46 books like The Butcher's Masquerade

As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trek universe, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.

Growing up, I loved discovering how things work. That led me to a career in engineering, but I never left a certain quirkiness behind. Why else would I have raised llamas for thirty years? Or loved the stories I find in science fiction? Especially books that start in a real place occupied by believable people, then demand a leap of faith, a reach beyond what's known today. We have so much to learn – about planets and people – that possibilities spiral out into the universe. I hope you enjoy the books on my list as much as I have.

Okay, so you’ve read Dune, you’ve read Starship Troopers, you’ve read 2001: A Space Odyssey, and maybe you’ve even read From Earth to the Moon and The First Men in the Moon. Seen the movies, too (or maybe you cheat and say you’ve read the books when you’ve only seen the flicks). Bet you think that makes you an expert on science fiction about space, right? Not even close! If you want to read more than just the well-known classics everyone else has, find these books. Some have become obscure and are now out of print, but they’re not hard to find; try ABE, eBay, and local second-hand bookstores. They’re worth searching for, and then you’ll really have something to talk about.

The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.

I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy. 

From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.

I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.  

I’ve been a gamer all of my life and am a teacher of elementary school students. After finding the LitRPG genre I wished to share this with other kids... like the one I had once been. Most parents in the genre push full 200k books on their children with an expectation of found love. While I imagine it works for a few of them, I rather expect that the majority of those attempts end in failure. Kids have their own world and their own sense of humor. I write to them, to inspire them and make them laugh, to make them entertained even as I teach them universal morals and lessons about the world.

As a woman who writes fantasy, sci-fi, and horror I’m fortunate my family never said “why can’t you be more girly?” Instead I was supported to challenge myself; to study psychology, psychophysiology, and archaeology; and to write about my passions. From that came my love for novels like these: with women who are complicated, difficult heroes, struggling with the same feet of clay as everyone.

I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.