A
quirk of nature has caused some animals to evolve so that they think and
communicate like humans but still look like animals (only bigger) than they
were.
As they try to integrate into normal human society, they are met with
prejudice to the point of genocide.
The
slow, precise way this is done is disturbingly like the rise of Nazism in
Germany in the 30s and has, even more disturbingly, many parallels in today’s
world.
The
story is fast-paced and entirely credible, even though the main characters are
animals that talk and think like humans. I particularly liked the ending while,
at the same time, wishing that it could have been different. But it fits the
reality we live in.
This book says so much
about the world we live in and the deterioration of the more decent side of our
species as the world sinks into a right-wing…
THE NUMBER ONE BESTSELLING AUTHOR. THE MOST ORIGINAL BOOK OF 2021
'Sheer inventiveness, wit, complexity, erudition, unexpectedness and originality' The Times***The village of Much Hemlock has always been a right-wing stronghold. British. Solid. Traditional. Then they move in. They're different from everyone else: they have a weird religion, an aggressive vegan agenda, and too many children. They may seem quiet and peace-loving, but who knows where it could lead?They are a family of human-sized rabbits, the result of an inexplicable anthropomorphising event half a century before. With a mass rehoming to Wales for 1.2 million rabbits looming,…
I’m a writer who grew up reading anything she could get her hands on, and the local library and I were besties. If most writers can point to a particular book that made them fall in love with stories, then I must be one promiscuous reader. Because I’m happy to date just about any genre, and I don’t even keep to one at a time—you name it, I’ve loved it. But the ex I’ll return to over and over is romance in all its forms. And on a chilly night, nothing beats a spooky romance, so light a candle, huddle under a blanket, and get cozy with one of my favorites!
Rejoice, for Mary Stewart’s wonderful books are finally available on Kindle! If Victoria Holt was fun but derivative, Mary Stewart knew how to do a fresh take on the imperiled-heroine-in-a-creepy-setting for the 20th century. And out of all her books,Touch Not the Cat was my favorite for its supernatural, telepathic element. (You can trace the echoes of this telepathy directly to my book because, baby, that’s what inspired them.) Just writing this paragraph makes me want to drop everything and go have a re-read. Enjoy.
'A comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors.' Harriet Evans
Ashley Court: the tumbledown ancestral home of the Ashley family, all blessed with 'the gift' of being able to speak to each other without words. When Bryony Ashley's father dies under mysterious circumstances, his final words a cryptic warning to her, Bryony returns from abroad to uncover Ashley Court's secrets. What did her father's message mean? What lies at the centre of the overgrown maze in the gardens? And who is trying to prevent Bryony from discovering the truth?
I inherited a love of ‘noir’ from my father. I’m not ashamed to say that Casablanca and The Maltese Falcon are my favourite movies. I’m Scottish born, and read John Buchan as a child. I am drawn to stories that combine fast adventure with dark threats. Some years ago, we visited Tromsø and I was inspired to quit journalism and write a book filled with all my favourite ingredients. Half Life is a pre-war ‘noir’ thriller based on authentic scientific detail, researched and supplied by my husband Rob, a chemistry professor with a passion for planes. I now know more about thorium, nuclear reactors, and seaplanes than I ever thought possible.
One rainy day in 1930s Paris, a copywriter decided to write a thriller and devised a tale about the nuclear bomb, Nazi scientists, and a mysterious Balkan country. This sounds like the start of a novel, but it is the real-life birth of master storyteller Eric Ambler’s first book. A curmudgeonly English physicist is invited to corroborate the nuclear formula, but then... the twist. He is concussed in a car accident and awakes convinced that he is now a super-spy, one Carruthers, who takes on the forces of evil with a Bond-like nonchalance.
Is the book a parody of earlier spy novels? Perhaps Ambler is seduced by the cleverness of his own story. I don’t actually care. It remains a satisfyingly imaginative tale about the role of science in war, all written in a witty, gritty style that sets the tone for many enjoyable books and films to come.
The Dark Frontier launched Eric Ambler’s five-decade career as one of the most influential thriller writers of our time.
England, 1935. Physicist Henry Barstow is on holiday when he meets the mysterious Simon Groom, a representative for an armaments manufacturer. Groom invites the professor to Ixania, a small nation-state in Eastern Europe whose growing weapons program threatens to destabilize the region. Only after suffering a blow to the head—which muddles his brain into believing he is Conway Carruthers, international spy—does the mild-mannered physicist agree to visit Ixania. But he quickly recognizes that Groom has a more sinister agenda, and Carruthers…
In 1995 I was challenged to declare my purpose in life. In the absence of any evidence that it was possible, and without knowing HOW to do it, I declared the possibility that I would transform Planet Earth by creating community everywhere. As ridiculous as it sounded at the time, the amazing breakthroughs that I’ve encountered on my journey since then have been even more incredible. After decades of experience helping myself and others achieve what initially seemed “impossible” possible, I’m delighted to be able to help myself and support others in making progress on pretty much any “impossible” project aside from changing the gravitational constant of the Universe. (I’m a physicist, so I’m going to leave that to greater minds than mine!) Looking forward to hearing what seems impossible for you, but if it WERE possible, would transform your life for the better!
All my life I felt like someone was holding me back. Being introduced to the concepts in this book helped me understand that that person was . . . ME! I made this realization years before reading this book when I attended a workshop that was based solidly on the principles that Tracy Goss wrote about. The Last Word on Power boils down the paradigms and strategies that keep us human beings stuck, and reveals a path to a more powerful way of being where we recognize the difference between our interpretation and reality, as well as our own contributions to the interpretations that keep us stuck in old ways of thinking and being. The core of this is using language to create, rather than merely describe, reality, declaring and committing to possibilities that we currently have no idea HOW to achieve, and playing a bigger game in life that…
Goss suggests that the main key to re-inventing an organization is to re-invent its leaders. Through a series of seven transformations in the area of leadership, Goss shows how re-invention relies upon freeing oneself from the past.
For as long as I’ve enjoyed crime novels, I’ve always been drawn to the figure of the amateur detective. Something about the notion of the every(wo)man, forced to rely on their own wits and limited resources to solve the mystery and outsmart the killer (and sometimes the police!), has always appealed to me far more than that of the professional who does it for a living. When I wrote my first novel,In the Silence, I knew from the word “go” that I wanted to tap into this rich but often-overlooked vein of crime fiction with my own plucky amateur sleuth, determined to right the wrongs of the world.
Though easy to mock for their repetitive plots and outdated societal attitudes, children of all ages devoured Enid Blyton’s mystery stories ravenously, and I was no exception. Blyton was an absurdly prolific writer, and it’s tough to pick a favourite from her expansive catalogue, but if you twisted my arm, I’d have to go with 1945’s The Mystery of the Secret Room. I still remember my excitement as I followed the five intrepid “find-outers” (and dog!) on their quest to uncover the mystery behind a fully furnished room in a supposedly abandoned house, all the while outsmarting the dim-witted local policeman, Mr. Goon. An unusual choice, perhaps, but this book, and indeed Blyton’s entire oeuvre, were a formative influence on me and sparked a lifelong love of amateur detectives.
I was always a peculiar child with no friends, so I found my friends in books. As I got older I turned to writing my own. I wrote many stories, until one night I wrote my first book. It was paranormal fiction. Quite horrid actually. However, it started my obsession with crime romance. I love romance, but I find them a bit dull at times, but a crime novel never leaves me wanting. I decided to join the two worlds, and create my own. It's the reason even after 20 books published, my books are all linked to the biggest crime of all. But that is a secret you need to figure out for yourself.
I have a thing for Mafia crime books, and I have read plenty. My reason for choosing Bound to Cruelty was because it is still fresh in my mind. I read it three months ago. And it was cruel, brutal but so deliciously breathtaking.
How do you know when you are wrong for someone? When do death and honor intertwine? How do you face yourself, and the one you love, knowing you are the biggest monster?
This book was brilliant because the characters are so well developed, that you are transformed into a world that is thrilling.
I’m the shadows that reach out and take a bite. No one sees me coming, which is why I’m sent to do the things even our fearless leader won’t touch.
After months of watching our enemies it’s time to take them out. I’m ready to feel their blood on my hands, their worthless lives ground to dust.
But I don’t get the chance, when a dark haired beauty comes crashing into my plans, seeking sanctuary from our enemies. Now I’m stuck on guard duty, babysitting a mafia princess.
As tensions rise, the flames of desire flicker between us. We shouldn’t…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
The older sister of Dream, Death of the Endless manifests as a perky goth girl, a fan of Mary Poppins.
The most powerful of the Endless, she is also the warmest and most caring. For one day out of every century, Death consigns herself to take on the form of a mortal fated to die in order to remember the value of the gift she is taking. This is the setting of The High Cost of Living, my favorite of the Sandman comics featuring Death. "It always ends," Death says when her day is over. "That's what gives it meaning."
Written by Neil Gaiman; Art by Chris Bachalo, Mark Buckingham, and Dave McKean From the pages of Neil Gaiman's SANDMAN comes the young, pale, perky, and genuinely likable Death. One day in every century, Death walks the Earth to better understand those to whom she will be the final visitor. Today is that day. As a young mortal girl named Didi, Death befriends a teenager and helps a 250-year old homeless woman find her missing heart. What follows is a sincere musing on love, life and (of course) death.
A former microbiologist and attorney turned children’s book author, I’m delighted to advocate for children’s self-confidence and critical thinking skills in literature. I like to write about things that I know, to share my passion, and about things I don’t know—to learn more. Stories have been an escape and a learning tool for me and I want to share stories that do the same for children today.
This book has been continuously in print since 1945. That date is not a typo! The fact is that this book speaks across genders, races, and generations with the message of belief in oneself—even when everyone else tells you that you’re wrong. Children accustomed to the brightly colored illustrations in contemporary books may take a while to warm up to this gem, but this classic exploration of patience and the power of positive thinking deserves a shout-out. The garden theme works well for spring reading.
Celebrate 75 years of The Carrot Seed with a new foreword from Caldecott Honor picture book creator Kevin Henkes!
When a little boy plants a carrot seed, everyone tells him it won't grow. But when you are very young, there are some things that you just know, and the little boy knows that one day a carrot will come up. So he waters his seed, and pulls the weeds, and he waits...
This beloved classic celebrates patience, determination, and believing in yourself. First published in 1945 and never out of print, the timeless combination of Ruth Krauss's simple text and…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.
Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
My Lovely Mamá! parodies the decadence and ennui of Bonjour Tristesse. The narrative toys with the sort of decadence Sagan captures, by having Mathilde believe her mother is having an affair and hence attempt, unsuccessfully, to seduce her mother’s lover. The very funny novel hyperbolizes the world-weariness of Sagan’s characters. “I was terribly immature last September,” Mathilde writes, “I’ve aged a lot since then. Inwardly I’m an old, old woman now.” While it parodies certain tropes of teen girl fiction, My Lovely Mamá! nonetheless gives voice to authentic adolescent feelings, especially about sexual desire. When Mathilde receives a marriage proposal, she opts to keep things open-ended, maintaining her freedom: “I was only seventeen and everything was only just beginning, after all.”
First U.S. edition. A near fine copy in a VG- dust jacket. Sticker pull to the jacket's front panel near the upper right corner. Chips/frays to the spine tips and corners. Creasing and some tears to the panels' edges.
