The best myth books

I’m a paranormal fantasy author who loves vampires. They’re my favorite supernatural creatures. I think my obsession with vamps started when I saw Underworld for the first time. I had watched Blade before and thought, “I’d like to see a movie with just as much action but also romance” and voila! Some prefer the darker, less romantic vampire stories in which the bloodsuckers are monsters, but I prefer to read and write stories where they’re more than just their hunger. So if you’re like me and like a good combination of vampire action and seduction, you will probably enjoy the books on my list. 

I’m an avid reader and writer of children’s literature, though I find it difficult to read anything that isn’t diverse these days. Being able to experience the world from the perspectives of other cultures is a true delight, and I learn something every time. After having read dozens of these diverse books, especially diverse fantasies, I find that nothing inspires my creative soul more. That’s why I’m able to speak on this topic for large conferences and schools, spreading this inspiration to others. And, as a published author of diverse children’s literature, I’ve done the same in my writing with praise from Kirkus, Booklist, Publisher’s Weekly, and many others.

In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.

From a very early age, I was interested in both magical stories (untrue) and life writing (true). As a writer, I love combining the two. In both fairy tales and memoirs, somebody goes into the woods and comes out wiser. At both Harvard and Oxford, I teach writing courses on Mythic Memoir. I tell my two children as many fairy tales as I know, and then I make up more. In 2022 I published my first collection of personal essays, Awake with Asashoryu, eleven short memoirs from my life, each with a myth or fairy tale at the heart.

I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.

I’m the author of five extremely different novels: Boy A (which was made into an award-winning film), Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends. 

In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.

Anything involving an adventure with lovable characters is my cup of tea when it comes to books. I love all different kinds and will read books for children as well as huge worlds of epic complications. But while a complex novel can be just as great as any other, sometimes it’s hard to get started. Some unique worlds or characters have so much backstory you need to understand before embarking on the quest. It can ask for too much investment. Make me fall in love quickly. Leave me asking questions. Engage my senses, and I will find myself within the pages, unable to let go. 

Writing the Olga book was a privilege in several senses. I got to hang out for five years with a remarkable human who kicked my butt (in the nicest possible way) and pulled me out of a midlife funk with the example of her indomitable spirit. Just as significantly, I got to delve deeply into the question of What makes some people almost … bulletproof? To what degree is healthy aging, well … a choice? This is really all a writer can ask for: to stumble on a subject that will never exhaust itself, that will just continue to open new angles. One way or another, I keep writing about Olga, and I suspect I always will.

As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!

Picking up a fantasy novel and getting away from real-world problems is an escape for me. Even though many of these issues don’t exist in our lives, we can still learn from the way the characters deal with their struggles. We can find compassion and empathy and maybe see that there are two sides to every story. Along the way, we also get to see stunning vistas and amazing, mythical creatures.

We are relatable women who have successful careers in a predominately male industry.  We have run businesses, built teams based on trust and inclusion, become authors, speakers, and advisors, while simultaneously raising children with our also working husbands.  This is not done with ease or without making trade-offs, but we will share our stories and hope to inspire other women.  We believe in supporting women in all areas of our lives and we love to lift up the ones who have impacted us.

The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.

I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.

I read The Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.

My first mentor was Arthur C Clarke, the science fiction megastar. I’ve always been drawn to epic fantasy, science fiction, and techno-thrillers. Stories that push the boundaries of reality. While I’ve been a professional author for over thirty years in multiple genres, I keep returning to speculative fiction, much of which is published under my pen name “Thomas Locke”. I serve as Writer In Residence at the University of Oxford. In writing Island of Time, my aim was to apply a classical heroic structure to neartime fantasy. Use the naturally occurring elements of light and dark, good and evil, and magnify them by adding magic to this world.

The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.

I read The Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.