Here are 100 books that Wraeththu fans have personally recommended if you like
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Growing up, I didn’t read that much. My school-assigned books felt like enough. The turning point, as I remember it, was my introduction to Terry Pratchett. His Discworld novels were lighthearted and fun, but they still explored serious themes and presented honest reflections on humanity. That blend of levity and sincerity stuck with me and introduced me to the style of storytelling I now aim for in my own work. I find a lighter-hearted approach can make difficult or elusive topics more approachable, and mixing a little humor into the narrative helps us care. It connects us more deeply to the characters and makes a story’s heartfelt moments shine.
An angel and a demon work together to stop the antichrist from destroying the world. Simple enough. But things get off to a rocky start when they spend the first eleven years monitoring the wrong child.
I initially read this book on vacation, and while I don’t remember much about the trip itself, I remember the book! An otherwise-normal pre-teen with the power to shape reality takes this story to appropriate (and absurd) extremes, but at its core, it’s a narrative about good and evil, human nature, and free will—and it approaches these themes with sincerity, nuance, and care.
Come for the laughs, stay for the laughs…and for the profound reflection on humanity.
THE BOOK BEHIND THE AMAZON PRIME/BBC SERIES STARRING DAVID TENNANT, MICHAEL SHEEN, JON HAMM AND BENEDICT CUMBERBATCH
'Ridiculously inventive and gloriously funny' Guardian
What if, for once, the predictions are right, and the Apocalypse really is due to arrive next Saturday, just after tea?
It's a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon, now find themselves in. They've been living amongst Earth's mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.
As a debut novelist at the age of fifty-seven, I’ve spent most of my life as a reader, not an author. My love of reading began with The Little House books by Laura Ingalls Wilder and flourished when I discovered the genre of fantasy with The Wizard of Earthsea by Ursula K. LeGuin. Is it any wonder I giggle with delight when I stumble upon a book that makes me believe in magic again? When an author weaves the supernatural into their story in a natural way, my expectations shift, and my heart opens to the power of the unknown to teach me something new and take me somewhere extraordinary.
I love books about books, so I was thrilled when Oxford's Bodleian Library and a bewitched alchemical manuscript turned up as the linchpin of this enchanting love story between a vampire and a reluctant witch.
While this story was made into a television series, do yourself a favor and read the entire trilogy. Harkness creates a compelling framework of history and heroics, love and loss, and friendship and betrayal for her underworld creatures to inhabit. And these are not your typical creatures of the night, but accomplished scholars, physicians, and scientists.
This book is one of those rare novels I wish I could read again for the first time and fall under its magical and mesmerizing spell anew.
In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont.
My favorite fantasy novels tend to be rather complex. Winding plotlines, mysteriously interconnected characters, whimsical settings, and intricate, thoughtful worldbuilding combine to create immersive stories that stick in the mind like overworn folklore. Time travel or interworld travel lend additional layers of intrigue and mystery, forcing the inescapable contemplation of a more thrilling, alternate reality. And if it’s all packaged in artful, breathtaking prose that breeds full-color images, audible noises, indelible flavors, nose-crumpling odors, and tangible textures, I will happily lose myself in the pages, truly forgetting about the strictures of everyday life… at least until I get hungry and remember I need to consume more than books to survive.
I cut my young-adult teeth on the Dragonriders of Pern, and it contributed in large part to my fascination with dragons and subsequent dream of writing about them. McCaffrey’s dragonriders enjoyed such a long-enduring culture that many ancient, efficient ways of surviving were long forgotten to them. But now, while engaged in an unending battle against the thread—small, worm-like creatures invading their planet to prey on its biological matter—the dragonriders learn how severely they have been disadvantaged by the careless lapses in their cultural recordkeeping. This complexly interwoven and expansive cast of characters (which necessitates a glossary) unfolds the mysteries of dragons, dragonriders, and thread in surprising and creatively tangled ways.
NEW YORK TIMES BESTSELLER • Together in one volume—the first three books in the world’s most beloved science-fiction series!
DRAGONFLIGHT
On a beautiful world called Pern, an ancient way of life is about to come under attack. Lessa is an outcast survivor—her parents murdered, her birthright stolen—a strong young woman who has never stopped dreaming of revenge. But when an ancient threat reemerges, Lessa will rise—upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly, and Pern will be changed forever.
My favorite fantasy novels tend to be rather complex. Winding plotlines, mysteriously interconnected characters, whimsical settings, and intricate, thoughtful worldbuilding combine to create immersive stories that stick in the mind like overworn folklore. Time travel or interworld travel lend additional layers of intrigue and mystery, forcing the inescapable contemplation of a more thrilling, alternate reality. And if it’s all packaged in artful, breathtaking prose that breeds full-color images, audible noises, indelible flavors, nose-crumpling odors, and tangible textures, I will happily lose myself in the pages, truly forgetting about the strictures of everyday life… at least until I get hungry and remember I need to consume more than books to survive.
Nearly any of Christopher Moore’s other books would have better fit this list generically, but I am relying (heavily) on the presence of fantastical creatures and magic spells to maintain the necessary toe in the fantasy pool for my non-sequitur selection of Fool.Based skeletally on Shakespeare’s King Lear,Fool credits Lear’s court jester, Pocket—along with MacBeth’s trio of witches, a “bloody ghost,” and other foils—for engendering the war that followed the king’s tragic decision to disinherit his kindest daughter in favor of his other conniving offspring. Linguistic and bawdy humor are packaged in Moore’s cockeyed and delightfully Will-esque prose, rendering half the fun—at least for readers fond of the Bard—the detection of Shakespearean elements amidst olde-timey twists on today’s ruder colloquialisms.
This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,. . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!'
So speaks Christopher Moore, one of America's funniest and bestselling authors, regarded as highly as classic satirists such as Terry Pratchett and Douglas Adams.
Read Fool and discover for yourself why this book has dominated bestseller lists across the world, and why it has reduced millions of grown men and women to tears of helpless laughter...
I’ve been teaching, writing, and learning about Indian issues, past and present, for more than four decades. I taught for several years on the Rosebud Sioux Reservation in South Dakota, and for years I was a correspondent for Indian Country Today and reported from reservations across the country and several Mexican states. I’ve written and published widely about rez issues including cultural repatriation, land use, Native corporations, language preservation, environmental dumping, and Indian law. I’ve spent a lot of time listening, watching, and reading before putting my own thoughts down on paper, and these are some of the books that have deeply moved me.
Buffalo Bill made a movie on the rez about Indians? Geronimo had a Cadillac? Indian rhythms are all over 20th-century classical music? Philip Deloria has a knack for showing us how Indian people usually defy what the media says they are—they turn up in funny places, do remarkable things, and achieve extraordinary results. Many of the Indians in this book aren’t found on the reservation, a reminder that Native people have traveled far and wide to do astonishing things when the spirit of adventure calls.
What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions of Native America. Philip Deloria's revealing accounts of Indians doing unexpected things - singing opera, driving cars, acting in Hollywood - explores this cultural discordance in ways that suggest new directions for American Indian history. Deloria chronicles how Indians came to represent themselves in Wild West shows, Hollywood films, sports, music, and even Indian people's use of the automobile - an ironic counterpoint to today's highways teeming with Dakota pickups and…
Born and raised in Ohio, the “First West,” I was trained by top historians of the American West at the University of Toledo where I received my doctorate in American History. I’ve worked as a university and research fellow, a writer in the business world, and a professor of history and department chair at Lourdes University. I left my teaching and administrative career to become a full-time writer. Along with Unlikely General, my recent books have included The Other Trail of Tears: The Removal of the Ohio Indians and Interrupted Odyssey: Ulysses S. Grant and the American Indians. Currently, I’m writing a dual biography of William Henry Harrison and Tecumseh.
Historians have written moving accounts of the discovery and settlement of the American West, but Alvin Josephy in The Patriot Chiefs tells the same story from the “other side,” meaning from the point of view of the many Indian chiefs who tried to stop the advance of first, the American colonies, and then, the American nation. One by one, their lives and their struggles light up before the reader. Although I read the book years ago, Josephy’s vivid portraits of Hiawatha, King Philip, Popé, Pontiac, Tecumseh, Osceola, Black Hawk, Crazy Horse, and Chief Joseph stay alive in my imagination to this very day. Their stories, like those of every daring explorer and hardy pioneer who made their way west, must be remembered as part of the great story of America.
"A valuable chronicle of the greatness and majesty of the Indian chiefs."-Christian Science Monitor
Told through the life stories of nine Indian chiefs, this narrative depicts the American Indian effort to preserve a heritage and resist the changes brought by the white man. Hiawatha, King Philip, Pope, Pontiac, Tecumseh, Osceola, Black Hawk, Crazy Horse, and Chief Joseph each represent different tribal backgrounds, different times and places, and different aspects of Indian leadership. Soldiers, philosophers, orators, and statesmen, these leaders were the patriots of their people. Their heroic and tragic stories comprise an integral part of American history.
It is a healing gesture to honor Indigenous Americans and others during the month-long celebrations intended to remedy the omission of groups, whose origins are not European. We need more! Let's create inclusivity! In an inclusive society, who are the "them" and who are the "us?" We all need to be recognized as citizens of our country instead of occasional entertainment for "drive-by" tourists of diversity. Inclusivity also means caring for all who share our planet: all other animals; waters; terrains; plants, etc. My award-winning books have usually been about Native peoples of North America, particularly the United States, and how we have always been here and still exist.
Thomas King is one of my favorite authors so of course I think everyone should read all of his books, fiction and non-fiction. In The Inconvenient Indian, King shares an account of Indian—white relations in North America since the beginning. And he does it by chronicling official government Indian policy, pop culture, personal observations, wisdom, truth, and humor. He debunks stereotypes, recounts events accurately, and in spite of all the brutal truth-telling presents a way for Indigenous and those of the dominant culture to heal. My favorite King fiction work is Medicine River, which was made into a film (spoiler alert - he's in it!).
In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian-White relations in North America since initial contact. Ranging freely across the centuries and the Canada-U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.
I grew up in a family of strong women, and have always been drawn to women with brains and a sense of humor. When I worked in theater as an actor, director, and designer, my favorite stage manager and designers were women because they looked at the production challenges from a different angle than mine, so we both learned something while coming up with the best possible ideas and solutions. I can’t stand fluffy “victim” females. The women in my stories are always looking for a better way and a better world. Both my detective series feature several strong, resourceful women that complement the male detective, adding humor and insight, and—I hope—more humanity.
American Indian Jane Whitefield rescues people the police can’t protect and helps them find new identities and new homes. But now her job is complicated because Pete Hatcher, a Vegas gambling executive, is the target of Earl and Linda, a lethal tag team who will become very rich if Hatcher dies. The job is even more complicated because Jane has recently married Corey, a successful local surgeon, so it’s harder to maintain a low profile in the town. When Earl and Linda hone in on Corey, Jane realizes she has to protect her own family as well as her client, and her foes know every trick that she knows, too.
In her latest adventure, Jane Whitefield, who helps people in trouble disappear from one life and establish a new identity, is hired by a Las Vegas gambling casino executive running from contract killers. But the killers are on the trail of the shadow woman and soon Jane becomes the principle target of their rage and revenge.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.
More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world.
“This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
I grew up in Colorado and visited national parks all over the country on summer vacations with my family. Now I write about U.S. Western history while living outside Boston, Massachusetts. My most recent book, The Three-Cornered War: The Union, the Confederacy, and Native Peoples in the Fight for the West (Scribner 2020) was a finalist for the 2021 Pulitzer Prize in History. I have written about the Civil War and the U.S. West for The New York Times, Washington Post, The Atlantic, Smithsonian Magazine, and Civil War Monitor. Scribner will publish my next book, Saving Yellowstone: Exploration and Preservation in Reconstruction America, on March 1, 2022.
Neither Muir nor Sellars pay much attention to Indigenous communities living in or near national parks—Dispossessing the Wilderness puts the lie to the claim that Native peoples were afraid of or have vanished from these places. Spence examines the Indigenous histories of Yellowstone, Glacier, and Yosemite, and concludes that while white federal officials expended a tremendous amount of energy promoting the myth that the nation’s national parks are “uninhabited wildernesses,” Indigenous communities have continued to claim them in various ways. Compelling and wide-ranging in its analysis, this is a must-read for fans of the national park system.
This book examines the ideal of wilderness preservation in the United States from the antebellum era to the first half of the twentieth century, showing how the early conception of the wilderness as the place where Indians lived (or should live) gave way to the idealization of uninhabited wilderness. It focuses on specific policies of Indian removal developed at Yosemite, Yellowstone, and Glacier national parks from the early 1870s to the 1930s.
