Here are 100 books that Their Eyes Were Watching God fans have personally recommended if you like
Their Eyes Were Watching God.
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I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.
Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
Brit Bennett was born and raised in Southern California and graduated from Stanford University along with an MFA in fiction at the University of Michigan. Her debut novel The Mothers was a New York Times bestseller, and her second novel The Vanishing Half was an instant #1 New York Times bestseller. She is a National Book Foundation 5 Under 35 honoree and in 2021, she was chosen as one of Time’s Next 100 Influential People. Her essays have been featured in The New Yorker, the New York Times Magazine, The Paris Review, and Jezebel.
A fascinating exploration into the lives of three women ignored by history, the mothers of Martin Luther King Jr, James Baldwin, and Malcolm X. By tracing the intellectual, political, and emotional strands of each woman’s life, Anna Malaika Tubbs uncovers hidden complexities within black motherhood that illuminate our understanding of the past while also shedding light on the overlooked contributions of black women today.
'A fascinating exploration into the lives of three women ignored by history ... Eye-opening, engrossing' Brit Bennett, bestselling author of The Vanishing Half
In her groundbreaking debut, Anna Malaika Tubbs tells the incredible storIES of three women who raised three world-changing men.
Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them, each fighting their own battles, born into the beginning of the twentieth century and a deadly landscape of racial prejudice,…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
I’ve read this book several times and saw the 2021 film. This is the quintessential novel on how skin color can affect one's choices in life as well as the life one is relegated to.
It made me really contemplate how someone can move from one world to another with either no concern (as in the case of Clare) or major angst, as in the case of Irene.
I loved this book because the struggles were real, and the end was unexpected.
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This list could be full of Toni Morrison novels and be no worse for it.
I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.
Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
I’m from North Carolina, and Inside the Wolf is the first book I’ve written about the American South. For a long time, I resisted writing about my home state. I moved to New York and tried to write elegant New York stories. But writing is thinking for me, and I had to think through some of the stories and memories and hauntings of my youth. The books on this list have made me want to keep doing it
Salvage the Bones was the first Jesmyn Ward book I read, and I fell for 14-year-old Esch, who loves Greek myths and a boy named Manny. Set in the days before Hurricane Katrina, Esch and her beloved brothers live young lives full of – well, full lives, that’s the point.
Ward told the Paris Review about living through Hurricane Katrina, “I saw an entire town demolished, people fighting over water, breaking open caskets searching for something that could help them survive. I realized that if I was going to assume the responsibility of writing about my home, I needed narrative ruthlessness. I couldn’t dull the edges and fall in love with my characters and spare them. Life does not spare us.”
Ward is an electrifying writer, and Salvage the Bones is an American classic.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
Not only does Ward provide an incredibly personal and achingly beautiful glimpse of a culture I was unfamiliar with—a rural, impoverished Black community in the Deep South—but she does so with an innovative structure that simply dazzled me.
One strand of the book opens at the beginning of Ward’s life, while the other strand picks up at the end of her tale, with the most recent of five harrowing deaths due to gun violence that she and her community have endured. Each part of the story then alternately proceeds toward the same point, forwards along her childhood and backwards through each death, until both strands wind up in the middle of the story. It’s brilliantly executed.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
This book made me reflect deeply on whom we praise as trailblazing “rebels” and who we ignore, erase, or brand with criminal status in the stories we inherit and then repeat thoughtlessly.
Hartman reimagines “transgression” through the lenses of race, gender, sexuality, and class in early 20th-century New York and Philadelphia. She immerses us in up-close and poignant stories of women’s nonconformity, showing how their choices were flexes not only for survival but for thriving, a refusal to be defined by the ugliest social denigrations of their time (as well as our own).
Wayward Lives is richly sourced, including recovered photographs with the evocative literary portraits. It is a moving, haunting, unforgettable book.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I’m a mother of two children and was raised in a noisy family of four. It was my kids who reawakened my instinct to write again and follow through on my projects. Motherhood is such a fundamental part of my life and for most women I know. It’s mundane yet transformative in the sense it brings out your inner lioness in a way you don’t anticipate. When I think about some of my favorite literary characters, they would be unrecognizable if they weren’t mothers. With that in mind, I hope readers find a lovely story for their moms on Mother’s Day.
This Hugo Award-winning novel has one of the most original stories I’ve read that revolves around a remarkable mother, Essun.
While Essun pretends to be ordinary, she is an orogene, a race of humans with the ability to significantly alter her environment. As a result, the orogenes are wretched exiles, feared by society and trapped in a governing system that seeks to control them.
I was immediately taken with Essun’s emotional journey as the story opens with the loss of her child. She wants to live a quiet life with her family but is pursued by officials who cannot allow her to go free.
The story really tapped into the most primal aspects of motherhood. Ultimately, it’s motherhood that strengthens Essun’s power as she unleashes it with devastating effectiveness.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
Growing up, Marlene learned about the Holocaust through stories about members of her mother’s family who died in the Holocaust. As a Lutheran growing up in Minnesota, Fern learned little about the Holocaust. As whites, neither of us learned much about the Jim Crow era in the US or the northern migration of southern African Americans during that era.
Isabelle Wilkerson grew up knowing the stories of her parents’ migration north to Washington, DC. Those stories shaped her desire to chronicle the Great Migration (1915-1970), in which millions of African Americans left the Jim Crow South for better lives in northern cities. Although many achieved success that would not have been possible, they experienced the same interpersonal and institutional racism in the North that they thought they were escaping from.
Wilkerson, a journalist, gives us the sweep of history grounded by the stories of four African Americans.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life.
From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official…
Finding a voice is something I struggled with since childhood. Always afraid of being invisible or silent, finding common ground with writers who excelled at relating the human condition became a safe haven. I made a choice to focus on creative work that explores what is means to be simply human--to examine the hopes, needs, wants, and energies that make our daily lives move.
Sonic Memories makes the best use of a compact space without losing any of the narrative depth and emotional impact. This small collection of essays uses sound and music as its top note all the while using the silence in between to showcase a rich memoir-like exploration of Black girlhood growing into Black womanhood.
Sonic Memories is a debut collection of personal essays written and designed by the author.
These true stories begin in Utah in the late seventies. The author is two and her parents are hopeful newlyweds in their early twenties. We follow the family back to Maryland where her father's dream to practice law disintegrates when he doesn’t pass the bar after several attempts. His upwardly mobile hopes for his family are dashed, and the fallout from that—a fear of being trapped in a life of poverty and dreams deferred—dogs the author through most of her young adult/adult life. In these…
