The best books about poets

Shapiro’s Edsel appeared in 1971, well after Shapiro had established himself as one of America’s greatest poets and 25 years after he won the Pulitzer Prize. Like many novels by poets, the protagonist is a writer, in this case a poet named Edsel Lazerow. Also like many other novels in this grouping the setting is academia. I’m particularly fond of academic satires, from John Barth’s Giles, Goat Boy, to Richard Russo’s Straight Man, to the novels of British writer, David Lodge. Perhaps I enjoy these romps because I am a failed academic—I went to college for five years without getting a degree. They had the audacity to suggest that I take Zoology! Anyway, this novel is a hoot, and unjustly forgotten.

Shakespeare’s Dog is the craziest Shakespearean book I’ve ever read. Not only is the young Stratford Shakespeare’s tale told by his dog, Hooker ̶ the dog speaks a kind of faux-Shakespearean: full of Elizabethan-esque vocabulary and syntax, Anglo-Saxon bawdry, new-coined usages of common words (“the wind flummoxed”; “I knelled the truth”).  Moreover, Rooke must really know his dogs. Because the dog-viewpoint (a frustrated Shakespeare “bites his toenails”) seems right on the money. The struggle of a prodigy youth and his prodigy dog to escape the tawdry, shallow, raucous banality of provincial small-town life is told with vividness, wit, and pathos.

At last! A book that places Byron’s wife, Annabella Milbank, and mathematician daughter, Ada Lovelace, centre-stage instead of the dusty wings of all previous books about this notorious and complicated man. It is the perfect book for anyone interested in Byron and his world, and more importantly for readers keen to consider a more nuanced account of his wife and daughter.

I’m hooked when authors get to the heart of how someone finds their passion. That’s what Don Tate does as he spins the tale of how an enslaved boy, forbidden to learn to read and write, became a sought-after poet. Children will cheer for George as he teaches himself to read and becomes a published poet. They will hold their breath as George returns to his enslaver, and they will share his joy at his eventual freedom. Tate’s storytelling — this picture book biography brilliantly encompasses the hope, tension, and satisfaction of a story — shows that George’s physical bondage could not imprison his dreams. Through George’s fascinating story, children surely will be inspired to follow their own dreams.

This is a beautiful little book in an interesting format—a single image per page—that tells the story of a poet whose romanticizing about life on the sea is put to the test when he’s shanghaied and made part of a crew of sailors heading for Hong Kong. Don’t be fooled by Drew’s stunning cartooning that evokes the glory of the heyday of newspaper cartooning (think E.C. Segar, Walt Kelly, etc.); this is a book for grown-ups. 

The Roman poet Horace was influenced by Epicurean ideas and they often feature in his work. This book forms a nice introduction to Horace and his works, with carefully chosen selections in both English and the original Latin. Horace might not be the first place that someone curious about Epicureanism would look, but he’s well worth reading, both in his own right and as a Epicurean author. 

In contrast to my first pick, My Wars are Laid Away in Books is a calm, scholarly, relentless search for the literal facts of the life of a great but enigmatic poet—Emily Dickinson. Habegger also shows considerable literary acumen in analyzing the context and vigor, and passions of Dickinson’s poetry. Though other biographies of Dickinson are better known, this is the one that gave me the best factual basis for my book, my intensely poetic novel about Dickinson’s personal politics and astonishing genius.

Best known as the author of I, Claudius, poet Robert Graves writes movingly about his experience in World War I. He began as a patriotic young officer of the Royal Welsh Fusiliers, but life in the trenches, class conflict, bureaucracy, and loss of friends in combat made him a different man. A shell fragment pierced his lung at the Battle of the Somme; he was expected to die but somehow survived. His experience can be compared with Keegan’s account of the Somme. After the war he suffered from what today would be called Post-Traumatic Stress Disorder—startled at loud noises and any smell that reminded him of poison gas in the trenches. I love this book because it brings poetic sensitivity to the experience and effect of combat.

This book inspired my family to start reading poetry together, to create playlists of poets of the Harlem Renaissance, and even to have a Calico Critters poetry reading with tiny dollhouse books (the elephants and hedgehogs are especially good poets). 

Exquisite’s extraordinary illustrations and playful prose, which honors Gwendolyn’s rhythms, take us through the poet’s childhood love of poetry—she begins writing as early as 7. Poetry is Gwendolyn’s world. Eventually, her poems are published—first in her neighborhood, then in her city and beyond—but they don’t pay the bills. Then one day a phone call delivers the news: She is the first Black writer to win the Pulitzer Prize! I adored this book, about how art can elevate and bring joy to everyday life—with all its limitations—and gifted it to several families this year.

Tracy Chevalier writes the novels I want to write! I’ve read just about all of them and was particularly excited to discover Burning Bright. Chevalier’s depiction of London in the early 19th century is masterful, and hugely inspiring for me. Burning Bright is a coming-of-age story that centers around two children’s interactions with the great poet William Blake. I met Tracy Chevalier at the Historical Novel Society Conference in Oxford where she made my day by graciously agreeing to accept a copy of my first novel The Towers of Tuscany which was heavily inspired by her novels and even insisting that I sign it! 

A few years ago we at Gertrude lit journal decided to answer the question that kept coming our way: What are some great books written by queer people with narratives that center on queer people? Before the pandemic made a mess of things, we ran GERTIE, a book club that chose two fabulous queer books every quarter. This was our very first book selection, and—like with many firsts, perhaps—it holds a special place.

The Angel of History takes place during one night in the waiting room of a San Francisco psyche ward when visits by the Devil and 14 Saints reveal the life of Jacob, a Yemen-born poet who was born in an Egyptian whorehouse. Yes, you read that right. 

Talking of voice, finding your writer’s voice lies in the confidence that comes from effort and application. Alvarez was a poet, writer, critic, and poetry editor at The Observer newspaper in the 1960s, where he nourished the writing of Sylvia Plath and others. When you think of your favourite writers it’s usually their voice that grabs and sustains interest and trying to figure out your own, as a writer, can take time. Playing with other voices, trying them on for size, making one your own, is something Alvarez explores through his own insights about the work of Plath, Yeats, Jean Rhys, Freud, and others.

As a poet, I love the Poet Tarot, for which Two Sylvias Press matched Major Arcana and Court Cards with deceased British and American poets. The Guidebook offers a mini history lesson about each poet’s strengths and weaknesses, including psychological wellbeing, journey to publication, and sources of inspiration. Each chapter ends with suggested actions: “Remember and honor the inspirational women in your life,” (Gwendolyn Brooks as the Queen of Muses / Cups) and prompts: “Is there a project I’ve been afraid to undertake—why?” (ee cummings as The Fool). Taken collectively, the prompts provide a roadmap for a rich self-reflective inventory and the chance to write new poems based on the themes of each poet’s work. I love to use the exercises in the poetry workshops I teach.

There’s nothing in Letters to a Young Poet about craft, writer’s block, or any of the recognizable challenges faced by twenty-first-century writers. Yet this slender volume published more than a century ago speaks to writers everywhere and in every era, who so often work in isolation and, if they are to be true to their art and authentic within themselves, must rip open their souls and spill the contents onto the page without regard for others’ judgment and criticism. In fact, it speaks to anyone, non-writer as well as writer, whose sensitivity and feelings of not belonging make it sometimes feel impossible to express themselves out in the world. In the end, isn’t that what writer’s block is all about. It certainly was for me!

I don’t often read “steampunk” because it usually reflects the Victorian era of England or a ‘what if’ scenario involving the Confederacy and I’m just sick to death of the subjects. Along came “steamfunk,” an addition to the genre where the focus wouldn’t be on exclusively white characters, but Black sourced from the African continent. Then once upon a time, Broaddus cracked a joke on Twitter: “I’m going to write a steampunk story with an all-Black cast and call it ‘Pimp My Airship.’ To his chagrin (and eventual delight) several editors asked to see the story. The worldbuilding in this story is phenomenal. It take place in Indiana, part of an alternate history where England has established a “United States of Albion” and Native Americans have managed to retain a sizeable chunk of territory. There’s so much more to the book in relation to history and cultural norms. I thoroughly… show more.

Mixing official documents with real, remembered events, Lemn Sissay’s memoir is a search for identity, for his true name. Left in a home in Liverpool for unmarried mothers, he is moved between a series of foster and care homes, until he is given access to all his records in 2015, after a thirty-year campaign to find them. He finds who he really is. It’s an honest, poignant, unsettling, and heartfelt journey, revealing how a small boy’s life is shaped by ‘the authority’ and the faceless state. Complimented with inspiring poems and useful resources, this is a hopeful and helpful book. 

More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.

In this novel in verse, Elizabeth Acevedo beautifully evokes the landscape and feel of Harlem through the observant character of Xiomara Batista.

Having lived in upper Manhattan for years, I recognized the neighborhood in the vibrant descriptions. I identified with Xiomara’s need to express herself, how she fills the pages of her notebook with what she feels she can’t speak aloud. Her emotions as she confronts the challenges of friendship, romance, and family feel very real.

When a high school teacher opens up for her the world of spoken word poetry and a whole new set of possibilities for self-expression, I find myself rooting for Xiomara to be brave and take the steps she must take on her personal and artistic journey towards sharing her voice.

We learn about our family and our place in the world through the stories our older generations tell us. This is such a memoir—not about the author but about her (famous) uncle and mother. To me, it has the feel of numerous family gatherings where old stories are dredged up and the youngsters listen with wide eyes and keen ears of a time before their time. Situated deep in the Telugu hinterland in the south, this memoir presents an intimate personal narrative layered with the communist and caste politics of the first decades after Independence.

Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!