I was in troduced to Niall Williams when my book club chose his This is Happiness, something I would never have picked up because of the wishy-washy title. I now want to read everything by him. I liked this one even better.
We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. That's how it seems to me, being alive for a little while, the teller and the told.
So says Ruthie Swain. The bedridden daughter of a dead poet, home from college after a collapse (Something Amiss, the doctors say), she is trying to find her father through stories--and through generations of family history in County Clare (the Swains have the written stories, from salmon-fishing journals to poems, and the maternal MacCarrolls have…
I’ve alwaysbeen fascinated by children’s language development and am a word hound. For over five decades I’ve been a teacher, teacher trainer, school founder/director, mentor, founder/executive director of a large children’s museum; author of 6 classic textbooks on how children think and learn, and author/self-publisher of one of my many story-poems. My passions are writing, studying new findings in brain development, and launching top-quality schools in underserved urban areas. Between 1969 and 1990, I founded six schools, five still running, three as private non-profit schools and two as essential entities (one called the “safety-net") in their public school systems. The MELC is the only U.S. school accredited by Reggio's founders.
Kornei
Chukovsky, leading Russian children’s poet, in his book From Two to Five, describes children’s “whimsical, elusive thinking—original, picturesque, amusing
speech.” "Children two to five are
earth’s most inquisitive creatures with questions evoked by the mind’s tireless
need to comprehend its surroundings.” I know of no other author who so brilliantly
captures children’s own words. I read this book over and over for inspiration.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
I love sharing poetry with children! I became inspired to write poetic picture books during my 20-year career as an elementary school librarian. In class, we often read aloud, discussed, and performed poems. My students considered word choices, identified alliteration, metaphor, and simile, and developed a sophisticated vocabulary of “beautiful” words. They delighted in using their senses to write about special places and moments and did research to create and illustrate fact-based poems about people and animals. In exploring poetry and biographies of poets, students found inspiration and used their authentic voices to craft their own funny, engaging, and thoughtful poetry.
I love books in which children can imagine themselves in the story. This gorgeous book, with its perfect match of gentle text and engaging illustrations, asks readers to imagine a child picking flowers, playing in a stream, moving with his migrant worker family, learning how to speak English, and beginning to write. As the child grows and changes, readers will delight in discovering that the narrator is actually Herrera, a U.S. poet laureate, writing about his own path to finding his voice and becoming a poet. Herrera points to his own journey as a way for children to imagine the wonderful possibilities that lie ahead of them.
1
author picked
Imagine
as one of their favorite books, and they share
why you should read it.
This book is for kids age
5,
6,
7, and
8.
What is this book about?
A buoyant, breathtaking poem from Juan Felipe Herrera — brilliantly illustrated by Caldecott Honoree Lauren Castillo — speaks to every dreaming heart.
Have you ever imagined what you might be when you grow up? When he was very young, Juan Felipe Herrera picked chamomile flowers in windy fields and let tadpoles swim across his hands in a creek. He slept outside and learned to say good-bye to his amiguitoseach time his family moved to a new town. He went to school and taught himself to read and write English and filled paper pads with rivers of ink as he walked…
I have studied, worked, and lived in Taiwan, China, and Japan and am now a history professor at the University of South Alabama. I have skinny-dipped on Mount Tai, where Confucius said, "Climb Mount Tai and the world seems small," and at the Peach Blossom Spring, where the poet Tao Yuanming wrote of a lost society, untouched by the corruption and power-lust of his own day.
This is the funniest book I’ve ever read. The hero, Ebenezer Cooke, seeks to earn his estate in colonial Maryland, in spite of losing it by a misplaced act of justice (the Dolorous Stroke of the story). Nearly every important man he meets turns out to be his childhood tutor in disguise. Nearly all the women in the book are prostitutes. Pure mayhem.
This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting . . . to roam the world since Candide."
"A feast. Dense, funny, endlessly inventive (and, OK, yes, long-winded) this satire of the eighteenth-century picaresque novel-think Fielding's Tom Jones or Sterne's Tristram Shandy-is also an earnest picture of the pitfalls awaiting innocence as it makes its unsteady way in the world. It's the late seventeenth century and Ebenezer Cooke is a poet, dutiful son and determined virgin who travels from…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
I’ve been in the DEI trenches for over 20 years, and let me tell you, it's been one hell of a ride. As a Black woman navigating this shit show, I've seen it all—from clueless executives to well-meaning “allies” who can't get out of their own way. My passion? Calling out the bullshit and actually making DEI work. I've gone toe-to-toe with tech giants, founded Inclusology, and now I'm tackling a second PhD because I believe in the work, even at is most discouraging. DEI-ing is my no-holds-barred guide to creating real change. I’m all about busting AI bias and building DEI that sticks, not just some feel-good fluff.
I love this book because it teaches that real healing starts from within. This book doesn’t sugarcoat the work required to find your truest self; it’s about diving deep, stripping away the nonsense, and facing yourself head-on.
If you want real change, you’ve got to go inward, confront who you are, and do the work to heal. This book doesn’t just talk about it—it shows you how to get there.
"i closed my eyes to look inward and found a universe waiting to be explored"
From poet, meditator, and speaker Yung Pueblo, comes a collection of poetry and prose that explores the movement from self-love to unconditional love, the power of letting go, and the wisdom that comes when we truly try to know ourselves. It serves as a reminder to the reader that healing, transformation, and freedom are possible.
I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.
I simply loved this book. It took me straight back to the long, hot summer of 1976 and to the confusing feelings around being a teenager. The smell of phone boxes, flares, awful hair – it was all there.
The main character, a 14-year-old would-be poet, has lost her mother and is living with her alcoholic father. She’s an attractive and engaging character, and when she was fostered by a local family, I assumed her life would get better. Not the case. The teenage daughter loathes her, and there are more secrets in this respectable family than in her own.
Funny, poignant, sad, and I hated to say goodbye to the characters. A fabulous read.
'Fresh, authentic and darkly funny. It's a beautifully told story full of warmth and emotion without ever being sentimental - I absolutely loved it' Ruth Hogan, bestselling author of The Keeper of Lost Things
It’s the heatwave summer of 1976 and 14-year-old would be poet Jackie Chadwick is newly fostered by the Walls. She desperately needs stability, but their insecure, jealous teenage daughter isn't happy about the cuckoo in the nest and sets about ousting her.
When her attempts to do so lead to near-tragedy – and the Walls’ veneer of middle-class respectability begins to crumble – everyone in the…
According to the eight generations of my family’s oral historians, I am a descendant of an enslaved cook and her enslaver, and half-brother, President James Madison. I am also a writer and a retired pediatrician. My essays, personal narrative, and commentaries have appeared in the Boston Herald, River Teeth, TIME, and the New York Times Magazine.
In 1761, the slave ship Phillis departed from Africa and headed toward America. Among the human cargo was a young girl. Judging by her missing incisors, she was seven or eight years old. Soon after the ship’s arrival in Boston, John and Susann Wheatley purchased the girl and named her after the ship that had delivered her to them. Mrs. Wheatley taught their servant to read and write and introduced her to classical and English literature, including revered poets. Around 1765, Phillis began writing poetry, and her first poem, “On Messrs. Hussey and Coffin,” published in 1767, when she was only about fourteen years old, rendered her the first black person in America to publish a poem. Carretta’s collection of Wheatley’s work includes a fascinating, thoroughly researched introduction.
The extraordinary writings of Phillis Wheatley, a slave girl turned published poet
In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an…
I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
Whatever my current passion, from mountaineering to grafting apple trees to hiking, I like to immerse myself in the literature. Simon Armitage’s account of The Pennine Way in the Peak District (UK) is one of my favorite walking memoirs and is informative, eclectic, and funny. In addition, the route starts only a few miles from my house.
I’m walking it with my wife, in sections, so we might meet you on the way! If you’re not a walker, Walking Home may inspire you to start—even to set out on a long-distance footpath.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
I return to this book again and again. As both a writer and a person who appreciates philosophical inquiry, I find that Rilke is dialed into the soul of man. His reflections about what makes great writing are not only insightful for a writer, but for anyone looking to grow and find focus in their life.
Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle…
