I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I worked for years as a long-haul flight attendant, and met a lot of people. Some travelling for love, honeymoons, anniversaries, some for medical care, to say goodbye to someone. And some for that bucket list item, because they knew it was their last chance. I’ve always been amazed by the human spirit and its ability to love deeply. And I love romance stories! I have read so many. My favourites are the ones about people and the emotional journeys they go on. So combine the two, and you’ve got heart-wrenching stories that make you realise what’s important, even if they do break your heart in the process.
A woman who is coming to terms with her own mortality. And the man who is determined to save her.
I did not see the twists and turns coming in this book. Not strictly a romance as the happy ever after is not one in the traditional sense. But yet the main theme running through this book is love and what happens when you experience a love so strong that it changes multiple lives.
It made me cry. But it also made me feel proud of just how much impact love can have. Not just on one person, but a whole community. Beautiful.
I'm young and rich, and some may even say I'm beautiful. But I would give anything to be somebody else because after being extraordinary all my life, all I wish for is...silence.
My name is Lola Van Allen, and there's no easy way to say it, but...I'm dying.
When my doctors reveal all hope is lost, I decide to spend the time I have left sharing my experience at Strawberry Fields, a summer camp for terminally ill children. No matter my fate, I yearn to make a difference.
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
Diane is the curious and savvy public radio journalist who educated even as she entertained so many Americans, presenting conversations on every aspect of life in arts, science, and politics. I came to know Diane when I appeared on her show and was transfixed by watching her expertly navigate advanced broadcast technology even as she sized up her guests, crafted questions from her own astute observations, and coaxed her guests to reveal things they perhaps did not intend. In this book, she shares her most personal side as she considers options at the end of a life well-lived. Her wisdom is gleaned from personal history plus thousands of interviews, and she generously shares it with us.
The renowned radio host and one of the most trusted voices in the nation candidly and compassionately addresses the hotly contested right-to-die movement, of which she is one of our most inspiring champions. The basis for the acclaimed PBS series.
Through interviews with terminally ill patients and their relatives, as well as physicians, ethicists, religious leaders, and representatives of both those who support and vigorously oppose this urgent movement, Rehm gives voice to a broad range of people personally linked to the realities of medical aid in dying. With characteristic evenhandedness, she provides the full context for this highly divisive…
Loren Mayshark is the author of three non-fiction books. His first book Death: An Exploration won the 2016 Beverly Hills Book Award in the category of Death & Dying and was selected as the honorable mention recipient for the book of the year in the 2016 Foreword INDIES Awards in the category of Grief/Grieving (Adult Nonfiction). Mayshark has a BA in World History with a minor in World Religion from Manhattanville College.
Hitchens was a man on a mission with a razor sharp intellect. These precious words written while Hitchens was losing a fatal battle with cancer are fascinating and he touches on some profound ideas. I was especially struck by the conviction of a man who was a staunch atheist unflinchingly prepared for a godless death. Hitchens was not only witty, but inspirational and courageous.
The starting point of this book was when Christopher Hitchens found he was being deported 'from the country of the well across the stark frontier that marks off the land of malady'. Over the next year he underwent the brutal gamut of cancer treatment, enduring huge levels of suffering and eventually losing the power of speech.
Mortality is at once an unsparingly honest account of the ravages of his disease and the climax of a lifetime's work of fierce debate and peerless prose. In this confrontation with mortality Hitchens writes eloquently of his fear of losing the ability to write,…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
After some challenges with reading the dialect, I became so intrigued by this heart-wrenching story of two teenage girls, one Trinidadian and one African-American, who come together unexpectedly in cold Minneapolis. I loved learning about their cultures, and I loved how they grew close despite their differences and supported each other through the crises of lost family and childhood cancer.
The language and pace beguiled me as a reader. The girls' viewpoints of their past and present worlds were engaging. I felt the heroism in each of them, one facing death, one trying to reunite with her family.
Told in two distinct and irresistible voices, Junauda Petrus's bold and lyrical debut is the story of two black girls from very different backgrounds finding love and happiness in a world that seems determined to deny them both.
Port of Spain, Trinidad. Sixteen-year-old Audre is despondent, having just found out she's going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor's daughter. Audre's grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets…
I am passionate about writing books that put good into the world and highlight meaningful and inspiring themes, which, in turn, means I am also passionate about reading books that do the same. I love to write and read books that leave the reader feeling like there is still good in the world, even when it seems to be very dark around us. If people read my books or any on this list, I sincerely hope they feel encouraged and inspired and enjoy them as much as I do.
I recommend this book only if you like to cry – but like… the good kind of crying. It’s a raw and emotional fiction story about dealing with the grief of losing a spouse, and it is incredibly well-written. I had no idea what I was getting myself into the first time I picked up this book, but I greatly enjoyed the emotional roller coaster.
Whenever people ask me for a book recommendation that will emotionally challenge them, I always recommend this one.
They used to joke about it. Like many brilliant scientists, Josh sometimes had trouble remembering things that needed doing in the “real” world—like buying groceries, eating regular meals, and talking to people. But he was happy to have his beloved wife, Lauren, remind him with her “honey do” lists. He just never realized how much he would need one when she was gone.
Being a widower is not something Joshua Park ever expected. Given his solitary job, small circle of friends and family, and the social awkwardness he’s always suffered from, Josh has no idea how to negotiate this new,…
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Maggie Callanan and Patricia Kelley were both hospice nurses when they wrote this book in 1992 and their book, having sold over 500,000 copies, is still a guide for those who find themselves in the presence of the dying.
The authors act as interpreters for the living and help them understand the language the dying often use. As a hospice social worker, it was not uncommon for me to hear the dying speak of packed suitcases or imaginary taxis pulling up to their doors.
This book helped me to engage with that language and to enter the altered reality that the dying often experience. It encourages us to let go of the rational and invites us into the mystery of death and dying in ways that are life-changing.
In this moving and compassionate classic—now updated with new material from the authors—hospice nurses Maggie Callanan and Patricia Kelley share their intimate experiences with patients at the end of life, drawn from more than twenty years’ experience tending the terminally ill.
Through their stories we come to appreciate the near-miraculous ways in which the dying communicate their needs, reveal their feelings, and even choreograph their own final moments; we also discover the gifts—of wisdom, faith, and love—that the dying leave for the living to share.
Filled with practical advice on responding to the requests of the dying and helping them…
Before becoming an opera singer, I received my Masters in Healthcare Administration and worked in various healthcare settings, from a community health center to a large teaching hospital. I learned first-hand how the best-intentioned clinicians can make mistakes, and how those mistakes can lead to unintended consequences that can harm patients. Although it’s terrifying to think about, the best defense is to self-advocate as much as possible. It’s your body and your decision. Don’t give away your power.
Four Funerals, No Marriage by Mike Keren is a poignant, funny, deep dive into elderly caretaking, and the toll and lessons learned from it. The author is a psychologist and is somehow able to analyze his feelings/actions while immersed in the daily responsibilities of taking care of several ailing relatives. His writing is smooth, easy to read, and packed with incredible insight. I found myself simultaneously laughing and crying, and always entertained.
"A heartbreaking memoir that is also highly relatable and often darkly funny."
- Michael Sadowski, Author of Men I've Never Been: A Memoir, one of Book Authority's 100 Best Gay and Lesbian Books of All Time
In Four Funerals, No Marriage: A Memoir, author Mike Keren gives his readers an inside look at his unexpected foray into caregiving to his sick and dying parents and in-laws. Often funny and always poignant, the story begins when his loving but difficult parents announce they are moving back to New Jersey from their retirement home in North Carolina because they "never really liked…
For 20 years, I tried to write politically relevant, “important” novels. I teach. One day I told my students that to succeed as a writer, they needed to write about things they knew and loved. Honesty was the key. That night, I resumed work on a novel set in Prague involving Cold War intrigue, capitalism, communism, and some other "isms" I’ve forgotten. I wrote a paragraph and then stopped. My advice was good. Write about things you know and love. So why not follow it myself? What section of the newspaper did I read first? The sports page. Did I live and die with my favorite sports teams? Yes. I put my hopeless Prague novel aside and started On the Devil’s Court. For better or worse, a sportswriter is who I am.
Okay, two books--but they’re really one. The Southpaw is
about Henry
Wiggen the baseball player finding his way in the major leagues. A sports book by and large. And then the fastball to the heart--Bang the Drum
Slowly. The vagaries and tragedies of life intrude on the pristine
baseball field, and Wiggen and the rest have to deal with reality: boys
grow into men; men sicken, men die. These books inspired me when I
decided to become a writer of sports novels. They showed me that not only
could I write a sports book about more than sports, but also that I needed to write
a sports book about more than sports. Why bother otherwise?
Henry Wiggen, hero of The Southpaw and the best-known fictional baseball player in America, is back again, throwing a baseball "with his arm and his brain and his memory and his bluff for the sake of his pocket and his family." More than a novel about baseball, Bang the Drum Slowly is about the friendship and the lives of a group of men as they each learn that a teammate is dying of cancer. Bang the Drum Slowly was chosen as one of the top one hundred sports books of all time by Sports Illustrated and appears on numerous other…
I write strange, emotional novels from my book-filled apartment in Vancouver, a short walk from the ocean. This may be why I’m obsessed with islands. Or perhaps it’s because they evoke the feeling of being apart from the world, adrift, of protecting something rare. Whatever the reason, my novel takes place on an uncanny island off the coast of Mexico, where the locals drink tea in the afternoon and pray to skeletons hidden in caves. The story that unfolds on this island could not have taken place on the mainland, and I believe the same goes for the books on my list.
Steven Price creates a vision of crumbling palaces and waning tradition in this lush novel, and it’s a joy to lose oneself in its wistful poetry.
Set in post-WWII Sicily, this is the true story of an island’s last prince who is desperate to leave a legacy in a world that has already forgotten him. Every page is heavy with loss and longing—I found myself mourning a world that no longer existed, the decadent realm of Italian aristocrats that was shattered by the war, even though I didn’t identify with anything that world stood for. What I could understand, though, was the prince’s desire to create something beautiful among the waste, something that would outlive him.
Like Colm Tóibín’s The Master or Michael Cunningham’s The Hours, a novel about art and writing in the life of one of the greats
Set in a sun-drenched Sicily, among the decadent Italian aristocracy of the late 1950s, Steven Price’s Lampedusa explores the final years of Giuseppe Tomasi, the last prince of Lampedusa, as he struggles to complete his only novel, The Leopard.
In 1955, Tomasi was diagnosed with advanced emphysema; shortly after, he began work on a novel that would fail to be published before his death four years later. When The Leopard at last appeared, it won Italy’s…
