I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
Paula Fox, the late great novelist and revered children’s book author, wrote a wonderful memoir of effectively not having parents. Oh, Fox’s parents were around, but they were drunk, careless, and inattentive, often shuffling young Paula to and from locales as varied as Hollywood and pre-Revolutionary Cuba. Her parents are depicted in this memoir as both monstrous and sympathetic, providing aspiring memoirists with a model of artful ambivalence. The book is also filled with extraordinary walk-ons by Orson Welles, James Cagney, Stella Adler, and F. Scott Fitzgerald. It’s a beautiful book by one of the most effortlessly commanding writers this country has ever produced. (Full disclosure: As a twenty-eight-year-old greenhorn editor, I had the pleasure of line-editing this book, which wasn’t editing so much as polishing silver.)
An astonishing, devastating memoir of a 1930s American childhood. A New York Times Best Book of 2001
Born in the 1920s to young, bohemian parents, Paula Fox was left at birth in a Manhattan orphanage. Rescued by her grandmother, Fox eventually landed with a gentle, poor minister in upstate New York. Uncle Elwood, as he came to be known, gave Paula a secure and loving home for many years, but her parents constantly re-surface. Her father is a good-looking, hard-drinking Hollywood screenwriter (among his credits is The Last Train to Madrid, which Graham Greene declared was 'the worst movie I…
I’ve lived this theme—my father died just before I turned three years old and I’ve been haunted by his death ever since, especially during my growing up. It’s informed everything I’ve ever written, including an essay I wrote for The New York Times Magazine which they ranked in 2017 as one of their 16 all-time best Lives columns.
When I was in college, I told my writing teacher I wanted to write about my father’s death, which had happened when I was very little. My teacher, a famous writer, lost his father when he was very little too, but he told me he never wrote about it directly. I looked for examples in literature of someone writing autobiographically about a loss in early childhood and I only ever found one: Tolstoy’s debut novel, Childhood, Boyhood, Youth. Tolstoy’s mother died when he was 2, his father when he was 8, and he writes about it with unparalleled power across his oeuvre, but never so directly and autobiographically as in Childhood, Boyhood, Youth. He made it OK for me to write my own autobiographical novel about childhood loss.
Leo Tolstoy began his trilogy, Childhood, Boyhood, Youth, in his early twenties. Although he would in his old age famously dismiss it as an 'awkward mixture of fact and fiction', generations of readers have not agreed, finding the novel to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and colour. Evident too in its brilliant account of a young person's emerging awareness of the world and of his place within it are many of the stances, techniques and themes that would come to full flower in the immortal…
I was instantly attracted to this book because of its cover—the title Wild Blue is very intriguing and the bike’s shadow that becomes a horse is so clever.
I loved all the illustrations—they perfectly captured how Kayla (the main character) sees bikes to be horses. The author’s word choices, showing us how Kayla is a cowgirl and a budding horseback rider made me smile. I also loved Wild Blue’s character and Kayla’s determination to tame her.
Plus, I love horses, biking, and the great outdoors, so this book is a great fit for me!
In a charming take on a milestone moment, a young girl summons a cowpoke's courage to tame her intimidating new bicycle.
Kayla loves riding her pink pony, a three-wheeled bike, up and down the street, day after day. But then Daddy announces that it's time for a big-kid bike, one with just two wheels. At the store, Kayla selects her mount, but when she tries to ride it, she is thrown-again and again. Can she tame this intimidating set of wheels? Or is the new blue bike just too wild? Tender and relatable, Wild Blue captures the emotions of moving…
I am a school and public librarian as well as a writer. I also serve as a member of the Children’s Book Committee of the Bank Street College of Education. We review hundreds of books each year for consideration of a place on our list –The Best Children’s Books of the Year. I've chosen to recommend some lighthearted picture books with Jewish characters or themes because a number of my own books fit into this category. Mitzi’s Mitzvah, Little Red Ruthie, and Dance the Hora, Isadora! are three of my Jewish themed books. Each of these titles has been selected by PJ Library, an organization that sends a book each month to children.
So many Hanukkah books are super serious. I love the way Leslie Kimmelman cleverly uses wordplay to expand the story of the 8 nights of the holiday into something completely unexpected and uproariously funny. The book obviously references a Jewish holiday, but the story will have broad appeal to children of all religious backgrounds and children living in strictly secular households too.
The whole kingdom has gathered to celebrate Hanukkah--but a dastardly dragon keeps interrupting the festivities. Can the Eight Knights of Hanukkah set things right?
A Sydney Taylor Notable Book
It's the last night of Hanukkah and everyone is doing their part for the big celebration, but a dragon called Dreadful has other ideas. He roams the countryside, interrupting the party preparations. Lady Sadie must call upon the Eight Knights of Hanukkah to perform deeds of awesome kindness and stupendous bravery and put an end to the dragon's shenanigans.
When Dreadful eats all the special donuts the baker made, Sir Lily…
I’ve been a children’s author for over 35 years, had over 150 books published, and won a number of awards. But I began my professional life as Editorial Director of a major children’s book club, during which time I read thousands of books for young readers, from tiny tots to teenagers. As for scary books, I’ve written quite a number and read them to hundreds of children during school visits. I know what works, and I understand how to control scariness so that it delivers a delightful frisson that leaves children wanting to experience more of the same over and over again.
This book is another great classic full of scary characters dreamed up by a young girl to explain her hurt knee. On the way home, she bumps into one friend after another and to each of them she provides an even more dramatic description of what happened. Did a wolf try to snatch her for his tea? Did a crocodile knock her over? Was it the witch, the snake, the dragon, the flying saucer that was responsible for her injury? This is such a great story for encouraging children to fire up their own imaginations – and to think about description. It encapsulates how they sometimes exaggerate events to make them appear more impressive or to feel better about what has happened to them. Finally, when the young girl gets home to Mum we discover how she actually hurt her knee, and Mum supplies the all-important plaster to make everything…
Filled with a little girl's inventive stories, On the Way Home is by Jill Murphy, the author and illustrator of the bestselling Peace at Last and Whatever Next!
Claire has hurt her knee so she sets off home to tell her mum all about it. On the way she meets her friends and tells them how the fall happened. But just how did it happen . . .? Was she dropped by a wolf, a slithering snake, an enormous dragon or a hairy gorilla?!
On the Way Home is a fantastic journey of the imagination that every small child who…
Growing up in rural Southern Maryland, I first began to notice a difference between Blacks and whites because of the way I was treated when I hung out with my African American friends. South of the Mason Dixon line, racial differences are often clear. Throughout my childhood and young adult life some of the most influential people who invested in me were African American. As I began to learn about their stories, my heart grew with a love for racial justice and equality. My work and adult life has focused on righting wrongs, responding to global and domestic poverty, to writing and working against inequality and oppression.
Having lived in Chicago for more than a decade, this first-hand glimpse of two young boys growing up in the inner city changed my perspective and understanding of the realities of domestic urban poverty. A moving and powerful read, you can follow the journey after There are No Children Herein Kotlowitz’s follow-up story, An American Summer: Love and Death in Chicago.
NATIONAL BESTSELLER • A moving and powerful account by an acclaimed journalist that "informs the heart. [This] meticulous portrait of two boys in a Chicago housing project shows how much heroism is required to survive, let alone escape" (The New York Times).
"Alex Kotlowitz joins the ranks of the important few writers on the subiect of urban poverty."—Chicago Tribune
The story of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.
My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
I thoroughly enjoyed this book because it’s set in South Africa and has all the elements that move me as a human being: pain, pleasure, violence, mysticism, and adventure. There was also enough drama to keep my nose immersed in this book for hours on end. To say I loved Peekay is an understatement. It takes a hellofa writer to make me feel.
I ached for Peekay, was excited for him, humiliated for him, thrilled for him, and proud of him. I felt Peekay. I agree wholeheartedly with a literary critic who said of this book: “Unabashedly uplifting…asserts forcefully what all of us would like to believe: that the individual, armed with the spirit of independence–‘the power of one’ can prevail.”
“The Power of One has everything: suspense, the exotic, violence; mysticism, psychology and magic; schoolboy adventures, drama.” –The New York Times
“Unabashedly uplifting . . . asserts forcefully what all of us would like to believe: that the individual, armed with the spirit of independence–‘the power of one’–can prevail.” –Cleveland Plain Dealer
In 1939, as Hitler casts his enormous, cruel shadow across the world, the seeds of apartheid take root in South Africa. There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams–which are nothing compared…
As a child, I was captivated by Christmas's traditions, rituals, meaning, and magic, which always signaled a time for introspection and hope. These books capture all of that. For me, the holiday is a time to pause and reflect, and revisiting these works helps remind me of what is important in life and where we should be pointed, where our humanity lies.
Dylan Thomas’s compressed and lyrical account of a young lad’s Christmas has always enchanted me, and it continues every time I read it or hear it read. I recommend listening to the author reading it, available on YouTube. It is delightful poetic prose, moving, amusing, and always surprising. I envy his style here and his wit, feeling, and language proficiency. I wish I could write like that.
Dylan Thomas's classic account of his childhood Christmases, with full colour illustrations by Peter Bailey. The special gift edition for Thomas's centenary now in paperback, with a beautiful gold-foiled cover.
All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street...
Dylan Thomas's lyrical account of his childhood Christmases in a small Welsh town, featuring wolves, bears, hippos and Mrs Prothero's cat, has become deservedly famous. This re-designed edition celebrates the centenary of his birth, and features full colour artwork from illustrator Peter Bailey.
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
For anyone who has been shattered by a terrible loss and could not imagine a road to recovery, this intimate, poetic, and philosophically astute exploration of bereavement, of the mental ravages brought on by the loss of a child, will be a bracing and transformative reading experience.
This short and brilliant book has forever changed how I understand what it means to grieve and to master one’s suffering—it makes you feel less alone.
'One of the most eloquent thinkers about our life in language' The Sunday Times
Time Lived, Without Its Flow is a beautiful, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her celebrated collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives.
The first half is formed of diary-like entries written by Riley after the news of her son's death, the entries building…
I am a children’s author best known for digging up fascinating stories about famous people—and forgotten people who deserve to be famous again. As a kid, I loved reading about the old days, but I wasn’t very interested in “history,” which seemed to be dull facts about a few Great Men. In college, though, I studied social movements and discovered that we all make history together, and that it takes the combined efforts of countless unsung heroes—just as brave, hardworking, and persistent as the big names everybody knows—to achieve real change.
I chose this picture book because it’s so well-written (including an unforgettable kid-friendly explanation of “Jim Crow”), because it’s a first-hand account by someone who took part in the 1965 march from Selma to Montgomery when she was only four years old, and because I liked the way the author showed the organizers as an “orchestra” composed of leaders such as Dorothy Cotton, Ralph Abernathy, and her own parents, Andrew and Jean Childs Young, rather than a solo act by Martin Luther King.
In this Bank Street College of Education Best Children's Book of the Year, Paula Young Shelton, daughter of Civil Rights activist Andrew Young, brings a child’s unique perspective to an important chapter in America’s history. Paula grew up in the deep south, in a world where whites had and blacks did not. With an activist father and a community of leaders surrounding her, including Uncle Martin (Martin Luther King), Paula watched and listened to the struggles, eventually joining with her family—and thousands of others—in the historic march from Selma to Montgomery.
Poignant, moving, and hopeful, this is an intimate look…
