Here are 100 books that The Angel of History fans have personally recommended if you like
The Angel of History.
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I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Acquaintance is a work of LGBT historical fiction, a gay love story set in 1923 when the Ku Klux Klan was growing in influence, the eugenics movement was passing human sterilization laws, illegal liquor was fueling corruption, and Freud was all the rage.
I was born in South Korea and moved to The United States when I was three years old. I grew up in Detroit where I was often the only yellow face in school. The trauma of trying to fit in played a significant role in my adult life. I have thought about writing a memoir for years. Several family members asked me not to name them. I decided to tell my truth through brief snapshots of a feeling or event. This way, I could show my journey from my perspective as I learned to walk between two opposing cultures. Observations Through Yellow Glasses: A Memoir Through Poems is the result.
For forty years, David Sedaris kept a diary filled with his successes, failures, overheard conversations, and secrets confessed by strangers. He adds humor to his memories which is a wonderful change from the traditional memoir. Even a boring day can make us laugh. This is the first of two volumes and is the better of the two.
One of the most anticipated books of 2017: Boston Globe, New York Times Book Review, New York's "Vulture", The Week, Bustle, BookRiot
An NPR Best Book of 2017
An AV Club Favorite Book of 2017 A Barnes & Noble Best Book of 2017
A Goodreads Choice Awards nominee
David Sedaris tells all in a book that is, literally, a lifetime in the making.
For forty years, David Sedaris has kept a diary in which he records everything that captures his attention-overheard comments, salacious gossip, soap opera plot twists, secrets confided by total strangers. These observations are the source code for…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I’m a serial mover, living in 18 cities in three countries (so far) – though that has settled down (kinda) now that my lady and I find ourselves with three kids + a fish, kitten, and 100-pound dog. Wherever we land, we single-handedly support the entire local restaurant industry. My debut novel was lucky enough to do well and has inspired a short film, which will hopefully usher it down the long road to TV series…
As with most of Dorothy Allison's work, Two or Three Things I Know For Sure lives in the dramas and intersections around abuse and anger and hope, fueled by her gritty, emotional lyricism. With this explosive, unapologetic narrative about herself and her “trash” family, Two or Three Things has the southern pacing that creeps up and swallows you. And in it we really learn who Allison is: a gritty, rugged, loving survivor in the truest sense.
Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next.
Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
This luminous novel, written by former professional Joffrey Ballet dancer, Meg Howrey, follows the life of a dancer, beginning in NYC’s West Village in the 1980s.
It is a beautifully written rumination on not only dance but ambition, family, and secrets as well. Meg and I met for the first time when my daughter had just started on her pre-professional path, and her writing about dance is unmatched.
'A luminous chronicle of betrayal, sacrifice and creative ambition'
The Observer
'Lush and enjoyable... a glossy, fast-paced family drama'
The Times
'My idea of a perfect book'
Jami Attenberg
'By the book's close, readers will be clamouring for an extra curtain call'
Guardian
Once a year, ballet-obsessed Carlisle Martin spends a few precious weeks with her father Robert and his partner James at their enchanted apartment in Greenwich Village. Time spent with them is impossibly glamorous, filled with art, dance, beauty, books, and grown-ups who take her seriously as they battle the AIDs crisis and
Then, one summer, a devastating…
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
After I first visited the extraordinary coastal landscape of Dungeness, I sought out this book. This is a nature journal. Artist and director Derek Jarman lived in Dungeness on the Kent coast (UK) in an old fisherman’s cottage painted black with striking yellow windows.
In the late 1980s, he wrote a journal in the salt breezes and shadows of two nuclear power stations. This journal charted his cultivation of the cottage’s salvaged garden, his battle with AIDS, and his reflections on the culture at the time.
What drew me into this book is its beautifully engaging voice and its sensitivity to the changing seasons. The garden itself, which I have visited several times, has no fences or boundaries, and this blends into the landscape. This lack of distinction and separation typifies Jarman’s generous artistic spirit.
Derek Jarman tells the story of his discovery that he is HIV+ and, in a series of flashbacks, looks at his life - his difficult relationship with his father, his discovery of his homosexuality and the dramatic exposure of his first homosexual relationship, his university days and his coming out at art school in the company of contemporaries such as David Hockney and Patrick Proctor. He goes on to describe his early work as a stage designer , his affair with Robert Mapplethorpe and his early encouragement of David Lynch. The cast list also includes Francis Bacon, Andy Warhol, Kenneth…
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
As someone who grew up in Australia without any gay literary characters to relate to, I’m incredibly passionate about queer stories set in our beautiful country. We now have a wealth of brilliant books by LGBTQ+ authors, and I hope that by sharing my recommendations, our stories find even more of the readers they’re meant to find. I’ve focused on books featuring gay male protagonists, as that’s how I identify, and they’re the type of queer stories I relate to the most. Some of the books are fiction, others are memoir, some are written for teens and others are for adults, but all of them share an incredible level of authenticity.
This is a classic of Australian literature, and for very good reason. Set during the AIDS epidemic in Australia in the late 1970s through to the early 90s, this memoir plunges us into the author’s life. We begin during his high school days—when he first notices his attraction to boys and starts sneaking out of the house to find ways to explore his sexuality—and follow him all the way through to his inevitably tragic death. It is a truly heartbreaking story, but incredibly life-affirming. An absolute must-read.
From the land of Down Under comes this true story about a male high school drama student who falls in love with the captain of the football team. Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.
I’m a historical mystery writer, English teacher, and book reviewer for Lambda Literary. I love to write and explore buried and forgotten histories, particularly those of the LGBTQ+ community. Equally, I’m fascinated by the ways in which self-understanding eludes us and is a life-long pursuit. For that reason, as a reader, I’m attracted to slow burn psychological suspense in which underlying, even subconscious, motivations play a role. I also love it when I fall for a character who, in life, I’d find corrupt or repulsive.
One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.
November, 1984. Criminal defense lawyer Henry Rios, fresh out of rehab and picking up the pieces of his life, reluctantly accepts work as an insurance claims investigator and is immediately is assigned to investigate the apparently accidental death of Bill Ryan. Ryan, part of the great gay migration into San Francisco in the 1970s, has died in his flat of carbon monoxide poisoning from a faulty gas line, his young lover barely surviving. Rios’s investigation into Ryan’s death–which Rios becomes convinced was no accident–tracks Ryan’s life from his arrival in San Francisco as a terrified 18-year-old to his transformation into…
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My personal wish is that Americans start reading a whole lot more books from other countries, especially books that shine a light on the queer experience around the world.
Ours is a global community, and we can’t fall into the trap of thinking diversity only exists in our own country and language. Lucas Rocha’s novel tells the story of three Brazilian teens who are dealing with the impact of HIV in their own unique ways. It’s engrossing, tender, and transporting.
Anyone who loves this should also seek out the work of Vitor Martins, and should demand more books in translation so we can travel through literature.
Henrique has had HIV for three years. Ian has just tested positive. Victor got with Henrique last night and thinks he might have it.
Ian, Victor and Henrique must navigate treatment, friendship and love, and eventually learn to trust each other.
Because with judgement and ignorance lurking round every corner, the real challenge isn't the disease - it's other people.
Brazilian author Lucas Rocha unveils the common misconceptions and prejudices that still surround HIV in the twenty-first century, showing how far we've come while shining a light on just how far we have yet to go.
Forsaking Home is a story about the life of a man who wants a better future for his children. He and his wife decide to join Earth's first off-world colony. This story is about what risk takers and courageous settlers and what they would do for more freedom.
I have written books on topics ranging from climate change, to migration, to labor unions, to pianos. I covered the civil war in El Salvador in the 1980s as a journalist. But I am mostly known as a musician. I have released over 20 CDs and toured internationally for decades. I am the son of a closeted priest and have a daughter whose lesbian mother is a former lover of mine so I am drawn to well-written books about the lives of gay men that don’t fit an easy “coming out’ narrative, that are not “closeted” in dealing with sex, and that address political concerns that go beyond gay males.
I became obsessed with the writing in this book when it was first published in 1991, and I was far from the only one. News of his death, one year after the publication of this book, triggered a spontaneous march of angry mourners through his NYC neighborhood.
He wrote with the urgency of an artist running out of time. David captured the anger of the first generation of gay men to confront AIDS like no one else. Other writers expressed the grief, the despair, and the moral dilemmas. David had fire breathing out of his pen. I am proud to have one of my favorite of his paintings on the cover of my new book.
I am glad I am alive to witness these things; giving words to this life of sensations is a relief. Smell the flowers while you can.
Close to the Knives is the artist, writer and activist David Wojnarowicz's extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.
