100 books like Good Omens

I'm a fiction author and minister from Upstate New York. As a young boy, I had many supernatural experiences. My earliest memory is of a supernatural basis. For me, the unseen world, and those things that others either deny exist or have relegated to ancient history and myth, have always been real to me. Reading, films, video games, and all other forms of storytelling were ways for me to experience the strange and the mysterious. What I found as I walked through such places as Middle Earth, Narnia, and Ice Wind Dale, was that the stories of these characters that overcame adversity, failures, and weaknesses to become heroes inspired me as well.

Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.

I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.

Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.

Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.

From a young age, I've been captivated by evolution and its implications for the future. I immersed myself in classical works of philosophy and literature that explored human emotions and our relentless drive to succeed against all odds, advancing human knowledge and shaping society. This fascination with understanding the future led me to write op-ed pieces on foreign policy and geopolitics for prominent newspapers in South Asia. My desire to contribute to a better future inspired me to author three nonfiction books covering topics such as the Islamic Social Contract, Lessons from the Quran, and Reflections on God,  Science, and Human Nature. 

As a debut novelist at the age of fifty-seven, I’ve spent most of my life as a reader, not an author. My love of reading began with The Little House books by Laura Ingalls Wilder and flourished when I discovered the genre of fantasy with The Wizard of Earthsea by Ursula K. LeGuin. Is it any wonder I giggle with delight when I stumble upon a book that makes me believe in magic again? When an author weaves the supernatural into their story in a natural way, my expectations shift, and my heart opens to the power of the unknown to teach me something new and take me somewhere extraordinary.

I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.

I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!

I am an American-born writer and I have been writing fantasy and science fiction since I was just out of elementary school. I have been obsessed with Star Wars (and later Trek) since I was able to watch television, and I believe I was twelve when Peter Jackson’s Fellowship of the Ring hit theaters…needless to say, I have not stopped reading and writing fantasy since. The books on my list are some (but not all) of my very favorites and many of them have gone on to heavily inspire my own style when writing my own works.