The most recommended books about Harlem

Crook Manifesto is a follow-up to Whitehead’s Harlem Shuffle. This time, set in the 70s, we return to the world of Ray Carney, now running a more successful and larger furniture store right on 125th St, in Harlem. And again, Carney is a cipher for Whitehead to explore the sights, sounds, and humanity of one of America’s most fascinating, volatile neighborhoods.

Whitehead is at the top of his game here as he captures the styles and rhythms of the city in all its glorious, bell-bottom 70s groove. Carney’s block of Harlem is a powder keg of crime and racial tension, with the Black Panthers marching in the streets, corrupt cops demanding pay for protection, and, of course, more petty crimes and con artists.

The book is peppered with rich, funny, painful moments and broken lives. He makes it look so damn easy as his language be-bops along and somehow… show more.

Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.

He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.

Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.

Really, no American writer is better than Whitehead right now. A fun and profound ride. 

I remember reading a review of Baldwin’s fourth novel in the New York Times, which described this book as “a disaster in virtually every particular—theme, characterization, plot, rhetoric.” Ouch. For me, this novel, though uneven, is an important work in which Baldwin explores his commitments as a queer activist and artist, something that most reviewers missed at the time. 

During the Civil Rights Movement, Baldwin was nicknamed “Martin Luther Queen,” and he received vicious broadsides about his sexuality from the likes of the Black Panther leader Eldridge Cleaver. Tell Me writes back to Cleaver and his cohort. As I’ve found with all of Baldwin’s writing, it’s worth sifting through some of the weaker writing to find passages that surprise and delight. “[If] one can live with one’s own pain, then one respects the pain of others, and so, briefly, but transcendentally,” Baldwin writes, “we can release each other from… show more.

Yes, the film adaptation of Push by Lee Daniels garnered Oscar attention, including a best supporting actress win for actress - comedian Monique but Sapphire’s contemporary Harlem set coming-of-age story about the difficult life of teen protagonist Precious is best told in Sapphire’s novel Push.

It is a devastating, exhilarating read that I couldn’t put down until the last page so shocked was I about the level of challenges Precious endures from her home life to social services and school experiences.

However, then there’s this amazing grace present that doesn’t seem likely, which just makes the name Precious and the title word “push” that much more revelatory. It’s another story that reminded me why I should keep writing and why books and the words we write can be important beyond our expectations. 

Here in Harlem pays homage to the people of Harlem in the first half of the 20th century. I loved how the rhythmic, musical verse brings the setting to life. It’s modeled on Spoon River Anthology by Edgar Lee Masters, but in a completely unique way that will really speak to YA readers.

The voices depicted in this poetry collection—especially Clara Brown’s recurring testimonies—make the book feel like a fully alive story rather than simple moments captured in time.

Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.

Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel. 

Everyone recognizes ZNH’s iconic novel, Their Eyes Were Watching God, but Hurston is a master short story writer. She reminds me of the artist Van Gogh, who devoted his work to the common man as Hurston centers her stories on simple folk whose experiences exemplify the human struggle. Profound and pleasing to read, you will smell the flowers, hear the bees buzzing, and occasionally laugh out loud at these beautifully told stories of real life. Although your life may be different from these, you will be reminded of what bonds us more than what divides us. No better time to think about that. 

Ahh, Tia Williams, how I love thee. Out of the two perfect New York-set romances she has written, this one is the one that has a somewhat unexpected magic realism twist. This Harlem-based beauty follows two timelines—the present day of our protagonist Ricki, an impulsive, artistic florist with a mission to revitalize Harlem with flowers, and the 1920s jazz-soaked Harlem Renaissance era of our romantic hero Ezra, a grumpy, mysterious jazz musician.

The perplexing nature of how their worlds intersect and the deep passion of their relationship gives this romance so much fire and drive. It’s also very much a love story to Harlem, with a fabulous sub-plot about Ricki’s community initiative and how her colorful friends get on board. I honestly couldn’t put this one down!

Five siblings work and grow together to confront one catastrophe after another and keep their way family and community together.

The siblings—Isa, Jessie, Oliver, Hyacinth, and Laney—are written with winning characterization that makes readers feel like they are one of the family. The heart is enormous in this one!

Although presented as a novel, this book is a memoir of Brown’s life growing up as a Black boy in Harlem in the 1940s and 50s amid poverty, violence, and addiction.

Marlene was in Paris in the summer of 1969 when a young white American man gave her a book to read. Brown’s story smacked me in the face. He lived in an America that was foreign to me—poverty, addiction, violence, incarceration. His experiences growing up on the streets of Harlem were so different from mine in suburban New Jersey.

What I remember most is my wonder at Brown’s description of “conking” his hair—straightening it with chemical relaxers that damaged his hair and burned his scalp. His description has stayed with me for all these years as a reminder of how little I knew and know about the lives of Blacks and their position in a white world.