The most recommended feminism books

Why does an intelligent young woman who is ambitious to occupy a place of her own in the world collaborate with men, in this instance, a husband, in constructing a life that is “perfectly organized unto death?” The story, you say, is a familiar one. What makes Ernaux’s different and painful to read is her narrator’s awareness of her gradual surrender (that of Ernaux herself) to patriarchal expectations, regardless of how strenuously she would deny them, delay their satisfaction, struggle to follow her passion (for teaching and writing), and, in ever-increasing panic, remind herself that even Virginia Woolf baked pies. By what deception does she come to accept that her existence is a purposeful one, knowing that it has been arranged by others?

This abnegation to the reductive role of womb and breast is all the stranger in this book (part novel, part memoir, part sociological study) because only in… show more.

Ernestine Rose, a Polish-Jewish immigrant who was one of the first women to speak out for women’s rights in the United States, was well-known in her time but is little remembered today.

This book, which includes most of her published speeches and some of her letters, made her come alive for me. With lines like “It is time to consider whether what is wrong in one sex, can be right in the other” (referring to the double standard of sexual morality for men and women), it still holds relevance for us today. I’ll never get to hear Ernestine Rose speak in person, so this is the next best thing.

I read this book before I’d found words to describe the impact on my teenage self of living in a patriarchal world that didn’t allow me to do things I wanted to because I was a girl—and that insisted I do things I didn’t want to. I read it before I’d heard the word feminist used other than as an insult. But the essentially feminist spirit of the novel touched me deeply. 

I raced through the book, hoping that this single mother who’d fled an alcoholic and abusive husband with her child would make it out alive, that she’d find her people, and that she’d get justice. Years later, I saw the book described as the first feminist novel, and for good reason—written in Victorian England, no less. 

Someone once told me if you want to read science fiction, you should start at the very beginning and gave me a copy of this book. Written in 1666, I’m not going to pretend this is an easy read but I would recommend it if only because it inspired so many of my favorite contemporary science fiction authors (including China Mieville and Alan Moore).

A woman stranded in a strange and hostile world becomes a military empress, the OG sci-fi action woman.

I admit this book originally felt like doing my homework, but by the time I finished, I immediately went on a literary criticism deep dive, finding every article and essay I could about this text and its (remarkable) author. I came out feeling like an evangelist, and now I bore people at parties talking about it.

This book is straight-up Fantasy, so it’s notable in my list because I read so little trad fantasy these days. But don’t be fooled, this book is not what you expect. Every trope of fantasy gets turned on its head, kicked over, rearranged, and then the characters just straight up do something other than what you expected. There are no hunky but boring heroes. There are no damsels in distress. Even the Gods in this world are… well that would be spoilers. Super well told gripping fantasy trilogy that you won’t regret picking up. Except you won’t be able to put it down.

Benoit's memoir reminded me that I am part of millennial womanhood. The cool-girl-who-pretends-to-be-chill-by-basically-acting-like-a-stupid-dude thing is not unique to my embarrassing early twenties, for example.

This book is laugh-out-loud hilarious and wry, and by the end, I wanted to be Benoit's best friend. 

Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….”  Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?  

Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible.  Everywhere. Even the straight-B boys are out there. So what happens?

This is what happens.

Hester, which came out in 1883, follows two central figures: Miss Catherine, an older woman who runs a bank – in itself quite a surprise to find in a Victorian novel – and Hester, her young relation, who is bored with her dull, ladylike life and wants something more.

What she really wants is to work, as Catherine does, but Catherine is determined that the bank will pass to a man. The novel focuses on their strained relationship – strained partly because they are so very alike. There’s so much I love about Hester, but I especially enjoy how it undermines and undercuts Victorian tropes about the novel and what is and isn’t a happy ending for a female character. It’s an absolutely fascinating read.

It’s a cliché, but the writing of Andrea Dworkin changed my life (often through painful internal struggle, but always for the better).

This is not her most well-known book, but this collection of essays and speeches was, for me, the most influential. Her speech “I Want a Twenty-Four-Hour Truce During Which There Is No Rape,” delivered to a men’s group in 1983, helped me understand that radical feminism was not a threat to men but a gift.

A few years before she died (far too young, at age 58, in 2005), I had a chance to meet her, and in the few hours of a shared car trip, I felt the loving spirit that motivated her work. 

Originally published in 2002, Colonize This! brings together the voices of young women of color writing about their experiences of race and gender in America. The 2019 edition features essays by a new generation of feminists of color writing on issues such as police violence, transgender rights, and immigration. These fresh voices are intermixed with essays from the original 2002 publication, creating a poignant feminist dialogue.