Here are 100 books that The Vulnerable Observer fans have personally recommended if you like
The Vulnerable Observer.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
“Middle-class academic writes nonfiction about homeless substance abuser” – that sounds like a recipe for overweening earnestness at best, or at worst an exploitative catastrophe. But right from the first line of this astonishing book you know that the author isn’t entirely in control, that the subject, his troubled friend Stuart Shorter, has agency in these pages in a way he seldom did elsewhere in life. It’s a gut-crunchingly sad story, but also often very funny – which, you get the feeling, is exactly how Stuart would have wanted it.
A unique biography of a homeless man and a complete portrait of the hidden underclass. 'So here it is, my attempt at the story of Stuart Shorter, thief, hostage taker, psycho and sociopath street raconteur, my spy on how the British chaotic underclass spend their troubled days at the beginning of this century: a man with an important life. I wish I could have presented it to Stuart before he stepped in front of the 11.15 train from London to Kings Lynn.' Stuart Shorter's brief life was one of turmoil and chaos. In this remarkable book, a masterful act of…
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
Since the 1980s, anthropologists have been confronting the fraught ethics of representing other people, other places, other cultures much more directly than their counterparts in journalism or travel writing. Will Buckingham didn’t stick with anthropology, and this book about his fieldwork with woodcarvers in eastern Indonesia – written two decades after the events it describes – goes some way to explaining why. It’s wry, funny and thought-provoking. The title refers to the theft committed by every travelling writer.
Will Buckingham travelled to Tanimbar Islands (Indonesia) as a trainee anthropologist to meet three remarkable sculptors: the crippled Matias Fatruan, the buffalo hunter Abraham Amelwatin, and Damianus Masele, who was skilled in black magic, but who abstained out of Christian principle. Part memoir, part travel-writing, Stealing with the Eyes is the story of these men, and also of how stumbling into a world of witchcraft, sickness and fever lead him to question the validity of his anthropological studies, and eventually to abandon them for good. Through his encounters with these remarkable craftsmen and weaving together Tanimbarese history, myth and philosophy…
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
Great travel writing requires serious honesty – and there’s no more honest book than this. An aging, crotchety American sets out on a sentimental journey through Brazil after a forced departure from his adopted home in Ecuador. You start out thinking that he’s been the victim of some sort of sketchily explained injustice, but as he travels, he gradually tears more and more strips off himself and your perspective changes. Brutally honest. Thomsen is also remarkably open about his own writerly craft: “let me shift my characters around a bit” he says at one point, revealing the fundamental tension of nonfiction – between faithfulness to narrative and faithfulness to reality.
Unflinchingly honest about his family, his failures, his already broken health at the age of sixty?three and the loss of the hopes he once had for himself, Thomsen is also sickened by the corruption and rapacity of our societies, the inequality and the economic destitution. What starts as an almost reluctant concatenation of memory and poignant, limpid descriptions of Brazil, grows into a shattering romantic symphony on human misery and life s small but exquisite transcendent pleasures. He spares the reader nothing.
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
Jonathan Raban’s nonfiction books take travel writing to another level. He has a special mastery of the intersection of self, journey, place, and narrative. This collection – of essays, short memoirs, travel pieces, and more – isn’t necessarily his best book (that would probably be Passage to Juneau); but it’s full of brilliant reflections on the writing life, and on the challenges facing the writer as a craftsperson. There’s a particularly memorable section on the difficulties of transferring real-world dialogue onto the page. “You isolate the speaker’s tics and tricks of speech, his keywords,” Raban says, “and make him say them slightly more often than he did in fact; you give him small bits of stage business to mark his silences; you invent lines of dialogue for yourself to break up a paragraph of solid talk that looks too long to be believable. You are trespassing, perhaps, into writing…
'Jonathan Raban is the only person I listen to in matters of travel and books and writing in general. Reading him, talking to him as I have over fifty years, he has made my work better and me happier.' Paul Theroux
'For Love and Money ... is as good a book as there is about the writing life. Delighted that it will be safeguarded in print by Eland.' Tim Hannigan
This collection of writing undertaken for love and money is about books and travel, and makes for an engrossing and candid exploration of what it means to live from writing.…
I study culture. Ever since I was little, I’ve been fascinated by what people think, feel, believe, have, and do. I’ve always wondered why people need things to be meaningful. Why do people need an explanation for why things happen that puts the meaning outside their own minds? I wanted to get beyond the need for things to be meaningful by themselves, so I began looking into meaning-making as a thing we do. Once I realized the process was infinitely more interesting and valuable, I read books like those on my list. I hope they spark you as much as they have me.
I love that Basso can take me so far inside someone's mind that I can begin to understand not just what they think and feel but how and why they think and feel it.
This book contains the very systems and processes that we use to make knowledge and meaning, and I love learning about a way of knowing and making meaning that is very different from mine—entirely logical, purposeful, valid, and different from mine.
This remarkable book introduces us to four unforgettable Apache people, each of whom offers a different take on the significance of places in their culture. Apache conceptions of wisdom, manners and morals, and of their own history are inextricably intertwined with place, and by allowing us to overhear his conversations with Apaches on these subjects Basso expands our awareness of what place can mean to people.
Most of us use the term sense of place often and rather carelessly when we think of nature or home or literature. Our senses of place, however, come not only from our individual experiences…
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Walter Mosely is one of my favorite fiction writers. His Easy Rollins mysteries, of which Cinnamon Kiss is a prime example, describe with great skill the cultural texture of street life among African Americans in Los Angeles.
He does so through sensuous descriptions of LA neighborhoods, gripping dialogue, and creative construction of character. In so doing he evokes the practical wisdom of urban street life—a model for writing about contemporary wisdom.
New York Times bestseller Walter Mosley's sizzling new novel pits Easy Rawlins against his greatest ever challenge.
It is the Summer of Love as CINNAMON KISS opens, and Easy Rawlins is contemplating robbing an armoured car. It's further outside the law than Easy has ever travelled, but his daughter Feather needs a medical treatment that costs far more than Easy can earn or borrow in time. And his friend Mouse tells him it's a cinch.
Then another friend, Saul Lynx, offers a job that might solve Easy's problem without jail time. He has to track the disappearance of an eccentric,…
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research.
In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters.
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Anna Badkhen, a writer of creative non-fiction and fiction, publishes lyrical descriptions of people, place, and character. She has written about social life in Afghanistan as well as the challenging lifeways of people in Mali and Senegal.
Fisherman’s Blues, which is situated in the artisan fishing village of Joal, Senegal, is an inspiring story that describes how Senegalese fishermen employ practical wisdom, passed down from generation to generation, to maintain their way of life in environmentally challenging times.
NAMED A BEST BOOK OF THE YEAR BY THE CHRISTIAN SCIENCE MONITOR AND PASTE MAGAZINE
An intimate account of life in a West African fishing village, tugged by currents ancient and modern, and dependent on an ocean that is being radically transformed.
The sea is broken, fishermen say. The sea is empty. The genii have taken the fish elsewhere.
For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
I am a Professor of Management at the University of York, England. My interest in ambulances and paramedic work is derived from research I have conducted into England’s National Health Service. This is a ‘free at the point of use’ service which, at its best, provides world-class care to citizens without charge. But the system is terribly underfunded. I am always struck by paramedics’ growing clinical ability, compassion, and devotion to their patients. But equally, I’m alarmed by the extent to which ambulance organizations are desperately overstretched, to the point where the system–and its workers face extreme everyday challenges.
This excellent read is the first of a recent wave of new books about paramedics and ambulance services. Mike Corman takes us into the working world of ambulance crews in Alberta, Canada. Participant observation provides detail and analysis of how the pre-hospital system operates and how paramedics and technicians interpret and make sense of their roles within it.
I was particularly impressed with the discussions of conflict within what is a rather patchworked and sometimes poorly coordinated system. Ambulance crews frequently complain of what they see as inappropriate call handling and dispatching, they resent the data-driven micromanaging of their work according to target response times, and they often anticipate conflict with receiving hospitals. Corman rightly argues that ambulance work is the ‘canary in the mine,’ revealing health systems' structural inequalities and limitations.
In Paramedics On and Off the Streets, Michael K. Corman embarks on an institutional ethnography of the complex, mundane, intricate, and exhilarating work of paramedics in Calgary, Alberta.
Corman's comprehensive research includes more than 200 hours of participant observation ride-alongs with paramedics over a period of eleven months, more than one hundred first hand interviews with paramedics, and thirty-six interviews with other emergency medical personnel including administrators, call-takers and dispatchers, nurses, and doctors. At the heart of this ethnography are questions about the role of paramedics in urban environments, the role of information and communication technologies in contemporary health care…
