I'm a Polish, London-based writer of Slavic-folklore-inspired fantasy novels for adults (The Second Bell, out from Angry Robot Books) and children (The Wind Child, published by Uclan). I write stories of families, grief, motherhood, and communities, steeped in the Ancient Slavic lore and set against the beauty and danger of the natural (and supernatural) world.
Stunningly illustrated by Morris, this retelling of the Scandinavian folktale incorporates the stories of refugees and the search for love, and freedom. The bravery of the main character, the force of her determination, and the courage to challenge the expectations of the story’s narrative make for a fascinating read.
From the moment she saw him, the girl knew the bear had come for her. How many times had she dreamed of him? Now, here he was, as if spelled from her dreams.
This encounter marks the beginning of a long and extraordinary journey. At the bear's secret palace in faraway mountains she is treated so courteously, though troubled by the bear's unfathomable sadness. As the bear's secret unravels, another adventure unfolds, which takes her to the homes of the four winds and beyond, to the castle east of the sun, west of the moon.
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.
While much work has been done on goddesses of the ancient world and the male gods of pre-Christian Scandinavia, the northern goddesses have been largely neglected. Roles of the Northern Goddess presents a highly readable study of the worship of these goddesses by men and women. With its use of evidence from early literature, popular tradition, legend and archaeology, this book investigates the role of the early hunting goddess and the local goddesses who were involved in all aspects of the household and the farm. What emerges is that the goddess was both benevolent and destructive, a powerful figure closely…
Graeme Davis has been fascinated by myth and folklore ever since he saw Ray Harryhausen’s creatures in Jason and the Argonauts as a child. While studying archaeology at Durham University, he became far too involved with a new game called Dungeons & Dragons and went on to a career in fantasy games. He has written game sourcebooks on various ancient cultures and their myths, and worked as a researcher and consultant on multiple video games with historical and mythological settings.
This short book takes a deep dive into the nature of mythology and its relationship to the human mind. As well as the mythologies of past civilizations, Leeming examines modern-day myths and cultural beliefs and shows how myths are living and evolving things that serve a human need to understand the universe. If you have ever wondered what makes a myth a myth, or why everyone seems to have them, this book has some interesting answers.
Joseph Campbell wrote that mythology is "the wonderful song of the soul's high adventure." In Myth, David Leeming considers the role this "wonderful song" has to play in a world increasingly dependent on scientific and technical information. Exploring classic works such as the Song of Songs, the Tao Te Ching, the Rg Veda, the New Testament, and the Indonesian myth of Hainuwele, Myth reveals the cultural energies that ancient "mythmakers" sought to corral in their creations. Leeming argues that myths are, by definition, evolving creations that live on in the work of modern-day "mythmakers" such as W.B. Yeats, Virginia Woolf,…
I was an avid reader of science fiction as a teenager and developed a love of science and how elegantly and yet how alive and ever-changing it is as we learn more. It explains the world. I couldn’t settle on any one field: physics, biology, neuroscience, astronomy, geology? So I began a writing career where I could draw on my faithful reading of Science News and popular science books. Scientific inaccuracies in fiction still irritate me (don’t get me started), and to the best of my ability Ι ground stories in what we know with some confidence, though science will always be a moving target. My recent book, Mixed Harvest, embeds fiction in archaeology and anthropology.
A controversial, scholarly attempt at synthesizing and organizing the foundations of world mythologies may seem a strange selection. It’s certainly an enormous task, and Witzel could be wrong, but this sweeping book tantalizes and enriches any open mind with an interest in mankind’s story on Earth: two great separate migrations out of Africa carried differing concepts of the world’s origins. The first made its way around India to Australia. In this story, the world had no origin, it always existed in Dreamtime. Mankind emerged into time and joined all creatures and their landscapes. The second migration into Europe and Asia brought the foundations of Western traditions. The story is more familiar: an all-powerful deity created the world out of chaos or primordial waters, fashioned and breathed life into human beings, and thrust them into a world of constant struggle and conflict. If for some reason that doesn't sound familiar, reread…
In this comprehensive book Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia'). By comparing these myths with others indigenous to sub-Saharan Africa, Melanesia, and Australia ('Gondwana Land') Witzel is able to access some of the earliest myths told by humans. The Laurasian mythologies share a common story line that dates the world's creation to a mythic time and recounts the fortunes of generations of deities across four or five ages and human beings' creation and fall, culminating in the end of the universe and, occasionally, hope for a new world.…
Escape to the past and have a blast is definitely my motto as a Canadian young adult author. With a penchant for escapism fiction, I’ve always loved books that pull me into different places and adverse time periods. Enter time traveling and original storytelling. Legends, myths, and mysteries of the unexplained thrill me. A lover of anything arcane and ancient mysteries, I delve into our written past to give my fiction the facts I need to immerse readers into my imaginary universe—one book at a time.
Riordan had me at Norse mythology. Love it! Written in the usual tongue-in-cheek humor I’m used to with the author’s style, I loved the way he rebranded Norse myths to fit into the young adult genre he’s so famous for writing. It begins as homeless Magnus Chase (cousin to Annabeth from The Lightning Thief) is plucked from the real world (he literally dies) and taken to Hotel Valhalla, where he’s put through the gantlet over and over again (and dies many times in the process) until he teams up with an unlikely (and likable) diverse cast of characters who embark on a journey to recover his birthright—the Sword of Summer. However, what Magnus doesn’t count on is finding out the truth about who he really is, and his place in Asgard.
All three books in the best-selling Magnus Chase trilogy, collected in a gift-worthy paperback boxed set. Magnus Chase, a once-homeless teen, is on a death-defying quest across the Norse realms, literally. As a resident of the Hotel Valhalla, this son of the god Frey is now one of Odin's chosen warriors. Magnus and his friends, Hearthstone the elf, Blitzen the dwarf, Samirah the Valkyrie, and other heroic characters must use all their wits and special talents in order to defeat fearsome giants, lethal creatures, and meddlesome gods in order stave off Ragnarok. "A whirlwind of myth, action, and wry sarcasm,…
I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!
The title says it well. Sometimes we all need to forgive ourselves for our errors, and to take a clear, sober look at our blunders.
This book shows how rigid thinking can subtly lead us to undermine ourselves. In the process, it identifies seven "cognition traps" to avoid. Easier said than done… but includes some very worthwhile advice.
"Engaging…Teases out the cause and effect of seven [cognition] traps with witty stories of famous blunders…to teach the basis of good judgment. L ike all good historians he's hoping we can avoid making the same mistake twice."―O, The Oprah Magazine
For anyone whose best-laid plans have been foiled by faulty thinking, Blunder reveals how understanding seven simple traps―Exposure Anxiety, Causefusion, Flat View, Cure-Allism, I nfomania, Mirror Imaging, Static Cling―can make us all less apt to err in our daily lives.
The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.
A magisterial, affectionate portrait of Nero and his times, this book is full of delightful touches of humor. Grant writes that although Nero enjoyed giving feasts, “we are not told if he was amused by the famous contemporary glutton Arpocras, who ate four tablecloths at a time, and broken glass as well.”
Bound in the publisher's original cloth covered boards, spine and cover stamped in gilt. Dust jacket rubbed at the edges, small closed tears at the extremities.
I am adopted. I am a birth mother and also a mother through adoption. I have lived through all ‘three faces’ of adoption and know how each ‘face’ affects millions of people's lives all over the world. I am passionate that conversations around adoption need to come out of the closet and the secrecy surrounding the subject must disappear. By writing my books, I am on a mission to support adoptees, birth mothers, and adoptive parents and help them realise they are not alone. After publication of my first book in the Survival Without Roots trilogy, I am humbled that people are reaching out to say that reading Book One has helped them so much.
Fiona leaves no stone unturned as she describes the journey of her years dabbling with drugs and alcohol brought on by the trauma of growing up adopted. Fiona shows a true spirit of determination to fight through her adoption traumas of rejection and abandonment. I wondered all the way through this book whether she would succeed or if her experiences would eventually be too much for one person to bear.
The true-life story of Fiona who always felt displaced, a girl looking for belonging and security. This is Me No Darkness Too Deep, explores the ups and downs when as a young woman she roller-coasted, travelling from city to city and meeting trouble at every stop. Fiona spent many years in the depths of dark and desolate places, emotionally, physically, and spiritually. She was beaten, she slept rough and was used and abused and endured the horrors of rape. Carrying the weight of being an adoptee meant that she struggled through abandonment and rejection issues.
In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.
The comparative mythologist, Joseph Campbell is probably best known for A Hero with a Thousand Faces, but it’s another book—Pathways to Bliss—that I turn to like a travel guide to my own spiritual journey. In prompting readers to explore archetypes to help them create their personal mythology, Campbell believes that life should be a journey to finding our bliss. This is a book about personal growth for people who want to self-discovery in a larger—mythical—context.
Joseph Campbell famously defined myth as “other people's religion.” But he also said that one of the basic functions of myth is to help each individual through the journey of life, providing a sort of travel guide or map to reach fulfillment — or, as he called it, bliss. For Campbell, many of the world's most powerful myths support the individual's heroic path toward bliss.
In Pathways to Bliss, Campbell examines this personal, psychological side of myth. Like his classic best-selling books Myths to Live By and The Power of Myth, Pathways to Bliss draws from Campbell's popular lectures and…
The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.
This book by the renowned nineteenth-century biblical scholar is a great read because it epitomizes the traditional anti-Nero bias to the point of parody. Renan writes that “Nero’s actions float between the black wickedness of a cruel dunce and the irony of a cynic. He did not possess an idea that was not puerile. The sham world of art in which he dwelt had made the veriest fool of him.”
