
I’m the author of two YA fantasy novels – We Are Blood and Thunder and We Are Bound by Stars. They’re set in a fantasy world, Valorian, governed by a (literally) colorful magic system and a pantheon of gods, and are all about power, fate, and discovering your true self. Both novels are dual narrative and feature a host of female main characters, who I think are complex, flawed, and relatable. As a child, I was obsessed with Lord of the Rings but always wondered why all the real heroes were men, which inspired me to write these books – partly, too, because of the wonderful female-led fantasies which have come out in the interim.
Our enigmatic heroine, Sorrow, rules the Court of Tears, covering for her grief-maddened father, who has turned their once celebrated land into a living monument for the brother who died before she was born. Joy is literally forbidden. But in this twisty turny political tale – in which the magic slowly blooms – nothing is as it seems… I loved it!
Sorrow all but rules the Court of Tears, in a land gripped by perpetual grief, forever mourning her brother who died just days before Sorrow was born. By day she governs in place of her father, by night she seeks secret solace in the arms of the boy she's loved since childhood.
But when her brother is seemingly found alive, and intent on taking control, Sorrow has to choose whether to step aside for a stranger who might not be who he claims to be, or embark on a power struggle for a position she never really wanted.
I’ve had a love for Christianity since I was a child. However, it wouldn’t be until years later that the love for it would turn into a passion for penning Christian Fiction. I began my journey in ministry in 2014 and two years later, I released the first novel. Since then, God has allowed me to write on many different topics I’ve now recognized were needed. I want others to see Christian Fiction doesn’t have to be boring or dry, but can be entertaining, inspirational, and full of life. This is why I’ve chosen these books as recommendations and I hope the readers will enjoy them even more than I have.
D.A. Bourne weaves a story of Christian Fiction and overcoming racism during a time it’s at an all-time high. We all know racism is a touchy subject a lot of people don’t like to talk about, but it’s a sad reality many face every day. This story surrounds autoworkers and their families who find themselves faced with racial conflict that tests their faith, patience, ability to forgive, and all the things they’ve always believed in.
How do you handle being harassed because of your skin color?How do you deal with the false stereotypes at your new workplace?How can you comfort your spouse when she's a victim of hate?How much longer can you be pushed before you take action?The story begins about a group of autoworkers and their families as they deal with racial conflict in and out of the assembly plant. Their faith and patience will be tested as they approach an unpredictable season.
