I have had two careers and two lives. Beginning as a historian of American culture, I
have become a writer of fiction. That I have turned to fiction now is because I have so many of my
own stories to explore and relate. And what I love most about writing novels and the
short pieces I compose is the possibility to create living characters who sometimes
surprise me with what they believe and do, but always, I know, emerge from the very
deepest corners of my imagination and the issues that I feel compelled to examine and
resolve.
I have always considered Philip Roth to be a master stylist and, even more, a brilliant author of the way that characters think and feel. This book is also wonderful for the way its ironies unfold in a story that is riveting, disturbing, and revealing.
I am intrigued by the way that Roth can confront important social issues. Even though this was written several years ago, I find it to be particularly relevant to the debates about diversity that seem to concern us most as a society today.
The American psyche is channelled into the gripping story of one man. This is the Pulitzer Prize-winning writer Philip Roth at his very best.
It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president. In a small New England town a distinguished professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret that he has kept for fifty years. This is…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
I’ve read this book twice and probably will read it a few more times before I die. It’s that good.
The story of a young Black man (named Not Sidney Poitier) traversing the U.S.A. is a picaresque, hilarious, heart-breaking tale about trying to find yourself.
Eighteen-year-old Not Sidney is surrounded by people who only see his race or his wealth, or conversely by geniuses who have succeeded despite themselves and, although they see Not Sidney without the cultural labels, are of little help in his quest to find his mission in life.
The first time I read this book, I was spitting coffee laughing. The second time, my heart broke. I am curious what my next read will evoke.
Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth.
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
It’s funny because he wanted to call it My Nigs, but didn't like the idea of white people saying, I loved your collection My Nigs!
That first poem “My President” just floored me with how he heralded all his friends by nominating them for office, like “the boys outside Walgreens selling candy/ for a possibly fictional basketball team” or the guy who hooks him up with a free slice of pizza as long as Danez gives him time to say salat.
There’s a poem about getting beat up, at once an act of violence and an act of care for while they're beating you up, they’re weirdly making sure they don’t kill you.
FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY
Danez Smith is our president
Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can…
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I believe Danez Smith is an important voice. I find Smith's poems powerful, poignant, and relevant. This collection has irreverence and reverence, humanity, fury, love, and a deep sense of urgency. It speaks to our country's history and present and demands we consider where we are headed.
Smith also has another stellar collection called Bluff, which was just released and promises to be a crucial contribution to contemporary poetry.
Finalist for the National Book Award for Poetry Winner of the Forward Prize for Best Collection
“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers…
Since I was a tween, I’ve been fascinated by romance. That happily ever after has always taken my breath away. Growing up in Detroit, Michigan, suspense and mystery have always surrounded my life, and intertwining these two elements in my own stories was a norm, but reading them was required and loved. I’m a part of several groups that focus on these genres and I share my readings with them along with my own group on Facebook. I know you will enjoy reading these books as much as I have.
As a long-time fan of this author, I always find myself in his
characters and very much engrossed in the story.
This story was filled
with deep suspense wrapped around a good romance, and it kept me turning
pages until the end. I received this book at a conference from the
author and I was so engrossed in this book I finished it by the time I was
home from the event.
This masterpiece by celebrated New York Times bestselling author Walter Mosley is the mysterious story of a young Black man who agrees to an unusual bargain to save the home that has belonged to his family for generations.
The man at Charles Blakey's door has a proposition almost too strange for words. The stranger offers him $50,000 in cash to spend the summer in Charles's basement, and Charles cannot even begin to guess why. The beautiful house has been in the Blakey family for generations, but Charles has just lost his job and is behind on his mortgage payments. The…
Invisible Man is a classic that, somehow, I never got around to reading until this year. The story line is Dickensian, to a point. In Ellison's telling, the young man on his own makes his way to the city and meets unscrupulous characters at every turning. But he never meets the wonderful woman or mysterious benefactor who makes everything OK at the end. Instead, we find the narrator living "underground" having deliberately made himself "invisible," but promising to re-emerge. So what is Ellison’s invisibility? Many current reviews online say that invisibility is imposed on the narrator (who stands for all black people) by whites who are racist. Ellison's position is actually more complex. While there's no lack of white-on-black racism in the novel, the narrator receives some of his roughest treatment from the hypocritical Dr. Bledsoe and gang leader Ras the Destroyer, who are black. For the narrator, everyone he…
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.
This in-depth account of the infamous Tuskegee Syphilis Study is considered a classic in the field of medical ethics. Though Greg Dober and I have recently discovered the true origins of the Public Health Service’s “non-treatment study” and former Surgeon General Thomas Parran’s critical role in the ugly saga, Jones’s book is still the best chronicle available, and lays out a devastating narrative of how a sophisticated but uncaring and racist scientific establishment could annually examine and not treat hundreds of unschooled Alabama sharecroppers suffering from a deadly disease.
From 1932 to 1972, the United States Public Health Service conducted a non-therapeutic experiment involving over 400 black male sharecroppers infected with syphilis. The Tuskegee Study had nothing to do with treatment. It purpose was to trace the spontaneous evolution of the disease in order to learn how syphilis affected black subjects. The men were not told they had syphilis; they were not warned about what the disease might do to them; and, with the exception of a smattering of medication during the first few months, they were not given health care. Instead of the powerful drugs they required, they…
I am the author of three novels (with two more set to release next year); Monarchs Under the Sassafras Tree; The Dead Rockstar Trilogy; and I'm happiest when straddling literary genres. I have published works of historical fiction, as well as southern gothic, horror, speculative fiction, dark fantasy, and literary fiction. My debut, Monarchs Under the Sassafras Tree was nominated for Georgia Author of the Year in 2020. In addition to writing, I am a genealogist and recently went back to school to obtain my history degree. My love of writing, history, and family all intersect to inform my writing and I always set my characters in good old Georgia.
Alice Walker is one of my all-time favorite authors and inspirations, and not just because she’s from Georgia, like me. The Third Life of Grange Copeland is my favorite novel of hers; in it, she captures beautifully the fraught relationship between a hardened old man and his granddaughter, who he is determined to do right by after a lifetime of doing wrong. It is a heartbreaking, stark, beautiful novel.
Alice Walker's first book recounts the lives of three generations growing up in Georgia, where the author herself grew up. Grange Copeland is a black tenant farmer who is forced to leave his land and family in search of a better future. He heads North but discovers that the racism and poverty he experienced in the South are, in fact, everywhere. When he returns to Georgia years later he finds that his son Brownfield has been imprisoned for the murder of his wife. But hope comes in the form of the third generation as the…
I’m often asked if my Worst-Case Scenario books are serious or humorous. And my answer is always the same: “Yes!” While inspired by pop culture and the survival situations we see again and again in movies and on TV, the information in my books is real. I spend a lot of time seeking out experts to interview—the people who actually have done this stuff—and then distilling their survival wisdom into the form you see in the books. As humans, we want to be prepared for life’s twists and turns. Even if it’s, you know, when the aliens arrive. I’ve been a survival writer and humorist for 25 years and I ain’t stopping now!
I vividly remember reading Native Son in high school, and to this day it remains one of my favorites (as well as one of the best novels of the 20th Century).
So, when I heard a few years ago that Richard Wright’s lost-lost novella was going to be published nearly thirty years after his death, I picked up a copy. Wow. It’s the story of a Black man, accused of a crime he didn’t commit, who evades capture by (yes, as the title says) living underground in the sewers.
The survival aspects, including his ingenuity and the break-ins into buildings and basements he plans to get supplies, are fascinating. But above all this is a story about injustice and what one person is forced to do to survive in an unequal society. A great read!
New York Times Bestseller • One of the Best Books of the Year by Time magazine, the Chicago Tribune, the Boston Globe, and Esquire, and one of Oprah’s 15 Favorite Books of the Year
From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from…
From a young age, I read and watched everything about the Jack the Rippers, Black Dahlias, and Ted Bundys of the world. I think humans are fascinated by these killers, the worst of the worst, in the same way we are drawn to the best of the best. We want to know what makes them tick. One of the reasons I became a lawyer is at a young age I wanted to be a part of making sure justice is done—for everyone, regardless of their societal status. An empathetic person, I wanted to help others, even those who made horrific life choices. The law, true crime, and fighting for fairness are my passions!
I love the heart-breaking power of this story about a falsely accused Black man on death row in the racist 1940s South. A college-educated teacher visits him in prison and gives him some dignity before his execution happens, and in so doing, gives meaning to himself and his community.
The unfairness of what went on in this country on a daily basis with our criminal justice system is shameful. But this book compels us to rise above it and create meaning and hope.
The conversations are real and raw, and I cried real tears at the end. This book made me think, feel, and care about justice being done.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
