I’m the author of the novel The Good Ones, published by Harper Books earlier this year. I grew up in a beautiful and somewhat isolated part of the country, the Blue Ridge Mountains of Virginia, and it’s still my favorite place to set my fiction. When I began writing crime fiction, I knew I wanted to balance telling compelling stories with creating a sense of place and interesting characters to inhabit it, and I’ve learned so much from these writers about how to do that.
I think I’ve read all of Laura Lippman’s novels, both the Tess Monaghan series and the standalones, but this is hands-down my favorite.
On the surface, it’s high-concept subject matter: the story of a girl who was abducted by a serial killer and then let go, told in dual timelines. I was compelled by the thrilling and fast-paced plot, but again, the scenes I remember best are of the main character’s childhood in the 1980s, as she attempts to maneuver an adult world she can’t yet understand.
The novel is set in a part of southern Maryland that resembles my home state of Virginia, and I love the way Lippman evokes a bucolic landscape turned suddenly sinister.
“Laura Lippman is among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work.” —George Pelecanos
“Lippman’s taut, mesmerizing, and exceptionally smart drama of predator and prey is at once unusually sensitive and utterly compelling. —Booklist
Laura Lippman, New York Times bestselling author of What the Dead Know, Life Sentences, and the acclaimed Tess Monaghan p.i. series, delivers a stunning stand-alone novel that explores the lasting effects on lives touched by crime. With I’d Know You Anywhere, Lippman—master of mystery and psychological suspense, winner of every major literary prize given for crime…
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
A bookseller friend, whose opinions I highly respect, had highly recommended Rene Denfeld’s debut, so The Enchanted very quickly catapulted to the top of my To-Read List. And I was instantly enchanted by the luscious language, the urgent content, the writer’s ability to fuse metaphorical darkness and light. Told from the perspective of a death row inmate, the writing seamlessly flows from gritty reality to breathtaking fantasy. I wasn’t surprised to learn of Rene’s extensive time in prisons (often on death row) as a public defender’s chief investigator, or that her keen understanding of trauma in childhood came from her own firsthand experience, as the text is drenched in arresting truths, in transgression and redemption, and in the complicated and wondrous humanity of us all.
'THE ENCHANTED wrapped its beautiful and terrible fingers around me from the first page and refused to let go after the last. A wondrous book... so dark, yet so exquisite.' Erin Morgentern, author of The Night Circus
A prisoner sits on death row in a maximum security prison. His only escape from his harsh existence is through the words he dreams about, the world he conjures around him using the power of language. For the reality of his world is brutal and stark. He is not named, nor do we know his crime. But he listens. He listens to the…
I am Karen Slater the author of My Journey Through Hell. It’s a memoir of addiction and generational abuse. A story about my dysfunctional childhood and the negative consequences that took me to hell and back. The books I love the most are the stories that inspire me. The true stories of real people overcoming tragedy and adversity give me such hope and motivation to keep on doing what I do and reach other people still struggling. I like to think these are the books that radiate courage and optimism and let others know that we all have our crosses to bear but we can bear them nonetheless.
This is my all-time favourite book. I heard the author tell her story and her resilience over a zoom conference and I immediately knew that my life would never be the same. I didn’t know how but I knew I would be different.
Stolen Time is about a woman wrongly convicted for murder who spent 17 years incarcerated, five of those years were spent in solitary confinement on death row. Her partner was also sentenced and in fact executed two years before Sunny was exonerated. It's the beautiful way Sunny speaks that made this my all-time favourite read. It’s a love story with real tragedy but told in the most resilient and forgiving way. I found it totally inspiring. Sunny taught me that no matter what the circumstances we have a duty to love and forgive no matter what if we want to live free. No one can steal our…
'In a world of one, I am alone, more alone than I have ever been in my life.Locked up in a box within a box where no one can enter and I cannot leave. I am to await my death.' In 1976 a twenty-eight-year-old mother of two and her partner were wrongfully sentenced to death by the Florida courts for the murder of two police officers. Sunny Jacobs would not taste freedom again for seventeen years, by which time her two children were estranged, her parents were dead and her beloved partner, Jesse Tafero, had been executed. Sunny spent five…
From a young age, I read and watched everything about the Jack the Rippers, Black Dahlias, and Ted Bundys of the world. I think humans are fascinated by these killers, the worst of the worst, in the same way we are drawn to the best of the best. We want to know what makes them tick. One of the reasons I became a lawyer is at a young age I wanted to be a part of making sure justice is done—for everyone, regardless of their societal status. An empathetic person, I wanted to help others, even those who made horrific life choices. The law, true crime, and fighting for fairness are my passions!
I love the heart-breaking power of this story about a falsely accused Black man on death row in the racist 1940s South. A college-educated teacher visits him in prison and gives him some dignity before his execution happens, and in so doing, gives meaning to himself and his community.
The unfairness of what went on in this country on a daily basis with our criminal justice system is shameful. But this book compels us to rise above it and create meaning and hope.
The conversations are real and raw, and I cried real tears at the end. This book made me think, feel, and care about justice being done.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
When I was 13, I paid 25 cents to see a mysterious fortune teller at a local carnival. She predicted I would marry a tall, handsome man, and then she paused and told me my next-door neighbor would soon break his arm. Within a week, my neighbor, Jack, dressed in his Superman costume, jumped off his roof and broke his arm. I was impressionable – and impressed. Since that time, I have been fascinated with fortune tellers and the magic that surrounds them as well as books based on magical realism and the paranormal. Oh, and by the way, I did marry a tall, handsome man.
Be prepared. If you want a good cry, this book is for you, as it has one of the saddest endings of any novel I have read.
The Green Mile is the riveting and tragic story of John Coffee, a giant, gentle inmate with supernatural powers, condemned to death for the rape and murder of twin nine-year-old girls.
Coffee is a simple and kind man with a deathly fear of the dark. Your heart will break. Mine did.
Stephen King's iconic horror masterpiece. An international bestselling and highly acclaimed novel, a must-read for any horror fan, also a hugely successful film starring Tom Hanks.
The Green Mile: those who walk it do not return, because at the end of that walk is the room in which sits Cold Mountain penitentiary's electric chair. In 1932 the newest resident on death row is John Coffey, a giant black man convicted of the brutal murder of two little girls. But nothing is as it seems with John Coffey, and around him unfolds a bizarre and horrifying story.
I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).
Horror-themed summer camp for Black queer girls? Yes, I don’t mind if I do!
Reading Ellis’ book is like returning to the summer going into my junior year of high school and the angst and drama of summer camp, only with the addition of woods and crappy cabins where the danger is very real and at least one camp counselor has an agenda that involves her genetic legacy of being the daughter of a convicted serial killer.
Temple, our angry (peer) counselor, is on a mission to find her mother’s corpse, even though she doesn’t buy that her dad actually killed her. The novel gives me a real Friday the 13th vibe, mixed with a tangled family history that rivals Anne Rice’s Mayfair Witches series. I can't refuse a complicated family mess, and this has it… a lot!
Read this book while you’re taking a break from a solo hike…
A shocking, spine-chilling YA horror slasher about a girl searching for her dead mother's body at the summer camp that was once her serial killer father's home-perfect for fans of Friday the 13th and White Smoke
Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found…
I chose this list for two reasons—one, true crime has always held great fascination for me. I have a real hunger to understand the motivations behind the darkest sides of human nature, which I believe exists in us all. My own book, The Man from Milwaukee, dives deep into this obsession by sympathetically portraying a closeted young gay man in 1991 Chicago, who sees the cannibal killer as a victim himself of his own irresistible murderous impulses, likening them to our main character’s own self-loathing toward his same-sex desires.
Mailer’s opus dramatizes the cursed life of Gary Gilmore. In 1976, he robbed and killed two strangers. After being tried and sentenced to death, Gilmore insisted on being executed, to the disagreement of the justice system, who wanted him to remain alive. Written simply and with great compassion, the novel is disturbing, yet ultimately thought-provoking and redemptive.
In the summer of 1976 Gary Gilmore robbed two men. Then he shot them in cold blood. For those murders Gilmore was sent to languish on Death Row - and could confidently expect his sentence to be commuted to life imprisonment. In America, no one had been executed for ten years.
But Gary Gilmore wanted to die, and his ensuing battle with the authorities for the right to do so made him into a world-wide celebrity - and ensured that his execution turned into the most gruesome media event of the decade.
I
love a serial killer book, especially one that can bring something different
and original to the table. This book was exactly that.
The book does not tell the story of Ansel Packer, a serial killer due to die on death row; it focuses on the lives of the
women around him. Of Saffy, the detective trying to track him down; Hazel, twin
sister of his wife; and Lavender, his mother. The tragedy of this tale is shown
through their eyes and the shock waves he leaves in his wake.
Beautifully written, poignant, and heart-rendering; I adored
this book.
NATIONAL BESTSELLER • WINNER OF THE 2023 EDGAR AWARD FOR BEST NOVEL • NEW YORK TIMES BEST CRIME NOVEL OF THE YEAR
“Defiantly populated with living women . . . beautifully drawn, dense with detail and specificity . . . Notes on an Execution is nuanced, ambitious and compelling.” —Katie Kitamura, NEW YORK TIMES BOOK REVIEW (Editors' Choice)
"A searing portrait of the complicated women caught in the orbit of a serial killer. . . . Compassionate and thought-provoking." –BRIT BENNETT, #1 New York Times bestselling author of The Vanishing Half
I’m a former magazine journalist and nonfiction book writer who now only writes crime novels. I try to write about a world that exists in varying degrees and shades of black and white. The characters in my books are flawed, sometimes deeply, trying their best to navigate a complex world while grappling with their own psychological and emotional scars. As a result, they often make decisions that wind up not being in their (or anyone else’s) best interest. In trying to breathe life into these characters, I get to know them better than I know myself, and it’s this I think allows me to admire the five books I’ve chosen.
This is the first in the Franky Dast series and it was nominated for a Shamus Award. Dast was convicted and sentenced to Death Row when he was 18, for the rape and murder of two adolescent boys. Eight years later, the verdict is overturned, in part as a result of the relationship Dast has established with the Justice Now Initiative, an organization specializing in cases of wrongful imprisonment. On his release, Dast joins the group and becomes involved in a case that hits close to home: the cop who arrested and coerced a confession from him is accused of shooting the son of a prominent judge. In Dast, Wiley has created the kind of complex character I’m drawn to, both as a writer and a reader. Wiley’s ability to dive deep into the psyche of complicated characters is something I’m always striving for.
Introducing former death-row inmate turned private investigator Franky Dast in the first of an intriguing new crime noir series. Having spent eight years on death row for a crime he didn't commit, Franky Dast now works as an investigator for the Justice Now Initiative, seeking to help others in the same situation. But when he learns that Bill Higby, the detective whose testimony helped convict him, is facing his own murder charge, Franky is torn. Should he help the man he hates more than any other, the man who remains convinced of Franky's guilt to this day? As Franky delves…
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
Unless your first reading has been spoiled by a movie or CliffsNotes, I don’t believe you can fail to be stunned by Wright’s 1940 eons-ahead-of-its-timepièce de résistance. While much has been written addressing racial bias in the courtroom (that is, if the defendant survives the initial encounter with police), the author took the outlandish step of providing head-spinning complexity: presenting a culpable protagonist, albeit one whose crime against an affluent young white woman came about unwittingly, having everything to do with his knowledge that he, a Black man, would invariably be perceived as guilty. Wright never lets us off the hook, forcing readers of all hues to consider the entanglements of race, class, and jurisprudence, beginning the day those of us who are not white and/or privileged are born.
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself…
