Traveling, meeting people, hearing stories, learning about places and landscapes—this is what my writing is all about. Sometimes it takes the form of nonfiction, sometimes poetry. I’ve had a wandering spirit from early on, finding joy and wonder as a child while sitting in the backseat on road trips, or taking the bus cross-state, or (best of all) riding on a train going anywhere. Reading Kerouac’s On the Road brought everything together: heading out with no particular destination in mind other than finding oneself on the road. And then writing it all down, telling the story. Here are some books that have rekindled the Kerouac spirit for me.
Curiosity about hobo life led Ted Conover to drop everything and ride the rails for a spell. What he learned became the basis of his first book,Rolling Nowhere. It’s filled with the things I love best about these books: fascinating characters, indelible scenes, and movement through landscapes both sublime and gritty. On every page, there’s a reminder of Kerouac and London. Reading it, I am filled with longing, the urge for going, wanderlust. I’m older now; I’ve done my share of traveling and written about it, too. But maybe I’m not totally done with it: a half-mile from my comfortable house, my street intersects with the road out of town, the city limits sign visible in the distance. And beyond: desert, wide sky, open road. A boundless dreamland.
Hopping a freight in the St. Louis rail yards, Ted Conover—winner of the National Book Critics Circle Award—embarks on his dream trip, traveling the rails with “the knights of the road.” Equipped with rummage store clothing, a bedroll, and his notebooks, Conover immerses himself in the peculiar culture of the hobo, where handshakes and intoductions are foreign, but where everyone knows where the Sally (Salvation Army) and the Willy (Goodwill) are. Along the way he encounters unexpected charity (a former cop goes out of his way to offer Conover a dollar) and indignities (what do you do when there are…
Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
This modern classic by a Harvard anthropologist is about torture and inflicted body pain in general, though it has abundant examples from the bible and religion-related conflicts. Her main thesis is that acts of torture are attempts to destroy the worlds of the victim and remake them in the mold of the torturer. It helps us understand that acts of religious violence are always so some extent a clash of worldviews and the attempt to forcibly destroy one view of reality with another.
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Henry Kissinger. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain difficult to describe in words, it also actively destroys language, reducing sufferers in the most extreme cases to an inarticulate state of cries and moans.…
I’m a picture-book author who wrote about Mahalia Jackson so more people would feel the sense of awe about her that I do. When I first read how she was treated by our own country, I was furious. But her amazing grace allowed me to focus on the positive aspects of her life, like she did.
The life of Zora Neale Hurston, the extraordinary novelist and first female African-American anthropologist, was bigger than words. But this picture book catches the uncatchable. The words are gorgeous. And the illustrations further illuminate the portrait, including delightful hats on the endpapers (a hat-tip to Ms. Hurston’s “HATitude”).
From the Newbery Honor-winning author of Genesis Begins Again comes a shimmering picture book that shines the light on Zora Neale Hurston, the extraordinary writer and storycatcher extraordinaire who changed the face of American literature.
Zora was a girl who hankered for tales like bees for honey. Now, her mama always told her that if she wanted something, "to jump at de sun", because even though you might not land quite that high, at least you'd get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to…
I grew up with digital technologies. It was the 1990s. Things could only get better. Or so we were told… I went to study computer science at Cambridge in the 2000s. Switched subjects a few times, and ended up with a degree in the history and philosophy of science. By the time I graduated, life had changed. The world economy was on the brink of collapse, China was on its way to becoming a superpower, and right-wing nationalism was on the rise. That experience absolutely shaped me as a historian and writer. The world of science and technology suddenly seemed a lot more politically fraught.
Everyone hates bureaucracy. But no one hated it quite like the late David Graeber. Amongst all of Graeber’s intoxicating books, this is my favourite. Utopia of Rules finally made me understand what exactly was so pernicious about bureaucracy. (Short version: it does the opposite of what it promises.) Graeber also sets out, with typical lucid prose, how new technologies, particularly digital technologies, are making everything even worse.
From the author of the international bestseller Debt: The First 5,000 Years comes a revelatory account of the way bureaucracy rules our lives
Where does the desire for endless rules, regulations, and bureaucracy come from? How did we come to spend so much of our time filling out forms? And is it really a cipher for state violence?
To answer these questions, the anthropologist David Graeber—one of our most important and provocative thinkers—traces the peculiar and unexpected ways we relate to bureaucracy today, and reveals how it shapes our lives in ways we may not even notice…though he also suggests…
This book was recommended to me by my sister-in-law who is a high school science teacher. Having a degree in forensic science, I love books like this that give an insight into the science of crime-solving, but I hadn't read one in some time. Written in Bone definitely renewed my passion for forensics, but is also written in a way that isn't too technical for someone with little scientific background. Additionally, author Sue Black includes personal stories that reveal the brilliant yet humble woman behind the science.
WINNER OF THE CWA GOLDEN DAGGER FOR NON FICTION 2021
'Gripping from the start, Written in Bone is superb' - Dr Richard Shepherd, author of Unnatural Causes
From the Sunday Times Bestselling author of All That Remains, Sue Black reveals the secrets hidden deep within our bones. Drawing upon her years of research and a wealth of remarkable experience, the world-renowned forensic anthropologist Professor Dame Sue Black takes us on a journey of revelation. From skull to feet, via the face, spine, chest, arms, hands, pelvis and legs, she shows that each part of us has a tale to tell.…
Elesha Coffman writes about religion and ideas in twentieth century America. A journalist before she trained as a historian, she’s especially interested in the circulation of ideas—how they were communicated, how they were received, why some ideas gained traction and others did not. Her first book examined how a magazine, The Christian Century, helped define the religious tradition known as the Protestant mainline. She didn’t realize that Margaret Mead belonged to that tradition until she was invited to write about Mead for the Oxford Spiritual Lives series, billed as spiritual biographies of people who are famous for something other than being spiritual. Elesha lives in Texas, but she’d rather be at the beach in North Carolina.
Margaret Mead belonged to a rambunctious generation of anthropologists who were trained by Franz Boas at Columbia. His star students were unconventional women—Mead, Ruth Benedict, Ella Deloria, and Zora Neal Hurston—who asked different questions and told different stories than any scholars before them. Were gender and race merely cultural constructions, and what would it take to overhaul them? How did Native Americans and Black Americans understand themselves, without the distortion of the white gaze? Could humans learn to live with their differences, or would the fascists win?
King unpacks the human drama in which these scholars participated on both the interpersonal and the global scale.
2020 Anisfield-Wolf Book Award Winner Finalist for the National Book Critics Circle Award
From an award-winning historian comes a dazzling history of the birth of cultural anthropology and the adventurous scientists who pioneered it—a sweeping chronicle of discovery and the fascinating origin story of our multicultural world.
A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
This work is not a history book but a collection of Zora Neal Hurston’s writings. Hurston wrote fiction and nonfiction and was a trained anthropologist. Her work taught me that history is oft-times found in the strangest places. This reader did this for me – a writer and anthropologist Hurston was. When I read the reader, I wanted to raise my hand and ask questions. Other times, I remained silent, only talking to myself and thinking.
In my former life as a trial lawyer, I remember quoting her writings in a final argument to explain language and culture. As my voice broke, tears flowed – this was the first time I explained the power of this book. They understood, and some of my jurors cried with me.
The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).
During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press.
I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston…
I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.
A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).
More than fifty years after their occurrence, the events of the Holocaust remain for some of their most dedicated students as morally and intellectually baffling, as 'unthinkable', as they were at their first rumouring. Reading the Holocaust, first published in 2002, challenges that bafflement, and the demoralization that attends it. Exploring the experience of the Holocaust from both the victims' and the perpetrators' points of view, as it appears in histories and memoirs, films and poems, Inga Clendinnen seeks to dispel what she calls the 'Gorgon effect': the sickening of imagination and curiosity and the draining of the will that…
At an early age, I became a fan of tightly plotted mysteries that play fair with the reader. This led to my career in mystery games and videos and a dozen books of short mysteries. It also led to my TV career. When the creator of Monkrealized he needed some twisty plots, he visited a bookstore, found my books, and tracked me down. Since then, I’ve been plying my trade on the small screen as well, working with some very talented people, like Steve Martin, who needed a mystery guy to come in and add some structure to their ideas.
A forensic anthropologist tackles three murders, separated by time but united by their theme, the evil that men do – and by men, I mean the male of the species. The outrageous humor and atmospheric southern setting draw you in, and you don’t realize until too late how your expectations have been overturned.
The eighth book in the Elizabeth MacPherson series.
When forensic anthropologist Elizabeth MacPherson becomes the official P.I. for her brother Bill's fledgling Virginia law firm, she quickly takes on two complex cases. Eleanor Royden, a perfect lawyer's wife for twenty years, has shot her ex-husband and his wife in cold blood. And Donna Jean Morgan is implicated in the death of her Bible-thumping bigamist husband.
Bill's feminist firebrand partner, A. P. Hill, does her damnedest for Eleanor, an abused wife in denial, and Bill gallantly defends Donna Jean. Meanwhile, Elizabeth's forensic expertise, including her special knowledge of poisons, gives her the most challenging case of her career. .…
I am a lawyer, law professor, and author of legal history books. Mostly, though, I have much to learn. Importantly, then, I believe in the possibilities of learning. But how? Teaching, in the transitive sense of cramming something into another person's head, is impossible; yet learning is infinitely possible. Ideas are what excite us to learn. In widely varied ways, I have found engaging ideas in—and have learned importantly from—each of these books.
A wonderful introduction to, or return visit with, a strikingly interesting and groundbreaking legal anthropologist. Moore's writing is clear and confident, and her thinking fascinating. This book is, to my mind, an invitation to undertake again, at any time, the joys of being a student. Why? She models so well the curiosity, care, and rethinking that are the essence of being a student.
Few scholars have had a more varied career than Sally Falk Moore. Once a lawyer for an elite New York law firm, her career has led her to the Nuremberg trials where she prepared cases against major industrialists, to Harvard, to the Spanish archives where she studied the Inca political system, and to the mountain of Kilimanjaro where she studied the politics of Tanzanian socialism. This book offers a compelling tour of Moore's diverse experiences, a history of her thought as she reflects on her life and thought in the disciplines of anthropology, law, and politics. The essays range from…
