As an art school drop-out who'd been majoring in sculpture, I'm fascinated by material culture—artifacts created by early peoples that reveal their cultural values. Often, the relics and sites that engage both archaeologists and readers suggest unexpected depths of knowledge that show human ingenuity through the ages. I strive to incorporate the details of an artifact or monument's creation into the clues and descriptions in my work, hopefully illuminating a little-known historical realm, if only by torchlight as the adventure unfolds. The fact that I get to explore so many exotic locations, in research if not in person, is a definite plus!
Clawson's protagonist, Harry Fox, is a criminal, working for criminals—which makes him a bit unusual in a field dominated by historians and law enforcement. And yet…Harry is highly sympathetic.
I love how Clawson uses Harry's interactions with secondary characters and random strangers to develop that side of his character. This book delivers on medieval clues and ciphers without ever losing that focus on character.
As a history geek myself, I get excited when I recognize the characters from my research, emerging from a thriller plot, in this case, the historian Geoffrey of Monmouth. (Don't worry if you haven't heard of him, he's a little obscure, but that only makes it more fun to see his work incorporated into fiction!)
I've always been fascinated with history. The study of economic history allows me to combine my passion for understanding the past with a rigorous and systematic set of analytical tools. In my own work I'm interested in understanding the economic, political, and institutional transformations that have created the modern world. The books I've selected here help us better understand quite how different the past and they have proven to be invaluable to me as inspirations.
Marc Bloch was one of the greatest historians of the 20th century. He was also hero of the French Resistance, tortured and executed by the notorious Nazi Klaus Barbie. Feudal Society(2 volumes) is perhaps his best book.
It is often said that the past is a foreign country, and it is true that the world of the Middle Ages is alien to us in many respects. What Bloch does is to provide a systematic examination of all aspects of that world, that is he examines it it from a legal, a sociological, an anthropological, an economic, and a political perspective.
In so doing, he paints a remarkable portrait of a coherent, self-contained society. The economy was basic, laws and politics were personalized, but it was a social and political order that made sense in its own terms. More recent historians have criticized specific aspects of Bloch's vision of feudalism…
Marc Bloch said that his goal in writing Feudal Society was to go beyond the technical study a medievalist would typically write and 'dismantle a social structure.' In this outstanding and monumental work, which has introduced generations of students and historians to the feudal period, Bloch treats feudalism as living, breathing force in Western Europe from the ninth to the thirteenth century. At its heart lies a magisterial account of relations of lord and vassal, and the origins of the nature of the fief, brought to life through compelling accounts of the nobility, knighthood and chivalry, family relations, political and…
Since early childhood I have had a passion for medieval times. I can remember climbing my first castle keep at 4. I became particularly interested in lesser-known medieval queens and noblewomen when I moved to Amesbury in Wiltshire—and found out that Eleanor of Provence, wife of Henry III, was buried somewhere in the grounds of the nearby rest home, her grave lost since the Reformation. I wrote a novel on her life which became more successful than I could have ever imagined, and now I am a full-time author writing further novels about medieval women, as well as the Wars of the Roses…and Stonehenge.
Walking Among Lions deals with not only a very obscure female figure but a medieval time frame, the reign of Richard II, that is not as often used in fiction as perhaps the 14th century or the time of Lionheart and King John. Constance is from a family that would become very famous the next century—the House of York. Her father is Edmund, son of Edward III—great-grandfather of Edward IV and Richard III. This book, part 1 of a series yet to be published, tells the story of her youth and early time at court, setting the scene for high and dangerous drama. It is beautifully written and packed with fine, accurate historical detail.
Constance of York, a cousin of King Richard II, is inducted into the Order of the Garter aged 10. High in the favour of the King and Queen, she is soon summoned to the court to attend Anne of Bohemia. However, not only is England in danger of a French invasion. but vicious civil strife is about to break out. Constance is at hand to witness to it all.
This book is a game-changer – looking at medieval history (so often told as the narrative of kings and knights and clerics) as a story of women. It is not only a vital act of history: it represents a new way of looking at the past that has inspired my own book, MYTHICA (coming out in 2025), that looks at the real women behind the 'male tales' of Greek myth. This book has to be on my list of top reads, not just of 2024, but of all time.
THE INSTANT SUNDAY TIMES BESTSELLER LONGLISTED FOR THE CUNDILL HISTORY PRIZE
'Revelatory' GUARDIAN
'A firecracker somehow captured between two covers' LUCY WORSLEY
An instant bestseller and one of the most celebrated history books of the year, Femina reveals the power and influence of medieval women who have been written out of our history. From royalty and religion to fame and fury, see the medieval world - and the women erased from it - with fresh eyes.
'Absolutely brilliant and highly recommended' CAITLIN MORAN
'Femina is a ground-breaking history of the Middle Ages' SIMON SEBAG MONTEFIORE
As a child, I lived in a small valley sheltered from the night city lights. I could see the stars, and from that time, that is where my imagination dwelled. As a teenager, I read several of the books I have listed here, and from that point, I was inspired to read more and also to write myself. I sincerely believe that despite our current problems, humanity will outlive its troubled childhood and reach for the stars. We are destined for the stars, and only in the works of science fiction writers is that future explored. The books below helped me to become a successful author in my own right.
My all-time favorite time travel book, this story tells of a young student’s journey into the past for a university project. Things go awry, and she arrives at the wrong time, squarely in the path of the Black Death.
As a history buff, I loved the historical perspective of the story imposed against modern university life, as the story tells of the gradual demise of a small English village and the university's attempts to get the student back.
I found the story most realistic, and the sheer urgency of the main character’s dire situation kept me fully engrossed to the last pages, where she is finally rescued. I recommend it to lovers of time travel stories and history buffs.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.
Another companion on my journey to becoming a medievalist, The Oldest Vocation is one of the earliest works of medieval scholarship to take the history of motherhood seriously. Atkinson showed us how mothering was a calling in the medieval world, whether it was a physical experience or a spiritual one. I think this was the first book I ever bought the moment it was available!
According to an old story, a woman concealed her sex and ruled as pope for a few years in the ninth century. Pope Joan was not betrayed by a lover or discovered by an enemy; her downfall came when she went into labor during a papal procession through the streets of Rome. From the myth of Joan to the experiences of saints, nuns, and ordinary women, The Oldest Vocation brings to life both the richness and the troubling contradictions of Christian motherhood in medieval Europe.
After tracing the roots of medieval ideologies of motherhood in early Christianity, Clarissa W. Atkinson…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
When your short stories inspire a Kurosawa movie, they must be something special. This collection includes Rashomon and In a Bamboo Grove, two stories set in medieval Japan that inspired the movie Rashomon. It also mixes stylistically vivid pieces that explore moral ambiguity, can be witty and cynical, and are deeply poignant.
That’s especially true in stories where Akutagawa writes of his own personal struggles—he took his own life aged just 35 in 1927. As Haruki Murakami puts it, Akutagawa’s work is “spine-tingling brilliance.”
Ryunosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashoemon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating…
As a geek and tech professional, I've worked on software and gadgets in multiple countries and just as many industries. I'm fascinated by work that leads us to a better future built on technology while being fully aware of the dangers involved if we're not vigilant. I've built websites, fitness devices, and even spent some time working on Wikipedia's data structure. But my first tech love was that strange and beautiful blend of art and science we call video games. I’ve played more games than I can count and created a few of my own, but as a novelist and reader I found myself drawn to books about games just as much as the games themselves.
I first read this book back in 2004 when I was spending way too much time with MMO games. This YA novel is certainly a product of a time where the tech of today was within sight but social media and smartphones didn't exist as we know them now. But the story more than makes up for this unfortunate timing with its witty characters, a structure reminiscent of the old Choose Your Own Adventure books and a fantasy game setting that leads this book to cross genres. I’m a big fan of sci-fi stories that follow the “Groundhog Day” structure like Returnal and Edge of Tomorrow. Do-overs are a crucial part of gaming and this novel builds that idea into its core premise while adding a unique twist.
In Heir Apparent there are as many ways to win as there are to get killed. "A stylish tale [that] addresses both fantasy gaming and censorship." (New York Times Book Review)
From Edgar Award–winning author Vivian Vande Velde comes a rollicking story that puts a high-tech twist on the classic medieval fantasy-adventure.
In the virtual reality game Heir Apparent, there are way too many ways to get killed—and Giannine seems to be finding them all. Which is a shame, because unless she can get the magic ring, locate the stolen treasure, answer the dwarf's dumb riddles, impress the head-chopping statue,…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these tales—heroes, villains, and in between—are more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
Hella Haasse’s novel is based on the life of Charles of Orléans, the son of King Charles the VI’s brother, Louis of Orléans. I often refer to this book for inspiration because it so beautifully and poetically evokes life at the French court in the days when Christine de Pizan was a constant presence there.
In this novel, set in the 15th century during the Hundred Years War between France and England, Hella Haasse brilliantly captures all the drama of one of the great ages of history.
