76 books like Native Son

Anyone interested in literature featuring Florida must read Hurston’s enduring master work.

The novel describes Janie Crawford’s coming-of-age journey, especially in Eatonville, Florida, which became one of the nation’s first all-black cities, incorporated in 1887. Janie, a child of slavery and rape, flees an oppressive arranged marriage, and later, she survives abusive lovers. Originally published in 1937, Their Eyes Were Watching God challenged gender stereotypes and presented a strong black female protagonist.

One of the most intriguing aspects of the novel is Hurston’s use of the Florida setting to both set the mood and drive plot choices. When protagonist Janie escapes violence, she flees the Panhandle for the more secluded, dense wilderness of Central Florida. There, complex waterways follow the characters’ various movements.

It feels presumptuous to even try to describe this novel…I can only say that to me, it is a story about a truth so painful that it can only be viewed indirectly and magically, from all the many vantage points its characters (and ghosts) offer.

A spiraling, heartbreaking explosion of a book, brilliantly structured, beautifully written, with a secret at its center. 

I had not read Louise Erdrich in many years when I picked up this book, but I was especially interested as it addresses violence against Indigenous women, an all-too-common reality rarely reported in the mainstream. The author makes a fascinating choice: to tell the story from the perspective of the victim’s thirteen-year-old son. On the reservation, where intersecting law and law enforcement—federal, state, and tribal—only leads to massive injustice, the boy takes matters into his own hands, as investigator, prosecutor, and judge. Erdrich goes there for a shocking climax, and perhaps an even more riveting denouement. A visionary examination of Indian jurisprudence as dictated by the United States, and its discontents.

Several books focused on the Works Progress Administration (WPA), or discreet parts of it, had been published before Borchert’s was released but this is the best of them. I doubt that any other book will ever tell the story of the Federal Writers’ Project (FWP) quite so well. On one level, it lays out the project’s scope and walks readers through the politics involved with its creation and continued operation. And on another, it explains what the project meant for the writers it employed and how it influenced their work. Every other book on this list was written by an author employed by the project or another part of the WPA; this book will help you understand them as part of a coherent literary moment in American history.     

Never Come Morning is Nelson Algren’s second novel and his first great book.  He wrote it during his time with the Federal Writers’ Project in Chicago, between working on a cookbook, a travel guide, and sundry other assignments. In some ways, this book feels of a piece with his first. In some ways, this book feels like a piece with his first. Both books center on alienated young men; both are coming-of-age stories (after a manner). But this novel was a leap forward for Algren. The psychological portrait of its protagonist is fully realized, and the prose sings. Algren had the project to thank for both developments. He used the access his job afforded him to conduct interviews, portions of which made their way into the novel verbatim. And with the projects’ financial support, he was able to revise for months, and months – folding nuance, insight, and poetry into… show more.

Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.

Until I entered grad school for my Ph.D. in American literature, I had never heard the name Charles Brockden Brown and my guess is that few people alive today would recognize it. In his own time, however, he was an important literary figure. The author of a quartet of books composed in a yearlong creative frenzy at the close of the 18th century, he is regarded as "The Father of the American Novel." As the creator of our nation's first Gothic fiction, he was a major influence on writers like Poe and Hawthorne. His 1798 novel Wieland was inspired by a sensational crime that happened seventeen years earlier in upstate New York, when a farmer named James Yates, allegedly acting under orders from a divine voice, slaughtered his entire family. If by "best" we're talking about most enjoyably readable, then Wieland, like all Brown’s novels, doesn't exactly qualify. But it's… show more.

Also by Dreiser, An American Tragedy, 1925, is the slow-moving and heavy-handed but steadily engrossing and ultimately overwhelming account of a poor boy so bewitched by a beautiful rich girl that he commits literal murder and loses his own life in his struggle to have her.

Double Indemnity is an American noir crime novella written in the 1940s. From the opening words, the reader is taken into the life of the protagonist, a gullible salesman who becomes entangled with a married woman. When she turns out to have more on her mind than adultery,  he is seduced into becoming involved in a terrible crime. The narrative voice is both convincing and compelling, leading the reader along a devastating journey where the outcome eventually seems inevitable. 

I was and remain a big fan of Judith Rossner’s 1975 bestseller (the 1977 movie version starring Diane Keaton and Richard Gere, not so much). The book was inspired by a headline-making murder that took place in New York City two years before the book’s publication. Its victim was twenty-seven-year-old Roseann Quinn had rejected the traditional roles her parents expected of her. Though a quiet, sedate schoolteacher by day, she turned into a boisterous party girl at night, picking up disreputable-looking strangers at neighborhood bars and taking them back to her apartment for bouts of rough sex. One of those strangers was a deeply troubled drifter named John Wayne Wilson, who ended up killing her in a fit of frenzied savagery in early January 1973. What I admire about Rossner is the way that she takes an inherently sensational subject and turns it into a serious, very moving character study… show more.