I’m a queer speculative fiction writer who gets giddy whenever I read about space and spaceships, aliens, and advanced technology. I get even more of a rush when I discover queer representation tucked around the tech. Why? Because queer people deserve positive representation in literature—everyone should see themselves in creative works. As a reader, I read and shout about as many queer books as I can; as a writer, I infuse my works with as many queer characters I can.
Winter’s Orbit has one of the sweetest romances I’ve read thus far. The characters have trauma to work through and they do so beautifully. I love how broken Jainan is and how he discovers he’s worthy of love. The push and pull between him and Kiem was masterful! Raw. Compelling. And it’s set against a backdrop of a galactic-level political mystery! (But honestly, I read it for the romance.)
'A chilling account of a dark past wrapped in the warm blanket of a promising future . . . A pleasure to read' Ann Leckie
'Sparks fly' NPR
'A stunning new space opera debut' K. B. Wagers
The Iskat Empire rules its vassal planets through a system of treaties - so when Prince Taam, key figure in a political alliance, is killed, a replacement must be found. His widower, Jainan, is rushed into an arranged marriage with the disreputable aristocrat Kiem, in a bid to keep rising hostilities between two worlds under control. But Prince Taam's death may not have…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
I love gore and emotional resonance, and this book delivers both by the bucketful. It’s well known as one of the gnarliest horror novels in recent memory, but what sometimes gets lost in the conversation is that it’s also one of the most poignant.
I can never resist a story whose central queer relationship is a friendship instead of a romance, and Beth and Fran’s friendship is deliciously fraught with desire, resentment, and the need to trust each other in order to survive in a post-apocalyptic hellscape. It’s not an entirely healthy friendship, but that wouldn’t be nearly as much fun.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren't safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics-all while outrunning packs of feral men, and their own demons.
Manhunt is a timely, powerful response to every gender-based apocalypse story that failed to consider the existence of transgender…
Dark Factory is a very strange object, as it is both a
book and an electronic device, as you can scan QR codes and click on links in
order to get extra information through bonus chapters.
A tale of electronic
music madness and extreme clubbing, Dark Factory focuses on the personalities
and motives of a few central characters dedicated to starting a total revolution
of the senses through their “art total” experiment.
This book really tickled me
in all the good places as it tackles themes that readers can find in my own
city-state novels, such as power, subversion, and the methodical destruction of
reality.
Welcome to Dark Factory! You may experience strobe effects, Y reality, DJ beats, love, sex, betrayal, triple shot espresso, broken bones, broken dreams, ecstasy, self-knowledge, and the void. Dark Factory is a dance club: three floors of DJs, drinks, and customizable reality, everything you see and hear and feel. Ari Regon is the club's wild card floor manager, Max Caspar is a stubborn DIY artist, both chasing a vision of true reality. And rogue journalist Marfa Carpenter is there to write it all down. Then a rooftop rave sets in motion a fathomless energy that may drive Ari and Max…
My favorite fantasy novels tend to be rather complex. Winding plotlines, mysteriously interconnected characters, whimsical settings, and intricate, thoughtful worldbuilding combine to create immersive stories that stick in the mind like overworn folklore. Time travel or interworld travel lend additional layers of intrigue and mystery, forcing the inescapable contemplation of a more thrilling, alternate reality. And if it’s all packaged in artful, breathtaking prose that breeds full-color images, audible noises, indelible flavors, nose-crumpling odors, and tangible textures, I will happily lose myself in the pages, truly forgetting about the strictures of everyday life… at least until I get hungry and remember I need to consume more than books to survive.
As the kid who roamed the halls between classes with a book in my hand, I suspect Wraeththugave my nerd façade an impressive boost: technically an omnibus of three stories, Wraeththuis verythick—in both binding and plot. It follows the emotionally charged and mesmeric tales of a hermaphroditic race that is steadily subsuming the human one in a Darwinian battle for biological perfection. We follow the journeys of a few characters as they navigate the mental and physical growing pains inherent in joining a new race and the wild tribes and communities that have emerged in the wake of their hermaphroditic transformations. Dark, fascinating characters and cultures drive this story to its unusual climax when their true purposes are stunningly revealed.
Here at last in a single volume are all three of Constantine's Wraeththu trilogy: The Enchantments of Flesh and Spirit, The Bewitchments of Love and Hate, and The Fulfilments of Fate and Desire.
In this powerful and elegant story set in a future Earth very different from our own, a new kind of human has evolved to challenge the dominion of Homo sapiens. This new breed is stronger, smarter, and far more beautiful than their parent race, and are endowed with psychic as well as physical gifts. They are destined to supplant humanity as we know it, but humanity won't…
I’m an MK, aka missionary’s kid, who ended up with more questions than answers about this thing called life. I nearly became an astrophysicist but chose finance as the safe bet, which led me to investing in over 150 early-stage tech startups. Along the way, I met and worked with people all over the world. Each with fascinating ideas about how and why we ended up on this waterlogged rock we call home. They say science fiction is the genre of philosophy, and I hope you agree if you get a chance to check out these fantastic books.
I would be lying if I said I love this book due to its stellar writing. Sorry, mate! It’s a great way to see through a teenager’s eyes what they might find and do in parallel worlds. And it has a pretty rad cat, who sometimes speaks with a British accent.
Throw in a couple of orange lizard lesbians trying to chill on Europa, and you have yourself an escapist, if not absurd, book that will keep you entertained.
An award-winning sci-fi comedy about a nerdy teen who tumbles through the multiverse.
It's spring break and Max is stuck at home all by himself. Just the way he likes it. He games online, feasts on junk, and wonders why his cat can suddenly talk.
Thanks to a bizarre mishap, Max has started shifting between parallel universes whenever he falls asleep. A curious affliction, and one that steadily erodes his sanity. Day after day, he awakes to a strange new reality and struggles to make sense of his surroundings.
But then one day he awakes to a hyper-advanced version of…
A member of the LGBTQ community, I set out to write books about people that looked like me, that were under-represented in the media. I’m disabled, living with multiple medical conditions and mental health issues, which also inform my writing. I self-identify as a “full-time geek” – I have a passion for history and science, as well as being an avid gamer. My reading (and writing) time is spent wandering through fantasy realms, traveling the outer reaches of space, or delving into historical time periods.
This sci-fi adventure seems insane when you read the premise – a cowboy, a hitman, and an alien AI armor? Somehow, this manages to actually work, and becomes a thrilling adventure, with a pretty unique romance and fun world-building. It’s just one of those books you need to read to believe.
Riley Cooper is on the run. Misha Tokarev, the love of his life, turned out to be an assassin for the Russian mob, and when it comes to character flaws, Riley draws the line at premeditated murder. Alien armor system McClane is also on the run, for reasons that include accidentally crashing a space ship into Earth and evading U.S. military custody. A failed prototype, McClane was scheduled for destruction. Sabotaging the ship put an end to that, but McClane is dubbed a bone rider for good reason―he can’t live without a host body. That’s why he first stows away…
I grew up in a time when it was nearly unheard of to be out in high school. This led to a very lonely and isolating childhood, with few role models and almost no queer fiction. I'm dedicated to making it easier for the next generation by providing joyful stories about queer people living their best lives. My stories feature proud queer people, where being queer is simply an aspect of their personalities and doesn't dominate the plot. People imitate art, and by providing positive examples of happy queer people, I hope to make the world a more accepting place, one story at a time.
This book is an excellent example of a queer book with a genre plot where the character's sexuality, while important to the plot, never dominates the story. I loved the focus on the developing friendship between the two main characters while one in particular worked through his awakening feelings for the other. It's also filled with enough action and genre plot elements to provide an exciting read.
Jamie and Andrew are strangers, but they're two of the last people left alive. They don't know what they'll find on their dangerous journey ... but they may just find each other. A queer romance about courage, hope and humanity for fans of They Both Die at the End, The Hunger Games and Simon vs the Homo Sapiens Agenda.
When the Superflu wipes out most of the population, Jamie finds himself completely alone in a cabin in the woods - until an injured stranger crosses his path.
Life is dangerous now and, armed with a gun, Jamie goes to pull…
I've got a soft spot for sci-fi and queer romance, so I wasn't surprised how quickly I fell in love with this book. What did surprise me was how this story kept pulling the rug out from under me, forcing me to continually re-evaluate everything I thought I knew about the characters, their environment, their mission, and their fates.
As a sci-fi, it is a masterful piece of story craft. As a romance, my poor, tender heart got all but pulped due to catch-and-release throughout the storyline.
This book blew my mind about ten times over. It truly kept me guessing until the very end. An absolute page-turner!
They Both Die at the End meets The Loneliest Girl in the Universe in this mind-bending sci-fi mystery and tender love story about two boys aboard a spaceship sent on a rescue mission, from two-time National Book Award finalist Eliot Schrefer. Stonewall Honor Award winner!
Two boys, alone in space. Sworn enemies sent on the same rescue mission.
Ambrose wakes up on the Coordinated Endeavor with no memory of a launch. There's more that doesn't add up: evidence indicates strangers have been on board, the ship's operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded…
