Here are 100 books that The Angel of History fans have personally recommended if you like
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I've been reading fantasy for 42 years and writing it for 40, and because I was raised by badass women, I've always enjoyed tales of clever, kickass, indomitable heroines. I've written a bunch of them (a dozen books in an urban fantasy series about a sorcerer named Marla Mason; four books in the Axiom space opera series about ship captain Callie Machedo and her love interest, time refugee xenobiologist Elena Oh; contemporary fantasy/romance Heirs of Grace, about an art student who discovers a magical inheritance, and more). I'm also a longtime book reviewer, editor at SF/fantasy trade magazine Locus, and frequent award juror (Bradbury Prize, Philip K. Dick Award, and more), so... I think about SF/fantasy books a lot.
Gideon the Ninth lit up the sky of the science fiction/fantasy world when it was published, launching the Locked Tomb series (which is ongoing, and great; third volume Nona the Ninth is especially lovely).
It's been described as "lesbian necromancers in space" but it's more "lesbian necromancer and swordsperson on various weird planets in the far future with a god-emperor who uses death magic to fight planet-sized spectral monsters...." for a start.
The whole series is enigmatic, complex, and laced through with humor, action, and yearning, but the first book is notable for the power of Gideon's voice.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I was born in South Korea and moved to The United States when I was three years old. I grew up in Detroit where I was often the only yellow face in school. The trauma of trying to fit in played a significant role in my adult life. I have thought about writing a memoir for years. Several family members asked me not to name them. I decided to tell my truth through brief snapshots of a feeling or event. This way, I could show my journey from my perspective as I learned to walk between two opposing cultures. Observations Through Yellow Glasses: A Memoir Through Poems is the result.
For forty years, David Sedaris kept a diary filled with his successes, failures, overheard conversations, and secrets confessed by strangers. He adds humor to his memories which is a wonderful change from the traditional memoir. Even a boring day can make us laugh. This is the first of two volumes and is the better of the two.
One of the most anticipated books of 2017: Boston Globe, New York Times Book Review, New York's "Vulture", The Week, Bustle, BookRiot
An NPR Best Book of 2017
An AV Club Favorite Book of 2017 A Barnes & Noble Best Book of 2017
A Goodreads Choice Awards nominee
David Sedaris tells all in a book that is, literally, a lifetime in the making.
For forty years, David Sedaris has kept a diary in which he records everything that captures his attention-overheard comments, salacious gossip, soap opera plot twists, secrets confided by total strangers. These observations are the source code for…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I’m a serial mover, living in 18 cities in three countries (so far) – though that has settled down (kinda) now that my lady and I find ourselves with three kids + a fish, kitten, and 100-pound dog. Wherever we land, we single-handedly support the entire local restaurant industry. My debut novel was lucky enough to do well and has inspired a short film, which will hopefully usher it down the long road to TV series…
As with most of Dorothy Allison's work, Two or Three Things I Know For Sure lives in the dramas and intersections around abuse and anger and hope, fueled by her gritty, emotional lyricism. With this explosive, unapologetic narrative about herself and her “trash” family, Two or Three Things has the southern pacing that creeps up and swallows you. And in it we really learn who Allison is: a gritty, rugged, loving survivor in the truest sense.
Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next.
Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the…
As someone who grew up in Australia without any gay literary characters to relate to, I’m incredibly passionate about queer stories set in our beautiful country. We now have a wealth of brilliant books by LGBTQ+ authors, and I hope that by sharing my recommendations, our stories find even more of the readers they’re meant to find. I’ve focused on books featuring gay male protagonists, as that’s how I identify, and they’re the type of queer stories I relate to the most. Some of the books are fiction, others are memoir, some are written for teens and others are for adults, but all of them share an incredible level of authenticity.
This is a classic of Australian literature, and for very good reason. Set during the AIDS epidemic in Australia in the late 1970s through to the early 90s, this memoir plunges us into the author’s life. We begin during his high school days—when he first notices his attraction to boys and starts sneaking out of the house to find ways to explore his sexuality—and follow him all the way through to his inevitably tragic death. It is a truly heartbreaking story, but incredibly life-affirming. An absolute must-read.
From the land of Down Under comes this true story about a male high school drama student who falls in love with the captain of the football team. Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.
I’m a historical mystery writer, English teacher, and book reviewer for Lambda Literary. I love to write and explore buried and forgotten histories, particularly those of the LGBTQ+ community. Equally, I’m fascinated by the ways in which self-understanding eludes us and is a life-long pursuit. For that reason, as a reader, I’m attracted to slow burn psychological suspense in which underlying, even subconscious, motivations play a role. I also love it when I fall for a character who, in life, I’d find corrupt or repulsive.
One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.
November, 1984. Criminal defense lawyer Henry Rios, fresh out of rehab and picking up the pieces of his life, reluctantly accepts work as an insurance claims investigator and is immediately is assigned to investigate the apparently accidental death of Bill Ryan. Ryan, part of the great gay migration into San Francisco in the 1970s, has died in his flat of carbon monoxide poisoning from a faulty gas line, his young lover barely surviving. Rios’s investigation into Ryan’s death–which Rios becomes convinced was no accident–tracks Ryan’s life from his arrival in San Francisco as a terrified 18-year-old to his transformation into…
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My personal wish is that Americans start reading a whole lot more books from other countries, especially books that shine a light on the queer experience around the world.
Ours is a global community, and we can’t fall into the trap of thinking diversity only exists in our own country and language. Lucas Rocha’s novel tells the story of three Brazilian teens who are dealing with the impact of HIV in their own unique ways. It’s engrossing, tender, and transporting.
Anyone who loves this should also seek out the work of Vitor Martins, and should demand more books in translation so we can travel through literature.
Henrique has had HIV for three years. Ian has just tested positive. Victor got with Henrique last night and thinks he might have it.
Ian, Victor and Henrique must navigate treatment, friendship and love, and eventually learn to trust each other.
Because with judgement and ignorance lurking round every corner, the real challenge isn't the disease - it's other people.
Brazilian author Lucas Rocha unveils the common misconceptions and prejudices that still surround HIV in the twenty-first century, showing how far we've come while shining a light on just how far we have yet to go.
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This luminous novel, written by former professional Joffrey Ballet dancer, Meg Howrey, follows the life of a dancer, beginning in NYC’s West Village in the 1980s.
It is a beautifully written rumination on not only dance but ambition, family, and secrets as well. Meg and I met for the first time when my daughter had just started on her pre-professional path, and her writing about dance is unmatched.
'A luminous chronicle of betrayal, sacrifice and creative ambition'
The Observer
'Lush and enjoyable... a glossy, fast-paced family drama'
The Times
'My idea of a perfect book'
Jami Attenberg
'By the book's close, readers will be clamouring for an extra curtain call'
Guardian
Once a year, ballet-obsessed Carlisle Martin spends a few precious weeks with her father Robert and his partner James at their enchanted apartment in Greenwich Village. Time spent with them is impossibly glamorous, filled with art, dance, beauty, books, and grown-ups who take her seriously as they battle the AIDs crisis and
Then, one summer, a devastating…
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
Angels in America was the first place I saw a fuller depiction of life with serious illness, and it blew my mind. Prior, who has AIDS, is arguably the main character. The focus doesn’t cut away from him the second things get very bad. Instead, we stay and see him through. I believe deeply in the power of seeing one’s darkest moments honestly reflected in art. I first discovered Angels through the amazing TV series with Al Pacino and Meryl Streep and it broke my heart into a thousand pieces. When I later read the plays, I was amazed at how funny they are. The joke density is very high. The bleakness and pathos combined with incisive humor are what make these amazing works of art some of my all-time favorites.
Winner of the Pulitzer Prize for Drama Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika
“Glorious. A monumental, subversive, altogether remarkable masterwork…Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions—power, religion, sex, responsibility, the future of the world—are as perilous, yet as falling-down funny, as ever.” –Linda Winer, Newsday
"A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times
Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
This memoir by the artist David Wojnarowicz deeply impacted me when I was a young queer man just setting off to make his way in the world in the early ‘90s. It’s a look at America during the AIDS crisis, and also delves into the author’s rage and lust and creativity and hope for a better world. The prose is electric, confrontational, and not at all concerned with decorum or coddling delicate sensibilities. It’s a raw and honest deep dive into the heart and soul of an artist living life on the edge of a society actively antagonistic to his existence and is a testament to art as a mechanism of survival. I can only hope to write something this invigorating one day. Bonus points for existing.
I am glad I am alive to witness these things; giving words to this life of sensations is a relief. Smell the flowers while you can.
Close to the Knives is the artist, writer and activist David Wojnarowicz's extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.
