It took me awhile to understand that I was on a spiritual path. I started out as an actor, and working in the theater brought me joy. But as time passed, and I turned to writing novels, the same questions kept emerging: “Who am I?” “Why am I here?” I began to see that I was on a spiritual journey. With A Poet of the Invisible World, I finally felt ready to write about that journey. Nouri’s adventures chart the twists and turns—as well as the deep rewards—of the spiritual path. It’s a book that’s very close to my heart.
There are no other poems like Rainer Maria Rilke’s Duino Elegies. Lyrical and intense, they express the poet’s struggle with existence, and his deep belief in the transformative power of suffering. Rilke asks the question that all spiritual seekers ask: “Look, I live. And for what?” He offers the answer that we live to strengthen the soul. In the Duino Elegies, Rilke encourages the reader to use his or her suffering to become closer to God. Reading his work helps the seeker to understand that the spiritual journey is on a larger scale than that of one’s fleeting life.
Who, if I cried out, would hear me among the angelic orders? and even if one of them pressed me suddenly to his heart: I'd be consumed in that overwhelming existence. For beauty is nothing but the beginning of terror, which we can just barely endure, and we stand in awe of it as it coolly disdains to destroy us. Every angel is terrifying. -from "The First Elegy"
Over the last fifteen years, in his two volumes of New Poems as well as in The Book of Images and Uncollected Poems, Edward Snow has emerged as one of Rainer Maria…
As a queer teenager, I loved reading because it transported me away from my oppressive reality and into another one. My friend, writer Virginia Heffernan, calls it ‘The Trance’—when you’re so into a book, time and space fall away. Recently I learned about the work of cognitive neuroscientist Maryanne Wolf, who writes that “deep reading” of dense, poetic works (not the “skimming” we’re always doing now in our digital culture) uses, remarkably, all areas of the brain—carving neuronal pathways, engendering empathy, imagination, self-reflection, and more. No-brainer: reading is really good for you. While there’s no lack of classics that can do this, here are obscurer titles that have put me in a trance.
Published in 1980, Hejinian’s breakthrough book of poetry asks for your full attention—not in a demanding way—more like how the aroma of coffee or perfume softly takes you back to your past. It’s a poetic record of her life, year by year. There’s no linear narrative, rather the sentences build upon each other, rub up against the next sentence, lead the mind from one thought to the next like memories do. This book absolutely changed the way I perceive. It allowed me to relax, and let my memories wash in and out. It will coax you to float in the ocean of your existence.
Recognized today as one of the great works of contemporary American literature, My Life is at once poetic autobiography, personal narrative, a woman’s fiction, and an ongoing dialogue with the poet and her experience. Upon its first publication by Sun & Moon Press (the edition reprinted here) the publication Library Journal described the book as one that "is an intriguing journey that both illuminates and perplexes, teases and challenges, as it reveals an innovative artist at work."
Lyn Hejinian is the author of The Cell, The Cold of Poetry, Writing Is an Aid to Memory and A Border Comedy. She…
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
If you want a mix tape full of vibrant poets, this anthology has everybody and their mother.
Some of the cats I mentioned in the entries above plus Mahogany Browne, Fatima Ashgar, and so on. Word smiths respected by the literary scene and those hailed by the spoken word movement. If you're interested in the postmodern Hip-hop canon, this is the book for you.
Just as blues influenced the Harlem Renaissance and jazz influenced the Black Arts Movement, hip-hop's musical and cultural force has shaped the aesthetics of and given rise to a new generation of American poets. Edited by poets Kevin Coval, Nate Marshall, and Quraysh Ali Lansana, The Breakbeat Poets: New American Poetry in the Age of Hip-Hop is the first anthology of poetry from the hip-hop generation. The Breakbeat Poets are multigenerational and multiracial, employing traditional and wild style poetics to narrate a new landscape.
Mark Rennella has given students and professionals helpful advice about writing throughout his career, most recently as a writing coach for MBA candidates at Harvard Business School. Mark earned a PhD in American history from Brandeis University and has taught literature and American history at Harvard University, the University of Miami, and the University of Tours (France). Mark's books, articles, business case studies, and collaborative writing endeavors have garnered him critical praise from historians, academicians, and business leaders alike. His concept of the “one-idea rule” was included among HBR.org’s ten favorite management tips for 2022 and was featured more recently in Forbes. He currently works as an editor for Harvard Business Publishing.
This long poem depicts the “prelude” – the influences from childhood – of William Wordsworth’s life as a poet. In other words, this literary biography explores the source of this poet’s unique voice. This poem was another exciting discovery made during my years as a graduate student.
There are many written works that explore the influence of a writer’s early life on the development of their unique poetic vision. A more recent example is a favorite of mine, Gabriel Garcia Marquez’s Living to Tell the Tale.
But, for me, Wordsworth stands out because of the incredible sustained poetic voice, vision, and rhythm of this piece, which he worked on and revised over his lifetime. I think the Two-Part Prelude of 1799 is better than the longer version of 1850. The Prelude of 1799 is long enough to take the reader to a new world, but short enough so the magic…
"The Prelude" is William Wordsworth's epic reflection on his lifetime journey as an artist and is widely considered to be one of his most significant works. First published in 1850 after the poet's death, Wordsworth began working on the blank verse poem in 1798 and continued modifying and expanding it for the rest of his life. Two earlier versions of the poem have been found and published, showing the evolution of this monumental work. A first version, called the "1799 Prelude", is the poem in its earliest and shortest stage. A second version, the "1805 Prelude", is much longer and…
Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
The Firefly Letterswas another early read. There is nothing that Margarita has written that I’ve not loved, but since this was the first of her books that I read, it has remained a favorite. Her poetic portrait of the early suffragette, Fredrika Bremer, reminded me that when hearts and minds are open, bonds of sisterhood transcend societal restrictions. It is a powerful book whose message continues to resonate.
The freedom to roam is something that women and girls in Cuba do not have. Yet when Fredrika Bremer visits from Sweden in 1851 to learn about the people of this magical island, she is accompanied by Cecilia, a young slave who longs for her lost home in Africa. Soon Elena, the wealthy daughter of the house, sneaks out to join them. As the three women explore the lush countryside, they form a bond that breaks the barriers of language and culture.
In this quietly powerful new book, award-winning poet Margarita Engle paints a portrait of early women's rights pioneer…
I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.
I am in absolute awe of this essential American writer. This book made me cry, laugh, and shout in pleasure at the same time. I could hear, taste, and feel myself present in this book of poems, which explore loss and grief, but also tradition and legacy, our connection to the beloved dead through traditions.
Black food, music, and religious traditions are strongly present, but so is Wilco and Gram Parsons’ “Grievous Angel,” and we are immersed in one human’s attempt to sort out his place. Along with Heather Cahoon’s Horsefly Dress, which explores grief in the context of a Montana tribe, this book taught me how to think both beyond and more deeply within my own sense of “legacy.”
Delivered in Young’s classic bluesy tone, this powerful collection of poems about the American family, smoky Southern food, and the losses that time inevitably brings “bristles with life, nerve and, best of all, wit” (San Francisco Chronicle).
I’m a preacher’s kid, and I’ve always had an evangelistic impulse to get other people to love the books I admire, through my teaching at Harvard, through my writing, and simply by pressing books into my friends’ hands. I grew up hearing about my parents’ early years in the Philippines, where my father was an Anglican missionary, and I was always drawn to tales of distant or imagined lands. My literary interests led me to study a dozen ancient and modern languages, and then to learn more about the places where my favorite authors came from, and to study their cultures and history.
A fascinating counterpoint to Dante’s otherworldly journey is this great Sufi poet’s down-to-earth account of a group of birds who are seeking a leader to put their chaotic lives in order. Attar’s twelfth-century verse novel combines spiritual quest with pointed social satire, as his bird-brained characters keep putting off their journey, held back by earthly attachments: to power, wealth, even to poetry itself. Finally they go, only to find that their wished-for savior is -- themselves. In Attar’s masterpiece, all history, all storytelling, the Holy Qur’an, and even the poem we’re reading become a hall of mirrors in which we see ourselves multiply refracted, guided by the poet who tells us that “he cooks his own heart into verse.”
Farid ud-Din Attar was a Persian poet, druggist, and social theorist of Sufism, who wrote much of his poetry while treating hundreds of patients a day with his herbal remedies. As a young man he made a pilgrimage to Mecca, and sought wisdom during his travels in Egypt, Damascus, and India. His masterpiece, “The Conference of the Birds”, has survived centuries because of its captivating poetic style and its symbolic exploration on the true nature of God. This 4500-line poem follows the birds of the world, each of which hold special significance, as they seek out the Simurgh, a mythical…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
There was a time in our lives when we all loved poetry; this book will remind you why.
Stallings is the standard-bearer for new formalist poetry, which often looks to classical Greek myths for inspiration. I love the way she recasts familiar myths in a way that elucidates our modern condition. As with her other books, I was impressed—awed—by her ability to breathe new life into traditional forms and devise entirely new forms.
A prime example is “Three Poems for Psyche,” which veer(s) toward a contemplation of motherhood while recasting themes of domestic strife and time’s impassivity. I was floored by the first poem—essentially a palindrome, with each line of the first stanza repeated in the second—in reverse.
I love when poetry does things that prose simply cannot do, and you can rely on Stallings to do exactly that. The end words in “Alice in the Looking Glass,” for example,…
A. E. Stallings has established herself as one of the best American poets of her generation. In addition to a lively dialogue with both the contemporary and ancient culture of her adopted homeland, Greece, this new collection features poems that, in her inimitable voice, address the joys and anxieties of marriage and motherhood. This collection builds on previous accomplishments with some longer poems and sequences of greater philosophical scope, such as "On Visiting a Borrowed Country House in Arcadia." Stallings possesses the rare ability to craft precise poems that pulsate with deeply felt emotion. Like the olives of the title,…
A
moving poem never fails to lift my spirits. Amanda Gorman, the National Youth
Poet Laureate in 2017, writes poetry that touches my heart and strengthens my
conviction to make this world a better place.
She writes about overcoming
struggles, forging ahead during difficult times, looking past our prejudices,
and respectfully accepting one another.
I grew up in a small Texas town where
folks treated one another kindly. It wasn’t until I moved away to attend
college to pursue a science degree that I experienced discrimination. My
professor announced that women had no place in the world of geology. Regretfully,
I dropped the class and switched majors.
This incredible young woman whose
profound outlook on life can teach us all something good.
The instant #1 New York Times bestseller and #1 USA Today bestseller
Amanda Gorman’s electrifying and historic poem “The Hill We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition.
“Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue
On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem…
These books I’ve traveled with, many I’ve known longer than most friends. They are, indeed, cold but intimate friends. Good company when the world feels rattled and roughed up. I’ve always loved the magic of reading, of going into the mind and onto the universe's outer reaches on nothing more than words. These platforms are for ideas, places, music, and vision. So I take these books with me, fewer than more, for their quality counsel and enlivening entertainment. But like psychopomps or recording angels, they are and always have been a steadfast company on the fast ride of life. I read slowly, and I absorb.
A book with this title for an End of the World reading list? I want this one in the stack! Why? First of all, it’s poetry. Wait, it’s prose. It’s poetry and prose! I love those writers who wriggle out of the straight-jacket of the genre, and Simic’s book is just that: a mind-adventure.
I devour these little dream nuggets as if they were communion wafers. I love the way these movie-poems train the mind for the big adventure! The bardo might just be a little easier to traverse after a good read through the flash pieces in Simic’s book.
“One of the truly imaginative writers of our time.” —Los Angles Times Book Review
You never know what Charles Simic is up to until you reach the end of the line or the bottom of the paragraph. Waiting for you might be a kiss. Or a bludgeon. A smile at the absurdities of society, or a wistful, grim memory of World War II.
He puns, pulls pranks. He can be jazzy and streetwise. Or cloak himself in antiquity.
Charles Simic has new eyes, and in these wonderful poems and poems-in-prose he lets us…
