The best Norse mythology books

This is less about the myths themselves and more about the culture that spawned them. Ellis Davidson’s analysis of Nordic pre-Christian religion is sober but accessible, and comparisons are made with other contemporary belief systems such as the Celts’ and the ancient Britons’. The book nicely ties together the disparate tales much as the world tree, Yggdrasil, is said to have tied together the Nine Realms.

The entire Nine Worlds Rising series is an exercise in watching Loki get taken down a peg or six. I’m deeply in love with Norse myth material, and Lyra is not afraid to take a deep look at the pain that people inflict on each other. Book One deals with betrayal, ostracization, self-sabotage, and becoming the worst version of yourself. It’s not all doom and gloom, however, because the author has a fantastic sense of humour that really shines in Loki. Many of the characters are queer, including at least one that you won’t expect! 

Snorri did not write his Edda in a vacuum, and the mythological and heroic poems collected in the thirteenth century Codex Regius (and a handful of other manuscripts) provide a snapshot of the sort of raw material from which his book was constructed. The apparent antiquity of these poems (quite how old remains a matter of debate) led to them being labelled the ‘Elder’ Edda and, although in their preserved form they are products of the Middle Ages, they powerfully evoke the strange and esoteric world of northern antiquity. In content the mythological poems encompass, amongst much else, Völuspá (the prophetic vision of a sorceress revealing the breaking and rebirth of the world at Ragnarök and the events that will precipitate it), Hávamál (the gnomic wisdom of Odin, including an account of his self-mortifying pursuit of occult knowledge) and Lokasenna (in which the god Loki provides a definitive example of… show more.

I studied magic, sorcery, and spirit possession as a student anthropologist for a few months in Indonesia in the late 1980s. Thirty-odd years later, when I came to write a series of novels about Viking warriors being possessed by the spirits of bears and wolves, which they believed lent them a berserk frenzy in battle, I drew on my own meagre experience and on the far more impressive work of Neil Price, a professor of Archaeology at Uppsala University and expert on the pre-Christian religions. In The Viking Way, Price explains Viking belief systems and tackles occult subjects such as seithr, shamanism, and the supernatural empowerment of aggression eloquently and extensively. I couldn’t have written my novels without his illumination.

Yes, this is the third Middle Grade book on the list, but you can’t beat kids’ books when it comes to adventures based on mythology! Loki’s Wolves is action-packed, entertaining, and full of Norse gods and monsters. It’s an imaginative, entertaining read for Norse mythology nerds of all ages.

This book veers off the path of mythological source material into the land of metaphysics. It contains explanations and interpretations of Norse runes and how they were (and still are, by modern pagans) used for divination. The first part focuses on lore surrounding the runic alphabet—often called “Elder Futhark” runes, which can be traced back to Viking times. Part two discusses rune staves, which are formed by combinations of the individual runes to create powerful symbols. The book ends with a section on rune casting. In my research about Nordic runes, I found this book quite helpful and enlightening.

This volume covers a lot of ground, from myths of the gods to hero tales to historical figures and the discovery of America. It stands out for me because of the illustrations, which range from ancient Norse carvings to superhero films. Above all, the book abounds with fine nineteenth and early twentieth-century book illustrations and a host of paintings from the Renaissance onwards, a feast for the eyes.

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

The very fact that we have written records of the Viking myths, other than Runestones, is thanks to Icelandic historian, poet, and politician Snorri Sturluson. His Icelandic Sagas inspired many writers, including Tolkien and Lewis. In her biography of this influential medieval writer, Ms. Brown not only tells us about Sturluson’s life but also summarizes much of his writing and puts it into context with Norse fables. If you’ve ever wondered how much of the Viking stories were historical facts and how much of it is Sturluson’s imagination, this is a great book to read.

The D'Aulaire's book is a visual feast of stories from the land of ice, fire and Viking culture. The tales are well-told and exciting. It comes with lively illustrations which offer children who haven't encountered Thor, Odin, Freya or Loki before, a panorama of this marvelous world and the many adventures of the Norse Gods.

Despite its rather misleading title, Chris Abrams’s Myths of the Pagan North is not a retelling of the Norse myths or a primer to the worlds they describe. It is instead a detailed and sustained exploration of how the myths as we know them developed, what evidence exists for the Norse mythos outside the major compendia of thirteenth-century Icelandic prose and poetry (Snorri’s Edda and the so-called Elder Edda), and what function these stories played in the societies of the Viking Age and medieval north. With chapters exploring the historical context in which the myths developed, the full range of sources that can shed light on them (including runic inscriptions, picture stones, and skaldic verse) and the relationship of the myths to the religious worldview of the pagan and Christian societies that shaped them, this is a book for those who want to go beyond the stories themselves and… show more.

The God: Hermod

Dancing around the edges of Ragnarok with a focus on one of the most obscure gods he could find, Norse Code brings us into a world where the gods have adapted and adopted modern technology to gather warriors to Odin’s cause—defeating the forces of darkness and bringing about a new golden age to the world. Because van Eekhout approaches the myth of Ragnarok from Hermod’s perspective (along with a Valkyrie named Mist), he frees himself from the proscribed roles so many other gods are fated to play and offers us a fresh take on a well-known and well-trod story.

There are many books that aim to provide a succinct, coherent introduction to the subject of Norse mythology. Few, however, manage to so with the clarity and authority of Professor Carolyne Larrington’s The Norse Myths: A Guide to the Gods and Heroes. This book deals with all of the critical aspects of the mythos: from Ginnungagap (‘the howling void’) to Ragnarök (‘the doom of the gods’) by way of Yggdrasil the world-tree, the divine families (the Æsir and the Vanir) and the giants who opposed them, as well as the doings of human heroes like Sigurd the Volsung. This is an excellent introduction to the subject that includes retellings of many of the most important myths alongside illustrations and vital historical and literary context. If you are just beginning your journey into this realm of monsters and gods, there are few better places to start.

In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.

When it comes to learning about Norse mythology, you can’t beat the original source material. If you are a bit of a history nerd like me, it’s fascinating to read a translation of the original Old Norse poems. These poems can be found in a text called the Poetic Edda, which has several different translations. I like the Henry Adams Bellows translation, as well as Dr. Jackson Crawford’s. Crawford has YouTube videos that taught me a lot while I was writing my book, so that’s worth checking out, if you’re interested.

The Norse God: Vidar

Suspense, Horror, Romance, Adventure—this book has it all! Vidar’s steadfast search for the mortal woman he loved and lost, and the complications of her return as a cynical scientist at a research outpost in the modern world are both “wild and melancholy.” I love the idea of a god with such a loyal heart. This book gets bonus points for going all-in on Odin as the villain of the piece, but also features Loki in full Trickster form, and touches on many of the other gods of Asgard.

This Old Norse poem was part of the collection of works included in the Poetic Edda, written around 1300 CE and collected by Snorri Sturlusson. It centers around the god Odin and includes advice for life and love, the story of Odin’s self-sacrifice on the World Tree of Yggdrasil, and eighteen spells Odin claims to know. The book provides revealing details about life in Viking times, but my favorite part is the section on spells, which include healing, manipulating metal so weapons do less damage, escape artistry, redirecting curses, calming winds, and even resurrection. Hávamál isn’t as popular as some of the other poems, but it’s worth a read for the insights into the god Odin and what makes him tick.

The main thing that draws me to this book, and what sets it apart from his other series, are the diverse characters. Different ethnic backgrounds, religions, LGBTQ, and disabilities are all portrayed, but they are just part of the character's story, not the main plot focus. The Norse mythology runs through the book with humour and lots of deadly action, and an interesting take on some of the gods. With an array of creatures and characters that stand either with or against the Vikings, this is a fun adventure, and it even has a cameo from the Percy Jackson series, so look out for that.

We live in a society that allows for only two possibilities: that there exists either one God or no God at all. What C.S. Lewis did for Christianity, this book does for modern Polytheism. It’s an intelligent and thoughtful read that opens up the mind and heart to new spiritual possibilities.

The God: Skadi, Freya, Thor (and more!)

Another take on Ragnarok, but wholly different from Norse Code. Set in a post-apocalyptic mini Ice Age—the fimbulwinter that precedes Ragnarok—and following a soldier/mercenary who signs himself up with no real idea of what he’s in for, Age of Odin gives us an action-packed war-driven adventure with fun takes on familiar and less familiar gods along the way—even including Ratatosk, the squirrel who resides upon and spreads gossip all along the World Tree.