The most recommended monster books

This is one of the most unique Romeo & Juliet retellings I’ve ever read. Set in 1920s Shanghai, the heir and heiress of two rival criminal families were childhood friends, once, before they realized the other’s identity. Now they despise each other—and several times, try to kill each other—while also trying very hard to ignore their growing attraction. Spanning two books and with a found family that tugs at all your heartstrings, the daggers are as shiny as the diamonds in this glittering, high-stakes tale. 

Veterinary student BJ Vaughn journeys through the Crossroads to treat amazing creatures such as griffons, centaurs, and unicorns, while dealing with a full course load and all the stresses of being a student. After reading The Magic and the Healing (many, many years ago), I fell in love with supernatural creatures. It made me think, “I want to write something like that!” I’ve never forgotten it.

This book is illustrated by an artist friend and I also used to read this book to my daughter. But this time with the accent of a Bogeyman. A deep scary voice.

The writing is smart and flows gracefully as the author teaches us about the true nature of scary things that lurk in the night.  

I actually kind of hate all the characters in this novella (I’m actually not a huge Stephen King fan), but the creatures and the horrifying nature of this world made me half to read it (and I wasn’t disappointed). Mist in itself makes everything creepy. Now fill that with nightmarish things flitting about and some truly grizzly deaths, and I’m liable to never go outside in the fog ever again! It’s the monsters that made this one for me, and it is a testament to King that my imagination still wonders just what were those horrid things and where did they come from?

Edward Wright is portalled into an RPG world as a bad guy, but he’s determined to use his dark powers for good. What’s lovely about The Wraith’s Haunt is that Edward doesn’t just build a dungeon. He builds a community. He offers shelter for the disenfranchised, many of them monsters, and knits a motley, heart-warming alliance for the betterment of all. And this is all done within the comfortable progression architecture of a classic dungeon core LitRPG. 

HP Lovecraft created a great cast of cosmic characters, but it’s debatable that other writers have done a better job utilizing them. Cthulhu Armageddon takes Lovecraftian horror and puts an adventure spin on it. The real highlight is the book’s main character, who has to navigate this post-apocalyptic world and the various creatures within it while coming to terms with his own insecurities.

Ok, you’ve read Cohen and Monsters and the Monstrous. This monster stuff is getting pretty good, and you might be able to feel around the edges a bit. How does it apply to contemporary America which “no longer believes in monsters?” This is where Poole’s book comes in. Poole walks through monstrosity in the US from Columbus’ first steps to just shy of 2020. All the juicy topics that Americans have used monsters for—sex, race, and politics—emerge in this monstrous tour de force of US history. This is one of the first books I recommend to my students.

I’m currently on the 3rd book in the He Who Fights Monsters series.

The story is completely unconventional yet strangely engrossing. It feels like a Dungeons & Dragon game with a phenomenal Dungeon Master. The audio narrator is incredible, although there are a ton of stats listed, and having them all read every time gets seriously tedious.

The combat scenes are unique enough to be engaging and the social intrigue (and fun powers) balance it all out. The level of detail in the world-building and magic system feels like Name of the Wind. (My favorite book of all time.)

I highly recommend He Who Fights Monsters to high fantasy lovers and players of role-playing tabletop games. Be warned: It’s not quite as accessible to the less-nerdy.

My kid loves the book for the creepy vibe with a classic hero’s journey.

There’s necromancy, both good and bad, big scary monsters, magical bells, and a lonely girl who no one understands and who finds the strength within herself to be extraordinary.

There’s a lot of cheering when monsters are defeated, and my kiddo really connected with Lirael’s pet dog that she uses magic to bring to life to be her friend and confidant. From one lonely, different kid to another, Lirael really resonates.

I like the book because while Lirael is fairly autism coded, it deals with other adolescent feelings like depression and anxiety. Having those elements woven with the fantastical lets me talk about them with my kid without pressure, and of course, battling big monsters is always a bonus.

I love funny books! In Monsters 101, three hilarious professors share little-known, laugh-out-loud facts about monsters of all shapes and sizes. Readers will get a kick out of the non-fiction format and bright visuals. The author-illustrator of the book is the same illustrator of my book If I Had a Gryphon, so he knows a thing or two about drawing monsters!

Epic fantasy was all I read when I was younger, but these days it takes a particularly gripping book to engage me. There’s too much awesomeness in this book to adequately describe, from the vividness of Guerdon as a metaphorical island in a sea of godly destruction, to the factors pulling motley thieves Carillon, Spar, and Rat apart, to the way Hanrahan reinvents fantasy tropes like goblins and mages. I absolutely tore through this tome, and honestly haven’t found an epic fantasy since that’s anywhere as engaging (other than the sequels).

This is a monster mm romance in a dystopian setting with a human soldier who hates the monsters that breached into the human world.

When faced with the enemy, the soldier learns that the monsters are not what they seem.

I love this one because the monsters aren’t all good, but neither are they the evil the world thinks. The lines are blurred, and I think it works. 

This is a graphic novel. I don’t generally read graphic novels (although I’ve been a rabid X-men and New Mutants collector since 1981), and I do want to read Persepolis and Fun Home, but you try getting them from Library waitlists - it’s not easy! But I heard a lot of buzz about this series, which lives up to the hype.

What I enjoyed about this was the excellent inking and art, but most important is the way the author uses elements of horror, superhero, and speculation to find a new way to explain racism and prejudice as a disease that turns its victims into brainless monsters. 

The best books, from Twain to Morrison, to Faulkner, to Baldwin, not only entertain us but also educate us and show us pieces of ourselves we may have overlooked or taken for granted.

Bitter Root reminded me of my aunties and uncles… show more.

I still think about the setting of The Ash House all the time.

It is so vivid and so real. The eeriness and spookiness of this place starts from the first page, even the first sentence. We know something is off here in the ash house, and we watch as the main character starts being subsumed by the other kids here.

We worry as he starts losing his identity. But this is a powerful and haunting story about listening to yourself and remembering yourself no matter what else is going on around you, and no matter what anyone else believes.

A monster goes to Pete’s house with the intention to eat him. Pete asks the monster to play with various games and toys. The monster reluctantly does so, but each time the text goes, “He didn’t want to play...because he wanted to...EAT PETE!” Then something shocking happens – he eats Pete! Let me assure you, though, the ending is very sweet.  

The protagonist of Only a Monster, Joan Hunt-Chang, also feels like someone caught between two worlds. Joan isn’t just half Chinese-Malaysian and half-British, she’s also half-monster and half-human, something that she learns at the beginning of the book. The rest of the book follows Joan as she tries to save her monster family, striking a balance between doing the right thing and embracing her monstrous heritage. Joan grapples with questions of identity, heritage and morality in this gripping fantasy novel, which also features time travel and a twist I honestly did not see coming. 

In this graphic novel, Skye is a girl who would rather go with her mom to Rwanda than attend the summer camp her dad and stepmom have selected.

She’s determined not to have fun, even after (or especially after) she realizes she got on the wrong bus and is now at a camp for kids who reveal their “true” monster selves only when it’s safe to do so. But even when Skye is in way over her head, she never lets up on the snark.

Seagle’s dialogue keeps the lessons and serious stuff from sounding trite by framing it all in a steady stream of sarcasm and unexpected cultural references. Katzenstein’s art is filled with clever visual gags. (At one point, as Skye is faking tears, she’s holding an Oscar statuette.)

This Savage Song is a dark urban fantasy set in a world where violence creates monsters. Not human monsters (though there are plenty of those in the tale), but real, shadowy creatures that roam the cityscape in the wake of murders, assaults, and other dark deeds.

The story is told from dual points of view, with chapters from the viewpoint of a rebellious daughter of the city’s overlord and the point of view of one of the monsters living in the city. Schwab is best known for the Shades of Magic series, but I personally think This Savage Song and its sequel, Our Dark Duet are her best work. 

Okay, we all know who the monster at the end of this book really is but come on: it’s all in the journey!  Please don’t turn that page! “Maybe you do not understand. There is a monster at the end of this book!” Too funny to resist. Who doesn’t love doing the Grover voice? Just watch your little one reach for that page and enjoy the giggles.

It took me months to pick up Carry On after it initially caught my eye on the bookshelf. It was everything I could have wanted.

It is a less problematic Harry Potter, if Harry and Draco ended up getting together. It shows a really authentic representation of unrequited queer love and recognizing one’s own queer identity. It is character-driven, but also full of fun magic adventure. I love a book that knows how to give you exactly what you want.