Here are 100 books that Song of Solomon fans have personally recommended if you like
Song of Solomon.
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Brit Bennett was born and raised in Southern California and graduated from Stanford University along with an MFA in fiction at the University of Michigan. Her debut novel The Mothers was a New York Times bestseller, and her second novel The Vanishing Half was an instant #1 New York Times bestseller. She is a National Book Foundation 5 Under 35 honoree and in 2021, she was chosen as one of Time’s Next 100 Influential People. Her essays have been featured in The New Yorker, the New York Times Magazine, The Paris Review, and Jezebel.
A fascinating exploration into the lives of three women ignored by history, the mothers of Martin Luther King Jr, James Baldwin, and Malcolm X. By tracing the intellectual, political, and emotional strands of each woman’s life, Anna Malaika Tubbs uncovers hidden complexities within black motherhood that illuminate our understanding of the past while also shedding light on the overlooked contributions of black women today.
'A fascinating exploration into the lives of three women ignored by history ... Eye-opening, engrossing' Brit Bennett, bestselling author of The Vanishing Half
In her groundbreaking debut, Anna Malaika Tubbs tells the incredible storIES of three women who raised three world-changing men.
Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them, each fighting their own battles, born into the beginning of the twentieth century and a deadly landscape of racial prejudice,…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.
Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own…
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
A quintessential text of death and dying research, this incredibly insightful and compassionate exploration shines a blaring light on all of the hidden contours of a topic we often shy away from.
You’ll almost certainly come away from these pages with a new understanding of the stages of grief (they probably don’t refer to what you were taught they refer) and the importance of honesty and connection when facing mortality. It's an invaluable resource for anyone seeking to better comprehend the human experience.
Denial, anger, bargaining, depression and acceptance. The five stages of grief, first formulated in this hugely influential work forty years ago, are now part of our common understanding of bereavement. The five stages were first identified by Elisabeth Kubler-Ross in her work with dying patients at the University of Chicago and were considered phases that all or most people went through, when faced with the prospect of their own death. They are now often accepted as a response to any major life change.
However, in spite of these terms being in general use, the subject of death is still surrounded…
I lived in sixteen places by the time I was twenty-two. A peripatetic youth may teach you that different is interesting, that stereotypes don’t hold, that the emperor has no clothes. When I moved South and worked as a journalist, I found black elders’ stories so different from the official stories of white authorities. Horrified that these men and women would die with their heroism untold, I interviewed more than 150 black activists for Stories of Struggle. I want to know what is missing; I want it found. Like a detective, an anthropologist, a scientist, and yes, a journalist, I want to know, and I want others to know.
Monumental, extraordinary, a landmark: only superlatives would do in 1975 to praise Simple Justice by Richard Kluger.
If you want to understand education in America, race in America, the absence of equity in America, Simple Justice gets you there. The book begins with the South Carolina heroes of Briggs v. Elliott, impoverished rural petitioners who filed the first of five lawsuits composing Brown v. Board of Education. The book ends with the 1954 and 1955 US Supreme Court’s decisions declaring unconstitutional the legal segregation of public schools.
Kluger focuses on people, beginning with tenant farmers and sharecroppers who defied the white men controlling their every breath and petitioned for “equal everything.” Kluger’s vivid storytelling was among my inspirations, forty years after Brown, to seek South Carolina’s forgotten heroes.
Simple Justice is generally regarded as the classic account of the U.S. Supreme Court's epochal decision outlawing racial segregation and the centerpiece of African-Americans' ongoing crusade for equal justice under law.
The 1954 Supreme Court ruling in the case of Brown v. Board of Education brought centuries of legal segregation in this country to an end. It was and remains, beyond question, one of the truly significant events in American history, "probably the most important American government act of any kind since the Emancipation Proclamation," in the view of constitutional scholar Louis H. Pollak. The Brown decision climaxed along, torturous…
I lived in sixteen places by the time I was twenty-two. A peripatetic youth may teach you that different is interesting, that stereotypes don’t hold, that the emperor has no clothes. When I moved South and worked as a journalist, I found black elders’ stories so different from the official stories of white authorities. Horrified that these men and women would die with their heroism untold, I interviewed more than 150 black activists for Stories of Struggle. I want to know what is missing; I want it found. Like a detective, an anthropologist, a scientist, and yes, a journalist, I want to know, and I want others to know.
Out of the House of Bondage destroys the myth of the Southern plantation mistress as a delicate, gentle being presiding over a household maintained by passive, devoted, enslaved women.
A professor of history and law at Duke University, Thavolia Glymph scoured female slaveholders’ diaries and enslaved and freed people’s narratives to expose the mistresses’ use of violence – cowhide whippings, “until she was just a piece of living raw meat”; burning with hot irons, “hot enough to take off flesh”; beating to death a crying baby – and enslaved women’s resistance, perceived then and described later as laziness, misbehavior, and insubordination.
Glymph’s uncovering of abuse upsets a familiar false narrative, dismantling previous scholarship and exposing white women’s use of violence to assert power. A seeker of missing voices and lost stories, I am deeply interested in what has been ignored, misinterpreted, or omitted.
The plantation household was, first and foremost, a site of production. This fundamental fact has generally been overshadowed by popular and scholarly images of the plantation household as the source of slavery's redeeming qualities, where 'gentle' mistresses ministered to 'loyal' slaves. This book recounts a very different story. The very notion of a private sphere, as divorced from the immoral excesses of chattel slavery as from the amoral logic of market laws, functioned to conceal from public scrutiny the day-to-day struggles between enslaved women and their mistresses, subsumed within a logic of patriarchy. One of emancipation's unsung consequences was precisely…
I am always drawn to these remarkable books because they illuminate the intricacies of the human experience and the power of resilience. Sparrow in the Razor Wire captivates you with its message of hope and redemption, demonstrating that the human spirit can thrive even in adversity. The Power Elite challenges you to critically examine societal structures, igniting your passion for social justice and change. The 33 Strategies of War empowers you with strategic insights to navigate life's challenges and turn obstacles into opportunities. The Color Purple celebrates love and self-discovery, while Becoming Ms. Burton inspires you with stories of overcoming adversity and personal growth.
This is a powerful and moving novel that tells the story of Celie, an African American woman in the early 20th century who overcomes tremendous adversity. Through letters addressed to God and later to her sister, Celie shares her experiences of abuse, oppression, and isolation. However, her journey transforms as she discovers her own strength, resilience, and voice.
The relationships she forms with other women, particularly with the bold and independent Shug Avery, empower her to reclaim her identity and embrace her sexuality. Ultimately, it is a celebration of sisterhood, self-discovery, and the indomitable spirit of women, reminding us that love and hope can flourish even in the darkest of circumstances.
Winner of the Pulitzer Prize and the National Book Award. Alice Walker's iconic modern classic is now a Penguin Book.
A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected.
I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.
I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.
Taylor Jenkins Reid is not the first or only person to adapt the nonfiction oral history format into a work of fiction, but she does it with the most panache.
Loosely based on the mid-seventies romance between Stevie Nicks and Lindsay Buckingham, Daisy Jones & the Six offers a nonstop procession of drama and conflict, but there’s a tender heart beating at its center and a heartbreaking reveal at the end.
