I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Harlem Grown is the story of the beginnings of the Harlem Grown program. The Harlem Grown program is a program that supports and mentors youth through urban gardening.
In New York City there was a vacant lot across from PS 175 full of junk and trash. The author Tony Hillery became part of the PS 175 community and decided to work with the students to transform that 'haunted' lot. Together, Tony and four hundred students made that garden into their own farm, then invited the neighbors to share their adventure.
This first successful project led to an organization of twelve Harlem gardens, sustained by their communities but supported by full time staff. It is a beautiful story of recognizing our ability to create impact and how that can be amplified in community.
"Hartland's joyful folk-art illustrations bop from the gray-toned jazzy vibrancy of a bustling city neighborhood to the colorful harvest of a lush urban farm." -The New York Times "An inspiring picture book for youngsters with meaningful ties to the environment, sustainability, and community engagement." -Booklist
Discover the incredible true story of Harlem Grown, a lush garden in New York City that grew out of an abandoned lot and now feeds a neighborhood.
Once In a big city called New York In a bustling neighborhood There was an empty lot. Nevaeh called it the…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
Although presented as a novel, this book is a memoir of Brown’s life growing up as a Black boy in Harlem in the 1940s and 50s amid poverty, violence, and addiction.
Marlene was in Paris in the summer of 1969 when a young white American man gave her a book to read. Brown’s story smacked me in the face. He lived in an America that was foreign to me—poverty, addiction, violence, incarceration. His experiences growing up on the streets of Harlem were so different from mine in suburban New Jersey.
What I remember most is my wonder at Brown’s description of “conking” his hair—straightening it with chemical relaxers that damaged his hair and burned his scalp. His description has stayed with me for all these years as a reminder of how little I knew and know about the lives of Blacks and their position in a white world.
This thinly fictionalized account of Claude Brown's childhood as a streetwise criminal trying to survive the toughest streets of Harlem of everyday life for the first generation African American raised in the Northern ghettos of the 1940s and 1950s.
Crook Manifesto is
a follow-up to Whitehead’s Harlem Shuffle. This time, set in the 70s, we
return to the world of Ray Carney, now running a more successful and larger
furniture store right on 125th St, in Harlem. And again, Carney is a
cipher for Whitehead to explore the sights, sounds, and humanity of one of
America’s most fascinating, volatile neighborhoods.
Whitehead is at the top of his game here as he captures the styles and rhythms of
the city in all its glorious, bell-bottom 70s groove. Carney’s block of Harlem is a powder keg of crime
and racial tension, with the Black Panthers marching in the streets, corrupt
cops demanding pay for protection, and, of course, more petty crimes and con
artists.
The book is peppered with rich, funny, painful moments and broken lives.
He makes it look so damn easy as his language be-bops along and somehow…
NEW YORK TIMES BESTSELLER • The two-time Pulitzer Prize winner and bestselling author of Harlem Shuffle continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.
“Dazzling” –Walter Mosley, The New York Times Book Review.
It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.
He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.
Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.
Really, no American writer is better than Whitehead right now. A fun and profound ride.
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle).
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
Five siblings work and grow together to confront one catastrophe after another and keep their way family and community together.
The siblings—Isa, Jessie, Oliver, Hyacinth, and Laney—are written with winning characterization that makes readers feel like they are one of the family. The heart is enormous in this one!
The Vanderbeekers have always lived in the brownstone on 141st Street. It's practically another member of the family. So when their reclusive, curmudgeonly landlord decides not to renew their lease, the five siblings have eleven days to do whatever it takes to stay in their beloved home and convince the dreaded Beiderman just how wonderful they are. And all is fair in love and war when it comes to keeping their home.
The heroes and heroines in the Seven Kingdoms Fairy Tales face challenges inspired by my own fears, like giving a presentation in the front of the class, getting lost in an unfamiliar place, finding my place in a new school, or working out how to be fair to my friends when we disagree about the rules. Fears tell us a boring life is “safe.” They hide our extraordinary life behind their backs. I write books for and about kids attempting things that are absolutely positively “not for them”. Because kids are the bravest people around. That’s why they’re so magical.
The Vanderbeekers and the Hidden Garden is about the magic of standing up for something you believe in, and discovering unexpected supporters.
With echoes of Frances Hodgson Burnett’s The Secret Garden. In the Vanderbeeker family, everyone might have different goals, talents, opinions, and personalities, but they all stick together when it counts. (Similar to Elizabeth Enright’s The Saturdays, Noel Streatfield’s Ballet Shoes, and Jeanne Birdsall’s The Penderwicks).
These series are perfect to read alone or as a family read-aloud, because everyone will find a character to relate to.
But when catastrophe strikes their beloved upstairs neighbor, their sleepy summer transforms in an instant as the Vanderbeeker children band together to do what they do best: make a plan. They will create the most magical healing garden in all of Harlem.
In this companion to The Vanderbeekers of 141st Street, experience the warmth of a family and their community as they work together to bring a little more beauty and kindness to the world, one thwarted plan at a time.
I've always been obsessed with time travel, which transcends science fiction and offers ways to experience and reinterpret history, explore philosophical ideas, comment on the past, and imagine the future. I love the possibilities for humor and character development and plot twists across every genre and audience. One feature of all of the books I’ve chosen for this list is that they’re about contemporary young people and grounded in real lives, and time travel happens in all sorts of ways: through magical, mysterious forces, an app, tap shoes, a diary, a rideshare vehicle. I’m less interested in imaginary worlds and more fascinated by the way time travel can shed light on our own times.
I’m cheating a little here, since protagonist Ailey Benjamin Lane is not quite a teenager—he’s only eleven.
But I love how this book celebrates dance—Ailey is a tap dancer with big dreams whose grandfather had similar, though thwarted, talents and dreams. And I love the window into Black history in 1930s Harlem when, feeling discouraged, Ailey puts on what turn out to be a pair of magical shoes and is transported to the past, where he meets his twelve-year-old grandfather.
Ailey is faced with the classic time traveler dilemma of wanting to help his grandfather overcome his fears while avoiding changing the past so much that it will affect Ailey’s own future.
I learned from this book—and since I was writing about gymnastics, time travel, and the fraught history of adoption politics, I found this book a wonderful model for evoking a passion, a culture, and a history.
Journey back to 1939 Harlem in this time-travel adventure with an empowering message about believing in yourself and persevering. Eleven-year-old Ailey Benjamin Lane, a gifted dancer, is certain that he'll land the role of the Scarecrow in his school s production of The Wiz. But when a classmate overshadows him at auditions, a deflated Ailey confides in his Grampa that he is going to give up dancing. Not ready to give up on Ailey, Grampa shares a story from his past. As a young boy, Grampa gave up his dreams of tap dancing even after the unofficial Mayor of Harlem,…
I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
The main characters in this book were the first relationship goals for me as a teenager. I loved their relationship; the story flow was vividly in my mind as I read it.
I really shouldn’t have seen the movie because often, it doesn’t follow the same storyline, but I will forever love this book and love the main characters' relationship. It was and still is golden to me.
It's the late 1980s and Gena, a young girl from the projects, meets Quadir, a millionaire drug dealer and falls madly in love. Quadir builds a massive empire while fighting off his rivals and enemies. Gena faces the challenge of holding on to her man, her house, her car and the cash. Both of them find themselves caught up in a vicious yet seductive world and learn that success in this game is no easy win. Gena and Quadir also learn that once you're in there's no way out 'cause everyone stays in Forever...
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
Only when I arrived in Paris did I discover the works of this major African American writer.
Back then, Himes—still under-recognized in the USA—was a long-time household name in France. Himes not only brought the American crime novel to the Black part of town, he did it with a satiric bite that is his distinguishing feature.
The Black police detectives Grave Digger Jones and Coffin Ed Johnson are at the center of the nine novels in Himes's Harlem Cycle, an epic achievement in crime fiction.
Himes's Harlem is a violent phantasmagoria where Digger and Ed—in order to protect the poor, ordinary working folk of the community—are forced to be the baddest of the bad.
Cotton Comes to Harlem is my favorite work in the collection. Published in 1965, it skewers both Black militants and white racists with wicked glee.
From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime.
Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that…
My prime credential for writing these books is my own humanity, as someone who's felt the deep power of music on the human spirit since childhood. The stories I tell in these books are about musicians and artists, people who had a passion for creating something out of thin air with patience and many years of hard work. I highlight their lives to give kids (and adults) examples of passion coupled with persistence because Life is often very challenging.
Deservedly, this book received 6 starred reviews for a superb pairing of text and artwork recounting the story of a historic photograph. Taken in 1958 for Esquire Magazine, A Great Day in Harlem captured the gathering of outstanding jazz musicians on a city street, and Orgill's book brings the magic of that summer day to life for young readers. How I wish this idea had been mine! ;]
What happens when you invite as many jazz musicians as you can to pose for a photo in 1950s Harlem? Playful verse and glorious artwork capture an iconic moment for American jazz.
When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn’t own a good camera, didn’t know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a…
