I’m an author, researcher, and historian writing about Tudor women. As a woman myself, I’m naturally interested in what life was like for those who came before me, and I’m very passionate about writing the lesser-known, forgotten women back into the historical narrative of the period. We all know about Henry VIII’s six wives, his sisters, and daughters, but there were other women at the Tudor court whose stories are no less fascinating.
In historiography, the focus is usually on men, so women are pushed to the sidelines.
In this book, Professor Lipscomb beautifully recreates women's daily life in the sixteenth-century French town of Nîmes. Reading their words retrieved from the archives allows these women's voices, left out of history books, to be heard again.
Most of the women who ever lived left no trace of their existence on the record of history. Sixteenth- and seventeenth-century women of the middling and lower levels of society left no letters or diaries in which they expressed what they felt or thought. Criminal courts and magistrates kept few records of their testimonies, and no ecclesiastical court records are known to survive for the French Roman Catholic Church between 1540 and 1667. For the most part, we cannot hear the voices of ordinary French women - but this study allows us to do so.
As a child, I gobbled up Grimm’s fairytales, but I always wondered: Why do the princesses get such a terrible deal? This question gnawed at me. So, when I grew up and became an author, I wrote The Princess and the Prick to set the world right. Feminism can be such a terribly serious topic, but sexism is ridiculous! So, let's laugh at it! The books I've recommended are all short and brilliantly funny. They make fantastic gifts and will have everyone laughing at the patriarchy in no time. I hope you enjoy them as much as I do.
Where are all the women in history? Here they are! In her hilarious book, Hannah Jewell sets the world to right by introducing us to 100 incredible women from all over the world and all time periods.
I thought I knew a fair amount about historical women, but turns out I didn’t! I knew hardly any of the women featured in this book, which really tells us all we need to know about the state of the world (and male historians).
I found Hannah’s writing so entertaining it felt more like listening to a really fun, knowledgeable friend than reading biographies. A great gift for anyone who ever wonders: "But-where have all the women gone?"
'...hooting with laughter - what a swashbuckler that Hannah Jewell is' MARINA HYDE
'Because 100 Nasty Women is so easy to read and witty, I didn't expect it to be the life changing, important book that I'm discovering it to be' PHILIPPA PERRY
'A fantastic addition to your feminist library and historical knowledge.' ANN SHEN, author of Bad Girls Throughout History
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100 fascinating and brilliantly written stories about history's bravest, baddest but little known 'nasty' women from across the world.
These are the women who were deemed too nasty for their…
A Jane Austen devotee since third grade, inspired by subtlety, wit, and clever banter, neck deep in richly evocative Regency research and sensory detail, I've authored 17 Jane Austen-style novels, (3 Christmas) and 4 novellas (3 Christmas) published by NAL/Penguin. Fascinated by lyrical language, budding love matches, and honorable, moral, and ethical themes, I'm particularly fond of historically accurate warm-hearted Christmas novels. I'd love to see a Christmas Regency Classic added to the ranks of beloved Holiday films, so I was thrilled to come up with a list of favorites! Awards: Golden Quill, Holt Medallion, Bookseller’s Best, Waldensbook Bestseller of the Year, Romantic Times Top Pick, Reviewers Choice, Best Regency Novel, a Lifetime Achievement Award.
A RITA Award winner, this sweet, character-driven Regency comes alive with playful Hepburn/Tracy style banter in a May/December romance. An impertinent younger sister, who takes in strays and the wounded, wins the attention of a scarred, slightly singed diplomat. She decides he must be reunited with his family for the holidays. With her rascal brother’s dubious assistance, the three embark on a surprisingly dangerous quest to fulfill heartfelt Christmas wishes.
Miss Marian Wynswich is a rather unconventional young lady. She plays chess, reads Greek, and is as educated as any young man. And she’s certain falling in love is a ridiculous endeavor and vows never to do such a thing. But everything changes when she receives a Christmas visit from someone unexpected—a young and handsome English lord.
This,
of course, very much ties into my enjoyment of Hamnet. My daughter and I
visited Anne Hathaway’s House this summer, as I was so inspired by the women in
Shakespeare’s tale, and I purchased this book by Germaine Greer to
find out what the real Anne Hathaway was like.
I know Germaine Greer as a
champion of women’s lives, so I knew I would find a sympathetic but also
un-mushy account of the woman who married one of Britain’s best playwrights and
it was exactly as I expected. The real Anne Hathaway was something of an enigma
and not much is really known about her.
In this book, the author pulls her
from the few resources into reality, and I was enthralled from start to finish. Because of the lack of information available, this book must involve conjecture and speculative language. It felt academic,
but also approachable and…
Little is known about Ann Hathaway, the wife of England's greatest playwright; a great deal has been assumed, none of it complimentary. In Shakespeare's Wife, Germaine Greer boldly breaks new ground, reclaiming this much maligned figure from generations of scholarly neglect and misogyny. With deep insight and intelligence, she offers daring and thoughtful new theories about the farmer's daughter who married Britain's immortal Bard, painting a vivid portrait of a truly remarkable woman.
I’ve been a novelist all my adult life. My first three books are novels about teenagers, regarded as pioneers in the genre of Young Adult fiction. My inspiration has always been real people, events, and places. Animals, especially dogs have always been part of my life. I turned to adult fiction because I felt the need to write about the full cast of life. City Wolves was inspired, if not driven by my first Malamute, Yukon Sally. With the research she led me to do into wolves, sled dogs, the history of women veterinarians, the real people who were part of the Klondike Gold Rush, I found some marvellous biographies, histories, biological studies, and poetry.
Author Jennifer Duncan an adventurous person herself, went to the Yukon a hundred years after the Klondike Gold Rush and lived in Dawson City, now a picturesque historical heritage town where the saloons and dancehalls replay the raucous social times of the 1890s gold rush.
Her book gives a real feel for the place and the remarkable women who grappled their way across the continent and north to the land of the midnight sun. They turned themselves into smart businesswomen and made fortunes without digging for gold.
A diligent researcher, Duncan casts a new light on who first discovered gold in the Klondike. Not the American Carmack but his Indigenous wife, Kate who let him take the credit for the discovery. He later denied her as his wife and abandoned her.
I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
In this exquisitely written poem of a memoir, Jillian Lauren splays her heart wide open, on every page as she transforms from an addict whose used up most of her luck to a mother whose role requires great stores of grit, determination, and love. We’re right there with her as she and her husband decide to adopt a boy from Ethiopia, and we’re along for the bumpy, often painful, occasionally joyful, ride through the challenges of parenting this tiny person who has already lost so much, but has so much to give. Outside of motherhood, she’s so funny and interesting I kind of want to be best friends with her. Not in a weirdo-stalker way, though.
A Best Memoir of 2015, "This memoir is compulsively readable and full of humor and heart."-AdoptiveFamilies.com
"A punk rock Scheherazade" (Margaret Cho) shares the zigzagging path that took her from harem member to PTA member...
In her younger years, Jillian Lauren was a college dropout, a drug addict, and an international concubine in the Prince of Brunei's harem, an experience she immortalized in in her bestselling memoir, SOME GIRLS. In her thirties, Jillian's most radical act was learning the steadying power of love when she and her rock star husband adopt an Ethiopian child with special needs. After Jillian loses…
I am King George III Professor in British History at the Ohio State University. While later medieval England is my specialty, I approach it through a study of the legal record. Medieval people were highly litigious – the average person ended up in court far more often than we do today, making legal records the best means to unearth information about the lives of normal people from the era. Most of my research has been sparked by questions students have asked me in class, such as: did medieval women stay with their abusive husbands? Did medieval children have rights? What was it like to be a single woman in medieval England?
When comparing the Protestant and Catholic versions of Mary, the Catholics always come out on top. The Protestant Mary is little more than a vessel to house the Godhead, while the Catholic Mary is the Queen of Heaven. Indeed, medieval sermons stories and miracles align Mary most closely with the superheroes of the modern era: ready to help at a moment’s notice, she takes on the worst of villains and always wins. Yet, there’s something about Mary… despite being best known for a quintessentially feminine act (giving birth), she’s really not your typical woman. Why is that?
In this movingly written book, Monagle explains how scholastic theologians of the Middle Ages refashioned the ideal Mary by stripping away the inherent messiness of femininity. Monagle explores also the pitfalls of this perfection for the modern woman, taking aim at Gwyneth Paltrow, Marie Kondo, and Jordan Peterson, all of whom seek to…
Scholastic theologians made the Virgin Mary increasingly perfect over the Middle Ages in Europe. Mary became stainless, offering an impossible but ideologically useful vision of womanhood. This work offers an implicit theory of the utility and feelings of women in a Christian salvationary economy. The Virgin was put to use as a shaming technology, one that silenced and effaced women's affective lives. The shame still stands to this day, although in secularised mutated forms. This Element deploys the intellectual history of medieval thought to map the moves made in codifying Mary's perfection. It then uses contemporary gender and affect theory…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. Throughout her career as a journalist and an author, she has explored underrepresented stories and characters and the impact they have had on history. These stories of the unsung offer fresh perspectives on historical tales we think we already know. At the heart of many of Kiernan’s nonfiction explorations are women from a variety of different backgrounds and time periods.
There are many ways to approach history. Donna Lucey brilliantly chose to usher readers into the world of the Gilded Age via the captivating canvases of that era’s most sought-after portraitist, John Singer Sargent. There are always more stories lurking behind Sargent’s luxurious depictions of his subjects, and Lucey gets beneath the paint and the posing to give us her own picture of four very real women whose lives are far more nuanced than any portrait sitting can convey.
With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four women painted by the society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions and tragedies that unfolded in his subjects' lives. Elsie Palmer carried on a labyrinthine love life in a Rocky Mountain castle; Elizabeth Chanler stepped into a maze of infidelity with her best friend's husband; as the veiled image of Sally Fairchild emerged on the canvas, her sister was lured into an ill-fated life in art; and shrewd Isabella Stewart Gardner collected both art and young men.…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
