The diverse cast of characters was incredible. Yeah, the main character is a basic blond, but he has a heart of gold, lived as a homeless kid for a while, and goes to an afterlife where he is the minority because of his heritage.
But the character that really made me fall in love with the series is his love interest, a gender fluid, take-no-prisoners, shapeshifting child of Loki who gives no cares on whether you like him/her or not. This character lives her/his truth and he/she will fight you if you so much as look at her/him wrong. You will respect, or you will be flung out the nearest window.
All three books in the best-selling Magnus Chase trilogy, collected in a gift-worthy paperback boxed set. Magnus Chase, a once-homeless teen, is on a death-defying quest across the Norse realms, literally. As a resident of the Hotel Valhalla, this son of the god Frey is now one of Odin's chosen warriors. Magnus and his friends, Hearthstone the elf, Blitzen the dwarf, Samirah the Valkyrie, and other heroic characters must use all their wits and special talents in order to defeat fearsome giants, lethal creatures, and meddlesome gods in order stave off Ragnarok. "A whirlwind of myth, action, and wry sarcasm,…
I love history as did my mother and her family. I am English by birth and, so, it is English history I am most interested in. To know who you are and where you are from is, to me, very important. At school history was the subject I excelled at. In my mature years I worked as a Business Unit Manager at a University and took history papers for amusement, but I never continued with a degree as BA papers were too basic and an MA and PhD too expensive. I did, however, write academic peer-reviewed papers that were published.
Just who was the Germanic God who carried many variations of the name, Wodin, Odin, Oðin, Votan, Wodan, Photan? What is the actual story behind the Germanic/Norse mythology he features in? This novel is an extremely amusing explanation that in fact he was a rather dodgy trader who, partly because of his earlier occupation as a doctor, ends up as a god in all of Germania, as do his also dodgy mates and promiscuous wife.
A previous knowledge of the mythology helps, but is not essential. I found it very funny and it was one of the inspirations for my own tales.
In the second century AD, a Greek nobleman is travelling and living abroad in Germany while carrying on an affair with a military man's wife. When discovered, he takes an emergency business trip to save his life and packs amongst his belongings certain items that lead the people he encounters to think him a Norse God, a fortuitous point of view which he does little to dispel. Forced to keep up the pretence of being a god while staying one step ahead of his lover's jealous husband, Photinus must juggle the severity of his situation with the enjoyment of being…
I've always been interested in Native American culture, while at the same time horrified at the way most European settlers treated them. (My best friend as a child was Native American.) Without consciously planning on it, many of my other books and short stories feature Native American customs and characters—though not as thoroughly as Red Sky, Blue Moon. I've also always been fascinated by Viking history, though I only recently discovered I'm a direct descendant of a fairly famous Viking—Rollo. I had no particular expertise with these cultures when I began this book, but I spent many hours of research to be sure I got everything right.
I loved the use of Norse mythology and culture in this book, which is the first in a series. Once again I was enveloped in marvelous world-building and a society from Earth that both transformed and stayed the same, light years away from where it originated. It's full of beautiful language and astounding images. Many stories are described as "epic," but this one truly is. I also like how it's sometimes difficult to tell the heroes from the villains because the characters are all so well-rounded.
It all began with Ragnarok, with the Children of the Light and the Tarniished Ones battling to the death in the ice and the dark. At the end of the long battle, one Valkyrie survived, and one valraven - the steeds of the Valkyrie. Because they lived, Valdyrgard was not wholly destroyed. Because the valraven was transformed in the last miracle offered to a Child of the Light, Valdyrgard was changed to a world where magic and technology worked hand in hand. More than two thousand years later, Muire is in the last city on the dying planet, where the…
From reading by torchlight when I should have been asleep, through to adulthood, books have always been special to me. From making up stories to get the kids through tough situations to becoming an author, my deep-seated love of fantasy has been apparent. Fantasy can be so much more than elves, shapeshifters, and every other creature imaginable (although they are always exciting). It’s nearly always about a journey, a growth in character, good over evil, but whatever else you may take from the story, it’s always about losing yourself in the pages and having a really good read.
The main thing that draws me to this book, and what sets it apart from his other series, are the diverse characters. Different ethnic backgrounds, religions, LGBTQ, and disabilities are all portrayed, but they are just part of the character's story, not the main plot focus. The Norse mythology runs through the book with humour and lots of deadly action, and an interesting take on some of the gods. With an array of creatures and characters that stand either with or against the Vikings, this is a fun adventure, and it even has a cameo from the Percy Jackson series, so look out for that.
The first book in the incredible new series from the author of Percy Jackson, the Kane Chronicles and Heroes of Olympus.
My name is Magnus Chase. I'm orphaned and living rough on the streets of Boston. And things are about to get much worse.
My day started out normally enough. I was sleeping under a bridge when some guy kicked me awake and said, 'They're after you.' Next thing I know, I'm reunited with my obnoxious uncle, who casually informs me that my long-lost father is a Norse god.
Nothing normal about that. And it turns out the gods of…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.
Bloodhoof is the re-casting into compulsively spare modern verse of an ancient Eddic poem - but this only begins to hint at its attractions. It is a minimalist epic telling of the abduction of Gerour Gymisdottir from a land of giants and the subsequent events culminating in her return from the court of Freyr of the 'wolf-grey eyes' with her beloved son. It is full of iron-hard rocks and ice, serpents in the breast gnawing at the harness of hope, but also wide-reaching fields of corn whispering in the breeze and a throne carved with beasts and dragons' heads. You…
I’ve been immersed in Norse Myth for more than a decade and writing books about the Gods I’ve always wanted to read. My Fate of the Gods trilogy is a mythic mash-up of Biblical, Norse, Greek, and Egyptian myth, and writing as Amalia Carosella, my book Daughter of a Thousand Yearsis Viking age historical fiction about Freydis, the daughter of Erik the Red. Additionally, as a Norse Pagan polytheist myself, finding books that do justice to the Gods in our modern world is that much more important to me than your average reader - I’m always looking to celebrate the books that bring them to life!
S.T. Bende built her brand on the Elsker Saga, a series following the Norse God Ull, Thor’s step-son, but don’t sleep on her take on Tyr, the Norse God of War, either! Perfekt Order, the first book in the Ære Saga is a delightful, sweet romance take on what happens when Norse Gods come to earth and start mingling with mortals, upending our carefully ordered worlds.
For seventeen-year-old Mia Ahlström, a world ruled by order is the only world she allows. A lifetime of chore charts, to-do lists and study schedules have helped earn her a spot at Redwood State University's engineering program. And while her five year plan includes finding her very own happily-evah-aftah, years at an all-girls boarding school left her feeling woefully unprepared for keg parties and co-ed extracurricular activities.
So nothing surprises her more than catching the eye of Tyr Fredriksen at her first college party. The imposing Swede is arrogantly charming, stubbornly overprotective,…
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.
While much work has been done on goddesses of the ancient world and the male gods of pre-Christian Scandinavia, the northern goddesses have been largely neglected. Roles of the Northern Goddess presents a highly readable study of the worship of these goddesses by men and women. With its use of evidence from early literature, popular tradition, legend and archaeology, this book investigates the role of the early hunting goddess and the local goddesses who were involved in all aspects of the household and the farm. What emerges is that the goddess was both benevolent and destructive, a powerful figure closely…
I
enjoyed this book because the storytelling was captivating, combining
compelling characters, a world of pagan Vikings, Germanic tribes, and the
rising empire of Charlemagne in vibrant historical fiction.
The author delves
into Norse mythology, military history, and cultural traditions of the Saxons,
Northmen, and Franks, bringing to life a compelling set of warriors, priests,
heroes, and villains from the 8th century AD. This is the first book
in the Fire Born series; the other volumes continue the story in the same
style, with a plot of compelling interest and craft.
'Donald is a writer not only at the top of his game, but of the game' Giles Kristian, author of the Raven series 'Donald delivers a masterclass' Theodore Brun, author of A Burning Sea 'A gory, gleeful treat' The Times
The greatest warriors are forged in the flamesTwo pagan fighters
771AD, Northern Europe. Bjarki Bloodhand and Tor Hildarsdottir are journeying south into Saxony. Their destination is the Irminsul, the One Tree that links the Nine Worlds of the Middle-Realm. In this most holy place, they hope to learn how to summon their animal spirits so they can enter the ranks…
I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.
In a world saturated with Greek Mythological Retellings, The Witch’s Heart is a breath of fresh (cold) air from Valhalla.
Angrboda—a woman who made a recent appearance in the God of War PS4 games—blazes across this book as the mother of monsters! Odin's wrath leaves her powerless, and her only escape route? Off to a remote forest she dashes. Enter Loki, that sly trickster, stumbling upon her and—bam!—love sparks, birthing three whelps, each harbouring their own cryptic fate.
It's a Norse mythology remix with a modern twist and a brand-new leading lady—epic, heartbreaking, and full of oomph! And if every time you see Loki, you see Tom Hiddleston's mischievous grin, you aren’t alone.
Angrboda's story begins where most witch tales end: with being burnt. A punishment from Odin for sharing her visions of the future with the wrong people, the fire leaves Angrboda injured and powerless, and she flees into the furthest reaches of a remote forest. There she is found by a man who reveals himself to be the trickster god Loki, and her initial distrust of him-and any of his kind-grows reluctantly into a deep and abiding love.
Their union produces the most important things in her long life: a trio of peculiar children, each with a secret destiny, whom she…
While writing my YA series based on Norse mythology, I did a ton of reading and research, and fell more in love with the mythology each day. I’ve been a huge fan of the Thor movies since the beginning, and between that and my Icelandic heritage, I find that I always gravitate to books about Norse mythology. There are a lot of viking books and TV series, but it’s a little harder to find books and shows specifically about the mythology, so I hope you find this list interesting as you dive into the nine Norse worlds and all of their gods and creatures!
Yes, this is the third Middle Grade book on the list, but you can’t beat kids’ books when it comes to adventures based on mythology! Loki’s Wolves is action-packed, entertaining, and full of Norse gods and monsters. It’s an imaginative, entertaining read for Norse mythology nerds of all ages.
Calling all fans of myths, action-adventure, and the Percy Jackson series - don't miss this first book in the Blackwell Pages trilogy from bestselling authors K.L. Armstrong and Melissa Marr.
While thirteen-year-old Matt Thorsen has always known he's a modern-day descendent of Thor, he's been living a normal kid's life. In fact, most people in the small town of Blackwell, South Dakota, are direct descendants of either Thor or Loki, including Matt's classmates Fen and Laurie Brekke. No big deal.
But now Ragnarok is coming, and it's up to the champions to fight in the place of the long-dead gods.…
