The most recommended books on the Middle Ages

I often like to break away from in-depth academic historical reading and indulge in lighter yet informative work. This always leads me to Cahill’s history books. He always has a new take, such as ‘how the Irish saved civilization’ to this intriguing book, Mysteries of the Middle Ages. He skillfully portrays here how medieval thought foreshadowed the making of the Renaissance and the development of the modern scientific era. Cahill’s talent is in his easy-to-read excellent prose and intellectual richness. His books are also well-illustrated with beautiful pictures and artistic layout.  

One cannot dismiss the importance of religion during the Middle Ages. It was intertwined with nearly every aspect of people’s lives, so it was natural that medieval illuminators like my heroine and her father would spend a tremendous amount of their time and talent on creating artwork for religious books. The Book of Hours was one of the most important sources of religious teaching and inspiration during the Middle Ages and indispensable to that inspiration and teaching were the exquisite illuminations that filled their pages.

Time Sanctified places the Book of Hours in its medieval social and religious context and demonstrates through countless visual examples the way illuminated paintings helped bring these religious lessons to life for their medieval owners.

The authors’ aim is to differentiate their work from historical and analytical works like mine (though they include it among others as structuring their own framework). Instead they focus on ‘objects’ and how they reveal, across different cultures and time periods, social practices and aspirations. Hence, supplemented with many excellent illustrations, they discuss for example carpets, furniture, clocks, and textiles. This makes the book an attractive volume that will inform and delight, the reading – or even perusal – of which will (to echo its subtitle) be richly rewarding.

Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?

This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color… show more.

In the US, when we think about Christianity, we tend not to think much about saints and when we do, they are at best a sort of role model for piety, an antiquated cast of characters in the history of religion. But to early Christians, saints were powerful patrons. The earliest saints were the martyrs put to death by the pagan Roman state: thrown to the lions, massacred by gladiators, executed at the orders of Roman officials. These saints’ bodies and tombs became objects of veneration, purported to produce miracles. In the middle ages, as Christianity became the dominant force in Europe, everyone wanted to benefit from the proximity to these holy men and women. But if you lived in Northern Europe, you didn’t have access to the hundreds of saintly bodies buried in Spain, Italy, or Provence. What to do? Buy them or steal them! In this fascinating book,… show more.

Like Ken Follett’s other books on medieval England, A Column of Fire is easy to read. The plot runs smoothly and quickly in a way that keeps you glued to the book until you finish it. This time he zeros in on the religious turmoil that gripped Tudor England on the death of Queen Mary. Elizabeth’s ascension was challenged by Catholics who wanted to see Mary, Queen of Scots as the rightful heir to the throne, as well as by the king of Spain, who had another score to settle when he sent a massive armada to conquer England. 

A Column of Fire is a novel but it doesn’t stop Follett, a former journalist with a passion for accuracy, from peeking into the lives of even minor characters into corners I was not aware of. I like Follett’s writing style – easy to read, fast-paced with one new character after… show more.

An interesting but idiosyncratic overview of the history and the resultant growth of London. The result is a book full of interesting insights, amusing anecdotes, and historical highlights. A vivid celebration of the city, but also an elegy for its decline, bubbling with statistics and anecdotes, from Boadicea to Betjeman.

North of Britain, the Vikings encountered the uninhabited Sheep Isles, or the Faroes, before they went on to discover their better-known settlement of Iceland. Connections remained close, and in the 13th century, an unknown Icelandic author wrote this swashbuckling tale of the wealthy merchants and farmers who lived in these small and craggy islands in the Viking Age, their inter-island rivalries, and their tricky relationships with the rulers of their Norwegian homeland.

This is a book that was admittedly hard for me to get into at first. It was written by a teenager and feels like it at times. But it is well worth the effort in the end, especially if you are planning on reading the whole series. And of course, it is a must read for any self-professed dragon lovers.

Despite some awkward wording here and there, it is a grand tale of adventure and pursuit, not wholly unlike Lord of the Rings in size and scope. Although the protagonist is a good deal younger than LOTR’s, his scaly companion more than makes up for his shortcomings, even when the plot makes one of its many refreshingly unpredictable twists and turns.

I loved how this book captured the feeling of what life must have been like in the Middle Ages.

What separates mediocre historical fiction from great historical fiction is a true sense of authenticity, and Battle Song has that in spades. The characters are deep and engaging, but their outlook on the world is not modern.

Surrounded by casual violence, and pervasive religious and racial bigotry, the hero, Adam de Norton has to navigate his way along a dangerous path from lowly squire at tournaments across Europe to a knight in battle in a bloody uprising on British soil in the book’s epic conclusion. I can’t wait for the sequel!

When I started writing about Alice de Bryene, basing my initial research on a single year of household accounts, I found this book inspiring. I wanted to explore Dame Alice’s family, her relationships with the wider community, and get an idea of what motivated her, even though it’s considered impossible to write medieval biography – there are just too few primary sources to construct a life. However, Blood and Roses demonstrates it can be done. The Pastons were different from Dame Alice – they came from humbler origins, were determined to ascend the social ladder, maintained voluminous correspondence, which illuminated their familial concerns, and many were feisty women. Castor’s work helped me find my own way to tell a compelling story about a more settled, unassuming Suffolk widow and her busy household.

An Instance of the Fingerpost engages with the intellectual world of the seventeenth century in a complex and compelling mystery of misdirection, with multiple shifts of perspective. It’s a way of thinking—and of blindly feeling—through the science of the day, as well as through the shifting layers of plot. And though the focus in this instance is the mind—this is a thinking, not a feeling book—it is quite literally a story of the heart: of the scientific debate about the circulation of the blood.

The ’fingerpost’ is a reference to the typographical marker used in the margins of black letter books to help the reader navigate the text. And it’s a reminder that books, historical or not, look to other books to find their place in history. So Henryson begins with his reading of Chaucer, Lupton quotes from classical and older English works, Macaulay resurrects the ghosts of long-dead words,… show more.

In English at least, there aren’t many historians who cover this neglected period. 

Bachrach not only provides a nice military survey of an unfamiliar era, but he includes innovative and imaginative analytical chapters on military education, leadership, and training, suggesting that Medieval armies were far better organized, trained, led, and equipped than we give them credit for.

Bachrach gamely tries to provide answers for things we take for granted but nobody ever considers, like, “how hard is it to climb a ladder with heavy objects?” That was an important consideration at a siege.  Well, 21st-century handbooks on firefighting answer that question, and the same answer worked for human beings in the tenth century too. 

This book is full of this kind of insight.

When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.

I first read this book as a student and found it utterly enthralling.

Having grown up in Durham myself, I’ve long been interested in the history of the north of England. Bloodfeud vividly portrays early eleventh-century Northumbria, at a time when King Cnut had just taken control and was trying to impose his authority.

The book plunges you into the politics of the Northumbrian aristocracy and some of the ways in which Cnut approached the governance of this part of the English kingdom. The sources on which Fletcher relies are scanty and complex, but he masterfully brings them to life. 

Though sometimes described as a “textbook,” this authoritative, lucidly written, and altogether reliable synthesis—covering much of Europe—is actually a fine way to learn about the guild masters who dominated pre-industrial labor. Their paradoxical condition comes through clearly: employers and employees, they were at once seamlessly integrated into the social hierarchy and ruthlessly exclusionary toward outsiders. They touted a timeless, divinely sanctioned order, while also being true wheelers and dealers for their own honor and interests, leading to levels of entrepreneurship and inequality amongst their own ranks that would surprise many.

If you want to learn about medieval Florence, why not go directly to the source? Dino Compagni was a Florentine merchant, a member of the silk guild, and an active member of the city’s government, contemporary with Dante. He was right in the middle of things during that turbulent period—he saw it all and took part in a lot of it. His chronicle, which covers from about the year 1280 to the beginning of the fourteenth century, relates the harm he perceived coming from factional strife. Bornstein’s translation is clear and readable, and his extensive notes and introduction help to make sense of this long-ago time.

The Merovingians – the Frankish royal family – were the closest, and most powerful, neighbour to the Anglo-Saxon kingdoms of the Early Middle Ages. They influenced trade, culture, and religion of early England, at times as partners, at times as hegemons of the island. At the same time, they built the foundation on which the Carolingians built their empire, the New Rome that would control the great swathes of Europe for centuries to come. Ian Wood’s excellent book is possibly the most detailed account of their rule ever written. 

This book deals with one of my absolute favourite subjects: how great architecture can emerge from blending new into old.

Often architecture is thought of as being about creating completely new buildings. But often the most interesting and effective works derive from an architect working with existing fabric. This approach is not necessarily a matter of ‘restoration’ of the old fabric to its original form, but of seeing the opportunities presented by the remnants of the old in the development of something new and vital. 

A book about the Medieval times written by a writer more known for his stories of the American Old West seems out of place, but this in my mind is his greatest work. I can only imagine the time he spent researching it and he definitely put in the time as he really transports you to the times and the lands involved in this story. One of these days I hope to write something that is as good as this book is.