Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
In this genre-bending novel the author weaves Norse myth with a tale set in the very real world of early medieval Iceland. Her descriptions of the landscape are wondrous, and her portrayal of the lives and culture of the early settlers of Iceland ring true. I loved how she quite successfully brought the Norse gods and one particular goddess down to earth. I am not as knowledgeable about the Nordic gods and their stories as I would like to be. This novel was a terrific way to begin a journey of discovery taking me in that direction.
A beautiful epic of love, longing, redemption, and enchantment in the tradition of Marion Zimmer Bradley?s The Mists of Avalon
Iceland, AD 1000 Freya knows that her people are doomed. Warned by the Fates of an impending disaster, she must embark on a journey to find a magnificent gold necklace, one said to possess the power to alter the course of history. But even as Freya travels deep into the mountains of Iceland, the country is on the brink of war. The new world order of Christianity is threatening the old ways of Iceland?s people, and tangled amidst it all…
I’ve been reading middle grade and young adult science fiction and fantasy books via visits to local library branches (thanks, Mom!) and bookmobiles (anybody under 40 remember those?) since I was in grade school and writing in those same genres since 2005. That was when I tapped into my love of MG/YA fantasy novels and began writing about dragons between gigs as a professional animation writer.
The Sea of Trolls is an excellent and satisfying read that immersed me in the fascinating Norse/Saxon world of 793 A.D. It’s the first book in one of the best series I've read in a long time—featuring rich world-building, magic at all levels, bold deeds, and a dry sense of humor.
Jack is an apprentice bard and just beginning to learn the secrets of his mysterious master, when he and his little sister are captured by Viking chief, Olaf One-Brow, and taken to the court of Ivar the Boneless. Ivar is married to a half-troll named Frith, an evil and unpredictable queen with a strange power over her husband's court. Jack is sent on to the kingdom of the trolls, where he has to find the magical well and undo the charm he has cast on Frith. He is accompanied by Thorgill, a shield maiden, aged 12, who wants to be…
I had a lot of troubles as a kid, and my favorite escape was getting lost in fairy tales and mythology. For me, those stories were a window into ancient worlds full of strange rules and powers, where magic was real and nothing was outside the bounds of possibility. As an author, I get to build my own stories and worlds inspired by the tales I loved so much as a kid, and I’ve loved reading about new heroes and heroines whose tales are rooted in the powerful traditions of peoples from all over the globe. I’m happy to be sharing some of my recent favorite mythology-inspired books!
This fun read, full of humor and adventure, is a mash-up of Viking lore and the story of Beowulf in a contemporary setting. Abby, grieving over the death of her mother, is also at a new school—not to mention training as the last of the Aesir warriors destined to hunt and kill Grendels. When a Grendel starts hunting her instead, Abby has a lot to unravel and conquer, fast.
I adore quirky stories that play with Western myths (heck, I wrote one), and this book has that in spades. For kids that love Norse mythology, this will provide smiles, snorts, and a perfect dose of white-knuckled page-turning. We grow with Abby as she builds new friendships and conquers old fears. She’s a great contemporary heroine with absolutely relatable problems.
Percy Jackson meets Thor in a laugh-out-loud, action-packed adventure inspired by Norse mythology.
Twelve-year-old Abby Beckett is proud to come from a long line of elite Viking warriors known as the Aesir. She's spent her entire life training to hunt the horrific creatures known as Grendels--the ancient foe of the Aesir--just like her mother did before she died. But there's just one, small problem: No one has seen a Grendel in centuries, and the Viking Council wants to disband the Aesir . . . forever.
When her father is injured in an attack that leaves him in a coma, Abby…
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
The very fact that we have written records of the Viking myths, other than Runestones, is thanks to Icelandic historian, poet, and politician Snorri Sturluson. His Icelandic Sagas inspired many writers, including Tolkien and Lewis. In her biography of this influential medieval writer, Ms. Brown not only tells us about Sturluson’s life but also summarizes much of his writing and puts it into context with Norse fables. If you’ve ever wondered how much of the Viking stories were historical facts and how much of it is Sturluson’s imagination, this is a great book to read.
An Indie Next pick for December 2012, Song of the Vikings brings to life Snorri Sturluson, wealthy chieftain, wily politician, witty storyteller, and the sole source of Viking lore for all of Western literature. Tales of one-eyed Odin, Thor and his mighty hammer, the trickster Loki, and the beautiful Valkyries have inspired countless writers, poets, and dreamers through the centuries, including Richard Wagner, JRR Tolkien, and Neil Gaiman, and author Nancy Marie Brown brings alive the medieval Icelandic world where it all began. She paints a vivid picture of the Icelandic landscape, with its colossal glaciers and volcanoes, steaming hot…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.
Bloodhoof is the re-casting into compulsively spare modern verse of an ancient Eddic poem - but this only begins to hint at its attractions. It is a minimalist epic telling of the abduction of Gerour Gymisdottir from a land of giants and the subsequent events culminating in her return from the court of Freyr of the 'wolf-grey eyes' with her beloved son. It is full of iron-hard rocks and ice, serpents in the breast gnawing at the harness of hope, but also wide-reaching fields of corn whispering in the breeze and a throne carved with beasts and dragons' heads. You…
I write about mythology, history, art, music, and cosmology. I also write science fiction. Mythology for me is an expression of a people trying to explain the world around them within the limits of their own knowledge. We are the same. Our search to understand the origins of the universe are limited by our language and mathematics, as were the Scandinavians who discovered countries for the first time, always expanding their horizons and adapting their legends accordingly. The Vikings had a rare vitality that sprang from every mythic tale and I love to explore both the deep origins of their worldview, and their influence in the cultures of today.
Tom Holland’s excellent series of contextual historical books bring a rare quality, seeking beyond boundaries to understand the sweep of civilisation across continents. This book focuses on the period we call The Dark Ages in the West, from the Fall of Rome to the rise of the Anglo Saxons. But in Asia and the Middle East literature, science and religion flourished, just as the Vikings raided and traded through Europe across to Arabia where eventually they encountered the great cultures of the East.
'A compelling detective story of the highest order' Sunday Times
In the 6th century AD, the Near East was divided between two great empires: the Persian and the Roman. A hundred years on, and one had vanished for ever, while the other was a dismembered, bleeding trunk. In their place, a new superpower had arisen: the empire of the Arabs. So profound was this upheaval that it spelled, in effect, the end of the ancient world.
But the changes that marked the period were more than merely political or…
Don’t let anyone ever put you off any book until you have tried it for yourself. Beowulf
might sound ‘too hard’ or ‘too old’ for children, but not a bit of it. Heaney breathes new life
into an old tale, making this a sparkling, dangerous, and compelling book. It’s no wonder he
won the Nobel Prize in Literature. The introduction may not be right for bedtime, but do read
it some other time.
Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.
The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the…
I’ve been immersed in Norse Myth for more than a decade and writing books about the Gods I’ve always wanted to read. My Fate of the Gods trilogy is a mythic mash-up of Biblical, Norse, Greek, and Egyptian myth, and writing as Amalia Carosella, my book Daughter of a Thousand Yearsis Viking age historical fiction about Freydis, the daughter of Erik the Red. Additionally, as a Norse Pagan polytheist myself, finding books that do justice to the Gods in our modern world is that much more important to me than your average reader - I’m always looking to celebrate the books that bring them to life!
Suspense, Horror, Romance, Adventure—this book has it all! Vidar’s steadfast search for the mortal woman he loved and lost, and the complications of her return as a cynical scientist at a research outpost in the modern world are both “wild and melancholy.” I love the idea of a god with such a loyal heart. This book gets bonus points for going all-in on Odin as the villain of the piece, but also features Loki in full Trickster form, and touches on many of the other gods of Asgard.
Victoria Scott, scientist and hardened sceptic, accepts a job at an isolated weather station on an island in the Norwegian Sea. She's running from a broken engagement and the knowledge that love is a lie. But there are shadows outside her cabin window, a hag who visits in nightmares - and a distrurbing sense of familiarity in the deep, haunted forest. In Asgard, the world of the old gods, Odin's son Vidar has exiled himself from his cruel family to await the reincarnation of his beloved: the woman his father murdered a thousand years before. And deep in the black,…
I get a fuzzy, euphoric feeling when I see a room full of books I can smell and touch. Thrillers, mysteries, epic fantasies, classics, romance… Ah, to find narratives with strong characters, amazing worlds, and thick plots that I can get lost in! A little spice is always nice, but please don’t violate me with explicit obscenities. My soul is not meant for these modern times. I’m especially impressed when writers have the ability to paint sensual scenes in a subtle, crafty way that leaves the details to a reader’s imagination. My happy place is reading in a treehouse library that overlooks my forest. One day I’ll go there.
Ahhh! I loved this one. It was epic fantasy at its finest, with compelling characters and a style of writing that had me enthralled from start to finish. I felt the Norse-inspired world-building was magnificent. I was caught up in the plot, the frustration, the desire.
Another slow burn that had me still thinking about it two days after I’d finished it.
NEW YORK TIMES BESTSELLER • A shield maiden blessed by the gods battles to unite a nation under a power-hungry king—while fighting her growing desire for his fiery son—in the first book of a Norse-inspired fantasy romance duology from the author of The Bridge Kingdom series.
“THE must-read fantasy of 2024!”—Jennifer L. Armentrout, author of From Blood and Ash
Bound in an unwanted marriage, Freya spends her days gutting fish but dreams of becoming a warrior. And of putting an axe in her boorish husband’s back.
Freya’s dreams abruptly become reality when her husband betrays her to the region’s jarl,…
I've always been interested in Native American culture, while at the same time horrified at the way most European settlers treated them. (My best friend as a child was Native American.) Without consciously planning on it, many of my other books and short stories feature Native American customs and characters—though not as thoroughly as Red Sky, Blue Moon. I've also always been fascinated by Viking history, though I only recently discovered I'm a direct descendant of a fairly famous Viking—Rollo. I had no particular expertise with these cultures when I began this book, but I spent many hours of research to be sure I got everything right.
I loved the use of Norse mythology and culture in this book, which is the first in a series. Once again I was enveloped in marvelous world-building and a society from Earth that both transformed and stayed the same, light years away from where it originated. It's full of beautiful language and astounding images. Many stories are described as "epic," but this one truly is. I also like how it's sometimes difficult to tell the heroes from the villains because the characters are all so well-rounded.
It all began with Ragnarok, with the Children of the Light and the Tarniished Ones battling to the death in the ice and the dark. At the end of the long battle, one Valkyrie survived, and one valraven - the steeds of the Valkyrie. Because they lived, Valdyrgard was not wholly destroyed. Because the valraven was transformed in the last miracle offered to a Child of the Light, Valdyrgard was changed to a world where magic and technology worked hand in hand. More than two thousand years later, Muire is in the last city on the dying planet, where the…
