100 books like The Blazing World and Other Writings

With a cover like a Halloween fever dream, I expected a lot of otherworldly gothic creepiness, which this book delivered. What I didn’t expect was Gideon, an unforgettable character whose unapologetic frankness is like a shot of whisky in what could otherwise be an overwrought space opera. It’s a bit of stretch to call this historical fantasy, but I love that the world-building implies a complex backstory both for the characters and their world. Which sets up a wonderfully weird juxtaposition of ancient and modern.  Set in a feudal world, inhabited by undead necromancer lieges and their cavalier servants, I kept thinking, “Did Gideon just say that *&^$ to her master?” Yes, she did. And I was there for every word.

I’m a big fan of genre-bending and trope manipulation, and I was completely blown away by this rare creation of a book. It’s a carefully crafted plot of time manipulation, blending science fiction, fantasy, espionage, and romance, told through letters between two rival agents in a style more akin to a war drama.

Those contrasting styles notably elevated the story for me, accenting the cybernetic future by experiencing the naturalistic one and enhancing the love story through the suspense of corporate espionage.

At no point did I feel as if either empire was the “good” or “bad” one, only that I wanted both of the protagonists to succeed, and that made my first read of this book nothing short of a page-turner.

Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.

It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.

It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same… show more.

This was a book that really surprised me. A very no-nonsense macho family member recommended it to me on a holiday, and I remember raising my eyebrows reading the back cover and finding out it heavily featured an interspecies romance.

The minute I started reading, I got so wrapped up in the adrenaline and action that I actually went on to recommend it to my sci-fi-loving dad, who read it in a day and went on to borrow the rest of the series. The heroine, a power armor-wearing mercenary, is incredibly competent and badass but avoids falling into either Mary Sue or Damsel in Distress territory as the plot proceeds.

Additionally, while I kept going for the action-romance, the worldbuilding was surprisingly interesting and in-depth. Whenever I’m reluctantly charmed by something, I find it hard not to gush about it; it’s just such a fun experience as a reader to… show more.

Kate Manne offers the best definitions of sexism (men thinking they’re better than women) and misogyny (men punishing women for displeasing them) that I’ve ever read. And she brings receipts, showing examples of how these two things play out in everything from novels to politics to crimes to classrooms.

Once I read her book, it was impossible for me not to spot more examples pretty much everywhere I went in the world.

This modern edition gives readers a sample plays by the remarkable Margaret Cavendish, who privately published 2 volumes of plays in 1662 and 1668 though many were probably written earlier.

I find her plays fascinating for the ways they deal explicitly with women’s experiences in love, in war and in marriage.

In this selection Love’s Adventures Parts I and II features a cross-dressing heroine in pursuit of her intended husband; Bell In Campo Parts I and II, dramatizes the experience of a superheroine leading an army, while The Bridals and The Convent of Pleasure satirize love and marriage.

I love The Convent of Pleasure’s depictions of same-sex retreat and desire. Cavendish’s witty prefaces on the difficulties of writing plays for a woman are included as appendices to Shaver’s edition.

These essays are the ultimate guide to human intimacy. If you believe, as I do, that the best way to find meaning in life is to establish connections with others, you must read this book.

Rich teaches us that we are all clumsy, needy, fearful communicators, and shows us how what we perceive as failings are actually the secret keys to opening up whole invisible worlds of understanding between each other. She understands the art of gentleness as well as anyone who has ever written.

Where are all the women in history? Here they are! In her hilarious book, Hannah Jewell sets the world to right by introducing us to 100 incredible women from all over the world and all time periods.

I thought I knew a fair amount about historical women, but turns out I didn’t! I knew hardly any of the women featured in this book, which really tells us all we need to know about the state of the world (and male historians).

I found Hannah’s writing so entertaining it felt more like listening to a really fun, knowledgeable friend than reading biographies. A great gift for anyone who ever wonders: "But-where have all the women gone?"

You’d think the subtitle says it all, but nope. Chocano loved reading bedtime stories to her daughter, but when even Alice and Wonderland proved problematic, she peered through the looking glass to see why. She explores the challenges of raising a female in a world of Disney Princesses, Playboy bunnies, and popular TV shows and movies. She even takes aim at the female manifesto, Eat Pray Love, bless her heart. I met Chocano at a reading of this book when I was nervously submitting A Boob’s Life to publishers. I was thrilled to find overlap with such a kindred spirit. You’ll find Chocana’s byline in major magazines featuring celebrity interviews, but without the snark. Personally, I love the snark - it makes the facts more fun.

I loved this book because it simultaneously gives us a taste of the fierce spirit of the women’s liberation movement but also demonstrates what was wrong with Friedan’s particular flavor of feminism at the time: namely, that it was centered around white and mostly privileged women.

Reading this book is like being transported back to the 1960s and being a fly on the wall in the homes of women who were done with the patriarchy, who wanted to have careers and earn money, but were also grappling with their own roles in society.

It’s a historical document but also, in some ways, the 1960s equivalent of reality TV. It’s a ferocious cri de coeur that is delightful in its assertiveness.