100 books like The Bear and the Nightingale

I'd heard a lot about Norse myths on social media recently, but I was unfamiliar with them. 

The idea of Gaiman weaving his narrative magic through the tapestry of these ancient tales intrigued me, and it surely made for an exciting read.

Even if you're unfamiliar with Norse mythology (as I was), this retelling will awe you with the strangeness and wonder of these ancient tales. Norse Mythology is more than a book; it's an invitation to a hypnotic world inhabited by gods, giants, undead goats, betrayals, a mischievous squirrel, elves, dwarves, and Valkyries.

This collection is an enthralling journey through a selection of Norse myths, narrated with Neil Gaiman's trademark wit and simplicity.

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.

I read this strange and riveting novel several years ago, so I have to confess that I’ve forgotten a lot of the details.

But I have remembered with absolute clarity the richness of the prose and the well-observed wit, so reminiscent of all the Victorian novels I devoured when I was young; the imaginative scope of a world in which an empire can rise or fall on the skill of her magicians, and the all-too-familiar danger of a rivalry between two powerful and ambitious men vying for supremacy.

It is delightful, moving, and an absolute pleasure from beginning to end.

Deathless is a lyrical retelling of Koschei the Deathless tales from Russian folklore, combining richly magical elements with historical and cultural details of post-revolution Russia. The novel presents wonderful oddities, such as Stalinist house elves, woven soldiers who fight battles between Life and Death, and bureaucratic dragons. However, the center of this story Marya Morevna, a child of the revolution and a complex character, who is capable of being at once naive, cunning, kind, and sometimes vicious. Throughout the journey of her life, Marya goes through many transformation, first with her marriage to Koschei the Deathless himself. She is tenacious and strong, changing as needed in the wake of the challenges and situations that confront her. 

I love books about books, so I was thrilled when Oxford's Bodleian Library and a bewitched alchemical manuscript turned up as the linchpin of this enchanting love story between a vampire and a reluctant witch.

While this story was made into a television series, do yourself a favor and read the entire trilogy. Harkness creates a compelling framework of history and heroics, love and loss, and friendship and betrayal for her underworld creatures to inhabit. And these are not your typical creatures of the night, but accomplished scholars, physicians, and scientists.

This book is one of those rare novels I wish I could read again for the first time and fall under its magical and mesmerizing spell anew.

Gideon the Ninth lit up the sky of the science fiction/fantasy world when it was published, launching the Locked Tomb series (which is ongoing, and great; third volume Nona the Ninth is especially lovely).

It's been described as "lesbian necromancers in space" but it's more "lesbian necromancer and swordsperson on various weird planets in the far future with a god-emperor who uses death magic to fight planet-sized spectral monsters...." for a start.

The whole series is enigmatic, complex, and laced through with humor, action, and yearning, but the first book is notable for the power of Gideon's voice.

Leavitt’s story is a fairytale and like all good fairytales, there is a handsome prince except this one is played by Lord Death himself.

I love Keturah. She is brave enough not to be afraid and big-hearted enough to see beyond Death’s terrifying purpose to the underlying sadness of the feared and hated outsider. Through the course of the book, she also comes to appreciate the meaning he brings to life.

“It was Death who…made her see the sun in the blue sky and hear the trees in a spring wind. He made her see how much she loved her friends…Made her love the breath in her lungs. She knew she had never been truly alive as when she met him. Never so happy and content with her lot until she was touched by the sorrow of him.”

This story is a twist on a familiar Lewis Carroll tale.

It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive. 

This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.

Gods of Jade and Shadow starts as a Mexican Cinderella story, except that the fairy godmother is a Mayan god of death.

Not sold yet? What if I told you the god of death is also Prince Charming?

It’s an awesome premise.

I also enjoyed the setting. The story takes place in Jazz Age Mexico, shortly after the Mexican Revolution and at a time when pop culture was “all about the United States” and “reproducing its women, its dances, its fast pace.” Yet there’s far more old than new here. Mayan mythology threads throughout.

I didn’t always love the pace, but the book has an irresistible style. If you like fresh takes on classic fairy tales, Gods of Jade and Shadow is definitely worth a look.

Most all of Terry Pratchett’s books do an excellent job of turning absurdity into humor while remaining thought provoking, and this one is probably my favorite.

In terms of style and humor, I really found myself thinking of Kurt Vonnegut and Douglas Adams while reading this, which is obviously good company to be in. Essentially, the book deals with the question: “What happens to religion when no one believes in its God?”