A former microbiologist and attorney turned children’s book author, I’m delighted to advocate for children’s self-confidence and critical thinking skills in literature. I like to write about things that I know, to share my passion, and about things I don’t know—to learn more. Stories have been an escape and a learning tool for me and I want to share stories that do the same for children today.
This book has been continuously in print since 1945. That date is not a typo! The fact is that this book speaks across genders, races, and generations with the message of belief in oneself—even when everyone else tells you that you’re wrong. Children accustomed to the brightly colored illustrations in contemporary books may take a while to warm up to this gem, but this classic exploration of patience and the power of positive thinking deserves a shout-out. The garden theme works well for spring reading.
Celebrate 75 years of The Carrot Seed with a new foreword from Caldecott Honor picture book creator Kevin Henkes!
When a little boy plants a carrot seed, everyone tells him it won't grow. But when you are very young, there are some things that you just know, and the little boy knows that one day a carrot will come up. So he waters his seed, and pulls the weeds, and he waits...
This beloved classic celebrates patience, determination, and believing in yourself. First published in 1945 and never out of print, the timeless combination of Ruth Krauss's simple text and…
This LitRPG series by Matt Dinniman is not my usual
fare. It is far more adult (not sex, but lots of gore and language) and has higher
stakes than I usually read, so readers should be aware that it is an adult
series and not appropriate for young adults.
But it is SOOOOO freaking good. I’m usually not
gripped by LitRPG stories because the world they are fighting in is fake
(virtual, only exists in make-believe, etc.). But this story turns it on its
head because the entire Earth becomes a massive role-playing
arena. It is sort of Hunger Games meets Ready Player One meets Hitchhiker’s Guide
to the Galaxy.
It is ridiculous and gripping and funny. There are cheers and tears. And
in the end, they are all fighting to take back Earth. It is very well-plotted,
well-paced, and just a good time.
Science is still assumed to be a ‘male’ subject in which women are a minority. I should know—I was one of those women when I worked as an astrophysicist. But there have always been women in science and their stories are fascinating, whether told in nonfiction or in fiction. Fiction is ideally placed to convey the emotions behind the scientific processes and the way in which human interactions and relationships influence what happens in the lab.
Cli-fi is a well-established genre now, but this was one of the very first novels that dared to engage with climate change in a realistic way. As a reader, I was engrossed by the fully fleshed-out main character, Tina, a geochemist. Her professional life on board a research ship is so beautifully written that we can practically feel the spray of salt water on her skin.
Many women in science and other professions will relate to the problems she faces as she tries to balance her personal and professional lives.
At an oceanography institute in northern California, geochemist Tina Arenas studies climates of the distant geologic past. Heedless of life beyond her circle of scientists, Tina is immersed in a world of dinosaurs and shifting continents, where time is measured in ten-million-year spansbut when both her research and an extracurricular love affair take off in directions she has not anticipated, she is catapulted into the late twentieth century world of people and politics.
Set in the early 1980s, when the problem of global warming had yet to garner much public concern, Carbon Dreams tells the story of one scientist's struggle…
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
One of the most powerful, magical poetic storytelling I have ever read. Amanda Lovelace weaves heartache and magic into a tale of love, loss, and rebirth. Unraveling the magical tropes, this poetic tale proves that the greatest hero is ourself. That the princess can be both victim and heroine, and that wielding a broken heart can be as powerful as any magic talisman.
Winner of the 2016 Goodreads Choice Award, the princess saves herself in this one is a collection of poetry about resilience. It is about writing your own ending.
From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration.
the princess saves herself in this one is the first book in the "women are some kind of magic" series.
I came across this book quite by accident. It tells the journey of several misfit characters in an unrecognizable future where humans can transcend their human forms and where those who desire it can spend their entire lives in the virtual world.
All of the characters in this story are searching for something, and none of them wants any help from anybody else. But they are thrown together by fate only to discover that they need each other after all.
This is by far the best indie book I’ve ever read, and I hope you’ll take a chance on it too.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
P.G. Wodehouse is a comic genius best known for his series of books featuring Wooster and Jeeves, but this book differs from his usual fare in that it has a female protagonist and a sweet little romance.
I loved Jill, who is the type of heroine Jane Austen might have invented: loyal, spunky, and highly principled. Jill’s adventures take us from London to 1920s New York, but this isn’t historical fiction. Like Austen’s books, this is a contemporary novel written in the era in which the author lived.
I love Austen because of her wry humor and her feisty female characters, two things that are also present in this very fun book.
P.G. Wodehouse's classic tale (originally published under the title "The Little Warrior") of Jill Mariner, a wealthy young woman engaged to Sir Derek Underhill. Following financial disaster, Jill's life takes several adventurous turns with schemes, relatives, chorus girls, and the search for love.
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
W.E. Bowman’s comic novel, The Ascent of Rum Doodle, has achieved a cult status among mountaineers as well as aficionados of spoof adventure stories. But the sequel is much less well-known, and that’s a shame, for it is absolutely its equal in terms of humour and invention and, if anything, even more absurd and fantastical in the development of the plot, which concerns a voyage on a raft (in the manner of Thor Heyerdahl) in search of a fabled school of talking fish. I am convinced that Michael Palin’s Ripping Yarns was influenced by Bowman’s work, and if not, then this is a case of great minds thinking alike.
Having brought the highest mountain in the world to its knees, Binder, leader of the expedition to conquer Rum Doodle, soon sets off on a new adventure, aboard the raft Talking Fish. With only two cats, one frog, one oyster and five fellow-adventurers as crew, he is determined to master the challenges of the deep.
This
extraordinary novel purports to be a literary biography of a writer who died at
age eleven, written by his best friend. The absurdity of the central conceit in
no way lessens its impact as a meticulously crafted, gorgeously realized evocation of mid-century childhood in America.
Though I’m a generation younger,
I was immediately transported back in time to re-visit the adventurous feeling
of daring to travel outside one’s own neighborhood, the heartsore drama of a
devastating first crush, and all the other minute particulars encountered in
the serious business of growing up.
Funny, tragic, and sometimes just plain
weird, Edwin Mullhouse in an artful,
uncategorizable book well worth reading.
A parody of a literary biography starring a 10-year-old novelist who is mysteriously dead at 11—from the Pulitzer Prize-winning author of Martin Dressler.
As a memorial, Edwin Mullhouse's best friend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.
As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trekuniverse, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.
I generally don’t enjoy works of fiction that feature writers as their main characters. The process of writing, while influenced by life, is nevertheless a solitary process, difficult to capture in an interesting and meaningful way. William Goldman manages to do that, mostly by focusing on the backstory of story, on the flow and emotions of existence that contribute not only to the tales a writer tells, but their need to do so. The Color of Lightfeels both fantastical and real, steeped in preposterous events and genuine emotion, in a way that traces both the artistic process and the vagaries of life.
I wear so many hats that if I murdered you, you wouldn’t know which one of me struck. I am a crime fiction writer, a producer, a public speaker, and an entrepreneur. I have to admit I am an accidental writer who wanted to leave a legacy behind and, ergo, wrote a book in 2010. But I found writing crime fiction so addictive I became a serial killer…err…writer. In my spare time, I read—spoiler alert!—crime fiction and binge-watch crime shows. I am an avid golfer, I love music and traveling, and I find something in the sound of water that encourages me to write and murder a few more people (fictionally, of course).
Once in a while, every author reads a book they wish they had written. This book is the one for me.
Jannie, a once-bestselling-now-struggling crime writer, unable to lend authenticity to her plots and voice, decides to carry out a multi-million-dollar heist to give a fact-based and realistic account. However, to accomplish her plan, she teams up with her partner to recruit men from the wrong side of town. Together the team members scout targets and rehearse the various escape routes. Jannie’s plan is to call off the make-believe caper a day before the heist. But…the hustlers she’s recruited won’t take orders from her any longer, not when over a million dollars are within touching distance.
In the words of Sanders himself: “Crime never felt so good!”
