I have an amazing daughter in my life, and I want there to be more books for her to read that feature strong, admirable, and good women in leading roles. That’s one of the things I keep an eye out for in the books I read as well as the books I write.
This one is a long, very long, fantasy epic, so be warned! Despite the length of the work, it ended up being an incredible read. Trin is one of the main characters the story follows. She’s a young woman who ‘accidentally’ unleashed a curse that has doomed the world to a future of death and destruction, and she’s desperately seeking a way to break this curse. In so doing, she gets caught up in an ancient blood feud between gods and full-blown war between mighty empires.
1200 Pages of Epic Fantasy that reviewers are comparing to Malazan and Wheel of Time.
War between gods. Mortals are pawns. Fate lays a curse to bring Death to the world. A boy makes a list of people to kill. What could go wrong?
Jem just killed his father. He should have done it five years ago, but kids don't always make good decisions. Next on Jem's list is a military tyrant. Maybe the whole Legion. With so many people to kill, Jem hopes to satisfy his hunger for vengeance... and obtain redemption too.
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Dead and Gone was the first book I purchased with my own “earned” money. I was ten years old when I saw the book on display in a North Carolina bookshop. The book’s cover was orange and featured an illustration of the grim reaper in a top hat and coat. Needless to say, it grabbed my attention. Inside, Wellman’s words did not disappoint as he brought ten (pre-1914) North Carolina murders vividly to life. In fact, his words were so vivid, that I could not put the book down and finished reading it in a day. Wellman’s book sparked my interest in North Carolina’s not-so-happy past and I am sure it will spark your interest too.
Violent dealth is amazingly apt to remind us of vigorous life; these ten stories of classic North Carolina murders which occurred between 1808 and 1914 represent a much neglected part of the exciting history of the state. Victims include a Confederate general, a lovely orphan girl, a pathetic little boy, and a highly offensive political boss. The motives are the usual ones -- gain, revenge, ""elimination,"" and jealousy. The plaintive history and untimely death of Naomi Wise -- ""poor 'Omi"" they called her in Randolph County over five generations ago -- strikingly counterparts Dreiser's An American Tragedy ; Ida Bell…
This book is so very weird in the best possible way. It’s also gritty, unglamorous, tender, and impossibly beautiful.
Death isn’t some grand, scary figure, but rather a bit of a hapless rube. And his love interest Molly is doing the best she can under very trying circumstances. Seeing them come together and carve out a life is both heartbreaking and heart-healing.
Azrael--Grim Reaper, Destroyer, Angel of Death--has messed up. Instead of taking Molly Molloy's soul, he accidentally saves her from death by chicken wing. Now this utterly unexceptional waitress at a New York City breastaurant can see him.
Touch him.
Talk to him.
Question him.
Make him doubt.
The Powers that Be are waiting for Death to fix his mistake. But before he can, he makes one more...
This is a beautifully written and inventive fantasy novel, based on Mayan mythology and set in the Jazz Age in Mexico.
A spunky Cinderella-esque heroine is forced to accompany the deposed God of the Dead on his quest to regain his throne, and slowly realizes that his quest offers her a chance to escape her tiny village and experience the world she’s only dreamt of seeing. She comes into her own as she pits her wits against a variety of human and inhuman opponents.
I loved it so much, I re-read it as soon as I finished.
'This is historical fantasy at its best' S.A. Chakraborty, author of The City of Brass
Inspired by Mexican folklore, Gods of Jade and Shadow is a magical, wildly imaginative coming-of-age tale for fans of Katherine Arden, Naomi Novik and Helene Wecker.
The Jazz Age is in full swing, but it's passing Casiopea Tun by. She's too busy scrubbing floors in her wealthy grandfather's house to do anything more than dream of a life far from her dusty, small town in southern Mexico. A life she could call her own.
This dream is impossible, distant as the stars - until the…
On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
This book isn’t about graves. It’s about dead people. And I’m all about dead people. This book lured me in with the supernatural component, kept me in suspense with multiple mysteries (including who the hot guy is), and invested me through Charley’s empathy. Her empathy is her superpower and her Achilles’ heel.
I love genre-defying books, especially when the female protagonist is kick-ass without being butch, smart while flawed and hilarious, and child-like without being emotionally immature. Between kicking dead people out of her bathroom and solving their murders, being seduced by the hot guy plaguing her dreams, and dodging her evil stepmother, this book (and the rest of the series) reminds me of the humanity of humans. Charley sees the good in people, alive and dead, and inspires me to see it, too.
Private investigator Charlotte Davidson was born with three things: looks; a healthy respect for the male anatomy; and the rather odd job title of grim reaper. Since the age of five, she has been helping the departed solve the mysteries of their deaths so they can cross. Thus, when three lawyers from the same law firm are murdered, they come to her to find their killer. In the meantime, Charley's dealing with a being more powerful - and definitely sexier - than any spectre she's ever come across before. With the help of a pain-in-the-ass skip tracer, a dead pubescent…
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
While it’s hard to pick a single favorite among the Discworld series, Mort stands out for me as a mix of a bizarre concept, quirky characters you can cheer for, and unexpected plot twists.
It’s hard to imagine a book about death being so funny, but the outlandish premise sets a stage rife with opportunities for humor. And yet, it’s the characters that really carry the story. Characters of this world have a wide spectrum of moralities, and yet despite their flaws and mistakes, you find yourself cheering for them.
'Cracking dialogue, compelling illogic and unchained whimsy' Sunday Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
Death comes to us all. When he came to Mort, he offered him a job.
Death is the Grim Reaper of the Discworld, a black-robed skeleton carrying a scythe who must collect a minimum number of souls in order to keep the momentum of dying, well . . . alive.
I’m a YA fantasy writer, and I’ve been addicted to stories of adventure for as long as I can remember. My love of story filled me with a heart for other worlds and realms and a fondness of reading things that challenged my heart and mind here in the real world. Stories are what make us human, and we storytellers are tasked with challenging readers’ assumptions about how the world, life, love, and humanity works. My obsession with story-telling led me to write my YA fantasy series The Annals of Lusiartha.
As a kid, I loved all kinds of fiction—sci-fi, fantasy, realistic, historical—pretty much anything I could get my hands on! D.J. MacHale’s Pendragon series magically captures the best of every genre. In The Merchant of Death, Bobby Pendragon, a seemingly normal fourteen-year-old boy, finds himself pulled into an alternate dimension ruled by a magical tyrant. Bobby learns he is a Traveler, someone gifted with the ability to travel between alternate dimensions (called Territories) and his destiny is much bigger than he could ever have imagined. The Merchant of Deathis a thrilling start to a captivating YA adventure!
Bobby Pendragon is a seemingly normal teenager, swept into an amazing quest, and catapulted into the middle of an immense, interdimensional conflict. His success or failure will decide the course of human existence! The first book of this internationally best-selling series, each featuring a new and dangerous mission.
I’m a serial mover, living in 18 cities in three countries (so far) – though that has settled down (kinda) now that my lady and I find ourselves with three kids + a fish, kitten, and 100-pound dog. Wherever we land, we single-handedly support the entire local restaurant industry. My debut novel was lucky enough to do well and has inspired a short film, which will hopefully usher it down the long road to TV series…
A few years ago we at Gertrude lit journal decided to answer the question that kept coming our way: What are some great books written by queer people with narratives that center on queer people? Before the pandemic made a mess of things, we ran GERTIE, a book club that chose two fabulous queer books every quarter. This was our very first book selection, and—like with many firsts, perhaps—it holds a special place.
The Angel of History takes place during one night in the waiting room of a San Francisco psyche ward when visits by the Devil and 14 Saints reveal the life of Jacob, a Yemen-born poet who was born in an Egyptian whorehouse. Yes, you read that right.
A Washington Independent Review of Books, Literary Hub, and Shelf Awareness Best Book of the Year
An Unnecessary Woman
won the California Book Award and was a finalist for the National Book Award, the National Book Critics Circle Award, and the PEN Open Book Award and was a Best Book of the Year for the Washington Post, Kirkus, NPR, Amazon, Christian Science Monitor, Newsday, The Boston Globe, and The Wall Street Journal
I am a writer of speculative novels, captivated by fictional worlds that resemble ours and don’t, stories that travel to places we find strange (sometimes even unsettling) but can’t look away from, tales we feel in our minds and in our guts. For me writing and reading, though they seem sedentary activities, are actually physical acts we experience with our entire being and body—before I became a writer I was a professional ballet dancer, and I’ve never lost the sense that stories are movement, making you feel like you’re flying even if you’re sitting still. I’ve written seven books, and love that my job is leaping with readers.
I’ve saved my “riskiest” pick for last—you might not like this one, or at least you might be wondering for two-thirds of the book what the heck is going on, other than that you are reading about a country in which no one dies. The book starts by earnestly (and sometimes humorously) asking and answering questions: what do you do with so many living people? What do you do with people who are say, gravely wounded in an accident but can’t die and also can’t recover? What are not just the logistical but emotional challenges of no one departing? Would people want to live in such a country? Or flee it? Saramago was a philosopher before he was a writer, and he loves pondering things... And then, all of a sudden, the book shifts, it switches into another gear entirely and becomes a beautifully moving story about Death taking a…
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
This is another book about death that will also make you laugh.
I appreciate how direct this book is while still managing to be tender and sensitive. And the artwork matches the tone of the text well. Death looks both friendly and a little creepy.
It may not be for every family, but I love how oddly funny and heartbreaking this book is.
From award-winning author and illustrator, Wolf Erlbruch, comes one of the world’s best children’s books about grief and loss.
In a curiously heart-warming and elegantly illustrated story, a duck strikes up an unlikely friendship with Death. Duck and Death play together and discuss big questions. Death, dressed in a dressing gown and slippers, is sympathetic and kind and will be duck’s companion until the end.
“I’m cold,” she said one evening. “Will you warm me a little?” Snowflakes drifted down. Something had happened. Death looked at the duck. She’d stopped breathing. She lay quite still.
