100 books like Gideon the Ninth

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

Climate change aside, what scares me the most about technology today is the capacity for bioengineering to run amok.

What happens when scientists monkey around with deadly viruses—and one escapes from the lab? What if some rogue researcher creates an entirely new lifeform that proves toxic to humans? Or some experimental microbe—an effort to save the world’s butterflies, for instance—proves to kill off bees instead?

This novel, which won major awards, depicts a frightening future world wrought by bioengineering. And you wouldn’t want to live there anymore than I do. 

The world-building in The Hundred Thousand Kingdoms explores how the powering of societies can come at a human cost—though in this case, the humans have outsourced that cost to the gods. Enslaved by the Arameri aristocratic family that rules over the Hundred Thousand Kingdoms, gods and godlings power the Arameri’s control of the city of Sky, allowing the city to flourish but at the expense of the common people’s or the gods’ agency. Compared to the other books listed here, this tale is more concerned with the structures of class and authority (and less so utility) that help turn the gears of society, but its examinations of these aspects of civics are still insightful and, ultimately, optimistic.

There is not a thing about this book that I don’t love.

Marshall (a pseudonym for Jesse Bullington) tells the story of Zosia – Cold Cobalt, The Banshee with a Blade, First Villain – who is just a few steps past her prime. Twenty-some years have passed since she led her notorious band of generals – The Five Villains – in a war that put her on the throne. A throne she walked away from.

She was done with it all until fate and mistake shattered her retirement, drawing her back into the world and war. Marshall does some really cool things with gender norms, looks aging right in the face with an unvarnished mirror, and gives readers a cold religion, bug-drugs, and all the violence you could want.

But he also gives readers the sort of anti-heroes that you can’t help but cheer for, a cast of minor and… show more.

I loved this book since before it was published.

I gave a quote for the cover of the first printing of it, in fact. Fifteen years later, it still remains a book that can carry me away to a world where magic is not a gift but a challenge to overcome.

Kristen had a fresh idea here, but it still folded into my love of adventure and magic and finding out who we are inside.

That’s a story that will always get my attention, and the writing in this one is also lush enough to make me want to pause and re-read lines.

Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.

I felt a deep connection to the characters in this book as they go through a journey of intense struggle. It is a thorough exploration of another world, including both the good and darker aspects of human nature. When I finished this book, I felt I had returned from a great adventure to another land with characters that I had come to know well. The book has a timeless relevance with its insights into human nature and the corruption of power.

I think Le Guin's world-building is nothing short of remarkable. Through her meticulous attention to detail, she crafts a society unlike any other. The exploration of power and its corrupting influence is a central theme.

This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.

I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.

Okay, so this one is urban fantasy, not strictly historical fantasy, but what I loved so much about this book was its exploration of how the history of a place going back millennia continues to impact the present. The author, N.K. Jemison posits a mind-blowing proposal: a city can be not just a character but the main character of a story. AND a city can simultaneously be ancient and modern.

One of the many inventive aspects of this book is the idea of a city animated by female energy and power. My future travel experiences will be forever changed by the way Jemison changed my perspective on what it means for a city to be alive.

This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.

The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.