TTRPGs are such a powerful medium for storytelling, and a tool that can be used by therapists to help their clients. Learning how to run games can seem daunting, these books have all helped me with learning how to run games more effectively. From thinking about stories, to exploring tropes, using storytelling techniques, and sharing the narrative with players this collection of books will help you on your journey of building worlds and telling stories.
When I first started GMing I had pages and pages of notes that took hours to prepare.
It was unsustainable and I knew there had to be a better way. The Lazy Dungeon Master technique of session and campaign planning helps to ensure that while you are prepared for your sessions you are not wasting time planning too much.
Using the methods in this book, my session preparation time went from several hours to around an hour and I think my sessions improved as a result.
I’m a university academic who writes and teaches on American popular culture. I’ve played video games all my life—I remember first playing Breakout and Boot Hill at the local arcade back in the late 1970s as a young child, and yes, I had an Atari VCS. Today, I write, teach, and exhibit work on the history of video games, especially how games depict and connect with the USA. I still play video games, probably too much, and my favorite console is the Sega Dreamcast.
Persuasive Games is about how games persuade you, of ideas, what to buy, how to vote, how to live and more. It is a brilliantly inventive title from an established Game Studies scholar with a knack for original thought. Bogost brings in all kinds of little-known games to highlight his themes, and for me, it is just one of those books that you come back to for ideas and inspiration.
An exploration of the way videogames mount arguments and make expressive statements about the world that analyzes their unique persuasive power in terms of their computational properties.
Videogames are an expressive medium, and a persuasive medium; they represent how real and imagined systems work, and they invite players to interact with those systems and form judgments about them. In this innovative analysis, Ian Bogost examines the way videogames mount arguments and influence players. Drawing on the 2,500-year history of rhetoric, the study of persuasive expression, Bogost analyzes rhetoric's unique function in software in general and videogames in particular. The field…
I’ve been a gamer all of my life and am a teacher of elementary school students. After finding the LitRPG genre I wished to share this with other kids... like the one I had once been. Most parents in the genre push full 200k books on their children with an expectation of found love. While I imagine it works for a few of them, I rather expect that the majority of those attempts end in failure. Kids have their own world and their own sense of humor. I write to them, to inspire them and make them laugh, to make them entertained even as I teach them universal morals and lessons about the world.
The fact that it is set in a highly recognizable franchise makes kids very excited to read it. But the text itself is great.
The story follows the rules of the game, staying true to the ‘universe’ in which it is set, and making the text relatable to children worldwide. It contains great humor for the K through 6th grade age range, and honestly, I got a real Disney sense when reading it before giving the book to my son. It swirls with happy-laugh energy, a key element in books these days since they must compete with video games and screen time.
The Accidental Minecraft Family has faced an army before, but nothing like this.
Ortho is back, and it looks like he’s collected every pillager in the world! Plus a powerful Omega Beacon he is using to enhance his forces. But that's not even the worst part. He and his pillagers have learned to mine and craft, taking away the family's biggest advantage.
How will The Accidental Minecraft save the village from such an overwhelming foe?
I am a long-time manga teacher and a pop-culture researcher, as well as a comic illustrator and a Youtuber, presenting under the "Mistiqarts" pseudonym. Since manga was something that inspired me early on to dedicate my life to the art style and pop culture, I was constantly looking for new ways to bring this lifestyle and art to other people interested in drawing manga.
Ayami Kojima has held my heart for as long as I was an artist. Her visual style is something anyone can recognize, and the aftershock of knowing that this artist defined an entire video game industry aesthetic made me love her work even more. I managed to find only pieces of this book online until I was able to finally afford this super rare book filled with her hyper-detailed oil paintings.
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I typically like to read original fiction rather than a video game story adapted into a book, but this book was the exception. I love it when a story focuses on social issues and the way they affect ordinary people. Even though the world and location of Bioshock are fantastical, the self-serving and corrupt capitalistic society hits too close to home.
Seeing the worst of humanity and the way things quickly devolve into chaos and anarchy when society's basic needs are ignored in favor of profit absolutely terrified me. And while, yes, there are definitely traditionally scary things in this story, the scariest thing about it is the lack of human compassion the residents of Rapture have for each other.
Even if the book didn’t have the terrifying Splicers climbing on the ceilings or the precariously built city at the bottom of the ocean, its unflinching look at the negative…
After barely surviving a plane crash, a man discovers an undersea city called Rapture, a failed utopia created by Jack Ryan, a man who looked to embrace a world surrounding the objectivist ideals of Ayn Rand. Power and greed have run amok and the city has succumbed to civil war and the only question is who really deserves to survive this maniacal debacle of science gone mad.
I spent ten years as a computer game producer, so I loved this look at a world I knew something about. And it was refreshing to read a book about a friendship. We could use more of those!
Tomorrow, and Tomorrow, and Tomorrow takes us on a dazzling imaginative quest, examining identity, creativity and our need to connect.
This is not a romance, but it is about love.
'I just love this book and I hope you love it too' JOHN GREEN, TikTok
Sam and Sadie meet in a hospital in 1987. Sadie is visiting her sister, Sam is recovering from a car crash. The days and months are long there, but playing together brings joy, escape, fierce competition -- and a special friendship. Then all too soon that time is…
My career has spanned all genres of entertainment and I have taught thousands of students across three decades. I share with those learnings. I have been trained at Walt Disney Animation Studios, freelanced for Marvel Comics, been an art director in video games for decades, owned three of my own businesses in art fields, and written many books on drawing. I share with you some of my favorite books, books that you can learn from if you apply the information within and therefore gain the ability yourself to create inspired work.
Bruce Block has taught at many of the studios in the film industry and now you can also learn about the tools of art that can be used to elevate your art to entertainment industry standards. I myself have worked in animation, video games, and comics. In video games, I have been an art director for many years and when I discovered this book, it dramatically increased my ability to be a better AD. Not only is this book broken down into clear topics with numerous visuals to help you understand but Bruce also shows you have to chart these tools allowing you to art direct your own projects. Every artist and visual creative person should own this book.
This updated edition of a best-selling classic shows you how to structure your visuals as carefully as a writer structures a story or composers structure their music. The Visual Story teaches you how to design and control the structure of your production using the basic visual components of space, line, shape, tone, color, movement, and rhythm. You can use these components to effectively convey moods and emotions, create a visual style, and utilize the important relationship between the visual and the story structures.
Using over 700 color illustrations, author Bruce Block explains how understanding the connection between story and visual…
I first realized the power of games when I won the Geography Bee in my elementary school. I had been playing Carmen Sandiego, which encouraged me to study maps and read almanacs. I started to see how games could motivate interest in all different topics. But I didn’t realize I could makegames until I was a graduate student at MIT, and I made an augmented reality game to teach history. Since then I have been designing games to inspire connection, care, and curiosity. I am Associate Professor and Director of Games at Marist College, and I have designed media for organizations like the World Health Organization, Scholastic, and Nickelodeon.
So games just may help solve the world’s problems. Let’s share the news with everyone, including kids! Video Games Save the Worlddoes just that. It uses kid-friendly language, examples, and illustrations of how gaming is helping us make positive change. For instance, it talks about the fantastic organization Games for Change, and all different types of games including indie games and VR games.
To save the world, one must play video games. Sounds ridiculous, right? But in reality many people are looking to video games to tackle many of the world's problems. Take a closer look at the ways in which video games can help save the world.
It's often said that the movie is not as good as the book it was based on, but All You Need is Kill and Edge of Tomorrow are as good as each other for different reasons. They both share the same premise and a wry and kinetic plot that moves quickly and pulls no punches. Edge of Tomorrow broadens out the world of the book and - as a visual medium - delivers more visceral action scenes, but All You Need is Kill brings us closer to the characters, what made them and what drives them and provides a different story arc and ending - one a Hollywood Tentpole could not and would not attempt - that is at once sad and uplifting and absolutely right.
When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armour and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji's escape, or to his final death?
This LitRPG series by Matt Dinniman is not my usual
fare. It is far more adult (not sex, but lots of gore and language) and has higher
stakes than I usually read, so readers should be aware that it is an adult
series and not appropriate for young adults.
But it is SOOOOO freaking good. I’m usually not
gripped by LitRPG stories because the world they are fighting in is fake
(virtual, only exists in make-believe, etc.). But this story turns it on its
head because the entire Earth becomes a massive role-playing
arena. It is sort of Hunger Games meets Ready Player One meets Hitchhiker’s Guide
to the Galaxy.
It is ridiculous and gripping and funny. There are cheers and tears. And
in the end, they are all fighting to take back Earth. It is very well-plotted,
well-paced, and just a good time.
